{"title":"Boydell \u0026 Brewer Inc.","description":null,"products":[{"product_id":"mystical-islam-and-cosmopolitanism-in-contemporary-german-literature-9781640140103","title":"Mystical Islam and Cosmopolitanism in Contemporary German Literature","description":"\u003cb\u003eHighlights the spirituality and cosmopolitanism of four contemporary German Muslim writers, showing that they undermine the \"clash-of-civilizations\" narrative and open up space for new ways of coexisting.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAt a time when the place of Muslims in German society is being disputed, this book explores how four contemporary German writers of Muslim backgrounds - Zafer Senocak, SAID, Feridun Zaimoglu, and Navid Kermani - point beyond identity politics and suggest new ways of thinking about religion and community. Twist highlights both the spirituality and the cosmopolitanism of these authors, bringing their thought into dialogue with the work of Jean-Luc Nancy.\u003cbr\u003eNancy is critical of communities based on a single guiding principle (be it God or Reason) and thus involving a universalizing core that leads to conflicts between identity groups. He proposes alternative notions of both religious faith (a postmonotheistic version with elements of mysticism) and community (spontaneous communities requiring no shared identity). Twist relates these arguments to post-9\/11 debates over cosmopolitanism and religion, illuminating how the writers under study draw upon mystical Islam's deconstructive potential, finding divine insight in love, sex, music, pain, and beauty. Such a worldly and affective spirituality dispels associations between Islam and sexual conservatism while rejecting monotheistic ideology. Thus, unlike the homogenizing drive of universalist cosmopolitanism, these writers' nonfoundational conceptualizations undermine the twenty-first century's \"clash-of-civilizations\" narrative and open up space for new ways of coexisting.\u003cbr\u003e\u003cbr\u003e  JOSEPH TWIST is Fixed-term Lecturer in German at University College Dublin.","brand":"Joseph Twist","offers":[{"title":"Default Title","offer_id":48268192678139,"sku":"9781640140103","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9781640140103.jpg?v=1772485779"},{"product_id":"the-myth-of-the-press-gang-9781783270033","title":"The Myth of the Press Gang","description":"\u003cb\u003eOverturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eSHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.\u003cbr\u003e\u003cbr\u003e   The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century.  This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detail on the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories.  It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a range of recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen.  The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.\u003cbr\u003e\u003cbr\u003e  J. Ross Dancy is Assistant Professor of History at Sam Houston State University.","brand":"J. 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While attention to Afro-Hispanic and Afro-Brazilian literature has increased in recent decades, few critics have focused specifically on the Afro-Latin American \u003ci\u003eBildungsroman, \u003c\/i\u003eand fewer still have addressed novels from both Spanish- and Brazilian-speaking regions, as author Bonnie Wasserman does in this study.\u003cbr\u003e\u003cbr\u003eThe memory and continuing impact of slavery especially shape these coming-of-age stories. Often interwoven with race is a focus on religion, particularly the importance of African folk religions and traditions in the lives of young people. 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The contributors examine the composition, dissemination and reception of historical texts written in Anglo-Norman, Latin and English, including the Prose \u003ci\u003eBrut \u003c\/i\u003e chronicle (c. 1300 and later), \u003ci\u003eCastleford's Chronicle\u003c\/i\u003e (c. 1327),and Nicholas Trevet's \u003ci\u003eLes Cronicles\u003c\/i\u003e (c. 1334), looking at questions of the processes of writing, rewriting, printing and editing history. They cross traditional boundaries of subject and period, taking multi-disciplinary approaches to their studies in order to underscore the (shifting) historical, social and political contexts in which medieval English chronicles were used and read from the fourteenth century through to the present day.\u003cbr\u003e As such, the volume honours the pioneering work of the late Professor Lister M. 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Edward I of England's 1282 conquest brought with it major changes to society, governance, power and identity, and thereby to the traditional system of the law. Despite this, in the post-conquest period the development of law in Wales and the March flourished, and many manuscripts and lawbooks were created to meet the needs of those who practised law.\u003cbr\u003e\u003cbr\u003eThis study, the first to fully reappraise the entire corpus of law manuscripts since Aneurin Owen's seminal 1841 edition, begins by considering the background to the creation of the law from the earliest period, particularly from c.1100 onwards, before turning to the \"golden age\" of lawmaking in thirteenth-century Gwynedd. The nature of the law in south Wales is also examined in full, with a particular focus on later developments, including the different use of legal texts in that region and its fourteenth- and fifteenth-century manuscripts. 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It was mainly through him that the English Catholics were provided with an extensive polemical, catechetical, pastoral and devotional literature of their own. Coghlan was also a pivotal figure in the infrastructure and logistics of the Catholic community, acting as a middleman between the various layers and segments of that community. In the turbulent days of the Catholic Committee after 1785, he found himself uneasily in the midst of the fray. He corresponded with dozens of British Catholics, at home and abroad, and his letters, pious, shrewd, dedicated, garrulous and eminently practical, yield a fascinating insight into the day-to-day working of Catholic book production as well as the behind-the-scenes life of the English Catholic community.\u003cbr\u003e FRANS KORSTEN, JOSS BLOM and FRANS BLOM teach English Literature at Radboud University, Nijmegen, The Netherlands.\u003cbr\u003e GEOFFREY SCOTT is Abbot of Douai.","brand":"Frans Blom","offers":[{"title":"Default Title","offer_id":48268193595643,"sku":"9780902832237","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9780902832237_88a25739-2f1c-41d1-8da1-989a4cc71771.jpg?v=1772483391"},{"product_id":"the-idea-of-art-music-in-a-commercial-world-1800-1930-9781783270651","title":"The Idea of Art Music in a Commercial World, 1800-1930","description":"\u003cb\u003eOpens up significant paths for conversation about how musical concepts, practices and products were shaped by interrelationships between culture and commerce.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eArt and money, culture and commerce, have long been seen as uncomfortable bedfellows. 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Understanding how art music was portrayed and perceived in a modernizing marketplace, and how culture and commerce interacted, are the book's main goals.\u003cbr\u003e   In this volume, international scholars from musicology and other disciplines address a range of unexplored topics, including the relationship of sacred music with commerce in the mid nineteenth century, the roleof music in urban cultural development in the early twentieth, and the marketing of musical repertories, performers and instruments across time and place, to investigate what happened once art music began to be understood as needing to exist within the wider framework of commercially oriented culture. Historical case studies present contrasting topics and themes that not only vary geographically and ideologically but also overlap in significant ways, pushing back the boundaries of the 'music as commerce' discussion. 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By revealing how these influences helped form Neuhaus's distinct vision of a performer's subjectivity -- what he called an artist's \"autopsychography\" -- the book emphasizes important aesthetic principles and practices that were adopted by creative artists eager to escape the banality and limitations imposed by Socialist Realism.\u003cbr\u003e\u003cbr\u003e MARIA RAZUMOVSKAYA, a recital pianist and researcher, teaches at the Guildhall School of Music and Drama.","brand":"Maria Razumovskaya","offers":[{"title":"Default Title","offer_id":48268193726715,"sku":"9781580469326","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9781580469326.jpg?v=1772485067"},{"product_id":"the-scottish-enlightenment-9781580460651","title":"The Scottish Enlightenment","description":"\u003cb\u003eA collection of essays dealing with the history of the Scottish Enlightenment, its connection with the European Enlightenment in general, such major figures as Francis Hutcheson, Thomas Reid, and David Hume, and the making of theScottish identity.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eA collection of ten specially commissioned essays addressing five themes central to any study of the Scottish Enlightenment: one, the place [both physical and cognitive] of science and medicine in the Scottish Enlightenment; two,the institutionalization of enlightenment in the universities; three, the cultivation of the different branches of \"the science of man\" in the Scottish Enlightenment; four, the national and international contexts of enlightenmentthought in Scotland; and five, the historiography of the Scottish Enlightenment.\u003cbr\u003e  Taking up these themes, the editor and contributors explore facets of enlightened culture in Scotland which have not been given their due in the literature, and reassess current interpretations of various aspects of the Scottish Enlightenment specifically and its relation to the European Enlightenment in general. 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For these reasons, genealogical writing in medieval Wales, as elsewhere in Europe, became a fundamental tool for representing and manipulating perceptions of the socio-political order across historical and literary time. From its beginnings within an early medieval Insular genre of genealogical writing, Welsh genealogy developed across the Middle Ages as a unique and pervasive phenomenon.\u003cbr\u003e\u003cbr\u003e This book provides the first integrated study of and comprehensive introduction to genealogy in medieval Wales, setting it in the context of genealogical writing from Ireland, England and beyond and tracing its evolution from the eighth to the sixteenth century. The three most important collections of secular genealogies are carefully analysed and their composition is considered in relation to medieval Welsh politics. Particular attention is devoted to the pedigrees of the kings and princes of Gwynedd, which were subject to many intricate alterations over time. 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Other papers survey the deaths of kings, the role of the Norman \u003ci\u003evicomte\u003c\/i\u003e, the estates of the king's wife in Anglo-Saxon England, and lay piety. John Gillingham's Allen Brown Memorial Lecture considers right conduct in battle. \u003cbr\u003e\u003cbr\u003e C.P. 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Mellon Foundation. \u003cbr\u003e\u003cbr\u003e  One of the cherished narratives of American history is that of the Statue of Liberty welcoming immigrants to its shores. Accounts of the exclusion and exploitation of Chinese immigrants in the late nineteenth century and Japanese internment during World War II tell a darker story of American immigration. Less well-known, however, is the treatment of German-Americans and Germannationals in the United States during World War I. Initially accepted and even welcomed into American society at the outbreak of war, this group would face rampant intolerance and anti-German hysteria.\u003cbr\u003e\u003cbr\u003e  Melissa D. Burrage's book illustrates this dramatic shift in attitude in her engrossing narrative of Dr. Karl Muck, the celebrated German conductor of the Boston Symphony Orchestra, who was targeted and ultimately disgraced by a New York Philharmonic board member and by capitalists from that city who used his private sexual life as a basis for having him arrested, interned, and deported from the United States. While the campaign against Muck made national headlines, and is the main focus of this book, Burrage also illuminates broader national topics such as: Total War; State power; vigilante justice; internment and deportation; irresponsible journalism; sexual surveillance; attitudes toward immigration; anti-Semitism; and the development of America's musical institutions. The mistreatment of Karl Muck in the United States provides a narrative thread that connects these various wartime and postwar themes.","brand":"Melissa D Burrage","offers":[{"title":"Default Title","offer_id":48268194840827,"sku":"9781648251283","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9781648251283.jpg?v=1772485993"},{"product_id":"iobservations-on-modern-gardeningi-by-thomas-whately-9781837653836","title":"Observations on Modern Gardening, by Thomas Whately","description":"\u003cb\u003eEdition, with commentary, of the first comprehensive attempt to describe the landscape garden.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThomas Whately's Observations on Modern Gardening (1770) is the first and most comprehensive study of what has come to be known as the English landscape garden, often claimed to be this country's greatest original contribution to the fine arts. It became the standard text on the subject; its authority was accepted at home and abroad, and the book was read widely across Europe, mainly in a French translation.  It influenced taste and design; taught visitors how to respond to gardens; analysed natural and built elements of the garden; suggested principles of design; and provided descriptions of major gardens of the day, such as those at Blenheim and Piercefield (Monmouthshire), together with the author's responses, aesthetic, mental and emotional. It indicates a taste for the natural and the \"picturesque\", foreshadowing romanticism.\u003cbr\u003e\u003cbr\u003e This first modern edition of the text is accompanied by an introduction and full commentary, covering both general considerations and specific points and topics. Contemporary illustrations have been chosen to illuminate further the gardens and places discussed.","brand":"Michael Symes","offers":[{"title":"Default Title","offer_id":48268195168507,"sku":"9781837653836","price":36.95,"currency_code":"USD","in_stock":true}]},{"product_id":"the-household-accounts-of-william-laud-archbishop-of-canterbury-1635-1642-9781783273867","title":"The Household Accounts of William Laud, Archbishop of Canterbury, 1635-1642","description":"\u003cb\u003eContributes to a better understanding not only of ecclesiastical power and politics but of life in an élite household in seventeenth-century Britain\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Lambeth and Croydon Palace accounts for William Laud, Archbishop of Canterbury, represent the only extant record of the archiepiscopal household during his tenure in office. Spanning the period from December 1635 to January 1642, they offer a unique prism through which to view the highs and the lows of Laud's controversial career. They provide a wealth of new insights into his formal role, his private life and his personal habits, while at the same time casting new light on his associations with men and women from across the social hierarchy, including courtiers, privy councillors, merchants, MPs and, of course, the king. Yet the document itself, lost between 1642 and 1912 andnow housed in the National Archives, Kew, has almost entirely escaped the attention of modern scholars.\u003cbr\u003e This important manuscript is edited and analysed here in full for the first time. A lengthy introduction provides an overview of the ways in which the document brings to life both the household and its head, demonstrating how the household responded to its immediate social environment and the wider political context; interrogating the gifts and their givers to identify networks of people in social, political and religious terms; and, more generally, teasing out the relationship between material objects and political power. This is followed by a complete text of the manuscript, with contextual footnotes. Thus, the volume contributes to a deeper understanding not only of ecclesiastical power and politics, but of life in an \u003ci\u003eélite\u003c\/i\u003e household in seventeenth-century Britain.\u003cbr\u003e\u003cbr\u003e   LEONIE JAMESis Lecturer in History at the University of Kent, Canterbury and author of \u003ci\u003e'This Great Firebrand': William Laud and Scotland, 1617-1645\u003c\/i\u003e (Boydell Press, 2017).","brand":"Leonie James","offers":[{"title":"Default Title","offer_id":48268195201275,"sku":"9781783273867","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9781783273867_2157b416-a70d-45d6-a3bf-5dcb8f59b1b9.jpg?v=1772486602"},{"product_id":"orderic-vitalis-life-works-and-interpretations-9781783274024","title":"Orderic Vitalis: Life, Works and Interpretations","description":"\u003cb\u003eFirst full-length collection on one of the most significant and influential historians of the medieval period.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings.\u003cbr\u003e\u003cbr\u003e  Charles C. Rozier gained hisPhD from the University of Durham; Daniel Roach gained his PhD from the University of Exeter; Giles E.M. Gasper is Senior Lecturer in History, University of Durham; Elizabeth van Houts is Honorary Professor of Medieval European History, University of Cambridge.\u003cbr\u003e\u003cbr\u003e   Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. 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And what order exactly did it wish to establish?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eChurchill once famously remarked that he would not join the navy because it was \"all rum, sodomy and the lash\".  How far this was true of the navy during the French Revolutionary and Napoleonic Wars is the subject of this important new book.\u003cbr\u003e\u003cbr\u003e Summary punishments, courts martial, flogging and hanging were regularly made use of in this period to establish order in the navy. Based on extensive original research, including a detailed study of ships' captain's logs and muster tables, this book explores the concepts of order and disorder aboard ships and examines how order was preserved.  It discusses the different sorts of disorder and why they occurred; argues that officers toosometimes pushed against the official order; and demonstrates that order was much more than the simple enforcement of the Articles of War. \u003cbr\u003e\u003cbr\u003eThe book argues that the behaviours that were punished, how and to what degree reveal what the navy saw as most resistive or dangerous to its authority and the order it wanted established. In addition, it considers the role of patronage in shaping order, outlining how this was affected by Admiralty moves to centralise appointments, and shows that acts of disorder were plentiful, and increasing, in this period, and that the imbalance in court martial outcomes for sailors, marines and warrant officers, in comparison to commissioned officers, points to a flawed system of justice. Overall, the book provides an extremely nuanced picture of order and how it was preserved.\u003cbr\u003e\u003cbr\u003e Thomas Malcomson is a Professor in the School of Liberal Arts and Sciences at George Brown College, Toronto, Ontario.  He completed his doctorate in history at York University, Toronto.","brand":"Thomas Malcomson","offers":[{"title":"Default Title","offer_id":48268196086011,"sku":"9781783271191","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9781783271191.jpg?v=1772486586"},{"product_id":"lutoslawskis-worlds-9781783271986","title":"Lutoslawski's Worlds","description":"\u003cb\u003eWitold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eWitold Lutoslawski (1913-1994) was one of the most important composers of the twentieth century. His significance extends far beyond his native Poland: his classical music was premiered by internationally renowned performers likethe LaSalle Quartet and Krystian Zimerman, and his symphonies, concertante, chamber, instrumental and vocal music are produced by the leading labels of the recording industry. Lutoslawski's vita is just as captivating as his compositionally path-breaking music. He lived through the Second World War and brutal German oppression of Poland, negotiated the challenges of Soviet influence and fluctuating local politics during Poland's post-war transition to communism, and finally strove for a new voice in the post-Stalin Thaw of the mid-1950s.\u003cbr\u003e   \u003ci\u003eLutoslawski's Worlds\u003c\/i\u003e is a landmark volume which looks at the multi-faceted spheres that informed the composer's life and works andrepresents a new departure in the study of his music. Throughout his life, he steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention to the many other spheres of creative activity - popular music, theatre music, film scoring, propaganda music, and educational music - that occupied him. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLISA JAKELSKI is Associate Professor of Musicology at the Eastman School of Music, University of Rochester.\u003cbr\u003eNICHOLAS REYLAND is Head of Undergraduate Programmes at the Royal Northern College of Music.\u003cbr\u003eContributors: STANISLAW BEDKOWSKI, ANDREA F. BOHLMAN, DANUTA GWIZDALANKA, LISA JAKELSKI, MICHAEL L. 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Analyzing Meisel-Hess's fiction as well as her sexological studies, Thorson argues that Meisel-Hess posited herself as both a \"New Woman\" and the writer of the \"New Woman.\"\u003cbr\u003eThe book draws on extensive archival research that uncovered a large number of new sources, including an unpublished drama and a variety of documents and letters scattered in collections across Europe. Until now there have been only limited secondary sources about Meisel-Hess, most containing errors and omissions regarding her biography. 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The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.\u003cbr\u003e Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.\u003cbr\u003e\u003cbr\u003e  Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. 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Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentiethcentury, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', art collecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century.\u003cbr\u003e\u003cbr\u003e VICKI P. 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African cultures have been evolving in response to change, and in other ways solidly rooted in a shared past. The book successfully deconstructs the last one hundred and fifty years of cultures that have been disrupted, replaced, and resurrected. \u003ci\u003eThe Power of African Cultures\u003c\/i\u003e challenges many preconceived notions, such as male dominance and female submission, the supposed unity of ethnic groups, and contemporary Western stereotypes of Africans.\u003cbr\u003e It also shows the dynamism of African cultures to adapt to foreign imposition: even as colonial rule forced the adoption of foreign institutions and cultures, African cultures appropriated these elements. Traditions were reworked, symbols redefined, and the past situated in contemporary problems in order to accommodate the modern era.\u003cbr\u003e\u003cbr\u003e  Toyin Falola is a Fellow of the Nigerian Academy of Letters and Fellow of the Historical Society of Nigeria. He is the recipient of the 2006 Cheikh Anta Diop Award for Exemplary Scholarship in AfricanStudies, and the 2008 Quintessence Award by the Africa Writers Endowment. He holds an honorary doctorate from Monmouth University and he is University Distinguished Teaching Professor at the University of Texas at Austin where heis also the Jacob and Frances Sanger Mossiker Chair in the Humanities. 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Combining cultural analysis with historical and personal accounts of a century of musical life at the American Academy in Rome, the book offers new perspectives on a wide range of critical topics: patronage and urban culture, institutions and professional networks, musical aesthetics, American cultural diplomacy, and the maturation ofa concert-music repertory in the United States during the twentieth century.\u003cbr\u003e\u003cbr\u003e  Contributors: Martin Brody, Elliott Carter, John Harbison, Christina Huemer, Carol J. 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It examines how the Norman dukes were able to establish and then to maintain themselves in their duchy, providing a new historical narrative in the process. It also explores the various tools that they used to promote and enforce their authority, from the recruitment of armies to the use of symbolism and emotions at court. In particular, it also seeks to come to terms with the practicalities of ducal power, and reveals that it was framed and promoted from the bottom up as much as from the top down.   In around 911, the Viking adventurer Rollo was granted the city of Rouen and its surrounding district by the Frankish King Charles the Simple. Two further grants of territory followed in 924 and 933. But while Frankish kings might grant this land to Rollo and his son, William Longsword, these two Norman dukes and their successors had to fight and negotiate with rival lords, hostile neighbours,kings, and popes in order to establish and maintain their authority over it.\u003cbr\u003e This book explores the geographical and political development of what would become the duchy of Normandy, and the relations between the dukes and these rivals for their lands and their subjects' fidelity. It looks, too, at the administrative machinery the dukes built to support their regime, from their toll-collectors and \u003ci\u003evicomtes\u003c\/i\u003e (an official similar to the English sheriff) to the  political theatre of their courts and the buildings in which they were staged. At the heart of this exercise are the narratives that purport to tell us about what the dukes did, and the surviving body of the dukes'diplomas. Neither can be taken at face value, and both tell us as much about the concerns and criticisms of the dukes' subjects as they do about the strength of the dukes' authority. The diplomas, in particular, because most of them were not written by scribes attached to the dukes' households but rather by their beneficiaries, can be used to recover something of how the dukes' subjects saw their rulers, as well as something of what they wanted or neededfrom them. Ducal power was the result of a dialogue, and this volume enables both sides to speak.","brand":"Mark Hagger","offers":[{"title":"Default Title","offer_id":48268197855483,"sku":"9781783275380","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9781783275380_d13c7cfc-bcba-41aa-b197-cad5b56cf8ba.jpg?v=1772486609"},{"product_id":"the-victoria-history-of-the-county-of-norfolk-9780712906463","title":"The Victoria History of the County of Norfolk","description":"\u003cp\u003ePublished by Boydell \u0026amp; Brewer Inc.\u003c\/p\u003e","brand":"William Page","offers":[{"title":"Default Title","offer_id":48268198117627,"sku":"9780712906463","price":145.0,"currency_code":"USD","in_stock":true}]},{"product_id":"goethe-yearbook-16-9781571133960","title":"Goethe Yearbook 16","description":"\u003cb\u003eGroundbreaking essays highlighting Goethe's relevance to contemporary theoretical debates and Goethe criticism of recent decades.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe \u003ci\u003eGoethe Yearbook,\u003c\/i\u003e first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the \u003ci\u003eGoethezeit,\u003c\/i\u003e while also welcoming contributions from scholars around the world.\u003cbr\u003e \u003ci\u003eGoethe Yearbook\u003c\/i\u003e 16 presents innovative interpretations by young scholars of Goethe's most prominent works. A special section on 20th-century theory, co-edited by Angus Nicholls, demonstrates the poet's importance within areas of contemporary debate such as postcolonial criticism and Heideggerian phenomenology. The volume includes Judith Ryan's 2007 Presidential Address to the Goethe Society on the aphorisms in \u003ci\u003eDie Wahlverwandtschaften\u003c\/i\u003e and the \u003ci\u003eWanderjahre,\u003c\/i\u003e as well as essays on aspects of \u003ci\u003eHermann und Dorothea, Iphigenie, Wilhelm Meisters Lehrjahre,\u003c\/i\u003e and \u003ci\u003ePrometheus.\u003c\/i\u003e Readers will also find a surprising interpretation of Schiller on subjectivity and military strategy, and a feminist archival history of the Hamburg actress Charlotte Ackermann.\u003cbr\u003e\u003cbr\u003e  Contributors: Volker C. Dörr, Mary Helen Dupree, Ellis Dye, Bernd Hamacher, Katrin Kohl, Michael Mandelartz, Jan Mieszkowski, Angus Nicholls, Charlton Payne, Mattias Pirholt, Myriam Richter, Judith Ryan, and Christian Weber.\u003cbr\u003e\u003cbr\u003e  Daniel Purdy is Associate Professor of German at Pennsylvania State University. 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Robert's relationship with members of his family shaped the political landscape of England and Normandy for much of the late eleventh and early twelfth centuries: indeed, even after his incarceration, from 1106 to 1134, his son William Clito (d. 1128) continued the fight against Robert's brother, Henry I. Twice driven into exile, Robert defeated his father in battle and eventually succeeded to the duchy of Normandy, although the throne of England was seized by William Rufus and then Henry I. For twenty years Robert successfully defended Normandy, developing policies to counter the vastly superior English resources at the disposal of his brothers. Robert's leading role in the success of the First Crusade [1095-99] also made him one of the most famous warriors of his age. He returned to Western Europe in 1100, a chivalric hero with a reputation that stretched from Scotland to Palestine.  This book returns Robert Curthose to centre stage in the bloody drama of this period, a drama so often dominated by accounts from a royal and English perspective.","brand":"William M. 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Joachim'saesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, andemerging academic disciplines including psychology. 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Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey \u0026amp; Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. \u003ci\u003eBenjamin Britten Studies\u003c\/i\u003e ends by asking what we can actually \u003ci\u003eknow\u003c\/i\u003e about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.\u003cbr\u003e\u003cbr\u003e  VICKI P. STROEHER is Professor of Music History at Marshall University.\u003cbr\u003e\u003cbr\u003e   JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.\u003cbr\u003e\u003cbr\u003e  Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. 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Heinrich Schenker (1868-1935) set out to answer this question in a series of treatises, beginning with a strikingly original work with the deceptive title \u003ci\u003eHarmonielehre\u003c\/i\u003e (roughly: Treatise on Harmony, 1906). \u003cbr\u003e\u003cbr\u003e Whereas other treatises of the period associated harmony with the abstract principles governing chords and chord progressions, Schenker's treated it as the conceptual glue that allowed the individual elements of a work (melodies, motives, chords, counterpoint, etc.) to work together locally and globally. Yet this book, though renowned and much cited, has never been studied systematically and in close detail. \u003cbr\u003e\u003cbr\u003e \u003ci\u003eHeinrich Schenker's Conception of Harmony\u003c\/i\u003e approaches Schenker's 1906 treatise as a synthesis of ancient ideas and very new ones. 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The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music.\u003cbr\u003e These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory.\u003cbr\u003e\u003cbr\u003e  James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington.","brand":"James M. 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It discusses Coetzee's complex relation to apartheid and post-apartheid South Africa, the land of his birth, and evaluates his complicated responses to the literary canon. Coetzee emerges as both a modernist and a highly self-aware postmodernist - a champion of the truths of aliterary enterprise conducted unrelentingly in the mode of self-confession.\u003cbr\u003e\u003cbr\u003e  Contributors: Chris Ackerley, Derek Attridge, Carrol Clarkson, Simone Drichel, Johan Geertsema, David James, Michelle Kelly, Sue Kossew, MikeMarais, James Meffan, Tim Mehigan, Chris Prentice, Engelhard Weigl, Kim L. 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