Out There recounts one man’s search to lead an authentic life, an adventure that takes him all over the world and through some of the biggest societal changes of recent history. From a distance, this could be a typical American story: boy grows up in a religious home, joins the military to defend his country, returns home to attend university, then becomes a firefighter. That would be typical if it weren’t for the fact that he’s gay and was open in places that historically excluded people like him.

As a nineteen-year-old from a fundamentalist family, Lance Garland worked hard to qualify for Navy SEAL training, then sailed across the Pacific on a warship where he met his first boyfriend. After his partner was sexually assaulted by a superior, the two men became witnesses in a court-martial that was complicated by the military’s “Don’t Ask, Don’t Tell” policy. After he was discharged from the Navy, Garland discovered time in nature as a way to heal from the experiences of his youth. While sailing, backpacking ,and climbing in the Pacific Northwest, he navigates the challenges of becoming a first-generation college student, equal rights activist, and the first openly gay fireman in the Seattle fire department.

Out There is a memoir of a man out in the wilderness, both physically and socially, on a journey to find a place to call his own. It is for anyone who has felt like an outsider or hasn’t found their place yet.

“Reads like a warm hug.” —Rebecca Thorne, bestselling author of Can’t Spell Treason Without Tea

“A stunning tale of learning to let go.” —Shelf Awareness

A warm and hopeful story of a lonely witch consumed by grief who discovers a whimsical cast of characters in a magical arboretum—and the healing power of found family. 

Powerless witch Saika is ready to enact her sister’s final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate’s caretakers.

Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika’s been disconnected from her magic since her sister’s death two years prior. Saika gets by at the sanctuary using a fragment of a fallen star to cast enchantments—while hiding the embarrassing truth about herself.

As Saika works harder in avoidance of her pain, she learns more about Frank, the decaying house at Ash Gardens, and the lives of the motley staff, including bickering twin cherubs, a mute ghost, a cantankerous elf, and an irritating half witch, among others. Over time, she rediscovers what it means to love and be wholly loved and how to allow her joy and grief to coexist. Warm and inventive, House of Frank is a stirring portrait of the ache of loss and the healing embrace of love.

Spaceships aren’t programmed to seek revenge—but for Dracula, Demeter will make an exception.

Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans.

To keep from getting decommissioned, Demeter must join forces with her own team of monsters: A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil—Dracula.

The queer love child of pulp horror and ​classic ​sci-fi, Of Monsters and ​Mainframes ​is a dazzling, heartfelt odyssey that probes what it means to be one of society’s monsters—and explores the many types of friendship that make us human.

Bring data to life with this essential guide to storytelling with maps. 

From scraping patterns in sand to drawing intricate lines on vellum and paper, to charting every place on the planet, humans have used maps as a powerful storytelling medium. The advent of the digital age has revolutionized the creation, distribution, and consumption of maps. The web created enormous opportunities for storytelling, enabling maps to dance and weave, partnering with other multimedia elements—photos, video, audio, text—to tell countless tales about our world. 

Featuring a foreword by renowned travel writer and cofounder of Lonely Planet Tony Wheeler, Telling Stories with Maps: Lessons from a Lifetime of Creating Place-Based Narratives bridges both the analog and digital realms, showcasing how maps themselves tell stories and enrich narratives by providing context and insight. Richly illustrated with examples from traditional maps to the latest digital visualizations, this book is an essential guide for anyone interested in the powerful storytelling potential of maps. 

Topics covered include: 

• How storytelling is fundamental to our humanity  
• Comparing and contrasting the use of words, images, and maps in storytelling 
• How maps help us tackle the who, what, when, where, why, and how  
• Considerations for the deep connection between maps and memory 
• How cartography and location-based storytelling have changed during the digital age  
• How the author and his collaborators refined storytelling techniques to create printed wall maps and atlas plates 
• The roles that maps play in narrative context 

Readers will learn:  

• 15 approaches to storytelling and place-based topics 
• How exposure to maps and geography can change how we think 
• Storytelling approaches suited for digital media yet honoring the centuries-old conventions of cartography 
• How to develop multimedia stories with the ability to employ motion and interactivity for your audience 
• Practical features and functions of ArcGIS StoryMaps, Esri’s storytelling platform, with insight and inspiration you can apply to your stories. 

Author Allen Carroll brings his experience from both the National Geographic Society and Esri into his writing. Carroll spent more than a decade of his 27-year career at National Geographic Society as chief cartographer. In 2010, Caroll joined Esri and founded its ArcGIS StoryMaps team, which developed web tools that enabled hundreds of thousands of individuals and organizations to tell place-based stories combining interactive maps and multimedia content. 

Telling Stories with Maps is a winding journey, from thoughts on how our brains process spatial information to practical tips on creating stories, that will guide and inspire you to create place-based narratives that intrigue readers. 

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.

Indefensible Spaces examines the policing of housing through the story of Black community building in the Antelope Valley, Los Angeles County's northernmost outpost. Tracing its evolution from a segregated postwar suburb to a destination for those priced, policed, and evicted out of Los Angeles, Rahim Kurwa tells the story of how the Antelope Valley resisted Black migration through the policing of subsidized housing—and how Black tenants and organizers fought back. This book sheds light on how the nation's policing and housing crises intersect, offering powerful lessons for achieving housing justice across the country.

What queer modes of resilience and care can teach us about enduring environmental collapse

What does it mean to live at the end of life, the end of a family line, the end of a species, or the end of the future itself? When faced with unfurling catastrophes, environmentalists often limit the conversation by focusing on the future. Activists work for the welfare of future generations, while scientists labor over projections of future outcomes. In Queer Lasting, Sarah Ensor asks what this emphasis on the future makes unthinkable. She looks to queer scenes of futurelessness to consider what ecocriticism can learn from queer theory, which imagines and inhabits the immanent ethical possibilities of a terminal present. While living “at the last” is often a terrifying prospect, queer culture reminds us that “to last” is itself also one way to go on.

Defining queerness as a mode of collective life in which these paradigms of lasting—ending and persisting—are constitutively intertwined, Ensor turns to two periods of queer extinction for models of care, continuance, and collective action predicated on futurelessness: the 1890s, in which existing forms of erotic affiliation were extinguished through the binary of homo/heterosexuality, and the 1980s, in which the spread of the AIDS epidemic threatened the total loss of gay lives and of specific erotic ways of life. Through readings that trace unexpected formal resonances across the works of Sarah Orne Jewett, Willa Cather, Melvin Dixon, Essex Hemphill, Allen Barnett, and Samuel Delany, Queer Lasting maintains that queer writing, in its intimacy with death and loss, offers a rich archive for imagining new ways of thinking through environmental collapse. Whether confronting the epidemic contours of the AIDS crisis, theorizing the temporary encounters of cruising, or reckoning with the lives of non-reproductive subjects, this book about futurelessness is also a book about persistence. It demonstrates how, far from giving up in the face of the terminal paradigms that environmentalism fears, queer culture has instead predicated its living—and its lasting—upon them.