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Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.\u003c\/p\u003e","brand":"Jeremy Matthew Glick","offers":[{"title":"Default Title","offer_id":48089460113659,"sku":"9781479885664","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_fe0ba371-4a21-4330-a91c-1f27c87d8ddf.jpg?v=1785137805"},{"product_id":"becoming-human-9781479873623","title":"Becoming Human","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eWinner, 2021 Gloria E. 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Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, \u003ci\u003eBecoming Human\u003c\/i\u003e demonstrates that the history of racialized gender and maternity, specifically anti-Blackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. \u003cbr\u003e\u003cbr\u003eJackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of Blackness—the process of imagining the Black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of Blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human\/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. 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Moscow doesn't have them--and that's marvellous.\"\u003cbr\u003e\u003ci\u003eAnton Chekhov\u003c\/i\u003e, writing to his publisher in 1895\u003cbr\u003e Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life.  Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters.  Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten.\u003cbr\u003e Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles.  From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues.   Parnok's approach to her sexuality was equally forthright.  Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence.\u003cbr\u003e Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings.  The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life.  This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major.  Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation.   Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet.  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Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections to their homelands, Arab-Americans contest the blanket representations of themselves as dictated by the US nation-state.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDeploying a multidisciplinary framework at the intersection of Middle-Eastern studies, US ethnic studies, and diaspora studies, Fadda-Conrey argues for a transnational discourse that overturns the often rigid affiliations embedded in ethnic labels. Tracing the shifts in transnational perspectives, from the founders of Arab-American literature, like Gibran Kahlil Gibran and Ameen Rihani, to modern writers such as Naomi Shihab Nye, Joseph Geha, Randa Jarrar, and Suheir Hammad, Fadda-Conrey finds that contemporary Arab-American writers depict strong yet complex attachments to the US landscape.  She explores how the idea of home is negotiated between immigrant parents and subsequent generations, alongside analyses of texts that work toward fostering more nuanced understandings of Arab and Muslim identities in the wake of post-9\/11 anti-Arab sentiments.\u003c\/p\u003e","brand":"Carol Fadda-Conrey","offers":[{"title":"Default Title","offer_id":48089555730683,"sku":"9781479826674","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_542a58fa-204d-4a36-9233-fe4470a57821.jpg?v=1791432743"},{"product_id":"self-analysis-in-literary-study-9780814776599","title":"Self-Analysis in Literary Study","description":"\u003cp\u003eWhat makes one reader look for issues of social conformity in Kafka's \u003ci\u003eMetamorphosis\u003c\/i\u003e while another concentrates on the relationship between Gregor Samsa and his father?\u003cbr\u003e \u003ci\u003eSelf-Analysis in Literary Study\u003c\/i\u003e investigates how the psychoanalytic self-analysis enables readers to gain a deeper understanding of literature as well as themselves.\u003cbr\u003e In the past scholars have largely ignored self-analysis as an aid to approaching literature.  The contributors in \u003ci\u003eSelf-Analysis in Literary Study\u003c\/i\u003e boldly explore how the psyche affects intellectual intellectual discovery in the realm of applied psychoanalysis.\u003cbr\u003e Jeffrey Berman confronts a close friend's suicide through Camus and his student's diaries, kept for an English class. Language, family history, and an attachment to Kafka are addressed in David Bleich's essay. Barbara Ann Schapiro writes of her attraction to Virginia Woolf during her emotional senior year of college. Other essayists include Daniel Rancour-Laferriere, Norman N. Holland, Bernard J. 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Edward Sugden argues that these ocean spaces existed in a unique historical fold between the transformations that inaugurated the modern era—colonialism to nationalism, mercantilism to capitalism, slavery to freedom, and deferent subject to free citizen. As travellers, workers, and writers journeyed across the Pacific, Atlantic, and Caribbean Sea, they had to adapt their political expectations to the interstitial social realities that they saw before them while also feeling their very consciousness, particularly their perception of time, mutate. 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If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot – the mapping and making of social betterment – appears to have been lost. The compulsion to detect forensically the actual causes of such loss of direction has resulted in the prominence of creative nonfiction. A significant adjunct in the rise of this is the new media, which sets up a ‘wounded’ space within which a ‘cult of commiseration’ compulsively and repeatedly plays out the facts of the day on people’s screens. This, De Kock argues, is reproduced in much postapartheid writing. 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Through an analysis of the FTA’s tactical performances of solidarity and resistance, Lindsay Goss brings into view the theatrical dimensions of the GI movement itself, revealing it as representative of the revolutionary and theatrical politics and tactics of the period. The volume highlights how, due to the movement’s subsequent historical erasure, a renewed anti-theatricality emerged from the 1960s and became a potent feature of contemporary political discourse.\u003cbr\u003e\u003cbr\u003eThe author’s deft methodological and analytic strategies, in tandem with her elegantly accessible style demonstrate how seemingly little-known performance practices can activate consequential understandings of what we thought we knew about the recent past. At the same time, she encourages essential conversations about pressing contemporary issues that demand our attention. 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As kids eagerly read dime novels, series fiction, pulp magazines, and comic books that dramatized the virtues of empire, they helped entrench a growing belief in America’s indispensability to the international order.\u003cbr\u003e\u003cbr\u003eEmpires more generally require stories to justify their existence. Children’s literature seeded among young people a conviction that their country’s command of a continent (and later the world) was essential to global stability. This genre allowed ardent imperialists to obscure their aggressive agendas with a veneer of harmlessness or fun. The supposedly nonthreatening nature of the child and children’s literature thereby helped to disguise dominion’s unsavory nature.\u003cbr\u003e\u003cbr\u003eThe modern era has been called both the “American Century” and the “Century of the Child.” Brian Rouleau illustrates how those conceptualizations came together by depicting children in their influential role as the junior partners of US imperial enterprise.\u003c\/p\u003e","brand":"Brian Rouleau","offers":[{"title":"Default Title","offer_id":48089941573883,"sku":"9781479804504","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_c7814a45-ae68-49d1-9f4d-4631f870238c.jpg?v=1785161838"},{"product_id":"the-descent-of-the-imagination-9780814761045","title":"The Descent of the Imagination","description":"\u003cp\u003e\u003ci\u003eThe Descent of the Imagination\u003c\/i\u003e places Thomas Hardy's writing within the context of nineteenth-century fiction writing as a genre.  Moore therefore regards his examination of Hardy's work as a form of archaeology as well as a genealogy of the romantic figure in fiction, from Wordsworth through Hardy.  The book provides a new interpretation of Hardy's method of composition and uses new source material that will interest Hardy scholars.  It offers an original view of the novelist that argues that his work, especially his later writings, were a deliberate rewriting of romanticism.\u003c\/p\u003e","brand":"Kevin Z. Moore","offers":[{"title":"Default Title","offer_id":48089948782843,"sku":"9780814761045","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_7dd69ad1-4ac0-46bd-abf8-7f3c04e06add.jpg?v=1785137107"},{"product_id":"whitmans-presence-9780814758700","title":"Whitman's Presence","description":"\u003cp\u003e\"Nathanson addresses with renewed insight a problem that has vexed Whitman scholars at least since James E. Miller, Jr.'s A Critical Guide to Leaves of Grass turned Whitman into a respectable academic subject; that is, the unusual status of Whitman's poetic voice. . . . The overall result is the finest articulation of Whitman's project in existence.\"\u003cbr\u003eDonald Pease, Department of English, Dartmouth College\u003cbr\u003e \"What enables Nathanson to perform a feat no other critic has accomplished depends as much on his awareness of a range of thinkers from Wittgenstein to J.L. Austin and Derrida as on his sense of the qualities of poetry: he gives the term presence a cultural as well as poetic significance which opens out to cultural history, and makes Whitman as much a representative presence in the culture as our unequalled poet.  I see this as a central book about our literature.\" \u003cbr\u003eQuentin Anderson, J.C. Levi Professor in the Humanities Emeritus, Columbia University\u003c\/p\u003e","brand":"Tenney Nathanson","offers":[{"title":"Default Title","offer_id":48089948848379,"sku":"9780814758700","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_7136fc4d-586c-4827-bd1d-28813fb99d74.jpg?v=1785137155"},{"product_id":"the-queer-renaissance-9780814796450","title":"The Queer Renaissance","description":"\u003cp\u003eBefore the 1969 Stonewall Riots ushered in the contemporary gay liberation movement, overt representations of same-sex desire in American literature and the arts were few and far between. Even in the 1970s, when gay and lesbian cultures began to register on our national consciousness, such work was still quite rare.\u003cbr\u003e In the 1980s and 90s, however, all that changed. \u003cb\u003eThe Queer Renaissance\u003c\/b\u003e puts a name to the unprecedented outpouring of creative work by openly lesbian and gay novelists, poets, and playwrights in the past two decades. This volume is one of the first to analyze critically this cultural awakening and is one of the only books to consider the work of gay male and lesbian writers together. Most importantly, \u003cb\u003eThe Queer Renaissance\u003c\/b\u003e is the first book to consider how this wave of creative activity has worked in tandem with a flourishing of radical queer politics.\u003cbr\u003e \u003cb\u003eThe Queer Renaissance\u003c\/b\u003e explores the work of such important figures as Audre Lorde, Edmund White, Randall Kenan, Gloria Anzalda, Tony Kushner, and Sarah Schulman to question the dichotomy between art and activism. In addition, \u003cb\u003eThe Queer Renaissance\u003c\/b\u003e interrogates the ways queer theory deploys, intersects with, and contests contemporary theoretical movements such as cultural studies, feminist theory, African American theory, and Chicano\/a theory.\u003c\/p\u003e","brand":"Robert McRuer","offers":[{"title":"Default Title","offer_id":48090079625467,"sku":"9780814796450","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_b38bbe23-8a8a-430e-8c8f-527715b7f044.jpg?v=1784892145"}],"url":"https:\/\/indiepubs.com\/collections\/literary-criticism.oembed?page=234","provider":"IndiePubs","version":"1.0","type":"link"}