{"title":"Science Fiction","description":"","products":[{"product_id":"the-complete-ecotopia-9781597145527","title":"The Complete Ecotopia","description":"\u003cp\u003e\u003cb\u003ePublished in hardcover for the first time in forty years, two classics of environmental science fiction.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"One of the most important utopian novels of the twentieth century that still has very important lessons to teach us. It will always convey to perfection the wild optimism of that moment: a feeling we need to recapture, adjusted for our time.\" —\u003cb\u003eKim Stanley Robinson\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eCollected in one handsome volume for the first time, \u003ci\u003eThe Complete Ecotopia\u003c\/i\u003e presents an early classic of environmental science fiction in its entirety. \u003ci\u003eEcotopia\u003c\/i\u003e (1975) and \u003ci\u003eEcotopia Emerging\u003c\/i\u003e (1981), which paint detailed portraits of a healthier earth and a happier society, became foundational texts for a new wave of environmental activists, and they still contain an abundance of ideas yet to be realized. Ernest Callenbach's Ecotopian saga anticipated climate fiction by more than a decade, sold approximately one million copies and was translated into one dozen languages, and predicted a host of innovations running from C-SPAN to widespread recycling. This edition includes two retrospective essays by the author, as well as an updated foreword by Heyday founder Malcolm Margolin. An important document of utopian ideas from the sixties and seventies, \u003ci\u003eThe Complete Ecotopia\u003c\/i\u003e is also a stimulating read for environmentalists today—one that tells a bold, inventive, and adventurous story.\u003c\/p\u003e","brand":"Ernest Callenbach","offers":[{"title":"Default Title","offer_id":48049639948539,"sku":"9781597145527","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_1c79dcc3-77fc-4618-9535-b0e0b6c141aa.jpg?v=1770404547"},{"product_id":"ecotopia-9781597142939","title":"Ecotopia","description":"\u003cp\u003e\u003cb\u003eThis fortieth-anniversary edition of \u003ci\u003eEcotopia\u003c\/i\u003e includes Ernest Callenbach's final essay, \"An Epistle to the Ecotopians,\" and a new foreword by Callenbach's close friend and publisher, Malcolm Margolin.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eTwenty years have passed since Northern California, Oregon, and Washington seceded from the United States to create a new nation, Ecotopia. Rumors abound of barbaric war games, tree worship, revolutionary politics, sexual extravagance. Now, this mysterious country admits its first American visitor: investigative reporter Will Weston, whose dispatches alternate between shock and admiration. But Ecotopia gradually unravels everything Weston knows to be true about government and human nature itself, forcing him to choose between two competing views of civilization.\u003c\/p\u003e\u003cp\u003eSince it was first published in 1975, \u003ci\u003eEcotopia\u003c\/i\u003e has inspired readers throughout the world with its vision of an ecologically and socially sustainable future.\u003c\/p\u003e","brand":"Ernest Callenbach","offers":[{"title":"Default Title","offer_id":48049676157179,"sku":"9781597142939","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_69a507a0-076e-4b7e-80d3-262cca031190.jpg?v=1770404576"},{"product_id":"keeping-it-unreal-9781479810956","title":"Keeping It Unreal","description":"\u003cp\u003e\u003cb\u003eWinner of the 2023 Lambda Literary Award in LGBTQ+ Studies!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eExplores Black representation in fantasy genres and comic books\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eCharacters like Black Panther, Storm, Luke Cage, Miles Morales, and Black Lightning are part of a growing cohort of black superheroes on TV and in film. Though comic books are often derided as naïve and childish, these larger-than-life superheroes demonstrate how this genre can serve as the catalyst for engaging the Black radical imagination.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eKeeping It Unreal: Comics and Black Queer Fantasy\u003c\/i\u003e is an exploration of how fantasies of Black power and triumph fashion theoretical, political, and aesthetic challenges to—and respite from—white supremacy and anti-Blackness. It examines representations of Blackness in fantasy-infused genres: superhero comic books, erotic comics, fantasy and science-fiction genre literature, as well as contemporary literary “realist” fiction centering fantastic conceits.\u003cbr\u003e\u003cbr\u003eDarieck Scott offers a rich meditation on the relationship between fantasy and reality, and between the imagination and being, as he weaves his personal recollections of his encounters with superhero comics with interpretive readings of figures like the Black Panther and Blade, as well as theorists such as Frantz Fanon, Eve Sedgwick, Leo Bersani, Saidiya Hartman, and Gore Vidal. \u003ci\u003eKeeping It Unreal\u003c\/i\u003e represents an in-depth theoretical consideration of the intersections of superhero comics, Blackness, and queerness, and draws on a variety of fields of inquiry.\u003cbr\u003e\u003cbr\u003eReading new life into Afrofuturist traditions and fantasy genres, Darieck Scott seeks to rescue the role of fantasy and the fantastic to challenge, revoke, and expand our assumptions about what is normal, real, and markedly human.\u003c\/p\u003e","brand":"Darieck Scott","offers":[{"title":"Default Title","offer_id":48089410470139,"sku":"9781479810956","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_195722f9-a024-4b2a-901c-9050e9f0caf4.jpg?v=1780979336"},{"product_id":"lambda-9781609457648","title":"Lambda","description":"\u003cp\u003e\u003cstrong\u003eWhoever the lambdas might be, and wherever they really come from, they’re already here among us.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOutwardly alien arrivals from a distant sea, the lambdas are genetically human. The government has noticed them. So has a whole gamut of extremist groups. Cara Gray has noticed them too, first as a haunting presence in her otherwise ordinary childhood, then as the impossibly shifting target of her work as a police officer.\u003c\/p\u003e\n\u003cp\u003eWhen a bomb goes off at a school, Cara finds herself the weak point in a surveillance regime that has failed to prevent the worst terrorist atrocity in decades. A nebulous group of lambda extremists claims responsibility for the attack — but how could a vulnerable community of tiny aquatic humans, barely visible in society and seemingly indifferent to their own exploitation, be capable of such a horrific act?\u003c\/p\u003e\n\u003cp\u003eIn Cara’s world a family member can be replaced with an app, a police quantum computer has the power to decide who dies, and objects are legally alive. 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This novel, \u003ci\u003eThe Last Man \u003c\/i\u003e(1826), gives us the iconic image of a heroic survivor who narrates the history of an apocalyptic disaster in order to save humanity—if not as a species, then at least as the practice of compassion or humaneness. In visual and musical arts from 1826 to the present, this postapocalyptic figure has transmogrified from the “last man” into the globally familiar filmic images of the “invisible man” and the “final girl.”\u003cbr\u003e\u003cbr\u003eReading Shelley’s work against the background of epidemic literature and political thought from ancient Greece to Covid-19, Eileen M. Hunt reveals how Shelley’s postapocalyptic imagination has shaped science fiction and dystopian writing from H. G. Wells, M. P. Shiel, and George Orwell to Octavia Butler, Margaret Atwood, and Emily St. John Mandel. Through archival research into Shelley’s personal journals and other writings, Hunt unearths Shelley’s ruminations on her own personal experiences of loss, including the death of young children in her family to disease and the drowning of her husband, Percy Bysshe Shelley. Shelley’s grief drove her to intensive study of Greek tragedy, through which she developed the thinking about plague, conflict, and collective responsibility that later emerges in her fiction. From her readings of classic works of plague literature to her own translation of Sophocles’s \u003ci\u003eOedipus Rex\u003c\/i\u003e, and from her authorship of the first major modern pandemic novel to her continued influence on contemporary popular culture, Shelley gave rise to a tradition of postapocalyptic thought that asks a question that the Covid-19 pandemic has made newly urgent for many: What do humans do \u003ci\u003eafter\u003c\/i\u003e disaster?\u003c\/p\u003e","brand":"Eileen M. Hunt","offers":[{"title":"Default Title","offer_id":48174478819579,"sku":"9780812254020","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_b67229c2-f2f1-4cf8-940c-467cc82dd7d4.jpg?v=1770647777"},{"product_id":"science-fiction-culture-9780812215304","title":"Science Fiction Culture","description":"\u003cp\u003eIn a century that has taken us from the horse and buggy to the world wide web, science fiction has established itself as the literature to explore the ways in which technology transforms society while its counterpart, genre fantasy, insistently reminds us of the magical transformations of the individual in response to the demands of the social. So it should come as no surprise that the fans and producers of these genres come together to create the culture of the future around the ideal that tales of wonder about the future and the imaginary past can be shared as both symbolic communication and social capital.\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eScience Fiction Culture\u003c\/i\u003e, Camille Bacon-Smith explores the science fiction community and its relationships with the industries that sustain it, including the publishing, computer, and hotel\/convention industries, and explores the issue of power in those relationships: Who seems to have it? Who does have it? How do they use it? What are the results of that use? In the process, Bacon-Smith rejects the two major theoretical perspectives on mass culture reception. Consumers are not passive receivers of popular culture produced by the hegemonic ideology machine that is the mass media industry, nor are they rebels valiantly resisting that machine by reading against the grain of the interpretation designed into the products they consume.\u003cbr\u003e\u003cbr\u003eBacon-Smith argues that the relationship between consumers of science fiction and producers is much more complex than either of these theories suggests. Using a wide range of theoretical perspectives, she shows that this relationship is based on a series of continuing negotiations across a broad spectrum of cultural interests.\u003c\/p\u003e","brand":"Camille Bacon-Smith","offers":[{"title":"Default Title","offer_id":48181123907835,"sku":"9780812215304","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_20d7a83b-ab82-4de9-b156-8d57d8774de9.jpg?v=1770654384"},{"product_id":"race-law-and-speculative-fiction-9781512829334","title":"Race, Law, and Speculative Fiction","description":"\u003cp\u003e\u003cb\u003eAn analysis of US science fiction, through the lens of critical race theory, that illuminates how the genre offers new directions for serious appraisals of race and racism between yesterday, today, and tomorrow\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eRace, Law, and Speculative Fiction\u003c\/i\u003e, Isiah Lavender III takes seriously the theoretical, stylistic, and rhetorical possibilities inherent in the genre of science fiction toward challenging perceptions of race, ethnicity, whiteness, and Blackness in US culture. To do so, he examines works by a wide variety of science fiction writers exploring racial themes—Samuel R. Delany, Octavia Butler, Edgar Allan Poe, Mat Johnson (whose \u003ci\u003ePym\u003c\/i\u003e [2011] is a direct challenge to Poe’s \u003ci\u003eThe Narrative of Arthur Gordon Pym of Nantucket \u003c\/i\u003e[1838]), Derrick Bell, and others.\u003cbr\u003e\u003cbr\u003eLocating racial contexts, social categorizations, and cultural patterns in US speculative fiction, Lavender employs the tenets of critical race theory to sight the unanticipated things the genre might have to say about race at the intersection between imaginary laws and how we, as readers, partake in this imagining. Recognizable science fiction tropes—such as alien contact, time travel, contagion, generation starships, the near future, alternate history, climate change, among others—constitute science fictional novum. The novum is the new thing, invention, or novelty introduced into the fictional world that deliberately functions as the catalyst for the change made in the fictional world, differing from the reader’s world. Lavender coined the term \u003ci\u003enoirum\u003c\/i\u003e to represent the legislative innovations prompted within the fictional world to cope with, if not to control, the impact of the novum. Whether it is a make-believe amendment, imaginary federal court ruling, fictitious executive order, or something else entirely, the \u003ci\u003enoirum\u003c\/i\u003e identifies the ways in which these powerful science fiction motifs are organized around question of race.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eRace, Law, and Speculative Fiction\u003c\/i\u003e analyzes the ways in which science fiction has engaged with institutions and the law, offering narratives or concepts, or both, that uphold the racial status quo or fictional alternatives to existing legal structures. Bringing critical race theory and science fiction together, Lavender highlights stories that not only counter the dominant narrative of white supremacy but also envision a future in which people are united in full colored racial consciousness against dehumanization of any kind.\u003c\/p\u003e","brand":"Isiah Lavender III","offers":[{"title":"Default Title","offer_id":48189022961915,"sku":"9781512829334","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_c0340870-5be2-42c8-8df3-6cb7bdf59c09.jpg?v=1776777137"},{"product_id":"astrofuturism-9780812218473","title":"Astrofuturism","description":"\u003cp\u003e\u003ci\u003eAstrofuturism: Science, Race, and Visions of Utopia in Space\u003c\/i\u003e is the first full-scale analysis of an aesthetic, scientific, and political movement that sought the amelioration of racial difference and social antagonisms through the conquest of space. Drawing on the popular science writing and science fiction of an eclectic group of scientists, engineers, and popular writers, De Witt Douglas Kilgore investigates how the American tradition of technological utopianism responded to the political upheavals of the twentieth century.\u003cbr\u003e\u003cbr\u003eFounded in the imperial politics and utopian schemes of the nineteenth century, astrofuturism envisions outer space as an endless frontier that offers solutions to the economic and political problems that dominate the modern world. Its advocates use the conventions of technological and scientific conquest to consolidate or challenge the racial and gender hierarchies codified in narratives of exploration. Because the icon of space carries both the imperatives of an imperial past and the democratic hopes of its erstwhile subjects, its study exposes the ideals and contradictions endemic to American culture.\u003cbr\u003e\u003cbr\u003eKilgore argues that in the decades following the Second World War the subject of race became the most potent signifier of political crisis for the predominantly white and male ranks of astrofuturism. In response to criticism inspired by the civil rights movement and the new left, astrofuturists imagined space frontiers that could extend the reach of the human species and heal its historical wounds. Their work both replicated dominant social presuppositions and supplied the resources necessary for the critical utopian projects that emerged from the antiracist, socialist, and feminist movements of the twentieth century.\u003cbr\u003e\u003cbr\u003eThis survey of diverse bodies of literature conveys the dramatic and creative syntheses that astrofuturism envisions between people and machines, social imperatives and political hope, physical knowledge and technological power. Bringing American studies, utopian literature, popular conceptions of race and gender, and the cultural study of science and technology into dialogue, Astrofuturism will provide scholars of American culture, fans of science fiction, and readers of science writing with fresh perspectives on both canonical and cutting-edge astrofuturist visions.\u003c\/p\u003e","brand":"De Witt Douglas Kilgore","offers":[{"title":"Default Title","offer_id":48189299589371,"sku":"9780812218473","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_16973126-5b04-454e-9b2d-2e29b91f6f87.jpg?v=1770662780"},{"product_id":"the-house-on-the-strand-9780812217261","title":"The House on the Strand","description":"\u003cp\u003eIn this haunting tale, Daphne du Maurier takes a fresh approach to time travel. A secret experimental concoction, once imbibed, allows you to return to the fourteenth century. There is only one catch: if you happen to touch anyone while traveling in the past you will be thrust instantaneously to the present.\u003cbr\u003e\u003cbr\u003eMagnus Lane, a University of London chemical researcher, asks his friend Richard Young and Young's family to stay at Kilmarth, an ancient house set in the wilds near the Cornish coast. Here, Richard drinks a potion created by Magnus and finds himself at the same spot where he was moments earlier—though it is now the fourteenth century. The effects of the drink wear off after several hours, but it is wildly addictive, and Richard cannot resist traveling back and forth in time. Gradually growing more involved in the lives of the early Cornish manor lords and their ladies, he finds the presence of his wife and stepsons a hindrance to his new-found experience. 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It also assuaged contemporary concerns about nation, gender, race, authority, ability, and progress—about the place of ordinary individuals within modern science and society—in the process freeing readers to debate scientific theories and implications separate from such concerns.\u003cbr\u003e\u003cbr\u003eReaders similarly sought to establish their worth and place outside the pulps. Organizing clubs and conventions and producing their own magazines, some expanded science fiction's community and created a fan subculture separate from the professional pulp industry. Others formed societies to launch and experiment with rockets. From debating relativity and the use of slang in the future to printing purple fanzines and calculating the speed of spaceships, fans' enthusiastic industry revealed the tensions between popular science and modern science. Even as it inspired readers' imagination and activities, science fiction's participatory ethos sparked debates about amateurs and professionals that divided the worlds of science fiction in the 1930s and after.\u003c\/p\u003e","brand":"John Cheng","offers":[{"title":"Default Title","offer_id":48189823975675,"sku":"9780812222937","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/9780812222937.jpg?v=1772482811"},{"product_id":"the-way-9781954118423","title":"The Way","description":"\u003cp\u003e\u003cb\u003eA postapocalyptic road trip and a quest for redemption.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIt’s 2048, and the world has been ravaged by a lethal virus. With few exceptions, only the young have survived. Cities and infrastructures have been destroyed, and the natural world has reclaimed the landscape in surprising ways, with herds of wild camels roaming the American West and crocodiles that glow neon green lurking in the rivers.\u003c\/p\u003e\u003cp\u003eWill Collins, the last surviving resident of a Buddhist retreat center in Colorado, receives an urgent and mysterious request: to deliver a potential cure to a scientist on the West Coast. So Will sets out into an unknown and perilous world, haunted by dreams of the woman he once loved, in a rusted-out pickup pulled by two mules. He doesn’t have much time—temperatures are rising to lethal heights, a hit man is on his tail, and armed militias patrol the roads. 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