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Buckley Jr. was also a superb chronicler of travel. \u003ci\u003eGetting About\u003c\/i\u003e gathers more than one hundred of his articles about journeys by boat, train, or plane, representing a lifetime of adventure around the world—from Annapolis to Zurich, from the Azores to the Virgin Islands.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp class=\"BodyA\"\u003e\u003cspan\u003eAn elegant jet-setter with a flair for literary journalism, Buckley had few rivals in the art of travel writing. He took first place in the Magazine Article on Foreign Travel category in the Lowell Thomas Travel Journalism Competition for eight pieces written while \u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e“\u003c\/span\u003e\u003cspan\u003eConcording around the world” in \u003c\/span\u003e\u003cspan\u003e1989. A master storyteller, he adeptly \u003c\/span\u003e\u003cspan\u003ewove devices of fiction together with reportage to craft entertaining pieces full of exuberance and authority\u003c\/span\u003e\u003cspan\u003e. Being a Bach afficionado, he composed his sentences for a well-tuned ear.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"BodyA\"\u003e\u003cspan\u003eBuckley’s talent for arranging a \u003ci\u003emise-en-sc\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan lang=\"IT\"\u003eè\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan\u003ene\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e stands out in accounts of riding the Orient Express, skiing at Alta, or vacationing at Barbuda. Though himself a central character in the story, he never dominates it. He wrote candidly about travel misadventures, as when his sixty-foot schooner broke down in the Bahamas and was towed to Miami by a Coast Guard cutter, or when a malfunctioning compass landed his boat on a rocky shoal off Rhode Island and the Coast Guard said, “Sorry, we can’t help you.” He also took a gimlet eye to the travel industry and a discriminating palate to airline food, suggesting that airports sell “a \u003ci\u003ereally\u003c\/i\u003e good box lunch” with celery \u003c\/span\u003e\u003cspan lang=\"FR\"\u003e\u003ci\u003erémoulade\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e, fresh figs, and a nice Bordeaux.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"BodyA\"\u003e\u003ci\u003e\u003cspan\u003eGetting About\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is pure enjoyment, but it also broadens the significance of Buckley\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan\u003es \u003c\/span\u003e\u003cspan lang=\"FR\"\u003e\u003ci\u003eœuvre\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e. Along with Bill Meehan’s illuminating introduction,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethis delightful collection helps preserve Buckley\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan\u003es legacy as his centenary, in 2025, approaches.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bill Meehan","offers":[{"title":"Default Title","offer_id":48170287726843,"sku":"9781641773171","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_b6991ddf-f345-4044-a059-4c9a5c791a61.jpg?v=1770639757"},{"product_id":"a-skeptics-guide-to-writers-houses-9780812242928","title":"A Skeptic's Guide to Writers' Houses","description":"\u003cp\u003eThere are many ways to show our devotion to an author besides reading his or her works. 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In Doody's Venice, the holy is never far from the sensual, the earthy and carnal. Though the city's patron is one of the four Evangelists, enshrined in the glorious basilica that bears his name, she reminds us that according to legend the body of Saint Mark was transported to Venice hidden in a mound of pork.\u003cbr\u003e\u003cbr\u003eWith a novelist's eye for quirky anecdote and rich detail, with a connoisseur's eye for the secrets hidden in the cut of a sleeve or the corner of a painting, Doody summons the Venice of Carpaccio, Titian, and Canaletto, of Goldoni and Casanova. She draws on comments from the myriad travelers, contented or grumbling, from the Middle Ages to the present, men and women who have by turns been seduced and disturbed by the city. If she is hard-pressed to find a single golden age in Venetian history, she has no difficulty in locating the city's low point in the tragic nineteenth century. When the once proudly independent republic fell to a foreign power, its joy largely ceased, and it became the melancholy and somewhat sinister place evoked in the writings of Byron, George Sand, Gautier, Dickens, and others. Venice as death's city persists into the twentieth century in the works of Henry James and Thomas Mann. Only in the twenty-first century, she suggests, might we escape that dark nineteenth-century vision of a city once associated with glowing color and joyful music.\u003cbr\u003e\u003cbr\u003eBride of the Adriatic, a city of golden light and shimmering reflection rising out of seaweed and slime, Venice has long held travelers and dreamers, rogues, painters, and writers in its sway. Why are we so drawn to the place? What would be lost were Venice to cease to exist? 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