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As we dip into one barroom after another, we see that these establishments function as unofficial cultural centers, offering kinship and continuity amid an ever-changing city; indeed, all of the bars shown are at least forty years old and sites of significant historic or cultural value as deemed by San Francisco Heritage.\u003c\/p\u003e\u003cp\u003eWhether we are following in the footsteps of Beat writers in North Beach's Vesuvio Café, tossing peanut shells on the floor of The Homestead in the Mission, or selecting jukebox songs (three for a quarter) at the Silver Crest Donut Shop in Bayview, High Spirits welcomes us as regulars at every spot, showing off the conviviality that makes San Francisco one of the great saloon towns.\u003c\/p\u003e","brand":"J. K. 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Visitors and locals will be surprised and charmed by the treasures that dot the paths of these 21 walks showcasing Berkeley’s neighborhoods, shopping districts, and academic areas.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBerkeley Walks\u003c\/i\u003e celebrates the qualities that make Berkeley such a wonderful walking city: diverse architecture, panoramic views, tree-lined neighborhoods, unusual gardens, secret pathways, hidden parks, and vibrant street life. Historical surprises and architectural delights include the building from which Patty Hearst was kidnapped; Ted Kaczynski’s home before he became the Unabomber; and the residences of Nobel laureates and literary Berkeleyans such as Thornton Wilder, Anne Rice, and Philip K. Dick. 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Stroll along iconic Telegraph Avenue for views of painted-metal portrait sculptures of figures ranging from Rasputin to Mario Savio—even Heyday's founder, Malcolm Margolin—at the Mad Monk Center for Anachronistic Media. Hike up Marin for views of the steel skeleton forever riffing on a tenor saxophone. Dalzell points out murals honoring the Sandinistas and bas-relief sculptures of legendary Oakland Athletics on the home of a member of the Great Tortilla Conspiracy. And just where can you find the quirkiest garden \u003ci\u003eever\u003c\/i\u003e? 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With full-color photographs and a pithy wit, Dalzell shares his discoveries of the unexpected: the giant orange on Spruce Street, a house shaped like a fish, bowling balls as lawn art, enormous dachshund sculptures, and the birdhouse pyramid on Sacramento, to name just a few of the oddities. Created, installed, and maintained at great expense—not just of money, but of time and creative energy—these are all free to view, all gifts to the street. Included in every write-up are profiles of the artists, whom Dalzell is careful to portray not as stereotypical “Berzerkeleyites” but as individuals who have found their true north of exuberant self-expression. While the very uniqueness of each of these sites invites us to focus on the individual creators, the book also considers what the abundance of such art says about a community and its values. 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Outdoor enthusiast Josh Jackson had never heard of \"BLM land\" before a casual recommendation from a friend led him to a free campsite in the desert—and the revelation that over 15 million acres of land in California are owned collectively by the people. In \u003ci\u003eThe Enduring Wild\u003c\/i\u003e, he takes us on a road trip spanning thousands of miles, crisscrossing the Golden State to seek out every parcel of public wilderness therein belonging to the federal Bureau of Land Management, from the Pacific shores of the King Range down to the Mojave Desert. Over mountains, across prairies, and through sagebrush, Jackson unravels the stories of these lands. He tells of the Indigenous peoples who have called them home for millennia, of the extractivist threats that imperil them today, and of the grassroots organizers and political champions who have rallied to their common defense to uphold the radical mandate to protect these natural treasures for generations to come. For the adventurers, campers, explorers, map readers, road trippers, nature enthusiasts, and public lands lovers out there, \u003ci\u003eThe Enduring Wild\u003c\/i\u003e is an indispensable invitation to know these places more deeply and to embrace our common inheritance. 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As the book shows, despite its problems, the Mediterranean remains a source of wonder and fascination—a space not entirely colonized by modernity, where time flows differently, and where multiple cultures and languages are in closer contact and dialogue than elsewhere.\u003c\/p\u003e","brand":"AA.VV.","offers":[{"title":"Default Title","offer_id":48170188439803,"sku":"9781787704794","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_8ed236ad-9074-4fde-b366-16ab6f576e74.jpg?v=1770636260"},{"product_id":"the-passenger-mexico-9781787704695","title":"The Passenger: Mexico","description":"\u003cp\u003e\u003cstrong\u003eFully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIN THIS VOLUME: \u003cem\u003eUnderground Tenochtitlan\u003c\/em\u003e by Guadalupe Nettel • \u003cem\u003eCrime and (No) Punishment\u003c\/em\u003e by Juan Villoro • \u003cem\u003eThe Birth of Fridolatry\u003c\/em\u003e by Valeria Luiselli • plus: the cocaine that washes in from the sea and the pearl of the west, the jungle train and the last stop on the line, femicide and TikTok politics, mole, rice, the Virgin of Guadalupe and much more ...\u003c\/p\u003e\n\u003cp\u003eOnce synonymous with escape and freedom, Mexico is now more frequently described as a place plagued by widespread violence, drug trafficking, endemic corruption, and uncontrolled migration. 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The controversial Mayan train project, which would connect Mexico’s Caribbean resorts with the South’s archaeological sites, crossing (and endangering) communities and forests, is a perfect example of the opposition between the two souls of the country.\u003c\/p\u003e\n\u003cp\u003eThe attempts to resolve this contradiction, or better still to learn to live with it, will define the Mexico of the future. 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Buckley Jr. was also a superb chronicler of travel. \u003ci\u003eGetting About\u003c\/i\u003e gathers more than one hundred of his articles about journeys by boat, train, or plane, representing a lifetime of adventure around the world—from Annapolis to Zurich, from the Azores to the Virgin Islands.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp class=\"BodyA\"\u003e\u003cspan\u003eAn elegant jet-setter with a flair for literary journalism, Buckley had few rivals in the art of travel writing. He took first place in the Magazine Article on Foreign Travel category in the Lowell Thomas Travel Journalism Competition for eight pieces written while \u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e“\u003c\/span\u003e\u003cspan\u003eConcording around the world” in \u003c\/span\u003e\u003cspan\u003e1989. A master storyteller, he adeptly \u003c\/span\u003e\u003cspan\u003ewove devices of fiction together with reportage to craft entertaining pieces full of exuberance and authority\u003c\/span\u003e\u003cspan\u003e. Being a Bach afficionado, he composed his sentences for a well-tuned ear.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"BodyA\"\u003e\u003cspan\u003eBuckley’s talent for arranging a \u003ci\u003emise-en-sc\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan lang=\"IT\"\u003eè\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan\u003ene\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e stands out in accounts of riding the Orient Express, skiing at Alta, or vacationing at Barbuda. Though himself a central character in the story, he never dominates it. He wrote candidly about travel misadventures, as when his sixty-foot schooner broke down in the Bahamas and was towed to Miami by a Coast Guard cutter, or when a malfunctioning compass landed his boat on a rocky shoal off Rhode Island and the Coast Guard said, “Sorry, we can’t help you.” He also took a gimlet eye to the travel industry and a discriminating palate to airline food, suggesting that airports sell “a \u003ci\u003ereally\u003c\/i\u003e good box lunch” with celery \u003c\/span\u003e\u003cspan lang=\"FR\"\u003e\u003ci\u003erémoulade\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e, fresh figs, and a nice Bordeaux.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"BodyA\"\u003e\u003ci\u003e\u003cspan\u003eGetting About\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is pure enjoyment, but it also broadens the significance of Buckley\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan\u003es \u003c\/span\u003e\u003cspan lang=\"FR\"\u003e\u003ci\u003eœuvre\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e. Along with Bill Meehan’s illuminating introduction,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethis delightful collection helps preserve Buckley\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan\u003es legacy as his centenary, in 2025, approaches.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bill Meehan","offers":[{"title":"Default Title","offer_id":48170287726843,"sku":"9781641773171","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_b6991ddf-f345-4044-a059-4c9a5c791a61.jpg?v=1770639757"},{"product_id":"a-skeptics-guide-to-writers-houses-9780812242928","title":"A Skeptic's Guide to Writers' Houses","description":"\u003cp\u003eThere are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house.\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eA Skeptic's Guide to Writers' Houses\u003c\/i\u003e Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands.\u003cbr\u003e\u003cbr\u003eWhy is it that we visit writers' houses? 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In Doody's Venice, the holy is never far from the sensual, the earthy and carnal. Though the city's patron is one of the four Evangelists, enshrined in the glorious basilica that bears his name, she reminds us that according to legend the body of Saint Mark was transported to Venice hidden in a mound of pork.\u003cbr\u003e\u003cbr\u003eWith a novelist's eye for quirky anecdote and rich detail, with a connoisseur's eye for the secrets hidden in the cut of a sleeve or the corner of a painting, Doody summons the Venice of Carpaccio, Titian, and Canaletto, of Goldoni and Casanova. She draws on comments from the myriad travelers, contented or grumbling, from the Middle Ages to the present, men and women who have by turns been seduced and disturbed by the city. If she is hard-pressed to find a single golden age in Venetian history, she has no difficulty in locating the city's low point in the tragic nineteenth century. When the once proudly independent republic fell to a foreign power, its joy largely ceased, and it became the melancholy and somewhat sinister place evoked in the writings of Byron, George Sand, Gautier, Dickens, and others. Venice as death's city persists into the twentieth century in the works of Henry James and Thomas Mann. Only in the twenty-first century, she suggests, might we escape that dark nineteenth-century vision of a city once associated with glowing color and joyful music.\u003cbr\u003e\u003cbr\u003eBride of the Adriatic, a city of golden light and shimmering reflection rising out of seaweed and slime, Venice has long held travelers and dreamers, rogues, painters, and writers in its sway. Why are we so drawn to the place? What would be lost were Venice to cease to exist? 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