{"product_id":"netherlands-yearbook-for-history-of-art-nederlands-kunsthistorisch-jaarboek-63-2013-9789004270534","title":"Netherlands Yearbook for History of Art \/ Nederlands Kunsthistorisch Jaarboek 63 (2013)","description":"Since the Middle Ages artists from the Low Countries were known to be fond of travelling, as Guicciardini in his \u003ci\u003eDescrittione di tutti i Paesi Bassi\u003c\/i\u003e (Antwerp, 1567) and Karel van Mander in his 1604 \u003ci\u003eSchilderboeck\u003c\/i\u003e, already noticed.  Much more mobile than their colleagues from other European countries, many Netherlandish artists spread all over Europe; a remarkable number among them achieved great fame as court artists, as the careers of Claus Sluter in Burgundy, Anthonis Mor in Spain, Bartholomeus Spranger or Adriaen de Vries in Prague, Giambologna and Jacob Bijlevelt  in Florence demonstrate. Moreover, they exerted considerable influence on the artistic production of their time. Nevertheless most of them sank into oblivion soon after they died. Dutch art history neglected them for a long time as they did not fit into the traditional canon of the Low Countries, nor were they adopted by the art histories of their new homelands. This new NKJ volume is an attempt to change this.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTable of Contents\u003c\/b\u003e\u003cbr\u003e1. \u003ci\u003eFrits Scholten \u0026amp; Joanna Woodall\u003c\/i\u003e, Introduction\u003cbr\u003e2. \u003ci\u003eFilip Vermeylen\u003c\/i\u003e, Greener pastures? Capturing artists’ migrations during the Dutch Revolt \u003cbr\u003e3. \u003ci\u003eHope Walker\u003c\/i\u003e, Netherlandish immigrant painters and the Dutch reformed church of London, Austin Friars, 1560-1580\u003cbr\u003e4. \u003ci\u003eArjan de Koomen\u003c\/i\u003e,  ‘Una cosa non meno maravigliosa che honorata’. The expansion of Netherlandish sculptors in sixteenth-century Europe\u003cbr\u003e5. \u003ci\u003eFranciszek Skibiński\u003c\/i\u003e, Early-modern Netherlandish sculptors in Danzig and East-Central Europe. A study in dissemination through interrelation and workshop practice\u003cbr\u003e6. \u003ci\u003eAleksandra Lipińska\u003c\/i\u003e, Eastern outpost. The sculptors Herman Van Hutte and Hendrik Horst in Lviv c. 1560-1610 \u003cbr\u003e7. \u003ci\u003eGert Jan van der Sman and Bouk Wierda\u003c\/i\u003e, Wisselend succes. De loopbanen van Nederlandse en Vlaamse kunstenaars in Florence, 1450-1600\u003cbr\u003e8. \u003ci\u003eMarije Osnabrugge\u003c\/i\u003e , From itinerant to immigrant artist. Aert Mytens in Naples \u003cbr\u003e9. \u003ci\u003eAbigail D. Newman\u003c\/i\u003e, Juan de la Corte in Madrid: ‘branding’ Flanders abroad \u003cbr\u003e10. \u003ci\u003eJudith Noorman\u003c\/i\u003e, A fugitive’s success story. Jacob van Loo in Paris (1661-1670)\u003cbr\u003e11. \u003ci\u003eIsabella di Lenardo\u003c\/i\u003e, Carlo Helman, merchant, patron and collector, and the role of family ties in the Antwerp–Venice migrant network\u003cbr\u003e12.  \u003ci\u003eSaskia Cohen-Willner\u003c\/i\u003e, Between painter and painter stands a tall mountain. Van Mander’s Italian Lives as a source for instructing artists in the ‘deelen der consten’","brand":"Frits Scholten","offers":[{"title":"Default Title","offer_id":48268758417659,"sku":"9789004270534","price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0779\/3917\/9771\/files\/CoreSourceHub_d4d06590-327f-49fb-90ab-17f35bcbe1a2.jpg?v=1770934855","url":"https:\/\/indiepubs.com\/products\/netherlands-yearbook-for-history-of-art-nederlands-kunsthistorisch-jaarboek-63-2013-9789004270534","provider":"IndiePubs","version":"1.0","type":"link"}