Racism has deep roots in both the United States and Europe. This important book examines the past, present, and future of racist ideas and politics. It describes how policies have developed over a long history of European and White American dominance of political institutions that maintain White supremacy.

Givens examines the connections between immigration policy and racism that have contributed to the rise of anti-immigrant, radical-right parties in Europe, the rise of Trumpism in the US, and the Brexit vote in the UK. This book provides a vital springboard for people, organizations, and politicians who want to dismantle structural racism and discrimination.

WINNER OF THE 2023 ALIXA NAFF PRIZE IN MIGRATION STUDIES

The politics and governance of Jordan’s Azraq camp for Syrian refugees

Azraq refugee camp, built in 2014 and host to forty thousand refugees, is one of two official humanitarian refugee camps for Syrian refugees in Jordan. Time and Power in Azraq Refugee Camp investigates the relationship between time and power in Azraq, asking how a politics of time shapes, limits, or enables everyday life for the displaced and for aid workers.

Based on ethnographic fieldwork, carried out during 2017–2018, the book challenges the perceptions of Azraq as the ‘ideal’ refugee camp. Melissa Gatter argues that the camp operates as a ‘nine-to-five emergency’ where mundane bureaucratic procedures serve to sustain a power system in which refugees are socialized to endure a cynical wait—both for everyday services and for their return—without expectations for a better outcome.

Time and Power in Azraq Refugee Camp also explores how refugees navigate this system, both in the day-to-day and over years, by evaluating various layers of waiting as they affect refugee perceptions of time in the camp—not only in the present, but the past, near future, and far future.

Far from an ‘ideal’ camp, Azraq and its politics of time constitute a cruel reality in which a power system meant to aid refugees is one that suppresses, foreclosing futures that it is supposed to preserve.

A rich interdisciplinary study of the diversity and dynamics of the migrations of displaced peoples across the Global South

By the end of 2022, the number of forcibly displaced people worldwide had reached a record high of 100 million, the highest figure since the Second World War. The Russian invasion of Ukraine and the Taliban political takeover in Afghanistan exacerbated an already protracted global refugee situation, but climate-related events also played a part in forcing millions of people to leave their homes in search of more habitable living areas.

Making Routes: Mobility and Politics of Migrant in the Global South provides fresh understandings of mobility flows, transnational linkages, and the politics of migration across the Global South, in Africa, Asia, and Latin America. Moving away from North–South, East–West binaries and challenging the conception that migratory movements are primarily unidirectional—from South to North—it explores how state policies, migrants’ trajectories, nationalism and discrimination, and art and knowledge production unfold in places as widespread as Egypt, Turkey, Myanmar, Nicaragua, and Haiti.

Seventeen academics, activists, and artists from a range of backgrounds and disciplines, including anthropology, cultural studies, ethnomusicology, and international relations reveal the diverse narratives, migration patterns, forms of agency, and laws that make up the complex reality of South–South migration, offering vital new pathways for research in migration studies today.

Contributors:
- Chowdhury R. Abrar, Refugee and Migratory Movements Research Unit (RMMRU), Dhaka, Bangladesh
- David Bolanos, Independent photographer, Costa Rica
- Danyel M. Ferrari, Rutgers University, New Brunswick, United States
- Leander Kandilige, University of Ghana, Accra
- Mélanie V. Léger-Montinard, Federal University of Rio de Janeiro, Brazil
- Duduzile S. Ndlovu, University of the Witwatersrand, Johannesburg, South Africa
- Evrim Hikmet Öğüt, Mimar Sinan Fine Arts University, Istanbul, Turkey
- Sara Sadek, The American University in Cairo, Egypt
- Tasneem Siddiqui, University of Dhaka, Bangladesh
- Sally Souraya, Independent artist, London United Kingdom
- Allison B. Wolf, Universidad de los Andes, Bogota, Colombia
- Kudakwashe Vanyoro, University of the Witwatersrand, Johannesburg, South Africa
- Thomas Yeboah, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana

The Mother, the Politician, and the Guerrilla intervenes in discussions on decolonialism and feminism by introducing the example of the Kurdish Women’s Freedom Movement. Üstündağ shows how the practices and the concepts of the movement contribute to debates on how the past, present, and future can be critically rethought in revolutionary ways.

In the movement’s images, figures, voices, bodies, and their reverberations Üstündağ elaborates a new political imagination that has emerged in Kurdistan through women’s acts and speech. This political imagination unfolds between flesh, body, voice, language. It is the result of Kurdish women’s desire to find new ways of being and becoming, between the necessary and the possible.

Focusing on the figures of the mother, the woman politician and woman guerilla, Üstündağ argues that the Kurdish Women’s Freedom Movement changes what politics consists of, including its matter, relationality, temporality, and spatiality. Although anchored in the specific Kurdish experiences, the book puts the movement into conversation with feminist political theory, psychoanalysis, Black Studies, Queer Studies, and Decolonial Studies. In solidarity with the Kurdish Movement’s tradition of resistance to History with a capital H that Kurds have built through reiterated performance, the book seeks to establish what new entanglements with wide-ranging thought the movement offers as a provocation for contemporary politics.

WINNER, AMERICAN BOOK AWARD

Chronicles a Black Puerto Rican man’s odyssey and transformation from an incarcerated gang member to the Co-Founder of the Young Lords Party.

Growing up fatherless and poor, Felipe Luciano didn’t yearn for wealth or dream of becoming a famous actor or athlete. He was tired of being poor and ached to be a man, to reach that point of sagacity, courage, and independence that would signal to the world that he was now a warrior, ready to fight the battle for truth and justice, to slay the dragon of evil, whatever that might be. In Flesh and Spirit, Luciano paints a vivid portrait of his life in New York City as a member of the city’s Latino community as well as his pivotal role in the Young Lords and The Last Poets.

Luciano’s memoir begins when as a teenage Brooklyn gang member he is convicted of man­slaughter. This pivotal moment changes the trajectory of his life. The American kid raised on Davy Crockett and Superman TV tales emerged from the womb of prison into a harsh, new monochromatic black/white world without the benefit of rose-colored glasses. It was a painful shattering of all his childhood beliefs and the realization that he was a poor Black Puerto Rican in white America clutching onto values that didn’t work. The only flotsam in this churning sea of ’60s social turmoil was college, poetry, revolutionary activity, and sometimes God. After getting an education, Luciano went on to become an acclaimed poet and political activist who advocates for the Latino population of New York City, for the kids growing up in the same circumstances he did.

Sparing no one—not the revolutionaries, the Revolution, nor the author himself—Flesh and Spirit is written with honesty and humility to help guide young people of color and other Americans through the labyrinths of ideology, organization, missteps, false paths, and phony societal promises.

Featuring archival photographs by Michael Abramson reproduced from Palante: Voices and Photographs of the Young Lords, 1969-1971 © 2011 Haymarket Books.