This retrospective catalogue presents the first comprehensive resource on Syd Carpenter (b. 1953), a nationally recognized Philadelphia-based ceramic artist

Syd Carpenter (b. 1953) is a nationally recognized, Philadelphia-based ceramic artist whose work gives sculptural form to African American farming and gardening traditions. Drawing inspiration from farms, gardens, and the tools and landscapes that sustain them, she transforms clay into abstracted, biomorphic structures that evoke both the natural world and the histories of the people who have shaped it. Carpenter’s art honors the resilience of African American agricultural communities while also advancing the expressive possibilities of ceramics, situating her practice at the intersection of craft, cultural memory, and environmental consciousness.

This retrospective catalogue, accompanying the first major survey of Carpenter’s career, presents the full scope of her achievement. Featuring more than one hundred color reproductions of ceramic sculptures as well as garden projects, it documents the evolution of her visual language over four decades. Essays by leading scholars explore Carpenter’s engagement with African American material culture, the legacies of land stewardship, and the broader histories of contemporary craft and sculpture, including Carpenter’s mutually supportive relationships within a network of Black and women artists. The volume provides the first comprehensive resource on Carpenter’s art, establishing her significance as a major voice in American ceramics and illuminating the enduring cultural resonances of her vision.

Japanese Sumi-e brush painting combines the techniques of calligraphy and ink painting to produce compositions of rare beauty.

This art has its roots in the Zen Buddhist practices of mindfulness and meditation—serving as a means not just for describing wonders of nature, but as a method for training our minds to view the world in its essential grace and simplicity.

This book is the product of many years of study with Ukai Uchiyama—a master Japanese calligrapher and artist. Kay Morrissey Thompson shares the knowledge she gained from this association, presenting a thorough discussion of the artist's work along with a series of practical lessons based on Mr. Uchiyama's instruction.

The informative text is accompanied by over fifty illustrations, many in color, reproducing works by Ukai Uchiyama and enabling aspiring artists to understand how each painting was created.

With a smaller size and new cover, this timeless Tuttle Classic (originally published in 1960), has been reformatted for a new generation of readers.

Considers key socio-political moments and figures that highlight the enduring relationship between music, sound, and sport

The collisions of music and sport are so ubiquitous that they often go unnoticed as cultural phenomena. Yet the integration of sound into sport has become inseparable from the experience itself—from walk-up songs and seventh-inning sing-alongs in Major League Baseball to the halftime spectacle of the Super Bowl, the “California Sound” of surfing culture, and the percussive traditions of Brazilian Capoeira.

The Sound of Victory: Music, Sport, and Society explores these intersections through close examinations of key moments, figures, spaces, and events that reveal the deep socio-cultural significance and historical reverberations of music and sport. Bringing together interdisciplinary scholars and practitioners—filmmakers, journalists, and cultural critics—the volume investigates how sound shapes the ways sport is performed, experienced, and understood across diverse contexts from the mid-nineteenth century to the present.

Across eighteen chapters organized into four thematic sections, The Sound of Victory positions the links between music, sound, and sport as a generative lens for exploring questions of power, identity, and belonging. Spanning media, technology, politics, and popular culture, contributors trace how the music, sound, and sporting industries have evolved in dialogue with one another. Together, they illuminate an enduring relationship that continues to define the affective and communal power of modern sport.

Considers key socio-political moments and figures that highlight the enduring relationship between music, sound, and sport

The collisions of music and sport are so ubiquitous that they often go unnoticed as cultural phenomena. Yet the integration of sound into sport has become inseparable from the experience itself—from walk-up songs and seventh-inning sing-alongs in Major League Baseball to the halftime spectacle of the Super Bowl, the “California Sound” of surfing culture, and the percussive traditions of Brazilian Capoeira.

The Sound of Victory: Music, Sport, and Society explores these intersections through close examinations of key moments, figures, spaces, and events that reveal the deep socio-cultural significance and historical reverberations of music and sport. Bringing together interdisciplinary scholars and practitioners—filmmakers, journalists, and cultural critics—the volume investigates how sound shapes the ways sport is performed, experienced, and understood across diverse contexts from the mid-nineteenth century to the present.

Across eighteen chapters organized into four thematic sections, The Sound of Victory positions the links between music, sound, and sport as a generative lens for exploring questions of power, identity, and belonging. Spanning media, technology, politics, and popular culture, contributors trace how the music, sound, and sporting industries have evolved in dialogue with one another. Together, they illuminate an enduring relationship that continues to define the affective and communal power of modern sport.

From Donkey Kong to Johnny Cage, Mario to PAC-MAN, Video Game Legends Alphabet presents a leaderboard of history’s quintessential video game characters. Illustrated with HD graphics and written with a good dose of geek, Video Game Legends Alphabet is sure to educate and inspire the next generation of little gamers.

Numerous women artists engaged with industrial materials such as plastics in the 1960s and 1970s, contrary to what the discourse of the time would have us believe. As Feminist substances shows, their works offered unique approaches to plastics in art, introducing new material meanings through a feminist lens. With a focus on Europe and Latin America, the book discusses the practices of Carla Accardi, Lea Lublin and Alina Szapocznikow, combining close readings of selected artworks with broader considerations of their social contexts. It explores their use of Sicofoil, plexiglass, plastic inflatables, polyester resin and polyurethane foam to address key concerns of feminist thought in relation to social reproduction, motherhood, memory, desire and illness. Beyond commonplaces of plastics as generic bad materials, Feminist substances considers more complex ways of engaging with synthetic matter, taking into account our messy relationships with these controversial materials.