Winner of the Yomiuri Prize.

Winner of the 2024-2025 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature.

Recipient of the 2022-23 William F. Sibley Memorial Subvention Award for Japanese Translation.

Introducing Tatsuhiko Shibusawa—Japan’s Italo Calvino—in this fantastical tale of a Japanese prince who encounters both beauty and danger on a pilgrimage to India.

A fantasy set in the ninth century, Takaoka’s Travels recounts the adventures of a Japanese prince-turned-monk on a pilgrimage to India. As Prince Takaoka and his companions pass through faraway lands, the rules of the ordinary world are upended, and they find curiosities and miracles wherever they go. The travelers encounter strange creatures--a white ape who guards a harem of bird-women, beasts who feed on dreams, a dog-headed man who can see hundreds of years into the future. On the high seas, their ship is boarded by ghostly pirates and driven back by supernatural winds, and still they push on. At every turn, Prince Takaoka is drawn to the beauty around him, whether it takes the form of a perfectly shaped pearl or a giant blood-red flower, but such beauty proves to be extremely dangerous. Seductive and mysterious, offering high adventure yet deeply human, this is a novel that transcends all expectations.

With an afterword by translator David Boyd.

For fans of Japanese literature (Haruki Murakami and more) and readers who want to be introduced to exciting new writers.

MONKEY New Writing from Japan is an annual anthology that showcases the best of contemporary Japanese literature. Volume 5 celebrates CREATURES, from ants to bears, frogs to gazelles, and fish to birds. MONKEY offers short fiction and poetry by writers such as Haruki Murakami, Hiromi Kawakami, Aoko Matsuda, Hiroko Oyamada, Kikuko Tsumura, and Hideo Furukawa; graphic stories by Satoshi Kitamura; new translations of modern classics; and contributions from American authors Kelly Link, Laird Hunt, Adam Ehrlich Sachs, and more.

Essays on the nature, production, and presentation of art, craft, and architecture in Japan, inspired by the author’s experiences in Kyoto.

Illusory Dwellings is not a guide concerning what to see in Kyoto, but a philosophical meditation on how to travel and observe in this capital of traditional Japanese art. 

Both intimate and scholarly, the book accompanies the reader on visits to famed gardens like Ryōan-ji, investigates the complex symbolism of the tea ceremony and the important role of the tea room, reveals the beauty of Japanese cuisine, and delves into the world of contemporary ceramics. It also provides context for the tensions and harmony between traditional and modern forms of art and craft in Kyoto and throughout Japan, and contrasts these with how they are received at home versus their treatment by Western museums in modernist contexts. 

Altogether this is an erudite and provocative analysis of artist and observer, a book to shape the reader’s aesthetic worldview and provide numerous occasions for discussion and debate. With over 50 black and white photographs.

A primer for those with no previous knowledge of Chinese, this book introduces readers to the fundamentals of classical Chinese poetry through twenty-nine ways of understanding a single poem. “Seeing Off a Friend,” by the great Tang poet Li Bai (701–762) has long been praised for its vividness, subtlety, and poignancy. Anthologizing twenty-nine translations of the poem, Timothy Billings not only introduces the poem’s richness and depth but also the nuanced art of translating Chinese poetry into European languages.

A famous exemplar of “seeing off poetry,” which was common in an empire whose literati were continually on the move, Li’s poem has continued to fascinate readers far removed from its moment of composition, from the Victorians, to Ezra Pound, to contemporary translators from around the world. In talking us through these linguistic crossings, Billings unpacks the intricacies of the lüshi or "regulated verse poem," a form as pivotal to Chinese literature as the sonnet is to European tradition.

This book promises to transform its readers, step-by-step, into adept interpreters of one of the most significant verse forms in Chinese literary history. Billings’s engaging teaching style, backed by a lightly worn but deep scholarly engagement with Chinese poetry, makes this work an indispensable guide for anyone interested in poetry, translation, or the cultural heritage of China.

The ‘War on Terror’ ushered in a new era of anti-Muslim bias and racism. Anti-Muslim racism, or Islamophobia, is influenced by local economies, power structures and histories. However, the War on Terror, a conflict undefined by time and place, with a homogenised Muslim ‘Other’ framed as a perpetual enemy, has contributed towards a global Islamophobic narrative. This edited international volume examines the connections between interpersonal and institutional anti-Muslim racism that have contributed to the growth and emboldening of nativist and populist protest movements globally. It maps out categories of Islamophobia, revealing how localised histories, conflicts and contemporary geopolitical realities have textured the ways that Islamophobia has manifested across the global North and South. At the same time, it seeks to highlight activism and resistance confronting Islamophobia.

Empires and their aftermaths were massive planning institutions; in the past two hundred years, the natural and social sciences emerged—at least in part—as modes of knowledge production for imperial planning. Yet these connections are frequently under-emphasized in the history of science and its corollary fields.

The Planning Moment explores the myriad ways plans and planning practices pervade recent global history. The book is built around twenty-seven brief case studies that explore the centrality of planning in colonial and postcolonial environments, relationships, and contexts, through a range of disciplines: the history of science, science and technology studies, colonial and postcolonial studies, urban studies, and the history of knowledge.

If colonialism made certain landscapes, populations, and institutions legible while obscuring others, The Planning Moment reveals the frequently disruptive and violent processes of erasure in imperial planning by examining how “common sense” was produced and how the intransigence of planning persists long after decolonization. In recognizing the resistance and subversion that often met colonial plans, the book makes visible a range of strategies and techniques by which planning was modified and reappropriated, and by which decolonial futures might be imagined.

Contributors: Itty Abraham, Benjamin Allen, Sarah Blacker, Emily Brownell, Lino Camprubí, John DiMoia, Mona Fawaz, Lilly Irani, Chihyung Jeon, Robert Kett, Monika Kirloskar-Steinbach, Karen McAllister, Laura Mitchell, Gregg Mitman, Aaron Moore (†), Nada Moumtaz, Tahani Nadim, Anindita Nag, Raúl Necochea López, Tamar Novick, Benjamin Peters, Juno Salazar Parreñas, Martina Schlünder, Sarah Van Beurden, Helen Verran, Ana Carolina Vimieiro Gomes, Alexandra Widmer, and Alden Young