"When Then is Now" brings together Brendan Kennelly's modern versions of three Greek tragedies: Antigone by Sophocles and Euripides' Medea and The Trojan Women. All three plays dramatise timeless human dilemmas as relevant now as they were in ancient times. All focus on women whose lives are torn apart by war, family conflict and despotic regimes. In his preface, Brendan Kennelly describes how writing these three plays helped him enormously at difficult times in his own life. "When Then is Now" gives living testament of his belief that 'listening to ancient voices can help us confront, understand and express many problems of today'.

Joint winner of the James Berry Poetry Prize

In her debut collection Roshni Gallagher asks what can be seen, named or remembered. From Scotland to Guyana, the poems explore the porous boundary between the past and the present, and how ecological landscapes and landscapes of the mind and body are permanently altered by migration and memory. The elegiac series of poems Kala Pani reflects on the history and legacy of Indian indentured labourers in the Caribbean. Following the experience of women in the moment of rupture as they cross the ocean, these poems hover at the border of what is known and unknown.

Other poems navigate stories from Gallagher’s mixed heritage, from the Windrush generation to the sod houses in Ireland. She explores the tension between historical and personal silence – what can and can’t be spoken about. But stories are retained in the objects around us, from a pair of earrings made from stolen gold to a painting of a waterfall in the childhood home.

The poems look through windows, emerge from darkness, and traverse spaces ‘on the edge of things’ where land gives way to water. Seeing and being seen are often painful, yet there is beauty, healing and connection in what we choose to give our attention to.

Roshni Gallagher was one of three winners of the 2024 James Berry Poetry Prize, judged by Major Jackson, Neil Astley, Imtiaz Dharker, Theresa Muñoz and Nathalie Teitler. Launched in 2021, the James Berry Poetry Prize is Britain’s first and only poetry prize offering both expert mentoring and book publication by Bloodaxe Books for young or emerging poets of colour.

Joint winner of the James Berry Poetry Prize

The poems of Nadine El-Enany’s debut collection Pelican Daughter are imbued with tenderness and fuelled by a hunger for justice, connection and a more empathic world. With stunning lyricism she fiercely probes the pain of being powerless in the face of global catastrophes – genocide, climate crisis – without tilting into despair. These poems do not divide the personal and political – indeed, boundaries are met with love and defiance, even when they appear immutable.

The voice that permeates is as inviting as it is brave, through the book’s expansive terrain, from the “hopscotch puddles” of childhood to peace marches that do ‘something/to time and space, like we’re here together / but we’re also there’, to a militarised border where people pass ‘prickly pears / over razor wire, sacks of apples and bread’. El-Enany ushers our attention to the vulnerable and the small, the ‘wail of forgotten things’, waking us to what we cannot hear, the ‘woodlice walking / and spiders making silk’. Hers is a poetry of clarity, compassion and a ‘readying kind of love for the world’.

Nadine El-Enany was one of three winners of the 2024 James Berry Poetry Prize, judged by Major Jackson, Neil Astley, Imtiaz Dharker, Theresa Muñoz and Nathalie Teitler. Launched in 2021, the James Berry Poetry Prize is Britain’s first and only poetry prize offering both expert mentoring and book publication by Bloodaxe Books for young or emerging poets of colour.

Joint winner of the James Berry Poetry Prize

In her wide-ranging debut collection, Clementine Ewokolo Burnley asks what remains after once-familiar places and people have gone. The poems criss-cross the Atlantic, beginning in the 1850s. The voices of Caribbean returnees to the west African coast mingle with those of west African recaptives, German missionaries, and kidnappers. They witness the changes in family life through the generations as villagers or townsfolk are uprooted or stay put or uproot themselves, defying expectations by leaving or returning.

Her poems address the past only to illuminate what people can become to each other in the present, whether in Africa or Europe. In one sequence a group of university students from far-flung parts discover the freedoms of student halls in Glasgow. In sequences set in the Hebrides old friends recognise a late-blooming love after decades apart. In other poems, a woman consults her scars. Each sight, sound or smell has its threat value in Germany, and children of mixed heritage switch between languages in Italy. Weary of searching outward, women drop anchor in themselves. A couple find grounding in the non-human world that surrounds them. Going back in search of belonging proves futile only because connection was there all along.

Clementine Ewokolo Burnley was one of three winners of the 2024 James Berry Poetry Prize, judged by Major Jackson, Neil Astley, Imtiaz Dharker, Theresa Muñoz and Nathalie Teitler. Launched in 2021, the James Berry Poetry Prize is Britain’s first and only poetry prize offering both expert mentoring and book publication by Bloodaxe Books for young or emerging poets of colour.

Published to celebrate his 80th birthday, this expanded edition of Peter Didsbury’s Scenes from a Long Sleep (2003) includes a later collection, A Fire Shared (2020), as well as new, previously uncollected poems. 

Didsbury’s staggering powers of invention, outrageous flouting of convention and subversive humour are fully and flagrantly displayed in this new collected edition of the poetry of this ‘secular mystic with the lugubrious tongue’ (Independent on Sunday). All the poems from The Butchers of Hull (1982), The Classical Farm (1987), That Old-Time Religion (1997) and A Natural History (2003) are included.

Pulitzer Prize-winning poet Louis Simpson (1923-2012) was a leading figure in American letters for more than half a century. Born in Jamaica, the son of a lawyer of Scottish descent and a Russian mother, he emigrated to America at the age of 17. Voices in the Distance was the first selection of his poetry to be published in Britain for over 25 years, drawing on 18 collections, from The Arrivistes (1949) to his final book, Struggling Times, which he published in 2009 at the age of 86. Both timely and personal, Louis Simpson’s poetry dramatises his continuing quarrel with suburban America, as well as his concerns about the direction of an American society struggling to retain its integrity in the midst of widespread challenges and worldwide strife. Poetry Book Society Special Commendation.