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Mahabharata
Regular price $21.95 Save $-21.95Winner of 2025 Toronto Theatre Critics’ Awards Best New Canadian Work
Winner of 2025 Toronto Theatre Critics’ Awards Best Production of a Play
Winner of 2025 Toronto Theatre Critics’ Awards Best Sound Design and Music of a Play or Musical
A contemporary dramatic take on a 4,000-year-old Sanskrit epic that is foundational to Indian culture.
Why Not Theatre’s large-scale, once-in-a-generation retelling of Mahabharata brings together a cast of performers entirely from the South Asian diaspora, blending cultures and art forms in a spectacular production at the Shaw Festival and the Barbican Theatre in London. Over two parts (Karma and Dharma) and a communal meal (Khana), this translation and adaptation of Mahabharata spans generations and takes audiences into the hearts and minds of some of the most complex and enduring characters ever created.
With warring families and devious revenge plots, Mahabharata tells the story of an ancient feud with philosophical and spiritual questions that are no less urgent today. In times of division, how do we find wholeness? Are we destined to repeat the mistakes of our ancestors? And how can we build a new world when we have nearly destroyed this one?
Contains the full text of the play along with materials opening up the behind-the-scenes world of the production, including interviews with the creators, background and context about the source material, production photographs, a Mahabharata family tree, and glossary.
"Ravi Jain and Miriam Fernandes’s contemporary take on the Mahabharata is one of the most beautiful emotional journeys I have had the privilege to witness. It is inspiring, mind broadening, and speaks to all the senses. It even brings you back to the origins of theatre itself, when people would gather in the quarries around a bonfire to tell stories. With their tasteful use of technology, dance, and opera, the 4,000-year-old Sanskrit poem comes to life and feels more universal than ever. A captivating theatre experience, from the first flame to the last pixel." – Robert Lepage
"In their stunning rendition of the great Indian epic Mahabharata, Ravi Jain and Miriam Fernandes brilliantly reverse the whole concept of what Bertolt Brecht famously advised theatre directors: to make the familiar, unfamiliar. Jain and Fernandes have turned the unfamiliar into the familiar. The 4,000-year-old saga most Indians grew up with is made accessible to a contemporary audience the world over. No mean feat. ‘The play, true to its source, crosses all boundaries of culture, class, and geography. Its timeless storytelling and evocative stage design is transformed into a saga for the world, with its fundamental emotions of human nature – power, hate, jealousy, greed, and lust. To be gob-smacked by this innovation would be an understatement. Immerse yourself in this take on the Mahabharata and travel with it in time into the past, present, and future of humanity." – Deepa Mehta

Whitemud Walking
Regular price $19.95 Save $-19.95WINNER OF THE 2020/2021 ALCUIN SOCIETY BOOK DESIGN AWARD FOR POETRY
WINNER OF THE ROBERT KROETSCH CITY OF EDMONTON BOOK PRIZE
WINNER OF THE 2023 STEPHAN G. STEPHANSSON AWARD FOR POETRY
WINNER OF THE GERALD LAMPERT MEMORIAL AWARD
SHORTLISTED FOR THE DAYNE OGILVIE PRIZE FOR LGBTQ2S+ EMERGING WRITERS
LONGLISTED FOR THE RAYMOND SOUSTER AWARD
WINNER OF THE INDIGENOUS VOICES AWARD FOR PUBLISHED POETRY IN ENGLISH
An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive
Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people’s lives, including the dispossession and extinguishment of Indigenous title to land.
Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design.
"Whitemud Walking is so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment." –Billy-Ray Belcourt, author of A History of My Brief Body
"Whitemud Walking is a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho." –Richard Van Camp, Tlicho Dene author of The Lesser Blessed and Moccasin Square Gardens
"Whitemud Walking is a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift." –Liz Howard, author of Infinite Citizen of the Shaking Tent
"Echoing the caw and grackle of magpies, Matthew James Weigel’s Whitemud Walking lives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; there’s a buzz in your ear, a catch in your throat – listen." –Derek Beaulieu, Banff Poet Laureate

Common Place
Regular price $17.95 Save $-17.95Common Place explores the stories of shifting, resilient bodies and landscapes bound by systems of capital and power. From thin threads of text messages across borders to encounters with strangers in the crush of rush-hour transit, Sarah Pinder names our most private and public moments of seeing and being seen. With considered, quiet urgency, this poem witnesses our ambiguous, aching present and looks towards what comes next.
Watch for the places where Pinder goes for the imperative: like the book as a whole, these commands are generous, beautiful, and difficult lifelines thrown from a fellow survivor of the present.’
Jennifer Nelson, author of Aim at the Centaur Stealing Your Wife
Common Place feels like the logbook of a survivor, one that shows how the intimate and the idiosyncratic persist within the post-capitalist technosphere. A tattered record keeping, Common Place is friend of the abject landscape, home of the lesser, lowercase subject.” Grasp its compassionate disposition, and this fragmentary poem reveals the affective centre of its ingeniously dissociative fabric.’
Sue Sinclair, author of Heaven’s Thieves
Sarah Pinder is the author of the poetry collection Cutting Room. Her writing has been included in magazines including Geist, Arc, and Poetry is Dead. She lives in Toronto, Canada.
Shiva's Really Scary Gifts
Regular price $21.95 Save $-21.95Visual artist John Scott is perhaps best known for his Trans Am of the Apocalypse, a car with the entire Book of Revelation scratched onto it, which is on display at the National Gallery of Canada. As Ann MacDonald discovered when she began working with him, Scott's personal life is no less compelling. So she sat down with Scott, a tape recorder and a stack of napkins for him to draw on Shiva's Really Scary Gifts is the result.
From catching a baseball bat in the teeth to harbouring the FBI's most-wanted fugitive in his Queen Street studio, John Scott has, it seems, done it all. Join him as he, in words and drawings, terrifies a pair of robbers, loses a parent, and struggles to get a gun permit for an art installation John Scott's intriguing stories and the hundred accompanying drawings will help you get to know the man behind the Am.

The Young Man
Regular price $24.95 Save $-24.95The collected works of poet and bon vivant Fred Gaysek are now available in this massive trade edition. Includes lovecrushed, The Young Man and the Dog, First Scratches No Blood Eye Down and more.
