FINALIST FOR TORONTO BOOK AWARDS

The inside story of the grassroots fight to have a suicide barrier erected on Toronto’s “bridge of death.”

Most Torontonians have no idea their city once hosted the second most popular suicide magnet in North America, behind the Golden Gate Bridge. Since its completion in 1918, more than four hundred people jumped to their death from the Bloor Viaduct, which spans the cavernous Don Valley.

That number might still be rising if not for the tireless efforts of a group of volunteers, led by two citizens, who fought City Hall for years to get a suicide barrier erected. Not only did they win, they saved numerous lives and brought to light valuable research on how barriers actually lower suicide numbers overall. The resulting barrier — The Luminous Veil — has been praised for its ingenious and inspiring design.

The Suicide Magnet tells how the battle was won, and explores the ongoing efforts to help those suffering from mental health challenges.

After years working in homicide, retired Toronto detective Steve Ryan reflects on six cases he will never forget.

Retired detective Steve Ryan worked in Toronto’s homicide squad for over a decade. For Ryan, the stories of Toronto’s most infamous crimes were more than just a headline read over morning coffee — they were his everyday life.

After investigating over one hundred homicides, Ryan can never forget the tragedies and the victims, even after his retirement from the police force. In The Ghosts That Haunt Me, he reflects on six of the many cases that greatly impacted him — seven people whose lives were senselessly taken — and that he still thinks about nearly every day. While the stories are hard to tell for Ryan, they were harder to live through. Yet somewhere between the crimes and the heartache is a glimmer of hope that good eventually does prevail and that healing can come after grief.

Although many adults believe they have had encounters with strange creatures from alien spaceships, not everyone has actually reported their experiences to official investigators. But if you're a young person it's even less likely that people will believe you and more likely that your story will never be officially recorded. After all, who would believe a kid?

I Saw It Too! is the first collection of stories told by children, documenting what they saw and when they saw it. These accounts are real cases of UFOs they've seen or alien creatures they've encountered that were reported to government or military officials, UFO investigators, and journalists.

Inside you will find eighteen of these strange, fascinating, and believable tales recounted by young people from around the world with story illustrations by Stacey Archer with Lonigan Gilbert. The truth is really out there, and renowned ufologist Chris Rutkowski has tracked it down!

Once celebrated as the city that works, Toronto is a city on the brink.

Strained by urban sprawl, crumbling infrastructure, and outdated governance, Toronto is coming apart at the seams. Its promise — of livability, opportunity, and innovation — is being undermined by years of inaction and political gridlock.

But all is not lost.

In this book, ten leading City Builders set out a bold, practical roadmap to turn things around. Together, they show how we can:

• make local government work
• find the money to fix what’s broken
• solve the housing crisis
• unclog our streets and transit
• confront the climate emergency
• navigate the rise of big tech
• foster social solidarity
• and design spaces that bring people together.

This is a wake-up call — Toronto’s future is still ours to shape.

One family’s story of racism, redemption, and the long shadow of the Black Construction Battalion.

From an early age, Lance Dixon had heard about his grandfather, George Dixon, who was one of six hundred men that served in the only Black battalion in Canadian history — Nova Scotia’s No. 2 Construction Battalion in 1916. Sadly, much of his knowledge about his grandfather’s involvement in the battalion stopped there. It was undoubtedly difficult for his father, a veteran, to tell the story without reliving the painful racism his own father and he himself endured, and the shame they were taught to feel about being Black bodies in “a white man’s world.”

In A Footnote to Freedom, Dixon grapples with the effects of racism on three generations of his family. Drawing on their collective intergenerational strength, he brings to light the painful irony of the Black battalion’s struggle: that these men had to fight their own country to fight for the freedom of others in a distant land. This is the tale of his grandfather’s redemption.