In a purgatory at the banks of the Hiwasee River in southeastern Tennessee, two teenagers — the garrulous John Stone and the young Jenny Evenene — barrel through an endless night in a Firebird Trans Am. Jenny wakes each morning, the same morning, and chronicles the events of her final day, her memory reaching back into the recesses of mythical time, recollecting cosmogonies, eschatologies, and metamorphoses that mingle with the details of her violent end. As the two heroes drive through the night, drinking cold American beer and listening to the soothing tunes of the country music station, the dramatis personae of the process of decomposition encroach upon them from the darkness beyond the headlights: the turkey vultures that soar above them, baited by decaying corpses, are at once the successors of the sacred buzzard whose talons first massaged the earth into being and the double of the screaming chicken emblazoned on the hood of the Firebird, which is itself at once the illustrious automobile of teenage dreams, vehicle of transmigrating souls, and ancient phoenix, millennial sigil of the sun, of biochemical resurrections, and Heraclitean thunderbolt who steers all things.

When the school year at tony Nashville Arts and Science ends, Vaughn Vance ditches her upper class friends for a summer of solitude. Content to be alone and work on her photography, Vaughn’s seclusion is disrupted when she meets her new neighbor, Sophie Birch. The two form a tentative friendship, hanging out at Dragon Park with the rest of Nashville’s teens. There, the relationship deepens: Sophie becomes the subject of Vaughn’s artistic experiments and Vaughn becomes the subject of Sophie’s social experimentation as she pushes Vaughn to loosen up and let down her guard. After a fight with her mother, Sophie moves in with Vaughn and her academic parents who embrace Sophie’s wild side — until the girls push each other a step too far. In her debut novel, Susannah Felts perfectly captures the feel of growing up Southern-style, the universal push-pull of adolescent limit testing, and, above all, the intoxicating power that comes with burgeoning creativity.