“A Native American rejoinder to Richard White and Jesse Amble White’s California Exposures.”—Kirkus Reviews
 
Rewriting the history of California as Indigenous.

Before there was such a thing as “California,” there were the People and the Land. Manifest Destiny, the Gold Rush, and settler colonial society drew maps, displaced Indigenous People, and reshaped the land, but they did not make California. Rather, the lives and legacies of the people native to the land shaped the creation of California. We Are the Land is the first and most comprehensive text of its kind, centering the long history of California around the lives and legacies of the Indigenous people who shaped it. Beginning with the ethnogenesis of California Indians, We Are the Land recounts the centrality of the Native presence from before European colonization through statehood—paying particularly close attention to the persistence and activism of California Indians in the late twentieth and early twenty-first centuries. The book deftly contextualizes the first encounters with Europeans, Spanish missions, Mexican secularization, the devastation of the Gold Rush and statehood, genocide, efforts to reclaim land, and the organization and activism for sovereignty that built today’s casino economy. A text designed to fill the glaring need for an accessible overview of California Indian history, We Are the Land will be a core resource in a variety of classroom settings, as well as for casual readers and policymakers interested in a history that centers the native experience.

Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today.

In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future.

This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.

Awarded the NAISA Award Best Subsequent Book, 2018, PROSE Award, 2019, and shortlisted for ACQL Gabrielle Roy Prize for Literary Criticism, 2018.

2019 Association for Library Service to Children (ALSC) Notable and American Indians in Children's Literature (AICL) 2018 Best Book.

Chulyen the trickster raven loses his nose one day, but he vows to get it back. Luckily he has some special powers to help him!

How Raven Got His Crooked Nose is a modern retelling of a traditional Native American fable. Part picture book and part graphic novel, this beautifully illustrated story teaches an important lesson to children through Dena'ina mythology and includes a glossary of Dena’ina words to learn.

Hawaii's Story by Hawaii's Queen (1898) is an autobiography by Lili‘uokalani. Published in 1898, the book was written in the aftermath of Lili‘uokalani’s attempt to appeal on behalf of her people to President Grover Cleveland, a personal friend. Although it inspired Cleveland to demand her reinstatement, the United States Congress published the Morgan Report in 1894, which denied U.S. involvement in the overthrow of the Kingdom of Hawaii. Hawaii's Story by Hawaii's Queen appeared four years later as a final effort by Lili‘uokalani to advocate on behalf of Hawaiian sovereignty, but it unfortunately came too late. That same year, President McKinley and the United States Congress approved the annexation of Hawaii.

In Hawaii's Story by Hawaii's Queen, Lili‘uokalani reflects on her experiences as a young girl growing up on Oahu, where she was raised as a member of the extended royal family of King Kamehameha III. Born in Honolulu, she was educated and groomed to one day ascend to the throne. Lili‘uokalani developed an artistic sensibility early on, and was fond of both writing and music, crafting the lyrics to the popular song “Aloha ‘Oe” (1878). Although her book was unsuccessful as an attempt to advocate for Hawaiian sovereignty and the restoration of the monarchy, it has since been recognized as a moving personal portrait of a girl who grew up to become Hawaii’s first and only queen, a beloved monarch who fought for the rights of her people.

This edition of Lili‘uokalani’s Hawaii's Story by Hawaii's Queen is a classic of Hawaiian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A haunting dream that will not relent pulls author Kent Nerburn back into the hidden world of Native America, where dreams have meaning, animals are teachers, and the “old ones” still have powers beyond our understanding. In this moving narrative, we travel through the lands of the Lakota and the Ojibwe, where we encounter a strange little girl with an unnerving connection to the past, a forgotten asylum that history has tried to hide, and the complex, unforgettable characters we have come to know from Neither Wolf nor Dog and The Wolf at Twilight. Part history, part mystery, part spiritual journey and teaching story, The Girl Who Sang to the Buffalo is filled with the profound insight into humanity and Native American culture we have come to expect from Nerburn’s journeys. As the American Indian College Fund has stated, once you have encountered Nerburn’s stirring evocations of America’s high plains and incisive insights into the human heart, “you can never look at the world, or at people, the same way again.”