Architectures of Weaving reimagines the art of weaving as the combined result of fiber techniques and cultural practice. Addressing today’s urgent energetic and environmental challenges, the book explores new approaches for resilient and adaptable material systems by examining the boundaries between softness and rigidity, material and shape, and functionality and structure. With the aim of fostering interdisciplinary research and developing sustainable practices, this thoughtfully designed book assembles contributions by practitioners and theoreticians working in the fields of anthropology, architecture, art, biology, cultural history, design, materials science, and textile technology.

(English, German)

Compelled by the global environmental crisis, the building industry is moving toward a paradigm shift that significantly impacts the way we build, design, and interact with the natural environments around us. The built spaces of the future need to disrupt the conventional design practices that have "elevated" the building sector to the largest contributor of manmade CO₂ emissions globally. Achieving net-zero embodied and operational emissions in future construction will require the active participation of design, construction, and building professionals, as well as the prompt implementation of decarbonization solutions. These solutions, which restructure the way humans interact with their ecosystems, entail a reevaluation and reinterpretation of architecture and its role as a transformative agent. GAM 21 collects perspectives and proposals on how to make a radical shift towards environmental transformation successful.

With contributions by Greg Foliente, Guillaume Habert, Monica Lavagna, Alice Moncaster, Chrisna du Plessis, Philippe Rahm, and others

• Explores contemporary approaches to decarbonizing the construction industry, one of the world’s largest emitters of CO₂
• Includes contributions from international authors and experts

Die globale Umweltkrise zwingt die Baubranche zu einem Paradigmenwechsel, der die Art und Weise, wie wir in Zukunft bauen, gestalten und mit unseren natürlichen Umgebungen interagieren wollen, stark beeinflusst. Gebaute Räume der Zukunft müssen konventionelle Planungspraktiken überwinden, die den Bausektor zum größten Verursacher von CO₂-Emissionen weltweit gemacht haben. Das Erreichen von Netto-Null-Emissionen beim Bau und Betrieb künftiger Gebäude erfordert eine aktive Beteiligung von Entwurfs-, Konstruktions-, und Baufachleuten und die rasche Umsetzung der Dekarbonisierung. Diese Ansätze, die die Interaktion zwischen Menschen und ihren Ökosystemen neu strukturieren, haben auch eine Neubewertung und Neuinterpretation der Architektur und ihrer Rolle als Triebkraft der Transformation zur Folge. GAM 21 sammelt Perspektiven und Vorschläge, wie ein radikaler Wandel hin zu einer ökologischen Transformation gelingen kann.

Mit Beiträgen von Greg Foliente, Guillaume Habert, Monica Lavagna, Alice Moncaster, Chrisna du Plessis, Philippe Rahm und anderen

• Aktuelle Ansätze zur Dekarbonisierung der Baubranche als einer der größten Verursacherinnen von CO₂-Emissionen
• Beiträge internationaler Autor*innen und Expert*innen

This book considers architectural models not as stable objects but as a question: What is a model, really? And where in the design process does it assume its powers or perform its tasks? Thirty essays respond to nine pointed questions, discovering surprising affinities and interweaving observations from diverse disciplinary, geographical, and scholarly perspectives, all framed by an introductory essay and a dialog between historian Annabel Wharton and artist Thomas Demand. Are You a Model? approaches models as phenomena and architectural tools without seeking to determine conclusive answers. Compiled by a group of architectural and art historians, historians of science, software engineers, architects, and curators, it views models as an epistemologically diverse practice rather than objects sorted by periods, genres, or materials.

With contributions by Giulia Amoresano, Yana Boeva, Giulia Boller, Stefanie Brünenberg, Alberto Calderoni, Daniel Cardoso Llach, Wonseok Chae, Diana Cristobal Olave, Carlotta Darò, Cansu Degirmencioglu, Kai Drewes, Ruth Ezra, Jia Yi Gu, Erik Herrmann, Carolin Höfler, Deniz Avci Hosanli, Christian Janecke, Sebastian Loosen, John McMorrough, Christina Moushoul, Ana Carolina Pellegrini, Eliza Pertigkiozoglou, Andreas Pilot, Stéphanie Quantin-Biancalani, Salome Schepers, Ecaterina Stefanescu, Simona Valeriani, Mara Trübenbach, Annabel Wharton, Matthew Wells, Baris Wenzel, Holger Zaunstöck, Maxime Zaugg, and Tamar Zinguer.

Volume five of the Landscript series examines material culture in the context of landscape architecture theory and design, positing the constructed landscape as a site for the investigation of human-nature relations and the factors that mediate their production, from labor to physical materials.

For Fernweh, eight established European and American curators traveled around Scotland, visiting art venues that investigate the relationship between place, hospitality, collaboration, distance and the urban-rural dialogue. Through text and photography, this publication documents the group's illuminating symposium.