A daring investigation into how women are recruited by the far right online.

As the far right has gained popularity and acceptance around the world, its ranks have swelled with an unlikely category of members: women.

Women play significant roles in far-right movements, acting as propagandists, prizes to be won and mother-warriors of the nation. But up to now their activities have been largely overlooked. In Pink-pilled, journalist Lois Shearing interviews leading experts and infiltrates communities of tradwives and femtrolls to provide a cutting-edge account of how the far right uses the internet to recruit women. Shining a light on women’s experiences within these movements, Shearing reveals horrifying examples of misogyny and violence.

Understanding how and why women join movements that explicitly aim to restrict their autonomy is essential if we want to fight back. Pink-pilled offers key insights for countering women’s radicalisation and building communities resistant to far-right thought.

This is the first comprehensive history of goth music and culture. Across more than 500 pages, John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era.

Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned the culture, alongside political and social conditions. He also reaches back further to key historic events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the romantic poets, European folk tales, Gothic art and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature and music.

The art of darkness features interviews with Andrew Eldritch, Killing Joke, Bauhaus, The Cult, The Banshees, The Damned, Einstürzende Neubauten, Johnny Marr, Trent Reznor, Adam Ant, Laibach, The Cure, Nick Cave and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen.

The book presents an in-depth and theoretically-grounded analysis of urban gardening practices (re)emerging worldwide as new forms of bottom-up socio-political participation. By complementing the scholarly perspectives through posing real cases, it focuses on how these practices are able to address – together with environmental and planning questions – the most fundamental issues of spatial justice, social cohesion, inclusiveness, social innovations and equity in cities. Through a critical exploration of international case studies, this collection investigates whether, and how, gardeners are willing and able to contrast urban spatial arrangements that produce peculiar forms of social organisation and structures for inclusion and exclusion, by considering pervasive inequalities in the access to space, natural resources and services, as well as considerable disparities in living conditions.
This book is relevant to United Nations Sustainable Development Goal 16, Peace, justice and strong institutions

The amazing story of the home studio that helped launch some of Britain’s most beloved bands.

The Sheffield space age began in 1961, when local mechanic Ken Patten won a tape-recording competition by recreating the sound of a rocket launch using a pencil and a bicycle pump.

In the decades that followed, the makeshift home studio he constructed became the launch pad for a group of young musicians who would shape the futuristic sound of 1980s pop. The Human League, Heaven 17, Pulp, ABC and others made their early recordings with Ken, whose DIY ethic was the perfect fit for a city facing industrial decline but teeming with ideas.

Studio Electrophonique tells the story of a generation seeking new frontiers in music, using everything they could lay their hands on – from science fiction novels to glam rock, Dada art and cheap electronics – to get there. Drawing on original interviews with Jarvis Cocker, Martyn Ware, Mark White and others, it brings to light a world of humour, charm, creativity and unfounded yet undaunted self-belief.

The second volume in this highly collectable series covers the years 1969–70, offering album sleeves, interviews and more.

The senses in interior design examines how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors. The chapters explore how the body navigates and negotiates the realities of designed interiors and challenge the traditional focus on star designers or ideal interiors that have left sensorial agency at the margins of design history. From the sensually gendered role of the fireplace in late sixteenth century Italy to the synaesthetic décors of Comte Robert de Montesquiou and the sensorial stimuli of Aesop stores, each chapter brings a new perspective on the central role that the senses have played in the conception, experiences and uses of interiors.