A New York Times 100 Best Books of the 21st Century Readers Pick 

#1 New York Times Bestseller

A Washington Post and Los Angeles Times Bestseller

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

NATIONAL BESTSELLER

The #1 bestselling and beloved poetry anthology, now in paperback!

“Whoever you are, you will find yourself and your own world in the expansiveness of this collection.”
 –Margaret Renkl, New York Times

“A lovely book to take with you to read at the end of your next hike.”
–Los Angeles Times

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.  

In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing.

You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.

Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

Winner of the Pacific Northwest Book Award

A People Magazine Best Non-Celebrity Memoir of 2024

A People Magazine "Best New Book of the Month"

A Kirkus Reviews Best Nonfiction of the Year Selection

A Book Riot “Best Memoirs, Nonfiction Science, and Food Writing of the Last Year”

“I’m in awe of Chris La Tray’s storytelling. Becoming Little Shell creates a multilayered narrative from threads of personal, family, community, tribal, and national histories.”—Robin Wall Kimmerer, author of Braiding Sweetgrass

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother’s consistent mention of their Chippewa heritage.

When La Tray attended his grandfather’s funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. “Who were they?” he wondered, and “Why was I never allowed to know them?” Combining diligent research and compelling conversations with authors, activists, elders, and historians, La Tray embarks on a journey into his family’s past, discovering along the way a larger story of the complicated history of Indigenous communities—as well as the devastating effects of colonialism that continue to ripple through surviving generations. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition. 

Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray’s remarkable journey is both revelatory and redemptive.

An Indies Introduce Selection for Winter/Spring 2022

Kerri ní Dochartaigh was born in Derry, on the border of the North and South of Ireland, at the very height of the Troubles. She was brought up on a council estate on the wrong side of town—although for her family, and many others, there was no right side. One parent was Catholic, the other was Protestant. In the space of one year, they were forced out of two homes. When she was eleven, a homemade bomb was thrown through her bedroom window. Terror was in the very fabric of the city, and for families like ní Dochartaigh’s, the ones who fell between the cracks of identity, it seemed there was no escape.

In Thin Places, a luminous blend of memoir, history, and nature writing, ní Dochartaigh explores how nature kept her sane and helped her heal, how violence and poverty are never more than a stone’s throw from beauty and hope, and how we are, once again, allowing our borders to become hard and terror to creep back in. Ní Dochartaigh asks us to reclaim our landscape through language and study, and remember that the land we fight over is much more than lines on a map. It will always be ours, but—at the same time—it never really was.

A polyphonic new entry in Multiverse—a literary series written and curated by the neurodivergent—JJJJJerome Ellis’s Aster of Ceremonies beautifully extends the vision of his debut book and album, The Clearing, a “lyrical celebration of and inquiry into the intersections of blackness, music, and disabled speech” (Claudia Rankine).

Aster of Ceremonies asks what rites we need now and how poetry, astir in the asters, can help them along. What is the relationship between fleeing and feeling? How can the voices of those who came before—and the stutters that leaven those voices—carry into our present moment, mingling with our own? When Ellis writes, “Bring me the stolen will / Bring me the stolen well,” his voice is a conduit, his “me” is many. Through the grateful invocations of ancestors—Hannah, Mariah, Kit, Jan, and others—and their songs, he rewrites history, creating a world that blooms backward, reimagining what it means for Black and disabled people to have taken, and to continue to take, their freedom. 

By weaving a chorus of voices past and present, Ellis counters the attack of “all masters of all vessels” and replaces it with a family of flowers. He models how—as with his brilliant transduction of escaped slave advertisements—we might proclaim lost ownership over literature and history. “Bring me to the well,” he chants, implores, channels. “Bring me to me.” In this bringing, in this singing, he proclaims our collective belonging to shared worlds where we can gather and heal.

The Aster of Ceremonies audiobook read and performed by JJJJJerome Ellis is available everywhere you listen to audiobooks. 

Winner of the Southern Book Prize
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay

From the author of the bestselling #ReadWithJenna/TODAY Show book club pick Late Migrations: A Natural History of Love and Loss

For the past four years, Margaret Renkl’s columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville. Now more than sixty of those pieces have been brought together in this sparkling new collection.

“People have often asked me how it feels to be the ‘voice of the South,’” writes Renkl in her introduction. “But I’m not the voice of the South, and no one else is, either.” There are many Souths—red and blue, rural and urban, mountain and coast, Black and white and brown—and no one writer could possibly represent all of them. In Graceland, At Last, Renkl writes instead from her own experience about the complexities of her homeland, demonstrating along the way how much more there is to this tangled region than many people understand.

In a patchwork quilt of personal and reported essays, Renkl also highlights some other voices of the South, people who are fighting for a better future for the region. A group of teenagers who organized a youth march for Black Lives Matter. An urban shepherd whose sheep remove invasive vegetation. Church parishioners sheltering the homeless. Throughout, readers will find the generosity of spirit and deep attention to the world, human and nonhuman, that keep readers returning to her columns each Monday morning.

From a writer who “makes one of all the world’s beings” (NPR), Graceland, At Last is a book full of gifts for Southerners and non-Southerners alike.