Description
Barry Lopez had no illusions about the seriousness of our global crisis, yet he also felt a deep conviction about the power of hope and the sources of renewal in the living world. Syntax of the River is an extended conversation spanning three days between Lopez and Julia Martin in which he explores what this juxtaposition means for him as a writer.
On the first day Lopez reflects on years watching the McKenzie River near his home in Oregon. He describes the quality of attention he learned from intimacy with the place itself: a very fine distinction between silence and stillness, the rich complexities of the present moment, and the syntax of interrelationships between living things. The second day is concerned with craft: the work of making sentences and books. Lopez shares his practical strategies for writing and revising a manuscript and goes on to speak about vulnerability. He says he often experienced a deep sense of doubt about his capacity to achieve whatever he was trying to do in a particular project. Over time, though, this characteristic experience of not-knowing became a kind of fuel for his work, and even a weapon at times.
On the final day, Lopez ponders the idea of writing as a praxis, a way of life, even a prayer for the earth, while concurrently being terrified by the portents of its destruction. Here, the experience of being an attentive participant emerges as his core teaching. Over the decades he developed a practice of attention that was endlessly curious and enthralled by the living world, what he calls its pattern or syntax. Despite acclaim as a celebrated writer, throughout his career Lopez humbly tasked himself with making a combination of wonder and horror work together to effectively communicate a life journey of contemplation, exploration, and discovery.
On the first day Lopez reflects on years watching the McKenzie River near his home in Oregon. He describes the quality of attention he learned from intimacy with the place itself: a very fine distinction between silence and stillness, the rich complexities of the present moment, and the syntax of interrelationships between living things. The second day is concerned with craft: the work of making sentences and books. Lopez shares his practical strategies for writing and revising a manuscript and goes on to speak about vulnerability. He says he often experienced a deep sense of doubt about his capacity to achieve whatever he was trying to do in a particular project. Over time, though, this characteristic experience of not-knowing became a kind of fuel for his work, and even a weapon at times.
On the final day, Lopez ponders the idea of writing as a praxis, a way of life, even a prayer for the earth, while concurrently being terrified by the portents of its destruction. Here, the experience of being an attentive participant emerges as his core teaching. Over the decades he developed a practice of attention that was endlessly curious and enthralled by the living world, what he calls its pattern or syntax. Despite acclaim as a celebrated writer, throughout his career Lopez humbly tasked himself with making a combination of wonder and horror work together to effectively communicate a life journey of contemplation, exploration, and discovery.
Details
- Price: $19.95
- Pages: 136
- Carton Quantity: 40
- Publisher: Trinity University Press
- Imprint: Trinity University Press
- Publication Date: 17th January 2023
- Trim Size: 5 x 7 in
- ISBN: 9781595349897
- Format: Hardcover
- BISACs:
BIOGRAPHY & AUTOBIOGRAPHY / Literary
NATURE / Essays
LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing
NATURE / Ecosystems & Habitats / Forests & Rainforests
Reviews
“When a sensational writer delivers another outstanding work, it is a gift to all of us. When he manages to do so from beyond the grave, it’s another thing entirely. Something ethereal. That’s exactly what Barry Lopez gives us with <i>Syntax of the River</i>. On its surface, the book is simply the transcript of a 2010 conversation between writer-professor Julia Martin and Lopez, an outdoorsman — he told Martin he wasn’t a “naturalist” — and master of multiple genres of writing. Yet it brings to life mental images of something most of us have never seen: Oregon’s McKenzie River, Lopez’s sacred place.” — <b><i>Washington Independant Review of Books</b></i>
Author Bio
Table of Contents
1 THE SOUND OF WATER: Julia Martin
5 INTERVIEWS
7 DAY 1: PATTERN
46 DAY 2: CRAFT
82 DAY 3: FLAMES
121 WORKS BY BARRY LOPEZ MENTIONED IN THE CONVERSATION
123 ACKNOWLEDGMENTS
125 THE MCKENZIE RIVER TRUST
Barry Lopez had no illusions about the seriousness of our global crisis, yet he also felt a deep conviction about the power of hope and the sources of renewal in the living world. Syntax of the River is an extended conversation spanning three days between Lopez and Julia Martin in which he explores what this juxtaposition means for him as a writer.
On the first day Lopez reflects on years watching the McKenzie River near his home in Oregon. He describes the quality of attention he learned from intimacy with the place itself: a very fine distinction between silence and stillness, the rich complexities of the present moment, and the syntax of interrelationships between living things. The second day is concerned with craft: the work of making sentences and books. Lopez shares his practical strategies for writing and revising a manuscript and goes on to speak about vulnerability. He says he often experienced a deep sense of doubt about his capacity to achieve whatever he was trying to do in a particular project. Over time, though, this characteristic experience of not-knowing became a kind of fuel for his work, and even a weapon at times.
On the final day, Lopez ponders the idea of writing as a praxis, a way of life, even a prayer for the earth, while concurrently being terrified by the portents of its destruction. Here, the experience of being an attentive participant emerges as his core teaching. Over the decades he developed a practice of attention that was endlessly curious and enthralled by the living world, what he calls its pattern or syntax. Despite acclaim as a celebrated writer, throughout his career Lopez humbly tasked himself with making a combination of wonder and horror work together to effectively communicate a life journey of contemplation, exploration, and discovery.
On the first day Lopez reflects on years watching the McKenzie River near his home in Oregon. He describes the quality of attention he learned from intimacy with the place itself: a very fine distinction between silence and stillness, the rich complexities of the present moment, and the syntax of interrelationships between living things. The second day is concerned with craft: the work of making sentences and books. Lopez shares his practical strategies for writing and revising a manuscript and goes on to speak about vulnerability. He says he often experienced a deep sense of doubt about his capacity to achieve whatever he was trying to do in a particular project. Over time, though, this characteristic experience of not-knowing became a kind of fuel for his work, and even a weapon at times.
On the final day, Lopez ponders the idea of writing as a praxis, a way of life, even a prayer for the earth, while concurrently being terrified by the portents of its destruction. Here, the experience of being an attentive participant emerges as his core teaching. Over the decades he developed a practice of attention that was endlessly curious and enthralled by the living world, what he calls its pattern or syntax. Despite acclaim as a celebrated writer, throughout his career Lopez humbly tasked himself with making a combination of wonder and horror work together to effectively communicate a life journey of contemplation, exploration, and discovery.
- Price: $19.95
- Pages: 136
- Carton Quantity: 40
- Publisher: Trinity University Press
- Imprint: Trinity University Press
- Publication Date: 17th January 2023
- Trim Size: 5 x 7 in
- ISBN: 9781595349897
- Format: Hardcover
- BISACs:
BIOGRAPHY & AUTOBIOGRAPHY / Literary
NATURE / Essays
LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing
NATURE / Ecosystems & Habitats / Forests & Rainforests
“When a sensational writer delivers another outstanding work, it is a gift to all of us. When he manages to do so from beyond the grave, it’s another thing entirely. Something ethereal. That’s exactly what Barry Lopez gives us with <i>Syntax of the River</i>. On its surface, the book is simply the transcript of a 2010 conversation between writer-professor Julia Martin and Lopez, an outdoorsman — he told Martin he wasn’t a “naturalist” — and master of multiple genres of writing. Yet it brings to life mental images of something most of us have never seen: Oregon’s McKenzie River, Lopez’s sacred place.” — <b><i>Washington Independant Review of Books</b></i>
1 THE SOUND OF WATER: Julia Martin
5 INTERVIEWS
7 DAY 1: PATTERN
46 DAY 2: CRAFT
82 DAY 3: FLAMES
121 WORKS BY BARRY LOPEZ MENTIONED IN THE CONVERSATION
123 ACKNOWLEDGMENTS
125 THE MCKENZIE RIVER TRUST
