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    How filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning reality—with help from nuns, gang members, skateboarders, artists, disability activists, and more.
     
    The evolution of Kartemquin Films—Peabody, Emmy, and Sundance-awarded and Oscar-nominated makers of such hits as Hoop Dreams and Minding the Gap—is also the story of U.S. independent documentary film over the last seventy years. Patricia Aufderheide reveals the untold story of how Kartemquin developed as an institution that confronts the brutal realities of the industry and society while empowering people to claim their right to democracy.
     
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    Considered the nation's foremost expert in audience development, Donna Walker-Kuhne has spent her career developing successful strategies for increasing access to the arts. Over the past ten years, Walker-Kuhne has traveled to over 100 U.S. cities and 5 continents to give lectures, workshops, and keynotes specifically focused on community engagement. This guide synthesizes her findings from the last decade into an accessible text that provides sustainable, measurable community engagement strategies for leaders in the arts community—with a specific focus on ways to drill deeper into issues of diversity, inclusion, and equity. Including case studies from around the world that offer models for creating sustainable audiences and membership, Walker-Kuhne offers a practical yet visionary way of thinking about community engagement in the arts as a vehicle for social change.

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    How Black women’s visual work functions in an era of new racial and gender meaning

    In the wake of contemporary art’s post-Black turn and the mainstreaming of intersectionality, Undesirability and Her Sisters charts a new genealogy of Black women’s art that exposes the unfinished project of racial and gender empowerment in the twenty-first century. Tiffany Barber argues that Black women’s social positions at the intersection of race, gender, sexuality, and class are inherently queer, thus spurring unexpected aesthetic strategies that throw into high relief the ethical terrain of what it means to be Black and a woman now.

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    First published in 1983, Shiguéhiko Hasumi's Directed by Yasujirō Ozu has become one of the most influential books on cinema written in Japanese. This pioneering translation brings Hasumi's landmark work to an English-speaking public for the first time, inviting a new readership to engage with this astutely observed, deeply moving meditation on the oeuvre of one of the giants of world cinema. Complemented by a critical introduction from acclaimed film scholar Aaron Gerow and rendered fluidly in Ryan Cook's agile translation, this volume will grace the shelves of cinephiles for many years to come.

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    A girl made of glass. Gods and murders. A serial killer’s friends. And a secret in a bottle. This volume also contains the short plays Seven Jewish Children, Ding Dong the Wicked, Pigs and Dogs, War and Peace Gaza Piece, Tickets Now on Sale, and Beautiful Eyes.


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