

We live in an era of abundant photography. Is it then counterintuitive to study photographs that disappear or are difficult to discern? Kate Palmer Albers argues that it is precisely this current cultural... Read More
Description
We live in an era of abundant photography. Is it then counterintuitive to study photographs that disappear or are difficult to discern? Kate Palmer Albers argues that it is precisely this current cultural moment that allows us to recognize what has always been a basic and foundational, yet unseen, condition of photography: its ephemerality.
Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography’s origins, to conceptual and performative art that has emerged since the 1960s, to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium.
Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography’s origins, to conceptual and performative art that has emerged since the 1960s, to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium.
Details
- Price: $29.95
- Pages: 168
- Publisher: University of California Press
- Imprint: University of California Press
- Publication Date: 30th November 2021
- Trim Size: 6 x 8 in
- Illustration Note: 17 color illustrations, 17 b-w illustrations
- ISBN: 9780520381544
- Format: Paperback
- BISACs:
SOCIAL SCIENCE / Media Studies
ART / General
ART / Digital
ART / History / Contemporary (1945-)
PHOTOGRAPHY / History
Reviews
- Cleveland Review of Books"Albers brilliantly encourages us to revisit the ephemerality of recent photographic works before returning to ‘the foundation’ . . . Albers tells us to wait in the scene—be it the clinic or gallery—to find out what’s moving, what’s missing, what’s pulsing inside us.”
Author Bio
Table of Contents
Introduction
I Ephemerality, over Time
II Ways of Seeing and "Live" Photography: Four Case Studies
III Future Visibility
IV Revised Foundations
Coda
Acknowledgments
Notes
List of Illustrations
Index
I Ephemerality, over Time
II Ways of Seeing and "Live" Photography: Four Case Studies
III Future Visibility
IV Revised Foundations
Coda
Acknowledgments
Notes
List of Illustrations
Index
We live in an era of abundant photography. Is it then counterintuitive to study photographs that disappear or are difficult to discern? Kate Palmer Albers argues that it is precisely this current cultural moment that allows us to recognize what has always been a basic and foundational, yet unseen, condition of photography: its ephemerality.
Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography’s origins, to conceptual and performative art that has emerged since the 1960s, to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium.
Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography’s origins, to conceptual and performative art that has emerged since the 1960s, to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium.
- Price: $29.95
- Pages: 168
- Publisher: University of California Press
- Imprint: University of California Press
- Publication Date: 30th November 2021
- Trim Size: 6 x 8 in
- Illustrations Note: 17 color illustrations, 17 b-w illustrations
- ISBN: 9780520381544
- Format: Paperback
- BISACs:
SOCIAL SCIENCE / Media Studies
ART / General
ART / Digital
ART / History / Contemporary (1945-)
PHOTOGRAPHY / History
– Cleveland Review of Books"Albers brilliantly encourages us to revisit the ephemerality of recent photographic works before returning to ‘the foundation’ . . . Albers tells us to wait in the scene—be it the clinic or gallery—to find out what’s moving, what’s missing, what’s pulsing inside us.”
Introduction
I Ephemerality, over Time
II Ways of Seeing and "Live" Photography: Four Case Studies
III Future Visibility
IV Revised Foundations
Coda
Acknowledgments
Notes
List of Illustrations
Index
I Ephemerality, over Time
II Ways of Seeing and "Live" Photography: Four Case Studies
III Future Visibility
IV Revised Foundations
Coda
Acknowledgments
Notes
List of Illustrations
Index