That's a Pretty Thing to Call It

Jerome Rothenberg’s final anthology—an experiment in omnipoetics with Javier Taboada—reaches into the deepest origins of the Americas, north and south, to redefine America and its poetries
 
The Serpent and the Fire breaks out of deeply entrenched models that limit “American” literature to work written in English within the present boundaries of the United States. Editors Jerome Rothenberg and Javier Taboada gather vital pieces from all parts of the Western Hemisphere and the breadth of European and Indigenous languages within: a unique range of cultures and languages going back several millennia, an experiment in what the editors call an American “omnipoetics.”
 
The Serpent and the Fire is divided into four chronological sections—from early pre-Columbian times to the immediately contemporary—and five thematic sections that move freely across languages and shifting geographical boundaries to underscore the complexities, conflicts, contradictions, and continuities of the poetry of the Americas. The book also boasts contextualizing commentaries to connect the poets and poems in dialogue across time and space.

*Selected as a Top 10 Must-Read Book About Antarctica by the International Association of Antarctic Tour Operators

Poet-naturalist Elizabeth Bradfield’s fourth collection, Toward Antarctica, documents and queries her work as a guide on ships in Antarctica, offering an incisive insider’s vision that challenges traditional tropes of The Last Continent. Inspired by haibun, a stylistic form of Japanese poetry invented by 17th-century poet, Matsuo Bashō to chronicle his journeys in remote Japan, Bradfield uses photographs, compressed prose, and short poems to examine our relationship to remoteness, discovery, expertise, awe, labor, temporary societies, “pure” landscapes, and tourism’s service economy. Antarctica was the focus of Bradfield’s Approaching Ice, written before she had set foot on the continent; now Toward Antarctica furthers her investigation with boots on the ground. A complicated love letter, Toward Antarctica offers a unique view of one of the world’s most iconic wild places.

A lavish collector’s edition of the complete poems of eminent Japanese master of the haiku, Matsuo Bashō—​with a new index that contains the full Japanese text of the original poems.

Matsuo Bashō (1644–1694) is arguably the greatest figure in the history of Japanese literature and the master of the haiku. Bashō: The Complete Haiku of Matsuo Bashō offers in English a full picture of the haiku of Bashō, 980 poems in all.
 
In Fitzsimons’s beautiful rendering, Bashō is much more than a philosopher of the natural world and the leading exponent of a refined Japanese sensibility. He is also a poet of queer love and eroticism; of the city as well as the country, the indoors and the outdoors, travel and staying put; of lonesomeness as well as the desire to be alone. Bashō: The Complete Haiku of Matsuo Bashō reveals how this work speaks to our concerns today as much as it captures a Japan emerging from the Middle Ages. For dedicated scholars and those coming upon Bashō for the first time, this beautiful collector’s edition of Fitzsimons’s elegant award-winning translation, with the original Japanese (including kanji, hiragana, and katakana), allows readers to enjoy these works in all their glory.

Strand’s mystical poems to Ma Kali, the Dark Goddess of India, as occasioned by his encounters with the material dealt in depth in both Waking Up to the Dark and the Way of the Rose.

“A treasure of mystical poetry, these poems pulsate with truth.” —Carolyn Myss, author of Intimate Conversations with the Divine and Anatomy of the Spirit

In the early hours of June 16, 2011, Clark Strand witnessed a startling apparition of the Divine Feminine in the form of a young woman with an X of black electrical tape over Her mouth. Strand removed the tape, and She began to speak of a coming age of chaos and collapse in which the world of humankind would be severely chastened so that Her world—the world of Nature—could be renewed. Overwhelmed by the presence of One so fully Other, Strand found that love was the only language that would suffice. Drawing inspiration from Song of Songs and the Bengali mystics Ramprasad and Sri Ramakrishna, he began a series of poems to Ma Kali, the Dark Goddess of India, the words to which often came from the Great Mother Herself.

“I sew myself together / again and again” in urgent vulnerability, H Warren’s debut collection, Binded, discloses their reality of living nonbinary in the rural context of Alaska. With breasts bound by compression, these poems explore the space that binds the body into itself, stuck in unrelenting forces of binary politics and violence. Each poem is a stitching and restitching of the self—an examination of trans-survival. This is a courageous collection—an anthem of Queer resilience and a reminder of the healing powers of community care.