Why to These Rocks

*Selected as a Top 10 Must-Read Book About Antarctica by the International Association of Antarctic Tour Operators

Poet-naturalist Elizabeth Bradfield’s fourth collection, Toward Antarctica, documents and queries her work as a guide on ships in Antarctica, offering an incisive insider’s vision that challenges traditional tropes of The Last Continent. Inspired by haibun, a stylistic form of Japanese poetry invented by 17th-century poet, Matsuo Bashō to chronicle his journeys in remote Japan, Bradfield uses photographs, compressed prose, and short poems to examine our relationship to remoteness, discovery, expertise, awe, labor, temporary societies, “pure” landscapes, and tourism’s service economy. Antarctica was the focus of Bradfield’s Approaching Ice, written before she had set foot on the continent; now Toward Antarctica furthers her investigation with boots on the ground. A complicated love letter, Toward Antarctica offers a unique view of one of the world’s most iconic wild places.

Strand’s mystical poems to Ma Kali, the Dark Goddess of India, as occasioned by his encounters with the material dealt in depth in both Waking Up to the Dark and the Way of the Rose.

“A treasure of mystical poetry, these poems pulsate with truth.” —Carolyn Myss, author of Intimate Conversations with the Divine and Anatomy of the Spirit

In the early hours of June 16, 2011, Clark Strand witnessed a startling apparition of the Divine Feminine in the form of a young woman with an X of black electrical tape over Her mouth. Strand removed the tape, and She began to speak of a coming age of chaos and collapse in which the world of humankind would be severely chastened so that Her world—the world of Nature—could be renewed. Overwhelmed by the presence of One so fully Other, Strand found that love was the only language that would suffice. Drawing inspiration from Song of Songs and the Bengali mystics Ramprasad and Sri Ramakrishna, he began a series of poems to Ma Kali, the Dark Goddess of India, the words to which often came from the Great Mother Herself.

Frank, eye-opening writing by "arts in corrections" educators

Poetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.