*Selected as a Top 10 Must-Read Book About Antarctica by the International Association of Antarctic Tour Operators

Poet-naturalist Elizabeth Bradfield’s fourth collection, Toward Antarctica, documents and queries her work as a guide on ships in Antarctica, offering an incisive insider’s vision that challenges traditional tropes of The Last Continent. Inspired by haibun, a stylistic form of Japanese poetry invented by 17th-century poet, Matsuo Bashō to chronicle his journeys in remote Japan, Bradfield uses photographs, compressed prose, and short poems to examine our relationship to remoteness, discovery, expertise, awe, labor, temporary societies, “pure” landscapes, and tourism’s service economy. Antarctica was the focus of Bradfield’s Approaching Ice, written before she had set foot on the continent; now Toward Antarctica furthers her investigation with boots on the ground. A complicated love letter, Toward Antarctica offers a unique view of one of the world’s most iconic wild places.

The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

Issue 24 features work from Catherine Pierce, Lory Bedikian, Clea Bierman, and more.

The Los Angeles Review Masthead
Publisher: Tobi Harper
Editor: Kate Gale
Managing Editor: McKenna Themm
Assistant Managing Editor: Dulce Arteaga
Fiction Editors: K. K. Fox and Hananah Zaheer
Flash Fiction Editor: Sophia Ihlefeld
Poetry Editors: Blas Falconer and Vandana Khanna
Nonfiction Editor: Marco Wilkinson
Translation Editors: Francesca Bell and Linda Murphy Marshall
Book Review Editors: Deirdre Collins and Tansica Sunkamaneevongse
Production Editor: Rebeccah Sanhueza

An impulsive, madcap, and newly concussed young woman comes of age as she navigates her Ghanaian American identity, her relationships, and the muddled landscape of history, memory, imagination, and delusion.

Twenty-four-year-old Akosua is easily knocked off her feet. When she falls and hits her head, she’s too preoccupied with her latest dramas to fully absorb the shock. In the span of three months, she has broken up with her boyfriend Wisdom, discovered that her deadbeat dad has moved back to the States from Ghana, and dropped so many classes that she believes she’s the only history grad student in the history of grad students to be registered for just one partial-credit class. Instead of facing her problems, Akosua seeks distraction in Daniel, a “good Ghanaian man.” But as her head injury worsens, she questions whether she can continue to run away from her father any more than she can keep ignoring her brain and its traumas. Vibrant, funny, and bittersweet, Blood on the Brain is a novel about the complications of family, romance, and culture—and how coming of age can feel like a blow to the head.

AUTHOR OF THE PULITZER PRIZE AND NATIONAL BOOK AWARD WINNER, JAMES

AUTHOR OF ERASURE, now adapted for the screen as the OSCAR-WINNING FILM, AMERICAN FICTION

Percival Everett is diving back into poetry with his spellbinding new collection, SONNETS FOR A MISSING KEY

“Few writers pay more rapt attention to the fact that history is, fundamentally, storytelling. … A pebble in every shoe. It’s the Everett way.”—New York Times

Inspired by the Preludes of Chopin and the piano solos of Art Tatum, these sonnets leap and turn through philosophical musings accrued across a life well lived, with inventive language, crystalline imagery, and turns of phrase that lift off the page and glimmer. Everett’s sonnets soar through the musical scale, from A Minor to A Major, exploring relationships, spirituality, compassion, despair, and how the stories we tell ourselves shape our realities.

Everett continuously defies convention with every creative expression and brings his literary audacity back to his poetic roots with this, his sixth collection with Red Hen Press.

Sonnets for a Missing Key is a mesmerizing feat of language that reinforces Percival Everett as one of the great wordsmiths of the century.

INDIES INTRODUCE SELECTION • DEBUT AUTHOR, MOLLY OLGUÍN brings us THE SEA GIVES UP THE DEAD, a collection of stories sprinkled into the soil of fairy tales, left to take root and grow wild there.

“A wunderkammer of beauty and sorrow.”—Carmen Maria Machado, author of In the Dream House • “Witty, witchy, darkly brilliant”—Andrea Barrett, author of Natural History and Ship Fever • “Mix the wildness of fairy tales with horror.”—Kim Brock, Joseph-Beth Booksellers • “Fantastical, queer, wildly inventive stories.”—Austin Carter, Pocket Books Shop • “A mouthwatering ride.”—Desirae Wilkerson, Paper Boat Booksellers • “Absolutely fantastic!”—Randy Schiller, Left Bank Books, St. Louis, MO

A lovesick nanny slays a dragon. The devil tries to save her mother. A girl drowns and becomes a saint. Three kids plot to blow up their dad, a grieving mother sails the sea to find her son’s grave, a scientist brings a voice to life, and a mermaid falls into the power of a witch. Here, historical fiction, horror, and fantasy tangle together in a queer garden of love, grief, and longing.