A global chorus from the archives of World Literature Today, this landmark collection of fiction, essays, and poetry commemorates a century of exploration through pen and ink.

The Night Closes, the Sky Opens is a bold, global anthology of stories that cross borders and essays that reshape worlds, reimagining what international writing can be. From Nobel laureates to dissident poets, iconic novelists to fresh contemporary voices, this collection brings together powerful essays, visionary lectures, and urgent reflections that speak to the heart of literature’s role in a rapidly changing world.

Spanning four dynamic sections—from foundational manifestos to groundbreaking critical takes, from national literatures to transnational identities—this anthology offers readers a vibrant map of how stories cross borders, bridge histories, and shape futures. Alongside works by Octavio Paz, Elie Wiesel, Ngũgĩ wa Thiong’o, Toni Morrison, Dubravka Ugrešić, and many others. Ultimately, this collection bridges genre, time, and location, and asks us: What can literature do in a time of crisis?

What begins as a scary almost-accident turns into a road-trip adventure, and then a lasting friendship between a truck driver and the moose who joins him for a ride.

Moose has never left his home in the Maine woods, but when he meets Rus, a long-haul trucker on his way to Florida, the two team up and hit the road together. Moose helps Rus navigate, eats his first slice of pizza, and settles into a bunk bed in the truck’s cab after each day's work. What new discoveries await these unlikely friends?

Electric, defiant, and singing with melancholia, Alejandra Banca's devastating debut throws its arms around a displaced generation of young Venezuelan migrants, reveling in the clamor and beauty of their day-by-day survival.

Below the rooftops of Barcelona's historic avenues, in the shadow of the Sagrada Família and its fleet of construction cranes, thrums a vital pulse: meal-delivery bikers, sex workers, strung out artists, anti-capitalist squatters, undocumented shopgirls, fledgeling drug dealers, and a thousand more lives that cross and knit together at the lowest level of Spain's urban tumult. The young expats of these stories careen through crowded streets, night clubs, and dating apps with a devil-may-care abandon that belies their precarious circumstances. Tragedy will erupt and then ebb in an instant, receding in the rearview like a roadside collision and haunting those that push on. Running on fumes and paltry tips, Banca's beleaguered characters race along a knife's edge and find unexpected solace in moments of shared vulnerability; a knowing thread that unites these strangers in a strange land.

In this English PEN Award-winning translation by Katie Brown, From Savagery announces Alejandra Banca as a resplendent and masterful new voice in Latin American literature—one that will take readers by storm.

Can killing be an act of love? Hypnotic, gruesome, and exultant, Joy Sorman’s macabre ballet whirls from industrial slaughterhouses to the boutique butcher shops of Paris.

Pim is a delicate youth—stringy, solemn, and prone to bouts of unexplained weeping. When he enrolls in trade school as an apprentice butcher, his mentors have low expectations, but his lanky body conceals a peculiar flame: a passionate devotion to animals. In an industry that strives to distance the chopping block from the dinner plate, his ardor might seem like a handicap, but Pim rises through the knife-wielding ranks with a barely-tethered zeal. He scours blood from floor mats and stacks carcasses in the cold room by day. By night he tries to slake his appetites: at the table, over boudin sausage and steak tartare, and in bed, with women whose flanks, ribs, and haunches he maps as they undress each other.

Pim’s professional successes mount but his cravings gnaw. In the library he teases out histories, like the blood-drinking forerunners to vampirism or the Medieval trial of a killer pig, sentenced to death by hanging. Meat crowds his waking thoughts. Even as he carves ripe flesh from exquisite bone, he labors to close the gap between man and beast—to be seen, understood, even loved, by a primordial mind. Will this ravenous obsession yield to madness, or to ecstasy?

With shades of Upton Sinclair’s The Jungle, Joy Sorman’s Tenderloin is an ethical foray, fever dream, and paean to an ageless hunger. Vegetarians and carnivores alike are invited to feast at this sumptuous literary table. After all, we are what we eat.

FINALIST, National Book Award for Translated Literature, 2024

A perilous and fantastical satire of banned books, secret archives, and the looming eye of an all-powerful government.

The new book censor hasn’t slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish—allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians trying to save their history and culture.

Reckoning with the global threat to free speech and the bleak future it all but guarantees, Bothayna Al-Essa marries the steely dystopia of Orwell’s 1984 with the madcap absurdity of Carroll’s Alice in Wonderland. The Book Censor’s Library is a warning call and a love letter to stories and the delicious act of losing oneself in them.