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    Alison Croggon

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    Regular price $18.00 Save $-18.00

    A hybrid of memoir and essay from award-winning writer and critic Alison Croggon.

    “I was born as part of a monstrous structure—the grotesque, hideous, ugly, ghastly, gruesome, horrible relations of power that constituted colonial Britain. A structure that shaped me, that shapes the very language that I speak and use and love. I am the daughter of an empire that declared itself the natural order of the world.”

    From award-winning writer and critic Alison Croggon, Monsters is a hybrid of memoir and essay that takes as its point of departure the painful breakdown of a relationship between two sisters.

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    From INSTANT POODLES to CHEESE GHOSTIE, RHYME HUNGRY is the ultimate book of lunchtime wordplay!

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    A Paris police force as you’ve never seen it

    Police officers are obliged to give an account of every incident they are involved in. But what happened today will never be logged. Because that's what police solidarity means: what happens in the van stays in the van.

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    What really happens behind the walls of a police station? To answer this question, investigative journalist Valentin Gendrot put his life on hold for two years and became the first journalist in history to infiltrate the police undetected.

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    Assigned to work in a tough area of Paris where tensions between the law and locals ran high, Gendrot witnessed police brutality, racism, blunders, and cover-ups. But he also saw the oppressive working conditions that officers endured, and mourned the tragic suicide of a colleague.

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    From the author of the multi-award-winning bestseller Between a Wolf and a Dog, a powerful collection of previously unpublished stories.

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    The sweeping debut novel set in bohemian Paris, by the author of international bestseller The Eighth Life.

    In 1953, a teenage girl, Jeanne Saré, jumps in front of a train at the Gare du Nord station. She leaves behind writings that to some are unreadable, but to others tell universal, unspoken truths about the lives and struggles of women. When published in the 1970s, her work triggers a rash of copycat suicides. It is hastily withdrawn from sale and eventually forgotten about.

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    Women across the ages have attached their own stories to Saré’s, often with devastating results, but the truth about her may be even stranger than the fictions they have invented.


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