“Skip Yellowstone for this rawer version of the West.”—The New York Times Book Review

“This taut, compelling novel explores the great outdoors—and a realm of moral uncertainty. . . . A ferociously gripping book.”—The Economist 

Two brothers in dire straits, living on the edge of Yellowstone, agree to a desperate act of survival in this taut, propulsive novel reminiscent of the works of C.J. Box, Donald Ray Pollock, and Larry McMurtry.

Thad and Hazen live off the grid, struggling with debt after the death of their father. Thad, the elder brother, is the capable one, while Hazen is a dreamer, more in tune with the wilderness than with people. Then a shadowy out-of-towner called the Scot appears—dressed in a kilt and with a mysterious young woman in tow. He makes the brothers a proposition that is both lucrative and a federal crime—removing resources from Yellowstone National Park, a scheme that becomes more appealing when their long-gone mother shows up, raising troubling questions about the past. A contemporary tale with a timeless feel, Beartooth explores the bonds between brothers, the natural world versus society, and what happens when everything you believed to be true is turned on its head—for worse and for better. 

Observed in Mexico and parts of the United States, El Día de Muertos, or Day of the Dead, is a celebratory holiday. Los Muertos is the first anthology of fiction relating to or inspired by this bicultural tradition. Each of the two dozen Mexican and Mexican American writers featured here has a unique affinity for the myriad ideas connected closely to the El Día de Muertos—some in less obvious ways. The stories connect to the metaphors and connotations related to memorializing the dead, some reflecting on the ritualized and religious aspects of what has become a commercialized holiday and others reacting to such cultural appropriations.

In celebration and reconciliation, stories like Alessandra Narváez Varela’s, told from the point of view of a Día de los Muertos wreath, and Marytza Rubio’s, about a young woman trying to rewrite a young man’s death through parallel dimensions, illustrate the ways Latino cultures process death. From Kirstin Valdez Quade’s little girl struggling to accept her mother’s abandonment to David Rice’s character forgiving himself in remembrance of his daughter’s namesake, each character fully embraces what it means to look death in the face and celebrate the losses of the departed. From solemn ofrendas and milagros to everyday acts far removed from any trace of pan de muerto or papel picado, these diverse stories call us to appreciate the holiday’s broader cultural significance.

Writers include Ana Gloria Álvarez Pedrajo, Rosa Beltrán, Ana García Bergua, Ana Castillo, Lucha Corpi, Elizabeth Gonzalez James, Diana López, Lorraine M. López, Alberto Reyes Morgan, Manuel Muñoz, Alessandra Narváez-Varela, Guadalupe Nettel, Daniel A. Olivas, Pedro Ángel Palou, Rene S Perez II, Kirstin Valdez Quade, David Rice, Alberto Ríos, Ito Romo, Marytza K. Rubio, Socorro Venegas, and Désirée Zamorano.

***Editor's Choice, NEW YORK TIMES*** A literary coup d'etat, that ponders "What would the White House be like if U.S. Presidents of the past were not restricted by the time-honored hallmarks and traditional behavior of the office, leaving them free to do whatever they wanted, anytime and anywhere?" THE FAKING OF THE PRESIDENT: Nineteen Stories of White House Noir pulls back the curtain on the “new norm” for America’s highest office, with a collection of bizarre new stories by a diverse group of renowned authors that take readers across the chasm of reality into an alternate universe—where Nixon takes a wacky psychedelic trip with Elvis Presley; where a time-traveling renegade targets members of the George Bush administration with disastrous results; where a spy seizes a sudden opportunity for power after Woodrow Wilson’s stroke. The stories are outlandish but—when it comes to the White House of today—no longer implausible.

The line-up of award-winning authors includes Eric Beetner, Peter Carlaftes, Sarah M. Chen, Angel Luis Colón, S. A. Cosby, Nikki Dolson, Mary Anna Evans, Adam Lance Garcia, Danny Gardner, Alison Gaylin, Christopher Chambers, Kate Flora, Greg Herren, Gary Phillips, Alex Segura, Travis Richardson, S. J. Rozan, Abby Vandiver, and Erica Wright.

In an era where the bar for what is acceptable has shifted beyond what the founding fathers ever imagined, THE FAKING OF THE PRESIDENT is a highly recommended unique creative act of resistance, and a must-have for fans of politics, noir, and speculative fiction. 

In Lies of a Toymaker, a retelling of the classic Pinocchio, Paige, a queer teen and wooden toymaker’s daughter, is slowly turning into wood, and must cross the demonic Land of Toys to stop the evil Deathsprites before they destroy her world.

Award-winning author Kelly Jacobson (Tink and Wendy, Robin and Her Misfits) delivers her latest fairytale retelling in this cross between the classic Pinocchio and a Stephen King novel like The Gunslinger, Paige (a queer eighteen-year-old girl) is a wooden toymaker’s daughter dragged from state to state as her mother, Petta Vitaly, hawks her creations from their caravan. When they finally return to Petta’s hometown, Paige discovers Toy Palace, her family’s animatronic toy business, but she keeps the discovery from her mother—only to find that she has begun to turn into a wooden marionette.

With the help of two girls who use Paige’s interest in them to pull off the heist, Paige breaks into Toy Palace and finds out some of the family history her mother has been hiding from her. Though Paige is abandoned by the two girls, she discovers a captive fairy in one of the upper rooms of Toy Palace, Prince Alexio, who shows her that an entire realm, the Land of Toys, has been destroyed by fairies called the Deathsprites—and that her family has been using Prince Alexio’s powers to help the evil fairies gain power through the animatronic toys they have been selling for the last eighteen years.

Unable to cope with this new information, Paige runs away from Toy Palace and the captive prince, but her mother and a Toy Palace manager end up rescuing Prince Alexio instead. He finds Paige and takes her to the Land of Toys, where the Deathsprites have been turning sweet toys into terrible monsters determined to kill everything in their path. With the help of the talking cricket and Paige’s newfound strength as a marionette, the two must cross the realm of piled toy parts and frightful creations to stop the Deathsprites from making a portal to Earth that will bring destruction on that planet, too.

Lies of a Toymaker is a queer feminist YA retelling of the classic that reexamines what it means to “lie” for the benefit of others, and how the lines between truth and fiction are not always as clear as they seem. The book is told from several different perspectives, but follows Paige’s journey most centrally. Many classics from the original story make an appearance, such as the whale, the talking cricket, the fox and the cat, and the Fairy with Azure Hair.

Read 22 chilling stories, written by two paranormal investigators, about reportedly true encounters with monsters in Idaho, Oregon, and Washington.

A pastor’s afternoon hike takes a horrifying turn when a creature follows him home and terrorizes his family. A woman’s routine drive becomes a heart-pounding encounter when a Sasquatch chases a deer into the path of her car. A child’s innocent night games go from sporty to sinister when a Wendigo stalks him from the shadows. The Pacific Northwest’s history includes several unimaginable encounters with legendary creatures. This collection of “ghost stories” presents the creepiest, most surprising tales of monsters in the states of Idaho, Oregon, and Washington.

Authors Jessica Freeburg and Natalie Fowler are active paranormal investigators with a shared fascination for things that go bump in the night. The professional writers spent countless hours combing the region for the strangest and scariest run-ins with the unexplained.

Horror fans and history buffs will delight in these 22 terrifying tales. They’re based on reportedly true accounts, proving that the Pacific Northwest is the setting for some of the most unsettling monster tales ever told. The short stories are ideal for quick reading, and they are sure to captivate even the most reluctant of readers. Share them with friends around a campfire, or try them alone at home—if you dare.