Born in 1926, married in 1947, crowned as Queen in 1953, Her Majesty Queen Elizabeth II carried out her duty with great dedication for more than seven decades. TASCHEN celebrates her remarkable royal story with a new edition of Her Majesty, a definitive photographic collection of her public and private life.

Brimming with history, tradition, fashion, glamour, and culture, the book spans the Queen’s early years right until her passing in 2022.. Along the way, we trace her coming of age during World War II; her marriage, motherhood, and coronation; her encounters with such icons of their age as the Beatles, Marilyn Monroe, and JFK; and her extensive international travels. We visit the spectacular royal palaces and enjoy the infectious celebration of royal weddings and jubilees. We witness the elegance of official portraits, and the intimacy of family moments.

As much a showcase of top photographers as a celebration of her remarkable royal life. Her Majesty includes the work of such luminaries as Cecil Beaton, Studio Lisa, Dorothy Wilding, Karsh, Lord Snowdon, David Bailey, Patrick Lichfield, Annie Leibovitz and many others.

Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us.

Designers understand the urgency of reducing humanity’s negative environmental impact, yet perpetuate the same mythology of technology that relies on exploiting nature. Responding to climate change by building hard infrastructures and favoring high-tech homogenous design, we are ignoring millennia-old knowledge of how to live in symbiosis with nature. Without implementing soft systems that use biodiversity as a building block, designs remain inherently unsustainable.

Lo—TEK, derived from Traditional Ecological Knowledge, is a cumulative body of multigenerational knowledge, practices, and beliefs, countering the idea that indigenous innovation is primitive and exists isolated from technology. It is sophisticated and designed to sustainably work with complex ecosystems.

With a foreword by anthropologist Wade Davis and four chapters spanning Mountains, Forests, Deserts, and Wetlands, Julia Watson explores thousands of years of human wisdom and ingenuity from 18 countries including Peru, the Philippines, Tanzania, Kenya, Iran, Iraq, India, and Indonesia. We rediscover an ancient mythology in a contemporary context, radicalizing the spirit of human nature.

The tactile reading experience of Lo—TEK reflects the ingenuity of carefully selected projects with sophisticated design details: copper highlights the value of ancient knowledge, a cardboard hardcover echoes rawness, and the Swiss binding showcases an open spine and reveals the construction of the book, just as the book discloses hidden technological knowledge.

From the dawn of time, ever since Adam and Eve, all artists of every age—whether the Egyptian, Greek, or Roman artists of Antiquity, or more recent famous names such as Rembrandt, Courbet, Degas, or Picasso—have succumbed to their fantasies, obsessions, and libido and produced erotic works that the censors have taken good care to keep from the public.

For Erotica Universalis, we surface from the subterranean realms of the museums to enter those of our national and private libraries. Here we discover that not only most of our famous writers, such as Ovid, Aretino, Voltaire, Verlaine, or Maupassant, wrote erotic texts that bordered on indecency, but also that great artists like Boucher, Fragonard, Dalí, or Matisse were inspired to provide suitable illustrations for these naughty books. For this new hardcover edition of the classic 1995 best seller, we have culled highlights from our Erotica Universalis collection.

Few devotees of the form can approach Rembrandt Harmenszoon van Rijn’s radical contributions to self-portraiture. Challenging the conventions enshrined by his predecessors, Rembrandt transformed the art into a fully realized medium capable of communicating emotional depth rather than favorably immortalizing one’s likeness in the finest trappings of luxury. With more than 80 works spanning paintings, etchings, and drawings, the Dutchman’s lifelong practice of self-portraiture functions as a means of concretizing that which is fleeting. Across four decades, one constant is particularly striking across media and styles—Rembrandt’s dedication to presenting himself from multiple perspectives, celebrating the multiplicity of the individual and championing the unfiltered portrayal of emotional expression.

Apart from the thematic concerns present within Rembrandt’s suite of self-portraits, the works themselves are rich with technical innovation and experimentation. There is an unmistakable humanity present across the entirety of this oeuvre, each expressive brushstroke and obfuscated feature amounting to an unflinchingly honest characterization of himself, in all his foibles, contrasting states of feeling, and stages of life.

This monograph renders all of Rembrandt’s self-portraits – from his first experimentations at age twenty-two to his final self-portrait painted a year before his death – and stands testament to a life committed to revolutionizing painterly practice both in content and form.

A successful home is the perfect synthesis of personality and zeitgeist; it is a living work of art, a cultural artifact, and the object of ceaseless curiosity. Highly sensitive to this phenomenon, our Interiors Now series tracks the constantly evolving and multifaceted fabric of contemporary interior design around the world. Each new volume—destined for casual readers and professionals alike—assembles a fresh and inspiring collection of recently created residences that demonstrates how to bring out the best in the space that matters most: your home.

Whether it is photographers Inez van Lamsweerde & Vinoodh Matadin’s New York loft with its Eames 2.0 alder expanses and cozy corners, Jacques Grange’s relaxed romance for Francis Ford Coppola’s palazzo in Southern Italy, or the apartment of a young art collector couple in Mumbai—all the projects have been chosen as expressions of personal vision that together give the full picture of what really counts in interior decoration right now. 34 sophisticated residences around the world, each telling a story about the place and the people who live there

A roundup of the new elite in global interior design, with projects completed both for themselves and for clients who are friends

Projects directed by home owners themselves that display a whole new level of D.I.Y. creativity

Contact details for all featured architects, decorators, furniture artists, craftspeople, and top class suppliers