Considered the nation's foremost expert in audience development, Donna Walker-Kuhne has spent her career developing successful strategies for increasing access to the arts. Over the past ten years, Walker-Kuhne has traveled to over 100 U.S. cities and 5 continents to give lectures, workshops, and keynotes specifically focused on community engagement. This guide synthesizes her findings from the last decade into an accessible text that provides sustainable, measurable community engagement strategies for leaders in the arts community—with a specific focus on ways to drill deeper into issues of diversity, inclusion, and equity. Including case studies from around the world that offer models for creating sustainable audiences and membership, Walker-Kuhne offers a practical yet visionary way of thinking about community engagement in the arts as a vehicle for social change.

"[Teeth is] really a show not about vagina dentata but about the cancerous cycles of self-loathing, misogyny, and violence that fester at the heart of purity culture. Well, it’s also about vagina dentata." —Vulture

Dawn O’Keefe is an Evangelical teen with a bizarre secret: two rows of gleaming white teeth perfectly placed to preserve her chastity. When the supposedly upright Christian men around her prove more interested in taking advantage of her body than in protecting it, they quickly learn to keep their hands (and other appendages) to themselves. From Pulitzer Prize and Tony-winner Michael R. Jackson (A Strange Loop) and Anna K. Jacobs (POP!), and based on the controversial cult classic film of the same name, Teeth is a toe-tapping, gut-busting, musical satire that gets under the skin of patriarchy and our sex-obsessed and sex-repressed society.

This three-play collection celebrates the vibrancy and vitality of modern Indigenous culture and draw attention to complex issues within the contemporary Native experience.

This latest volume from the acclaimed author of The Thanksgiving Play collects a trilogy of plays co-created with Cornerstone Theater Company as well as urban Native artists and culture bearers.

In Urban Rez, five interconnected stories depict members of a Native tribe in Los Angeles weighing the pros and cons of federal recognition.

Developed through talking circles with Indigenous peoples of Arizona, Native Nation is an immersive theatrical production that seeks to combat the erasure of Native people from wider American culture by telling the story of the land through the eyes of its original people.

Created with people of the Lakota and Dakota tribal nations, Wicoun centers on Áya and their brother Khoskalaka, who are already busy enough raising cousins and siblings while trying to graduate high school. Then the zombies arrive. When Áya summons a native superhero for help, they set off on a journey across the lands of the Oceti Sakowin.

Together, these plays explore a wide range of urgent issues that continue to affect Indigenous communities today, including assimilation, two-spirit identity, food equity, water rights, tribal sovereignty, broken treaties, genocide, and violation of sacred lands. They also celebrate a rich history and essential culture, telling stories by and for Native people.

A girl made of glass. Gods and murders. A serial killer’s friends. And a secret in a bottle. This volume also contains the short plays Seven Jewish Children, Ding Dong the Wicked, Pigs and Dogs, War and Peace Gaza Piece, Tickets Now on Sale, and Beautiful Eyes.

“Smart, funny and utterly engrossing…This unexpectedly rich sequel reminds us that houses tremble and sometimes fall when doors slam, and that there are living people within, who may be wounded or lost…Mr. Hnath has a deft hand for combining incongruous elements to illuminating ends.” —Ben Brantley, New York Times

It has been fifteen years since Nora Helmer slammed the door on her stifling domestic life, when a knock comes at that same door. It is Nora, and she has returned with an urgent request. What will her sudden return mean to those she left behind? Lucas Hnath’s funny, probing, and bold play is both a continuation of Ibsen’s complex exploration of traditional gender roles, as well as a sharp contemporary take on the struggles inherent in all human relationships across time.