

“A masterpiece . . . Trouble in Mind still contains astonishing power; it could have been written yesterday.” —Vulture
Ahead of its time, Trouble in Mind, written in 1955, follows the rehearsal process of an anti-lynching play preparing for its Broadway debut. When Wiletta, a Black actress and veteran of the stage, challenges the play’s stereotypical portrayal of the Black characters, unsettling biases come to the forefront and reveal the ways so-called progressive art can be used to uphold racist attitudes. Scheduled to open on Broadway in 1957, Childress objected to the requested changes in the script that would “sanitize” the play for mainstream audiences, and the production was canceled as a result. Childress’s final script is published here with an essay by playwright Branden Jacobs-Jenkins, editor of TCG Illuminations.
- Price: $15.95
- Pages: 120
- Carton Quantity: 88
- Publisher: Theatre Communications Group
- Imprint: Theatre Communications Group
- Series: Illuminations
- Publication Date: 21st June 2022
- Trim Size: 5.38 x 8.5 in
- ISBN: 9781636700151
- Format: Paperback
- BISACs:
DRAMA / American / African American
DRAMA / Women Authors
DRAMA / Subjects & Themes / Political & Protest
DRAMA / Type / Historical
“An original play, full of vitality… Miss Childress has some witty and penetrating things to say about the dearth of roles for Negro actors in the contemporary theater, the cut-throat competition for these parts and the fact that Negro actors often find themselves playing stereotyped roles in which they cannot bring themselves to believe.” —New York Times, 1955
“Sixty-six years late and still on time, the play most of the moment is only now getting the mainstream attention that it deserves. Alice Childress’s 1955 Trouble in Mind, a play about power and race in the theater, is a satire and tragedy that deserves to be a classic.” —New York Times, 2021
“In Trouble in Mind, Childress fearlessly unmasks the theater’s deeply rooted racism. Something that the playwright struggled with in the ’50s still chimes loudly in the present day. In the aftermath of the country’s racial reckoning and amid the ongoing call for Black lives to matter, a predominantly white-run American theater industry has finally held a mirror up to itself. What the Great White Way is only fully recognizing now, Childress long ago detailed in Trouble in Mind.” —Variety
“A masterpiece . . . Trouble in Mind still contains astonishing power; it could have been written yesterday.” —Vulture
Ahead of its time, Trouble in Mind, written in 1955, follows the rehearsal process of an anti-lynching play preparing for its Broadway debut. When Wiletta, a Black actress and veteran of the stage, challenges the play’s stereotypical portrayal of the Black characters, unsettling biases come to the forefront and reveal the ways so-called progressive art can be used to uphold racist attitudes. Scheduled to open on Broadway in 1957, Childress objected to the requested changes in the script that would “sanitize” the play for mainstream audiences, and the production was canceled as a result. Childress’s final script is published here with an essay by playwright Branden Jacobs-Jenkins, editor of TCG Illuminations.
- Price: $15.95
- Pages: 120
- Carton Quantity: 88
- Publisher: Theatre Communications Group
- Imprint: Theatre Communications Group
- Series: Illuminations
- Publication Date: 21st June 2022
- Trim Size: 5.38 x 8.5 in
- ISBN: 9781636700151
- Format: Paperback
- BISACs:
DRAMA / American / African American
DRAMA / Women Authors
DRAMA / Subjects & Themes / Political & Protest
DRAMA / Type / Historical
“An original play, full of vitality… Miss Childress has some witty and penetrating things to say about the dearth of roles for Negro actors in the contemporary theater, the cut-throat competition for these parts and the fact that Negro actors often find themselves playing stereotyped roles in which they cannot bring themselves to believe.” —New York Times, 1955
“Sixty-six years late and still on time, the play most of the moment is only now getting the mainstream attention that it deserves. Alice Childress’s 1955 Trouble in Mind, a play about power and race in the theater, is a satire and tragedy that deserves to be a classic.” —New York Times, 2021
“In Trouble in Mind, Childress fearlessly unmasks the theater’s deeply rooted racism. Something that the playwright struggled with in the ’50s still chimes loudly in the present day. In the aftermath of the country’s racial reckoning and amid the ongoing call for Black lives to matter, a predominantly white-run American theater industry has finally held a mirror up to itself. What the Great White Way is only fully recognizing now, Childress long ago detailed in Trouble in Mind.” —Variety