An unflinching story about Arab masculinity and homoeroticism

Furat, a Syrian in his early 20s, visits Sibki Park in Damascus, one of the city’s most popular cruising areas. There he learns about the hammams, secret meeting places for gay men located throughout the old city. Inside these public baths, the air is thick with the scent of bay laurel soap, and naked men hide in the steam. Furat faces sometimes violent disapproval from all levels of society—regime, religion, the man in the street—and yet he manages to find the love he’s been seeking just before his world collapses and he’s forced to flee. Selamlik is the story of Furat’s journey, along with that of other refugees. It’s a journey in which they face physical and economic hardship, draconian migration laws, and the unwelcome grief, shame, and hatred they’ve carried with them from their ever more distant pasts. Despite everything, Furat remains steadfast in his pursuit of passion, pleasure, and love.

“Reeling from a breakup, a young Danish woman recovers her sense of self through conversations with parents, friends, and strangers. A sweet and quirky debut about heartbreak, memory, and the endless potential of language.” ―Kirkus Reviews

The narrator’s long-term girlfriend has just broken things off, forcing her to move back in with her father, a Pink Floyd–loving priest. While she desperately tries to convince her girlfriend to reconsider, the rest of the world bombards her with advice: from her childhood friend Mulle to her kindly therapist to her overbearing mother and card-playing father. Bumbling through the fog of disillusionment, the narrator gives herself permission to grieve, philosophize, and be generally outrageous until at last she sees a light at the end of the tunnel. My Mother Says is a compendium of conversations between people who talk past one another in a universe of misplaced good intentions. In this whirlwind of memories, confessions, temper tantrums, and declarations of love Pilgaard’s sheer affection for her characters turns the pain of a broken heart into a heartwarming comedy of errors.

A young mother follows her partner to a rural community in West Jutland, Denmark, where he teaches at the local school for adult education. Isolated, she is forced to find her way in a bewildering community and in the inscrutable conversational forms of the local population.

A young woman relocates to an outlying community in West Jutland, Denmark, and is forced to find her way, not only in the bewildering environment of the residential Folk High School, where her partner has been hired to teach, but also in the inscrutable conversational forms of the local population. And on top of it all, there’s the small matter of juggling her roles as mother to a newborn baby and advice columnist in the local newspaper. In this understated and hilarious novel, Stine Pilgaard conjures a tale of venturing into new and uncharted land, of human relationships, dilemmas, and the ways and byways of social intercourse.

From 2013 to 2017, Linda Boström Knausgård was periodically confined to a psychiatric ward and subjected to electroconvulsive therapy, resulting in the loss of memories. This is the story of her struggle against mental illness and isolation

"(Boström Knausgård's) first openly autobiographical book becomes an act of self-examination powerful enough to match if not surpass those of her ex-husband’s."—The Guardian

From 2013 to 2017, Linda Boström Knausgård was periodically interned in a psychiatric ward where she was subjected to electroconvulsive therapy. As the treatments at this “factory” progressed, the writer’s memories began to disappear. What good is a writer without her memory? This book, based on the author’s experiences, is an eloquent and profound attempt to hold on to the past, to create a story, to make sense, and to keep alive ties to family, friends, and even oneself. Moments from childhood, youth, marriage, parenting, and divorce flicker across the pages of October Child. This is the story of one woman’s struggle against mental illness and isolation. It is a raw testimony of how writing can preserve and heal.

"Saskia de Coster’s We and Me is a great dark beauty, and simultaneously, a true original and a reminder of why that endangered species, the novel, remains essential: no other narrative form is so expansive, so complex, so human, and so true." —Michael Cunningham, Pulitzer Prize-winning author of The Hours

“We and Me is a novel that will haunt me for a long time. Excellent and unforgettable.” —Herman Koch, author of The Dinner

In this spellbinding novel, which has been compared to the work of Jonathan Franzen, Dave Eggers, and Jeffrey Eugenides, Saskia de Coster provides a uniquely European take on the tradition of "The Great American Novel." With the family unit and some of life’s most pressing questions at its center, the award-winning We and Me paints a captivatingly haunting picture of bourgeois family life.

Written from several different perspectives, We and Me covers the time period between 1980 and 2013 and focuses on the aristocratic Vandersanden family. Set in their opulent private estate located atop a mountain, neuroses, claustrophobia, scandal and rebellion run rife. At the heart of the family and the novel is Sarah, whose coming of age is both daringly and sensitively explored in de Coster’s skillful prose.

With her characteristically incisive approach, de Coster excavates the nuanced underbelly of human emotions with humor, understanding, and a lightness of touch. We and Me is a remarkable and compelling tale by one of the greatest Belgian writers of our time.