This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo- documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema, the films examined here express a generalized millennial and 21st-century archival anxiety around an unsettled and unsettling hypermediated reality.
Read MoreThis study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo- documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema, the films examined here express a generalized millennial and 21st-century archival anxiety around an unsettled and unsettling hypermediated reality.
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