Recollecting Lotte Eisner provides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (1896–1983). From her early years... Read More
Recollecting Lotte Eisner provides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (1896–1983). From her early years... Read More
Recollecting Lotte Eisner provides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (1896–1983). From her early years as a film critic in interwar Berlin to her escape from prison in occupied France and from her role as chief curator at the Cinémathèque française to that as the mythic "collective conscience" of New German Cinema, Eisner was a prolific writer and lecturer and a pivotal voice in early film and media studies. Situated at the juncture of feminist media historiography and disciplinary intellectual history, this groundbreaking book is based on extensive multilingual archival research and the excavation of a rich corpus of previously overlooked materials. Introducing samples of Eisner's writing in translation, this volume makes some of the most important contributions of a foundational scholar in the field of film studies accessible for the first time to an English-language readership.
Details
Price: $29.95
Pages: 238
Publisher: University of California Press
Imprint: University of California Press
Series: Feminist Media Histories
Publication Date: 8th November 2022
Trim Size: 6 x 9 in
Illustration Note: 13 b-w illustrations
ISBN: 9780520388130
Format: Paperback
BISACs: SOCIAL SCIENCE / Women's Studies BIOGRAPHY & AUTOBIOGRAPHY / Editors, Journalists, Publishers SOCIAL SCIENCE / Media Studies HISTORY / Europe / Germany PERFORMING ARTS / Film & Video / History & Criticism HISTORY / Women
Author Bio
Naomi DeCelles is a film historian and translator.
Table of Contents
Contents
Acknowledgments
Introduction 1 • Fräulein Doktor Eisner 2 • A Reluctant Bellwether: Dr. L. H. Eisner and Flapper at the Film-Kurier, 1927–1933 3 • “La seule historienne”: Exile, Salvage, and Community at the Cinémathèque Française 4 • “Lacunae Everywhere”: Iterative Historiography and the Midcentury Palimpsests Conclusion: The Woolly Mammoth of the Cinémathèque
Appendix: Film-Kurier Bibliography, by the Numbers Notes References Index
Recollecting Lotte Eisner provides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (1896–1983). From her early years as a film critic in interwar Berlin to her escape from prison in occupied France and from her role as chief curator at the Cinémathèque française to that as the mythic "collective conscience" of New German Cinema, Eisner was a prolific writer and lecturer and a pivotal voice in early film and media studies. Situated at the juncture of feminist media historiography and disciplinary intellectual history, this groundbreaking book is based on extensive multilingual archival research and the excavation of a rich corpus of previously overlooked materials. Introducing samples of Eisner's writing in translation, this volume makes some of the most important contributions of a foundational scholar in the field of film studies accessible for the first time to an English-language readership.
Price: $29.95
Pages: 238
Publisher: University of California Press
Imprint: University of California Press
Series: Feminist Media Histories
Publication Date: 8th November 2022
Trim Size: 6 x 9 in
Illustrations Note: 13 b-w illustrations
ISBN: 9780520388130
Format: Paperback
BISACs: SOCIAL SCIENCE / Women's Studies BIOGRAPHY & AUTOBIOGRAPHY / Editors, Journalists, Publishers SOCIAL SCIENCE / Media Studies HISTORY / Europe / Germany PERFORMING ARTS / Film & Video / History & Criticism HISTORY / Women
Naomi DeCelles is a film historian and translator.
Contents
Acknowledgments
Introduction 1 • Fräulein Doktor Eisner 2 • A Reluctant Bellwether: Dr. L. H. Eisner and Flapper at the Film-Kurier, 1927–1933 3 • “La seule historienne”: Exile, Salvage, and Community at the Cinémathèque Française 4 • “Lacunae Everywhere”: Iterative Historiography and the Midcentury Palimpsests Conclusion: The Woolly Mammoth of the Cinémathèque
Appendix: Film-Kurier Bibliography, by the Numbers Notes References Index