Every day we are forced to integrate the world's news into our personal lives; we all have to decide what parts of the flood of news resonate with us and what we need to turn away from, out of necessity... Read More
Every day we are forced to integrate the world's news into our personal lives; we all have to decide what parts of the flood of news resonate with us and what we need to turn away from, out of necessity... Read More
Every day we are forced to integrate the world's news into our personal lives; we all have to decide what parts of the flood of news resonate with us and what we need to turn away from, out of necessity or sensitivity. Obliterations—a collection of erasure poems that use The New York Times as their source texts—springs from that seemingly immediate process of personalizing news information. By cutting, synthesizing and arranging existing news items into new poems, the erasure process creates a link between the authors' poetic sensibilities and the supposedly more "objective" view of the newsmakers. Each author used the same articles but wrote separate erasures without seeing the other's versions, highlighting the wonderful similarities and differences that arise when two works—or any two people with individual tastes and lenses—share the same stories.
Details
Price: $26.95
Pages: 88
Carton Quantity: 0
Publisher: Red Hen Press
Imprint: Red Hen Press
Publication Date: 1st December 2011
Trim Size: 7 x 9 in
ISBN: 9781597094498
Format: Hardcover
BISACs: POETRY / General
Author Bio
Camille Dungy is the poetry editor for Orion, host of the podcast Immaterial, and a University Distinguished Professor at Colorado State University. She is the author of Soil: The Story of a Black Mother’s Garden and four collections of poetry. She lives in Fort Collins, Colorado.
Every day we are forced to integrate the world's news into our personal lives; we all have to decide what parts of the flood of news resonate with us and what we need to turn away from, out of necessity or sensitivity. Obliterations—a collection of erasure poems that use The New York Times as their source texts—springs from that seemingly immediate process of personalizing news information. By cutting, synthesizing and arranging existing news items into new poems, the erasure process creates a link between the authors' poetic sensibilities and the supposedly more "objective" view of the newsmakers. Each author used the same articles but wrote separate erasures without seeing the other's versions, highlighting the wonderful similarities and differences that arise when two works—or any two people with individual tastes and lenses—share the same stories.
Price: $26.95
Pages: 88
Carton Quantity: 0
Publisher: Red Hen Press
Imprint: Red Hen Press
Publication Date: 1st December 2011
Trim Size: 7 x 9 in
ISBN: 9781597094498
Format: Hardcover
BISACs: POETRY / General
Camille Dungy is the poetry editor for Orion, host of the podcast Immaterial, and a University Distinguished Professor at Colorado State University. She is the author of Soil: The Story of a Black Mother’s Garden and four collections of poetry. She lives in Fort Collins, Colorado.