The Weave of My Life

The Weave of My Life

A Dalit Woman's Memoirs

By Urmila Pawar Translated by Maya Pandit Foreword by Wandana Sonalkar

$28.00

Publication Date: 22nd September 2015

"My mother used to weave aaydans, the Marathi generic term for all things made from bamboo. I find that her act of weaving and my act of writing are organically linked. The weave is similar. It is the... Read More
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"My mother used to weave aaydans, the Marathi generic term for all things made from bamboo. I find that her act of weaving and my act of writing are organically linked. The weave is similar. It is the... Read More
Description

"My mother used to weave aaydans, the Marathi generic term for all things made from bamboo. I find that her act of weaving and my act of writing are organically linked. The weave is similar. It is the weave of pain, suffering, and agony that links us."

Activist and award-winning writer Urmila Pawar recounts three generations of Dalit women who struggled to overcome the burden of their caste. Dalits, or untouchables, make up India's poorest class. Forbidden from performing anything but the most undesirable and unsanitary duties, for years Dalits were believed to be racially inferior and polluted by nature and were therefore forced to live in isolated communities.

Pawar grew up on the rugged Konkan coast, near Mumbai, where the Mahar Dalits were housed in the center of the village so the upper castes could summon them at any time. As Pawar writes, "the community grew up with a sense of perpetual insecurity, fearing that they could be attacked from all four sides in times of conflict. That is why there has always been a tendency in our people to shrink within ourselves like a tortoise and proceed at a snail's pace." Pawar eventually left Konkan for Mumbai, where she fought for Dalit rights and became a major figure in the Dalit literary movement. Though she writes in Marathi, she has found fame in all of India.

In this frank and intimate memoir, Pawar not only shares her tireless effort to surmount hideous personal tragedy but also conveys the excitement of an awakening consciousness during a time of profound political and social change.

Details
  • Price: $28.00
  • Pages: 320
  • Carton Quantity: 22
  • Publisher: Columbia University Press
  • Imprint: Columbia University Press
  • Publication Date: 22nd September 2015
  • Trim Size: 6 x 9 in
  • Illustration Note: 15 black and white photos
  • ISBN: 9780231149013
  • Format: Paperback
  • BISACs:
    SOCIAL SCIENCE / Ethnic Studies / General
    BIOGRAPHY & AUTOBIOGRAPHY / Women
    HISTORY / Asia / India & South Asia
Reviews
The English translation by Maya Pandit is quite successful in bringing out the ethnic flavor of the Marathi original.
- Basavaraj S. Naikar, Karnatak University, World Literature in Review
Engaging and well written.... It provides a rich case study from many different angles.
- Nancy Thomas, Quarterly Journal of the American Society of Missiology
Author Bio

Urmila Pawar (b. 1945) received an MA from the University of Bombay and for many years worked in the department of labor welfare for the government of Maharashtra. She is the author of two acclaimed short story collections, Sahava Bot and Chauthi Bhint, and, with Meenakshi Moon, coauthored a book on the role of women in the Dalit movement. She is also a former actor of radical Marathi theater and a playwright.

Maya Pandit is pro-vice chancellor of the English and Foreign Language University, Hyderabad. She is an experienced translator of women's writings from Marathi and an activist in the women's movement and alternative theater.Wandana Sonalkar teaches economics at Babasaheb Ambedkar Marathwada University, Aurangabad, Maharashtra, and is director of their Women's Studies Centre. She has also translated and written a comprehensive introduction to Urmila Pawar and Meenakshi Moon's Amhihi Itihaas Ghadavila on the participation of women in the Ambedkar movement.

Table of Contents

Preface
Acknowledgments
Introduction, by Wandana Sonalkar
A Note on Kinship Terms
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Notes
Glossary
A Note on Readers' Reactions to Aaydan
Illustrations

"My mother used to weave aaydans, the Marathi generic term for all things made from bamboo. I find that her act of weaving and my act of writing are organically linked. The weave is similar. It is the weave of pain, suffering, and agony that links us."

Activist and award-winning writer Urmila Pawar recounts three generations of Dalit women who struggled to overcome the burden of their caste. Dalits, or untouchables, make up India's poorest class. Forbidden from performing anything but the most undesirable and unsanitary duties, for years Dalits were believed to be racially inferior and polluted by nature and were therefore forced to live in isolated communities.

Pawar grew up on the rugged Konkan coast, near Mumbai, where the Mahar Dalits were housed in the center of the village so the upper castes could summon them at any time. As Pawar writes, "the community grew up with a sense of perpetual insecurity, fearing that they could be attacked from all four sides in times of conflict. That is why there has always been a tendency in our people to shrink within ourselves like a tortoise and proceed at a snail's pace." Pawar eventually left Konkan for Mumbai, where she fought for Dalit rights and became a major figure in the Dalit literary movement. Though she writes in Marathi, she has found fame in all of India.

In this frank and intimate memoir, Pawar not only shares her tireless effort to surmount hideous personal tragedy but also conveys the excitement of an awakening consciousness during a time of profound political and social change.

  • Price: $28.00
  • Pages: 320
  • Carton Quantity: 22
  • Publisher: Columbia University Press
  • Imprint: Columbia University Press
  • Publication Date: 22nd September 2015
  • Trim Size: 6 x 9 in
  • Illustrations Note: 15 black and white photos
  • ISBN: 9780231149013
  • Format: Paperback
  • BISACs:
    SOCIAL SCIENCE / Ethnic Studies / General
    BIOGRAPHY & AUTOBIOGRAPHY / Women
    HISTORY / Asia / India & South Asia
The English translation by Maya Pandit is quite successful in bringing out the ethnic flavor of the Marathi original.
– Basavaraj S. Naikar, Karnatak University, World Literature in Review
Engaging and well written.... It provides a rich case study from many different angles.
– Nancy Thomas, Quarterly Journal of the American Society of Missiology

Urmila Pawar (b. 1945) received an MA from the University of Bombay and for many years worked in the department of labor welfare for the government of Maharashtra. She is the author of two acclaimed short story collections, Sahava Bot and Chauthi Bhint, and, with Meenakshi Moon, coauthored a book on the role of women in the Dalit movement. She is also a former actor of radical Marathi theater and a playwright.

Maya Pandit is pro-vice chancellor of the English and Foreign Language University, Hyderabad. She is an experienced translator of women's writings from Marathi and an activist in the women's movement and alternative theater.Wandana Sonalkar teaches economics at Babasaheb Ambedkar Marathwada University, Aurangabad, Maharashtra, and is director of their Women's Studies Centre. She has also translated and written a comprehensive introduction to Urmila Pawar and Meenakshi Moon's Amhihi Itihaas Ghadavila on the participation of women in the Ambedkar movement.

Preface
Acknowledgments
Introduction, by Wandana Sonalkar
A Note on Kinship Terms
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Notes
Glossary
A Note on Readers' Reactions to Aaydan
Illustrations