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This concise, comprehensive primer on modern American social and political thought is the ideal introduction to the rich intellectual tradition of the United Sates. Andreas Hess helps the reader to understand of American culture and politics through careful exploration of key and theorists.

In the first half of the book he focuses on the core traditions of American social and political thought American exceptionalism, Calvinist Protestantism, republicanism, liberalism and 20th century pragmatism. The second half of the book applies these traditions to a broad range of 20th century conditions and issues power and democracy, justice and injustice, multiculturalism and pluralism, civil society, social theory and the role of the intellectual. The works of some of the most influential figures in the field, such as De Tocqueville, Lipset, Arendt, Hartz, Pocock, Dewey, Moore, Rawls, Walzer, Rorty and Alexander, are drawn upon to illustrate the theories and issues being discussed. Accessibly written and jargon free, this treatment will be useful for students and scholars alike.

This reader provides substantial extracts from the core texts in the field of American social and political thought. It demonstrates the rich intellectual tradition of the United States, giving an unparalleled understanding of American society and politics through the reproduction of key writings from a wide variety of thinkers.

The first part covers the core traditions of American social and political thought—American Exceptionalism, Political Theology, Republicanism, Liberalism, and Pragmatism. In the second part, texts have been selected to demonstrate the ways in which these traditions have been applied to a broad range of issues and conditions.

Exceptionally well-written and jargon-free, with helpful introductions and selections from Frederick Jackson Turner, Max Weber, Michael Sandel, John Rawls, C. Wright Mills, Sheldon Wolin, Judith N. Shklar, bell hooks, Michael Walzer and Richard Rorty, among others, American Social and Political Thought will be the core text in the field.

Think you know everything there is to know about the OSS, the Cold War, the CIA, and Watergate? Think again. In American Spy, one of the key figures in postwar international and political espionage tells all. Former OSS and CIA operative and White House staffer E. Howard Hunt takes you into the covert designs of Presidents Eisenhower, Kennedy, Johnson, and Nixon:

• His involvement in the CIA coup in Guatemala in 1954, the Bay of Pigs invasion, and more
• His work with CIA officials such as Allen Dulles and Richard Helms
  His friendship with William F. Buckley Jr., whom Hunt brought into the CIA
• The amazing steps the CIA took to manipulate the media in America and abroad
• The motives behind the break-in at Daniel Ellsberg's psychiatrist's office
• Why the White House "plumbers" were formed and what they accomplished
• The truth behind Operation Gemstone, a series of planned black ops activities against Nixon's political enemies
• A minute-by-minute account of the Watergate break-in
• Previously unreleased details of the post-Watergate cover-up

Complete with documentation from audiotape transcripts, handwritten notes, and official documents, American Spy is must reading for anyone who is fascinated by real-life spy tales, high-stakes politics, and, of course, Watergate.

Think you know everything there is to know about the OSS, the Cold War, the CIA, and Watergate? Think again. In American Spy, one of the key figures in postwar international and political espionage tells all. Former OSS and CIA operative and White House staffer E. Howard Hunt takes you into the covert designs of Presidents Eisenhower, Kennedy, Johnson, and Nixon:

• His involvement in the CIA coup in Guatemala in 1954, the Bay of Pigs invasion, and more
• His work with CIA officials such as Allen Dulles and Richard Helms
  His friendship with William F. Buckley Jr., whom Hunt brought into the CIA
• The amazing steps the CIA took to manipulate the media in America and abroad
• The motives behind the break-in at Daniel Ellsberg's psychiatrist's office
• Why the White House "plumbers" were formed and what they accomplished
• The truth behind Operation Gemstone, a series of planned black ops activities against Nixon's political enemies
• A minute-by-minute account of the Watergate break-in
• Previously unreleased details of the post-Watergate cover-up

Complete with documentation from audiotape transcripts, handwritten notes, and official documents, American Spy is must reading for anyone who is fascinated by real-life spy tales, high-stakes politics, and, of course, Watergate.

American Station Wagons – The Golden Era 1950-1975 examines an important quarter century of this versatile vehicle, a time when it evolved into a practical, yet sometimes luxurious family transporter or business vehicle. This volume covers the histories of the major, minor and obscure station wagon manufacturers and models.
While makes such as Ford, Chevrolet, Dodge and Plymouth dominated the US market, important roles were played by Oldsmobile, Buick, Mercury, and Chrysler in making the car more than mere basic transportation or a reliable workhorse. At the same time, makes such as Studebaker, Kaiser, Nash and AMC, etc. competed for a slice of this burgeoning postwar market, and were responsible for novel innovations in design.
Contemporary brochures, period literature, factory photos and over fifty new, unpublished colour photos of restored examples help convey the importance of these historic vehicles. Also featured are images of rarer Canadian versions from American manufacturers.

Nagai Kafu is one of the greatest modern Japanese writers, but until now his classic collection, American Stories, based on his sojourn from Japan to Washington State, Michigan, and New York City in the early years of the twentieth century, has never been available in English. Here, with a detailed and insightful introduction, is an elegant translation of Kafu's perceptive and lyrical account.

Like de Tocqueville a century before, Kafu casts a fresh, keen eye on vibrant and varied America—world fairs, concert halls, and college campuses; saloons, the immigrant underclass, and red-light districts. Many of his vignettes involve encounters with fellow Japanese or Chinese immigrants, some of whom are poorly paid laborers facing daily discrimination. The stories paint a broad landscape of the challenges of American life for the poor, the foreign born, and the disaffected, peopled with crisp individual portraits that reveal the daily disappointments and occasional euphorias of modern life.

Translator Mitsuko Iriye's introduction provides important cultural and biographical background about Kafu's upbringing in rapidly modernizing Japan, as well as literary context for this collection. In the first story, "Night Talk in a Cabin," three young men sailing from Japan to Seattle each reveal how poor prospects, shattered confidence, or a broken heart has driven him to seek a better life abroad. In "Atop the Hill," the narrator meets a fellow Japanese expatriate at a small midwestern religious college, who slowly reveals his complex reasons for leaving behind his wife in Japan. Caught between the pleasures of America's cities and the stoicism of its small towns, he wonders if he can ever return home.

Kafu plays with the contradictions and complexities of early twentieth-century America, revealing the tawdry, poor, and mundane underside of New York's glamour in "Ladies of the Night" while celebrating the ingenuity, cosmopolitanism, and freedom of the American city in "Two Days in Chicago." At once sensitive and witty, elegant and gritty, these stories provide a nuanced outsider's view of the United States and a perfect entrance into modern Japanese literature.

Nagai Kafu is one of the greatest modern Japanese writers, but until now his classic collection, American Stories, based on his sojourn from Japan to Washington State, Michigan, and New York City in the early years of the twentieth century, has never been available in English. Here, with a detailed and insightful introduction, is an elegant translation of Kafu's perceptive and lyrical account.

Like de Tocqueville a century before, Kafu casts a fresh, keen eye on vibrant and varied America—world fairs, concert halls, and college campuses; saloons, the immigrant underclass, and red-light districts. Many of his vignettes involve encounters with fellow Japanese or Chinese immigrants, some of whom are poorly paid laborers facing daily discrimination. The stories paint a broad landscape of the challenges of American life for the poor, the foreign born, and the disaffected, peopled with crisp individual portraits that reveal the daily disappointments and occasional euphorias of modern life.

Translator Mitsuko Iriye's introduction provides important cultural and biographical background about Kafu's upbringing in rapidly modernizing Japan, as well as literary context for this collection. In the first story, "Night Talk in a Cabin," three young men sailing from Japan to Seattle each reveal how poor prospects, shattered confidence, or a broken heart has driven him to seek a better life abroad. In "Atop the Hill," the narrator meets a fellow Japanese expatriate at a small midwestern religious college, who slowly reveals his complex reasons for leaving behind his wife in Japan. Caught between the pleasures of America's cities and the stoicism of its small towns, he wonders if he can ever return home.

Kafu plays with the contradictions and complexities of early twentieth-century America, revealing the tawdry, poor, and mundane underside of New York's glamour in "Ladies of the Night" while celebrating the ingenuity, cosmopolitanism, and freedom of the American city in "Two Days in Chicago." At once sensitive and witty, elegant and gritty, these stories provide a nuanced outsider's view of the United States and a perfect entrance into modern Japanese literature.

This anthology of contemporary American poetry, short fiction, and nonfiction, explores issues of identity, oppression, injustice, and social change. Living American writers produced each piece between 1980 and the present; works were selected based on literary merit and the manner in which they address one or more pressing social issues.

William Reichard has assembled some of the most respected literary artists of our time, asking whose voices are ascendant, whose silenced, and why. The work as a whole reveals shifting perspectives and the changing role of writing in the social justice arena over the last few decades.

This anthology of contemporary American poetry, short fiction, and nonfiction, explores issues of identity, oppression, injustice, and social change. Living American writers produced each piece between 1980 and the present; works were selected based on literary merit and the manner in which they address one or more pressing social issues.

William Reichard has assembled some of the most respected literary artists of our time, asking whose voices are ascendant, whose silenced, and why. The work as a whole reveals shifting perspectives and the changing role of writing in the social justice arena over the last few decades.

This anthology of contemporary American poetry, short fiction, and nonfiction, explores issues of identity, oppression, injustice, and social change. Living American writers produced each piece between 1980 and the present; works were selected based on literary merit and the manner in which they address one or more pressing social issues.

William Reichard has assembled some of the most respected literary artists of our time, asking whose voices are ascendant, whose silenced, and why. The work as a whole reveals shifting perspectives and the changing role of writing in the social justice arena over the last few decades.

If America is a nation founded upon Enlightenment ideals, then why are so many of its most celebrated pieces of literature so dark? American Terror returns to the question of American literature's distinctive tone of terror through a close study of three authors—Jonathan Edwards, Edgar Allan Poe, and Herman Melville—who not only wrote works of terror, but who defended, theorized, and championed it.

Combining updated historical perspectives with close reading, Paul Hurh shows how these authors developed terror as a special literary affect informed by the way the concept of thinking becomes, in the wake of Enlightenment empiricism, increasingly defined by a set of austere mechanic processes, such as the scientific method and the algebraic functions of analytical logic. Rather than trying to find a feeling that would transcend thinking by subtending reason to emotion, these writers found in terror the feeling of thinking, the peculiar feeling of reason's authority over emotional schemes. In so doing, they grappled with a shared set of enduring questions: What is the difference between thinking and feeling? Why does it seem impossible to reason oneself out of an irrational fear? And what becomes of the freedom of the will when we discover that affects can push it around?

If America is a nation founded upon Enlightenment ideals, then why are so many of its most celebrated pieces of literature so dark? American Terror returns to the question of American literature's distinctive tone of terror through a close study of three authors—Jonathan Edwards, Edgar Allan Poe, and Herman Melville—who not only wrote works of terror, but who defended, theorized, and championed it.

Combining updated historical perspectives with close reading, Paul Hurh shows how these authors developed terror as a special literary affect informed by the way the concept of thinking becomes, in the wake of Enlightenment empiricism, increasingly defined by a set of austere mechanic processes, such as the scientific method and the algebraic functions of analytical logic. Rather than trying to find a feeling that would transcend thinking by subtending reason to emotion, these writers found in terror the feeling of thinking, the peculiar feeling of reason's authority over emotional schemes. In so doing, they grappled with a shared set of enduring questions: What is the difference between thinking and feeling? Why does it seem impossible to reason oneself out of an irrational fear? And what becomes of the freedom of the will when we discover that affects can push it around?

Pushcart Prize Award-winning author Elizabeth Ellen’s American Thighs tells the darkly comedic story of a thirty-one-year-old former child star’s journey from Hollywood to Elkheart, Indiana, experiencing for the first time the off-screen life of a high school sophomore.

Tatum Grant spent the first years of her life on various film sets and locations in Hollywood, never knowing a real childhood, before becoming impregnated by an older, award-winning actor. Fifteen years after his death, experiencing an existential crisis, Tatum leaves Hollywood, her mother and her daughter behind, on a quest to find herself. Posing as a 16-year-old student with the help of her daughter’s stolen identification, Tatum uses the talents she learned portraying various film characters to earn a spot on the cheer team, date a football player, and befriend the most popular girl at school.

Like Tom Perrota’s Election, the novel is told through the voices of students and teachers at Dobson High, as well as social media influencers, actors, and celebrity children back in Hollywood, readers follow as Tatum’s past catches up with her amidst a cross-country road trip turned police chase.

Elizabeth Ellen manifests typical teenage woes into a breathtaking, rib-breaking story of love, loss, and media. American Thighs strikes the same chord as Heathers but for the TikTok generation.

Pushcart Prize Award-winning author Elizabeth Ellen’s American Thighs tells the darkly comedic story of a thirty-one-year-old former child star’s journey from Hollywood to Elkheart, Indiana, experiencing for the first time the off-screen life of a high school sophomore.

Tatum Grant spent the first years of her life on various film sets and locations in Hollywood, never knowing a real childhood, before becoming impregnated by an older, award-winning actor. Fifteen years after his death, experiencing an existential crisis, Tatum leaves Hollywood, her mother and her daughter behind, on a quest to find herself. Posing as a 16-year-old student with the help of her daughter’s stolen identification, Tatum uses the talents she learned portraying various film characters to earn a spot on the cheer team, date a football player, and befriend the most popular girl at school.

Like Tom Perrota’s Election, the novel is told through the voices of students and teachers at Dobson High, as well as social media influencers, actors, and celebrity children back in Hollywood, readers follow as Tatum’s past catches up with her amidst a cross-country road trip turned police chase.

Elizabeth Ellen manifests typical teenage woes into a breathtaking, rib-breaking story of love, loss, and media. American Thighs strikes the same chord as Heathers but for the TikTok generation.

After a meteoric rise, China's once inexorable growth has come to a screeching halt. With it ends China's dream of establishing a new tianxia (‘harmonious order’) in Asia with China at its centre. Salvatore Babones provides an up-to-date assessment of China's economic problems and how they are undermining China's challenge to the Western-dominated world order. As China's neighbours and many of its own most talented people look to the United States to ensure their security and prosperity, global power is slowly but surely consolidating in a twenty-first century American Tianxia.

A closely argued antidote to defeatist accounts of Western decline, this book tells the story of how liberal individualism has become the leitmotif of the American Tianxia, an emerging world-system in which people of all nationalities seek a share in the economic, cultural, and political system that is America writ large.

In this comprehensive revision of the most influential, widely read analysis of the US trade policymaking system, Destler addresses how globalization has reshaped trade politics, weakening traditional protectionism but intensifying concern about trade's societal impacts. Entirely new chapters treat the deepening of partisan divisions and the rise of "trade and..." issues (especially labor and the environment). The author concludes with a comprehensive economic and political strategy to cope with globalization and maximize its benefits.

The original edition of American Trade Politics won the Gladys Kammerer Award of the American Political Science Association for the best book on US national policy.

The Treaty of Ghent signed in 1814, ending the War of 1812, allowed Americans once again to travel abroad. Medical students went to Paris, artists to Rome, academics to Göttingen, and tourists to all European capitals. More intrepid Americans ventured to Athens, to Constantinople, and even to Egypt. Beginning with two eighteenth-century travelers, this book then turns to the 25-year period after 1815 that saw young men from East Coast cities, among them graduates of Harvard, Yale, and Columbia, traveling to the lands of the Bible and of the Greek and Latin authors they had first known as teenagers. Naval officers off ships of the Mediterranean squadron visited Cairo to see the pyramids. Two groups went on business, one importing steam-powered rice and cotton mills from New York, the other exporting giraffes from the Kalahari Desert for wild animal shows in New York.
Drawing on unpublished letters and diaries together with previously neglected newspaper accounts, as well as a handful of published accounts, this book offers a new look at the early American experience in Egypt and the eastern Mediterranean world. More than thirty illustrations complement the stories told by the travelers themselves.

This highly visual study covers the US and Canadian truck manufacturers that built trucks in North America in the 1950s. Following World War II, North American truck manufacturers responded to the prosperity of the 1950s with fresh designs and features. These rugged, reliable trucks were capable of transcontinental commutes of goods on a regular basis, or performing delivery and construction tasks in and around cities.
This concise volume covers not only the histories of the major and lesser known truck manufactures, but also the obscure, yet historically significant manufacturers such as Available, Biederman, Brown, Corbitt, Leyland Canada and others.
Comprehensive captions and supportive text combine with contemporary brochures, period literature, road test info of the day, factory photographs and over fifty colour photos of restored American trucks, to relate the importance of these historic vehicles. Detailed shots of the engines and features focus on what it was that set certain manufacturers apart in this highly competitive market.
This succinct, factual book on American trucking provides a nostalgic look at a significant era in North American history.

This highly visual study covers the US and Canadian truck manufacturers that built trucks in North America in the 1960s. Canadian-built trucks were often unique, while others were built specifically for the American market. The North American truck manufacturers continued to thrive to meet the demands of the prosperity of the 1960s with fresh designs and features. These rugged, reliable trucks were capable of transcontinental commutes of goods on a regular basis, or performing delivery and construction tasks in and around cities.
This concise volume covers not only the histories of the major and lesser known truck manufacturers, but also the obscure, yet historically significant manufacturers such as Available, Biederman, Brown, Corbitt, Leyland Canada and others.
Comprehensive captions and supportive text combine with contemporary brochures, period literature, road test info of the day, factory photographs and over fifty colour photos of restored American trucks, to relate the importance of these historic vehicles. Detailed shots of the engines and features focus on what it was that set certain manufacturers apart in this highly competitive market.
This succinct, factual book on American trucking provides a nostalgic look at a significant era in North American history.

American War Poetry spans the history of the nation. Beginning with the Colonial Wars of the eighteenth-century and ending with the Gulf Wars, this original and significant anthology presents four centuries of American men and women-soldiers, nurses, reporters, and embattled civilians-writing about war.

American War Poetry opens with a ballad by a freed African American slave commenting on a skirmish with Indians in a Massachusetts meadow. Poems on the American Revolution follow, as well as poems on "minor" conflicts like the Mexican War and the Spanish-American Wars. This compact anthology has generous selections on the Civil War, World Wars I and II, the Korean War, and the Vietnamese-American War, but it also includes an unusually large offering on American participation in the Spanish Civil War. Another section covers four hundred years of conflict with Native Americans, ending with poems by contemporary Indians who respond passionately and directly to their difficult history. The collection also reaches into current reaction to American involvement in Latin America, Bosnia, and the Gulf Wars.

Showing the depth of feeling and the range of thinking with which Americans have confronted war, American War Poetry expands our sense of what poetry is made to do. While the birth of a national identity is documented in early poems, the anthology also conveys the growing sophistication of a uniquely American style. Although early war poems show that the first justification for war was purely defensive, as American global ambitions matured, American writers moved increasingly to deplore a homegrown imperialism and its terrible costs. While many familiar poems of patriotic ardor have been chosen, other poems show a steady interest in antiwar themes. Lorrie Goldensohn provides a brief biography for each poet and places each poem in its proper literary and historical context. Comprehensive and compelling, American War Poetry not only documents the birth and development of a national style of expression but shows the force of poetry working on the historical moment, making it come vitally alive.

American War Poetry spans the history of the nation. Beginning with the Colonial Wars of the eighteenth-century and ending with the Gulf Wars, this original and significant anthology presents four centuries of American men and women-soldiers, nurses, reporters, and embattled civilians-writing about war.

American War Poetry opens with a ballad by a freed African American slave commenting on a skirmish with Indians in a Massachusetts meadow. Poems on the American Revolution follow, as well as poems on "minor" conflicts like the Mexican War and the Spanish-American Wars. This compact anthology has generous selections on the Civil War, World Wars I and II, the Korean War, and the Vietnamese-American War, but it also includes an unusually large offering on American participation in the Spanish Civil War. Another section covers four hundred years of conflict with Native Americans, ending with poems by contemporary Indians who respond passionately and directly to their difficult history. The collection also reaches into current reaction to American involvement in Latin America, Bosnia, and the Gulf Wars.

Showing the depth of feeling and the range of thinking with which Americans have confronted war, American War Poetry expands our sense of what poetry is made to do. While the birth of a national identity is documented in early poems, the anthology also conveys the growing sophistication of a uniquely American style. Although early war poems show that the first justification for war was purely defensive, as American global ambitions matured, American writers moved increasingly to deplore a homegrown imperialism and its terrible costs. While many familiar poems of patriotic ardor have been chosen, other poems show a steady interest in antiwar themes. Lorrie Goldensohn provides a brief biography for each poet and places each poem in its proper literary and historical context. Comprehensive and compelling, American War Poetry not only documents the birth and development of a national style of expression but shows the force of poetry working on the historical moment, making it come vitally alive.

American Whiskey Bar is a remarkable faux memoir about the un-making of a film—a film which Michael Turner was commissioned to write. However, whether or not this film was ever “made” is debatable. And only one print is said to exist. Nevertheless, American Whiskey Bar, a film seen by only a handful of people, is well on its way to becoming a curious footnote to cinematic history.

American Whiskey Bar, the book, is an attempt to set the record straight—a story of sex, violence, lies, ambition, power, paradox, dreams, and regret. Consider yourself warned.

First published in Canada in 1997, this new edition, which features a foreword by William Gibson (Neuromancer, Pattern Recognition), is the first edition ever available in the U.S.

Praise for American Whiskey Bar:

“Tightly packed . . . the book weaves its way in and out of various levels of reality. . . . There’s a bright, playful mind at work here.”—Toronto Star

“Turner constructs an intense, intelligent, and darkly humorous satire. . . . Too original to be nominated for awards.”—Quill &amp Quire

“Brilliant . . . a dazzling, dizzying multilayered blend of fact and fiction, of the plausible and the preposterous, of the real and the hyper-real. It is also screamingly funny.”—Globe &amp Mail

Globe &amp Mail Notable Book, 1997
Quill &amp Quire Best Book of 1997
Coolest Canadian Book of the Year, Chapters

Michael Turner lives in Vancouver, where, in addition to books and screenplays, he writes art essays and edits ArsenalAdvance, a literary/visual art imprint. He has won a BC Book Prize for fiction and a Genie Award for Original Song. Recently, he has collaborated with artist Stan Douglas and filmmaker Bruce LaBruce. His novel The Pornographer’s Poem was published this year by Soft Skull.

With writings that span more than thirty-five years, American Woman, Italian Style is a rich collection of essays that fleshes out the realities of today’s Italian American women and explores the myriad ways they continue to add to the American experience. The status of modern Italian-American women in the United States is
noteworthy: their quiet and continued growth into respected positions in the professional worlds of law and medicine surpasses the success achieved in that of the general population—so too does their educational attainment and income.

Contributions include Donna Gabaccia on the oral-to-written history of cookbooks, Carol Helstosky on the Tradition of Invention, an interview with Sandra Gilbert, Paul Levitt’s look at Lucy Mancini as a metaphor for the modern world, William Egelman’s survey of women’s work patterns, and Edvige Giunta on the importance of a selfconscious understanding of memory. There are explorations of Jewish-Italian intermarriages and interpretations of entrepreneurship in Milwaukee. Readers will find challenges to common assumptions and stereotypes, departures from normal samplings, and springboards to further research.

American Woman, Italian Style: Italian Americana’s Best Writings on Women offers unique insights into issues of gender and ethnicity and is a voice for the less heard and less seen side of the Italian-American experience from immigrant times to the present. Instead of seeking consensus or ideological orthodoxy, this collection
brings together writers with a wide range of backgrounds, outlooks, ideas, and experiences. It is an impressive postmodern collection for interdisciplinary studies: a book and a look about being and becoming an American.

With writings that span more than thirty-five years, American Woman, Italian Style is a rich collection of essays that fleshes out the realities of today’s Italian American women and explores the myriad ways they continue to add to the American experience. The status of modern Italian-American women in the United States is
noteworthy: their quiet and continued growth into respected positions in the professional worlds of law and medicine surpasses the success achieved in that of the general population—so too does their educational attainment and income.

Contributions include Donna Gabaccia on the oral-to-written history of cookbooks, Carol Helstosky on the Tradition of Invention, an interview with Sandra Gilbert, Paul Levitt’s look at Lucy Mancini as a metaphor for the modern world, William Egelman’s survey of women’s work patterns, and Edvige Giunta on the importance of a selfconscious understanding of memory. There are explorations of Jewish-Italian intermarriages and interpretations of entrepreneurship in Milwaukee. Readers will find challenges to common assumptions and stereotypes, departures from normal samplings, and springboards to further research.

American Woman, Italian Style: Italian Americana’s Best Writings on Women offers unique insights into issues of gender and ethnicity and is a voice for the less heard and less seen side of the Italian-American experience from immigrant times to the present. Instead of seeking consensus or ideological orthodoxy, this collection
brings together writers with a wide range of backgrounds, outlooks, ideas, and experiences. It is an impressive postmodern collection for interdisciplinary studies: a book and a look about being and becoming an American.

In 1933 Americans did something they had never done before: they voted to repeal an amendment to the U.S. Constitution. The Eighteenth Amendment, which for 13 years had prohibited the manufacture and sale of alcoholic beverages, was nullified by the passage of another amendment, the Twenty-First. Many factors helped create this remarkable turn of events. One factor that was essential, Kenneth D. Rose here argues, was the presence of a large number of well-organized women promoting repeal.
Even more remarkable than the appearance of these women on the political scene was the approach they took to the politics of repeal. Intriguingly, the arguments employed by repeal women and by prohibition women were often mirror images of each other, even though the women on the two sides of the issue pursued diametrically opposed political agendas. Rose contends that a distinguishing feature of the women's repeal movement was an argument for home protection, a social feminist ideology that women repealists shared with the prohibitionist women of the Women's Christian Temperance Union. The book surveys the women's movement to repeal national prohibition and places it within the contexts of women's temperance activity, women's political activity during the 1920s, and the campaign for repeal.
While recent years have seen much-needed attention devoted to the recovery of women's history, conservative women have too often been overlooked, deliberately ignored, or written off as unworthy of scrutiny. With American Women and the Repeal of Prohibition, Kenneth Rose fleshes out a crucial chapter in the history of American women and culture.

In 1933 Americans did something they had never done before: they voted to repeal an amendment to the U.S. Constitution. The Eighteenth Amendment, which for 13 years had prohibited the manufacture and sale of alcoholic beverages, was nullified by the passage of another amendment, the Twenty-First. Many factors helped create this remarkable turn of events. One factor that was essential, Kenneth D. Rose here argues, was the presence of a large number of well-organized women promoting repeal.
Even more remarkable than the appearance of these women on the political scene was the approach they took to the politics of repeal. Intriguingly, the arguments employed by repeal women and by prohibition women were often mirror images of each other, even though the women on the two sides of the issue pursued diametrically opposed political agendas. Rose contends that a distinguishing feature of the women's repeal movement was an argument for home protection, a social feminist ideology that women repealists shared with the prohibitionist women of the Women's Christian Temperance Union. The book surveys the women's movement to repeal national prohibition and places it within the contexts of women's temperance activity, women's political activity during the 1920s, and the campaign for repeal.
While recent years have seen much-needed attention devoted to the recovery of women's history, conservative women have too often been overlooked, deliberately ignored, or written off as unworthy of scrutiny. With American Women and the Repeal of Prohibition, Kenneth Rose fleshes out a crucial chapter in the history of American women and culture.

In 1933 Americans did something they had never done before: they voted to repeal an amendment to the U.S. Constitution. The Eighteenth Amendment, which for 13 years had prohibited the manufacture and sale of alcoholic beverages, was nullified by the passage of another amendment, the Twenty-First. Many factors helped create this remarkable turn of events. One factor that was essential, Kenneth D. Rose here argues, was the presence of a large number of well-organized women promoting repeal.
Even more remarkable than the appearance of these women on the political scene was the approach they took to the politics of repeal. Intriguingly, the arguments employed by repeal women and by prohibition women were often mirror images of each other, even though the women on the two sides of the issue pursued diametrically opposed political agendas. Rose contends that a distinguishing feature of the women's repeal movement was an argument for home protection, a social feminist ideology that women repealists shared with the prohibitionist women of the Women's Christian Temperance Union. The book surveys the women's movement to repeal national prohibition and places it within the contexts of women's temperance activity, women's political activity during the 1920s, and the campaign for repeal.
While recent years have seen much-needed attention devoted to the recovery of women's history, conservative women have too often been overlooked, deliberately ignored, or written off as unworthy of scrutiny. With American Women and the Repeal of Prohibition, Kenneth Rose fleshes out a crucial chapter in the history of American women and culture.

This highly illustrated study examines the rise in popularity of the Woody station wagon in North America, from the introduction of the Ford Model A in 1928, up to the last Woody built by Buick in 1953. As well as Woody wagons, sedans and convertibles are also featured - fashionable cars that were favoured among celebrities and high society. Woodies were also used extensively as service vehicles during World War II, and while Ford led the industry, many other American car manufacturers competed in this specialised yet lucrative market, from the major to the more obscure.
With 100 images - which include contemporary brochure illustrations, period literature, factory photos and over fifty new, unpublished colour photos of restored examples - detailed captions, and supportive text, this book conveys the importance of these historic vehicles so prized by collectors today.

This remarkable volume introduces to the large English-speaking audience what is probably the most coherent segment of twentieth-century American literature not written in English. The range of American Yiddish Poetry runs the gamut from individualistic verse of alienation in the modern metropolis, responses to Western culture and ideologies, and experiments with poetic form and the resources of the Yiddish language, to the vitriolic associative chains of a politically engaged anarchist existentialist; from hymns to urban architecture and landscapes and the plight of African Americans to confrontations with the experiences of Jewish history and the loss of the Yiddish language. The bilingual facing-page format, the notes and the biographies of poets, the selections from Yiddish theory and criticism, and a comprehensive introduction to the cultural background and concerns of the poetry enhance the poems themselves.

In an unsettling time in American history, the outbreak of right-wing violence is among the most disturbing developments. In recent years, attacks originating from the far right of American politics have targeted religious and ethnic minorities, with a series of antigovernment militants, religious extremists, and lone-wolf mass shooters inspired by right-wing ideologies. The need to understand the nature and danger of far-right violence is greater than ever.

In American Zealots, Arie Perliger provides a wide-ranging and rigorously researched overview of right-wing domestic terrorism. He analyzes its historical roots, characteristics, tactics, rhetoric, and organization, assessing the current and future trajectory of the use of violence by the far right. Perliger draws on a comprehensive dataset of more than 5,000 attacks and their perpetrators from 1990 through 2017 in order to explore key trends in American right-wing terrorism. He describes the entire ideological spectrum of the American far right, including today’s white supremacists, antigovernment groups, and antiabortion fundamentalists, as well as the histories of the KKK, skinheads, and neo-Nazis. Based on these findings, Perliger suggests counterterrorism policies that can respond effectively to the far-right threat. A groundbreaking examination of violence spawned from right-wing ideologies, American Zealots is essential reading for everyone seeking to understand the transformation of domestic terrorism.

In an unsettling time in American history, the outbreak of right-wing violence is among the most disturbing developments. In recent years, attacks originating from the far right of American politics have targeted religious and ethnic minorities, with a series of antigovernment militants, religious extremists, and lone-wolf mass shooters inspired by right-wing ideologies. The need to understand the nature and danger of far-right violence is greater than ever.

In American Zealots, Arie Perliger provides a wide-ranging and rigorously researched overview of right-wing domestic terrorism. He analyzes its historical roots, characteristics, tactics, rhetoric, and organization, assessing the current and future trajectory of the use of violence by the far right. Perliger draws on a comprehensive dataset of more than 5,000 attacks and their perpetrators from 1990 through 2017 in order to explore key trends in American right-wing terrorism. He describes the entire ideological spectrum of the American far right, including today’s white supremacists, antigovernment groups, and antiabortion fundamentalists, as well as the histories of the KKK, skinheads, and neo-Nazis. Based on these findings, Perliger suggests counterterrorism policies that can respond effectively to the far-right threat. A groundbreaking examination of violence spawned from right-wing ideologies, American Zealots is essential reading for everyone seeking to understand the transformation of domestic terrorism.

American 'Independent' Automakers 1945-1960 covers the attempts by major makes, such as Kaiser-Frazer, Willys, Packard, Studebaker, Tucker, Nash, and Hudson, to compete with the 'Big Three' in America. The 'Independents' were the first to introduce all-new models in an attempt to increase their market share and ensure the future.
In addition, dozens of backyard enthusiasts such as Cunningham, Fitch, Darrin, Williams, etc, were trying to design the perfect American sports car.
A similar number endeavoured to build small, economical cars, such as Davis, Allstate, Playboy, Crosley, and the diminutive King Midget, yet all were ultimately doomed to fail.
There were steam cars, microcars, three-wheel cars, and flying cars, all competing to capture the consumer's fancy and become significant builders in the years following World War II.
Detailed captions and supportive text combine with the use of contemporary brochures, period literature, factory photos, and over 90 new, previously unpublished colour photos of restored examples to relate the importance of these historic vehicles. This book looks at all the major makers, focusing on the innovations, unique styling and features, and why, ultimately, all failed.

American 'Independent' Automakers 1945-1960 covers the attempts by major makes, such as Kaiser-Frazer, Willys, Packard, Studebaker, Tucker, Nash, and Hudson, to compete with the ‘Big Three' in America. The ‘Independents' were the first to introduce all-new models in an attempt to increase their market share and ensure the future.
In addition, dozens of backyard enthusiasts such as Cunningham, Fitch, Darrin, Williams, etc, were trying to design the perfect American sports car.
A similar number endeavoured to build small, economical cars, such as Davis, Allstate, Playboy, Crosley, and the diminutive King Midget, yet all were ultimately doomed to fail.
There were steam cars, microcars, three-wheel cars, and flying cars, all competing to capture the consumer's fancy and become significant builders in the years following World War II.
Detailed captions and supportive text combine with the use of contemporary brochures, period literature, factory photos, and over 90 new, previously unpublished colour photos of restored examples to relate the importance of these historic vehicles. This book looks at all the major makers, focusing on the innovations, unique styling and features, and why, ultimately, all failed.

This study of relations examines the close diplomatic association of Russia and the United States, both close and distant. The book deals particularly with the still vital and very timely question: the control of Manchuria. It describes in detail the struggle between Russia and America, checked and counterchecked by nearly all the other governments of Europe and Asia, for domination of this rich and strategic area. It is safe to say that the full, detailed story of this little-known chapter in our political history is told here for the first time as the author had access to official documents only recently opened to scrutiny by students of foreign affairs.

The study begins with a historical sketch of the early friendship between the two countries, but subsequent chapters reveal how this cordiality deteriorated toward the end of the nineteenth century as political and economic interests in the Far East came into open conflict. With the acquisition of the Philippines following the Spanish-American War, America's eyes turned Eastward, and by the conclusion of the Boxer Rebellion her policy of the Open Door in China was firmly established. Under the cloak of this principle, however, American trading, industrial, and railway interests, with the encouragement of our diplomatic agents in the Far East, quickly made a bid for the economic expansion of eastern Asia, at the same time that Russia was attempting to annex Manchuria for herself.

When the tinderbox of Far Eastern affairs flared into the Russo-Japanese War in 1904, Roosevelt's policy "balanced antagonism" during the conflict eventually had the result of strengthening Japan and of drawing that country closer to Russia. The outbreak of World War I found these two powers dominating Manchuria, with the United States in spite of its Dollar Diplomacy excluded from the competition. The account is given chiefly through the personalities who took part on both sides in the diplomatic maneuvers. The book is therefore of unusual human interest, as well as an important documentary contribution to an understanding of the present relations of two leading world power.

This study of relations examines the close diplomatic association of Russia and the United States, both close and distant. The book deals particularly with the still vital and very timely question: the control of Manchuria. It describes in detail the struggle between Russia and America, checked and counterchecked by nearly all the other governments of Europe and Asia, for domination of this rich and strategic area. It is safe to say that the full, detailed story of this little-known chapter in our political history is told here for the first time as the author had access to official documents only recently opened to scrutiny by students of foreign affairs.

The study begins with a historical sketch of the early friendship between the two countries, but subsequent chapters reveal how this cordiality deteriorated toward the end of the nineteenth century as political and economic interests in the Far East came into open conflict. With the acquisition of the Philippines following the Spanish-American War, America's eyes turned Eastward, and by the conclusion of the Boxer Rebellion her policy of the Open Door in China was firmly established. Under the cloak of this principle, however, American trading, industrial, and railway interests, with the encouragement of our diplomatic agents in the Far East, quickly made a bid for the economic expansion of eastern Asia, at the same time that Russia was attempting to annex Manchuria for herself.

When the tinderbox of Far Eastern affairs flared into the Russo-Japanese War in 1904, Roosevelt's policy "balanced antagonism" during the conflict eventually had the result of strengthening Japan and of drawing that country closer to Russia. The outbreak of World War I found these two powers dominating Manchuria, with the United States in spite of its Dollar Diplomacy excluded from the competition. The account is given chiefly through the personalities who took part on both sides in the diplomatic maneuvers. The book is therefore of unusual human interest, as well as an important documentary contribution to an understanding of the present relations of two leading world power.

«Советско-американская культурная дипломатия. Американский дебют Большого театра» — первое масштабное исследование гастролей Большого балета в США в 1959 году как инструмента внешней политики СССР. После подписания соглашения о культурном обмене Советский Союз стремился произвести впечатление на американскую публику мощью своей хореографии и исполнительского мастерства, превратив сцену в арену культурного соперничества.

Кадра Петерсон Макдэниэл исследует, как формировался репертуар, сочетавший коммунистические идеи и переработанную классику, и как турне было воспринято с обеих сторон «железного занавеса». Работа показывает, что культурный обмен стал формой «изящной войны» и подчеркивает: роль искусства в политике времен холодной войны остается актуальной и в наши дни.

The book gives a systematical presentation of stochastic approximation methods for discrete time Markov price processes. Advanced methods combining backward recurrence algorithms for computing of option rewards and general results on convergence of stochastic space skeleton and tree approximations for option rewards are applied to a variety of models of multivariate modulated Markov price processes. The principal novelty of presented results is based on consideration of multivariate modulated Markov price processes and general pay-off functions, which can depend not only on price but also an additional stochastic modulating index component, and use of minimal conditions of smoothness for transition probabilities and pay-off functions, compactness conditions for log-price processes and rate of growth conditions for pay-off functions. The volume presents results on structural studies of optimal stopping domains, Monte Carlo based approximation reward algorithms, and convergence of American-type options for autoregressive and continuous time models, as well as results of the corresponding experimental studies.

The book gives a systematical presentation of stochastic approximation methods for models of American-type options with general pay-off functions for discrete time Markov price processes. Advanced methods combining backward recurrence algorithms for computing of option rewards and general results on convergence of stochastic space skeleton and tree approximations for option rewards are applied to a variety of models of multivariate modulated Markov price processes. The principal novelty of presented results is based on consideration of multivariate modulated Markov price processes and general pay-off functions, which can depend not only on price but also an additional stochastic modulating index component, and use of minimal conditions of smoothness for transition probabilities and pay-off functions, compactness conditions for log-price processes and rate of growth conditions for pay-off functions. The book also contains an extended bibliography of works in the area.

This book is the first volume of the comprehensive two volumes monograph. The second volume will present results on structural studies of optimal stopping domains, Monte Carlo based approximation reward algorithms, and convergence of American-type options for autoregressive and continuous time models, as well as results of the corresponding experimental studies.

Americana Insights 2023 presents the latest research and discoveries on traditional American folk art and material culture. Groundbreaking essays by leading scholars provide a wealth of new insights on a wide array of artistic traditions. Covering a broad geographic area—including New England, the mid-Atlantic, South, and mid-West—and spanning the colonial era to early twentieth century, these essays enhance our understanding of the diverse American experience. This is the only interdisciplinary publication devoted exclusively to traditional Americana and folk art.

Contributors cover a range of topics including portraiture, furniture, jewelry, textiles, and works on paper. In the first volume, authors share groundbreaking research on the use of hooked rugs in the colonial revival era; revisit the work of a famed Connecticut portrait painter known as the Beardsley Limner and his namesake sitters; Rufus Porter’s work as an artist and entrepreneur; a distinctive group of paint-decorated dressing tables from New Hampshire; delicate cutworks made by an incarcerated inmate in Philadelphia’s Eastern State Penitentiary; painted tavern signs; jewelry in folk portraiture; New Jersey schoolmaster and calligrapher Thomas Earl; and signature quilts from the nineteenth century.

Contributors: Deborah M. Child, Pamela and Brian Ehrlich, Cynthia Fowler, Emelie Gevalt, Mark D. Mitchell, Eileen M. Smiles, Laura Fecych Sprague.

A richly illustrated presentation of the latest research on traditional American folk art

Americana Insights 2024 is the second volume of an annual series that presents the latest research and discoveries on traditional American folk art and material culture. This installment explores a diverse range of craftspeople and artifacts, treating readers to a journey from Appalachia to the mid-Atlantic and New England, and even onto the Atlantic Ocean. Each essay offers a fresh perspective on American creativity and ingenuity, introducing readers to the makers and materials of early America. This remains the only interdisciplinary publication devoted exclusively to traditional Americana and folk art.

Contributors cover a range of topics including historic Cherokee river cane basket weaving traditions, New England folk artists Sturtevant J. Hamblin, the almshouse paintings of German immigrant Charles Hofmann, and the display of American antiques on mid-twentieth-century ocean liners. Additional subjects include Pennsylvania German fraktur, carousel carving, carriage signs, quilts, and game boards.

Contributors: Trevor Brandt, Paul D’Ambrosio, Tobin Fraley, Emelie Gevalt, Christopher Malone, Richard Miller, Matthew Monk, Amelia Peck, Christian Roden, Cynthia Schaffner, Eileen M. Smiles, Jennifer Swope.

A comprehensive study of Pennsylvania German redware and a celebration of this vibrant folk art tradition

Americana Insights 2025 is the third volume in an annual series that presents the latest research and discoveries on traditional Americana, folk art, and material culture. In this volume the authors explore a beloved aspect of American folk art—Pennsylvania German redware. Focusing on redware’s production, use, and collecting in southeastern Pennsylvania from the mid-eighteenth to early twentieth century, the authors provide fresh insights into renowned potters such as Georg Hubener and Samuel Troxel as well as lesser-known figures. Other essays delve into the work of twentieth-century potters like Jacob Medinger, considered the last of the traditional Pennsylvania German potters, and Mildred Keyser, a pioneering revivalist potter. The authors also explore broader themes, including the use of political imagery and hunting iconography, and redware’s role in cultural exchange between Anglo-Americans and Pennsylvania Germans. A celebration of this vibrant folk art tradition and a vital scholarly contribution, Americana Insights 2025 represents the most comprehensive study of Pennsylvania German redware in more than a century.

Contributors: Johanna Brown, Laini Farrare, R. Erich Hess, Christopher Malone, Lisa Minardi, Karl Pass, Candace Perry, Jeffrey Pressman, Jean Renshaw, Justin Thomas, Adam Zayas.