Founded in 2005, Whitehot Magazine has become one of the leading channels for contemporary art criticism. Since its inception, Whitehot has published thousands of reviews covering art from the United States, East Asia, the Middle East, Africa, and South America, with key pieces authored by critical luminaries, including Anthony Haden-Guest, Donald Kuspit, and Phoebe Hoban. The magazine is also uniquely independent in its editorial voice. Unlike other large art world publications, Whitehot is owned and managed by its founding editor rather than by a media holding company.
On the occasion of its upcoming 20th anniversary, founder Noah Becker and contributor Michael Maizels have compiled a critical anthology of the magazine’s writings. The selected articles not only encapsulate the storied history of Whitehot but also provide a significant window into the evolution of art practice and art criticism since the turn of the Millennium.

This book explores the interdisciplinary pathways that leading environmental psychologists have taken to become educators, researchers, consultants, and professionals in this highly applied and growing field. Environmental psychology examines the transactions between people and the built and natural settings in which they inhabit. Despite this broad scope, few direct avenues to careers in environmental psychology exist, and students must forge varied and individualized routes to becoming scholars and practitioners in this important area of study.
The aim of the book is to serve as an inspiring supplemental resource for students who wish to know more about how leading thinkers established themselves as environmental psychologists. In each chapter, the author describes their inspirations, decisions about undergraduate and graduate courses, particular schools, and professional connections that have made a difference to their careers in environmental psychology. Many undergraduate students are disappointed with the lack of a clear path to becoming an environmental psychologist. A strong need exists for a resource like this book for students (and for others who may be looking to add to their careers) to understand how to gain experience and credentials in the field in different ways. Readers may also be bolstered in their attitude about choosing a niche field like environmental psychology and decide to stick with it if they read the success stories published in this book by leading thinkers who have taken varied and atypical approaches to becoming a professional environmental psychologist.
The book’s chapters are organized in a manner that shows readers how one may come from many different backgrounds and integrate environmental psychology into their education or professional realm. Part I contains chapters in which authors write about how they approached environmental psychology from architecture, urban planning, and geography, while Part II includes chapters from authors who found environmental psychology via cognitive psychology, clinical practice, and neuroscience. Part III has chapters from authors writing from the health sciences and social ecology, while Part IV contains chapters by authors inspired to become environmental psychologists through a general appreciation of nature and eco-conscious living in a variety of settings. Those who find a way to make environmental psychology part of their career are often very passionate individuals who are keen to describe their pathway to doing what they love with the hope that others will follow. This book is likely to advance that outcome

The Spirit of the Laws not only systematizes the foundational ideas of “separation of powers” and “balances and checks,” it provides the decisive response to the question of whether power in the nation-state can be limited in the aftermath of the Westphalian settlement of 1648. It describes a civilizational change through which power becomes domesticated, with built-in resistance to attempts to absolutize (or make total) political power. As such, it is the Bible of modern politics, now made more accessible to English readers than it ever has been.

There have been in English only two prior translations of this work that first appeared in 1748. The deficiencies of those two efforts have been broadly identified in the scholarship. Although the text is still used with regularity in university instruction (having been recovered after a lull in the 1950s and 60s), it deserves – and now receives – a presentation that enhances its usefulness in the analysis both of politics and the philosophical foundations of human life.

Montesquieu’s singularity – the first secular argument against race-based slavery and only the second secular argument against the servitude of women – provides a special heritage for the modern word to preserve and a key to making operational those fundamental insights within the context of sustained political and cultural development. The replacement of blood and tribe with the universal attributes of humanity (while recognizing the highly variable ecologies of communities) constitutes the single-most important moral and political development of the modern world. And The Spirit of the Laws bears a primary responsibility for that accomplishment.

Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. Unfortunately, many creative artists – and audiences – remain unfamiliar with Aesthetics as a practical discipline and how it might apply to their own creative and/or interpretive pursuits.

‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling. The book’s four chapters codify working definitions of the relevant terms and concepts, employing specific case studies to illustrate how certain aesthetic stratagems govern a film’s structural design and execution. By drawing connections between the technical/creative decisions filmmakers must make and more time-honoured traditions regarding the nature of art, the structures of storytelling and the import of visual imagery, ‘Aesthetics and the Cinematic Narrative’ helps recontextualize film within a wider sphere of artistic/intellectual endeavour. The book is a useful and much-needed addition to the pre-existing canon for students of visual storytelling and for general readers.

This book is about the Cannes Medical Conference of April 1919 and its long-lasting impacts in the humanitarian space. In the aftermath of the First World War, as the world order was being redesigned, this conference served to shift the Red Cross movement towards peacetime and public health work. The book examines the origins, course and consequences of the Cannes Medical Conference, and its wider legacy within the Red Cross movement: a legacy which is very significant yet almost completely undocumented.

The book demonstrates that this medical conference was a watershed moment that served to pivot the Red Cross movement across the world, from war and conflict-related activities to peacetime programs such as relief, disease and disaster management. The Red Cross movement is one of the largest humanitarian organisations in the world, and initially, its aim was to alleviate the suffering of people on the battlefield. In 1919, however, a new Red Cross organisation was created in Paris: the League of Red Cross Societies (LRCS) to considerably expand Red Cross work around the world.

The Cannes Medical Conference was the catalyst for the creation of the LRCS. Understanding this conference is therefore paramount to understanding why and how the LRCS was created, how it was imagined, and what its functions were. The LRCS still exists today, known as the International Federation of the Red Cross: it is the largest humanitarian organisation in the world, with 191 national Red Cross societies as its members, and it is based in Geneva. Much has been written on the International Committee of the Red Cross (ICRC), but there has been very little research on the International Federation of the Red Cross, or its ancestor, the LRCS. Aside from a few pages in less than a handful of publications, the way in which the Cannes Medical Conference established the LRCS’s mission remains unknown. This book therefore proposes something that is innovative and that advances the historiography of the Red Cross movement, of humanitarianism and of public health.