Anthem Press

The long-awaited convergence of climate, economic, political, intellectual, faith and social failures gives many reasons for despair. The authors of this volume have spent their lives around the trauma of race and poverty in South Africa and the United States working with Nobel prize winners and those in townships and tenements. We have learned that hope is not delusional and accountability not naïve. But one must think clearly and deeply, untethered from the inadequate simplicities and false choices. We must be here now, with eyes wide open for when systems break down, as so many are today, knowing that they also break open new space for creative action.
The authors lead the global web of thinker-doers through the Leading Causes of Life Initiative and national networks in Africa, Europe and the United States. They find coherence among profound thinking from fields never brought into alignment before drawn from by economists, mycelial researchers, anthropologists and health sciences working in the Artic to South Africa, and the tough neighbourhoods in between. This includes a consideration of the human capacities that allow us to act in and transform the world we inhabit, of the radical nature of joy in the face of despair, of the judgement of Nemesis on hubris and privilege, of the ‘value of everything’ contra price as definitive, of the idea of involution as distinguished from evolution, of the concept of ‘meshworks’ in our entanglement with others, and, finally, of the ‘theatre of the soul’ as the unity of the physical, the psychological, the political and the spiritual.
Sharply sensitive to the urgency of careful thought and wise action, the authors help us see that life does find a way towards deep accountability for the life of complex human ecosystems. They ask us to take responsibility for this as a key to human flourishing and well-being.

Founded in 2005, Whitehot Magazine has become one of the leading channels for contemporary art criticism. Since its inception, Whitehot has published thousands of reviews covering art from the United States, East Asia, the Middle East, Africa, and South America, with key pieces authored by critical luminaries, including Anthony Haden-Guest, Donald Kuspit, and Phoebe Hoban. The magazine is also uniquely independent in its editorial voice. Unlike other large art world publications, Whitehot is owned and managed by its founding editor rather than by a media holding company.
On the occasion of its upcoming 20th anniversary, founder Noah Becker and contributor Michael Maizels have compiled a critical anthology of the magazine’s writings. The selected articles not only encapsulate the storied history of Whitehot but also provide a significant window into the evolution of art practice and art criticism since the turn of the Millennium.

Specific objectives of the book include the discussion of the historical evolution of CBUM/Hip-Hop, and the development (and retention) of an informed perspective regarding legendary figures, bands, and genres in CBUM. The examination of the historical, social, and economic implications of CBUM that lead to the globalization of Hip-Hop, an understanding of how CBUM is perceived and measured in society, and the student’s ability to describe a range of effects fostered by the evolution of CBUM, all factor highly in this book.

Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. Unfortunately, many creative artists – and audiences – remain unfamiliar with Aesthetics as a practical discipline and how it might apply to their own creative and/or interpretive pursuits.

‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling. The book’s four chapters codify working definitions of the relevant terms and concepts, employing specific case studies to illustrate how certain aesthetic stratagems govern a film’s structural design and execution. By drawing connections between the technical/creative decisions filmmakers must make and more time-honoured traditions regarding the nature of art, the structures of storytelling and the import of visual imagery, ‘Aesthetics and the Cinematic Narrative’ helps recontextualize film within a wider sphere of artistic/intellectual endeavour. The book is a useful and much-needed addition to the pre-existing canon for students of visual storytelling and for general readers.

Hands, Wrists, Fingers invites musicians to explore a new way of thinking about good health. The physical dimensions of hands are certainly important and merit close study, encompassing coordination, relaxation, dexterity, speed, accuracy, and freedom from pain. While acknowledging these dimensions, Hands, Wrists, Fingers focuses on a broader perspective that includes cultural dimensions both conscious and unconscious, involving language, symbol, ritual, curiosity, playfulness, and mindfulness. Through a wealth of original insights, anecdotes, exercises, and games, musicians will be able to transform their hands into sensitive and intelligent agents of joyful creativity, in which the linguistic and symbolic dimensions of hands become inseparable from their physical and material existence.
Hands, Wrists, Fingers is organized in four parts: Culture, The Language of Hands, Sensitivity and Creativity, and Knowledge and Mystery. Behind the physical gestures and movements of your daily life and your music-making, there are the stories that you tell about your own hands—thoughts and feelings, memories, experiences, judgments, hopes, and fears. Hands, Wrists, Fingers argues that the way you use your hands is inseparable from these stories, in which you tell yourself “what you can and cannot do, what you should and should not do, what you’re allowed to do and what you’re prevented from doing.” If your inner stories aren’t healthy in themselves, it’s very difficult for your hands to behave in a healthy manner.
Hands, Wrists, Fingers is a practical book brimming with exercises and suggestions. Every chapter is supported by video clips illustrating and demonstrating its exercises. Among other things, you’ll explore the skills of rotation and of spiral movements, the mastery of textures and gradations, the playful manipulation of objects, and the use of your hands as agents of expressive language. Your hands will become creative, intelligent, and sensitive, and you’ll develop a new understanding of the true meaning of good health.

This book explores the interdisciplinary pathways that leading environmental psychologists have taken to become educators, researchers, consultants, and professionals in this highly applied and growing field. Environmental psychology examines the transactions between people and the built and natural settings in which they inhabit. Despite this broad scope, few direct avenues to careers in environmental psychology exist, and students must forge varied and individualized routes to becoming scholars and practitioners in this important area of study.
The aim of the book is to serve as an inspiring supplemental resource for students who wish to know more about how leading thinkers established themselves as environmental psychologists. In each chapter, the author describes their inspirations, decisions about undergraduate and graduate courses, particular schools, and professional connections that have made a difference to their careers in environmental psychology. Many undergraduate students are disappointed with the lack of a clear path to becoming an environmental psychologist. A strong need exists for a resource like this book for students (and for others who may be looking to add to their careers) to understand how to gain experience and credentials in the field in different ways. Readers may also be bolstered in their attitude about choosing a niche field like environmental psychology and decide to stick with it if they read the success stories published in this book by leading thinkers who have taken varied and atypical approaches to becoming a professional environmental psychologist.
The book’s chapters are organized in a manner that shows readers how one may come from many different backgrounds and integrate environmental psychology into their education or professional realm. Part I contains chapters in which authors write about how they approached environmental psychology from architecture, urban planning, and geography, while Part II includes chapters from authors who found environmental psychology via cognitive psychology, clinical practice, and neuroscience. Part III has chapters from authors writing from the health sciences and social ecology, while Part IV contains chapters by authors inspired to become environmental psychologists through a general appreciation of nature and eco-conscious living in a variety of settings. Those who find a way to make environmental psychology part of their career are often very passionate individuals who are keen to describe their pathway to doing what they love with the hope that others will follow. This book is likely to advance that outcome

Appeals to a broad range of people across ages, values and political beliefs, and will change the way we live our lives

Integrating the fields of ecology and economics with practical business and conservation experience, this book delivers a clear path to restoring our economies to a sustainable state. The result is not a decline in our freedoms, values, and quality of life, but a means to sustaining them in a turbulent 21st century.
Students, business owners, and consumers have read this book and attended John’s seminars only to remark, “Why haven’t we learned this in our traditional coursework?” or “This book brings so much clarity to the fields of sustainability and environmental sciences.”
Intuitively, many of us sense some universal relationships exist between Earth’s ecological and economic systems. For Giordanengo, the most insightful relationships were not the ones he first imagined as a business and ecology student in the early 1990s. This book not only unveils critical new insights into ecology and economics, but integrates them with global case studies to make a bold case for redesigning our economies according to the immutable rules of nature. For example, viewing theories such as ecological succession through an economic lens, we discover the root causes of the wealth gap, while gaining clarity on the role of economic diversity in productivity growth and innovation gains.
Timely, Giordanengo melds centuries of research with decades of business and ecological experience to reveal three simple components common to ecosystems and economies: diversity, energy, and trade. The proper management of these foundational components is perhaps the greatest obstacle to resolving tensions between society, nature, and the global market economy. The scale at which diversity, energy, and trade must be managed is not global, nor is it hyper local. The scale of a sustainable economy lies somewhere between these two extremes, the subject of part II.
Part III of this book outlines a path for restoring our economies, guided by humanity’s shared experiences in ecological restoration. The essential process of ecosystem recovery (i.e., succession) is one such pathway. Unwittingly, the United States and other developed nations manage economic succession in ways that lower their productivity growth and resistance to future disturbances, while concentrating wealth into fewer hands. With such knowledge in hand, however, nations can also move the succession dial toward the productive and diverse center, where wealth and resources are recirculated quickly, new business opportunities are created, wealth is naturally distributed, and resilience and resistance are fortified—a stout shield in the face of global economic turmoil.
From regenerative agriculture to regional-scale manufacturing, and from endogenous energy systems to ecological conservation, practical business strategies and government policies are woven throughout this seminal book.
Consumers will find sound evidence to support a sustainable future.
Students will discover not just theoretical and systems knowledge, but applied economics, ecology, and conservation centered around actionable pathways.
Business and industry leaders will find novel solutions that balance financial responsibilities with social and environmental well-being.
One of nature’s most primeval rules is that times of great turbulence favor the evolved model, not the model of the past.

This is a relatively short work focusing on the metapolitics – the deeper structures – of the Second Cold War. It is designed to prompt discussion and debate, and thoughtful reflection on the current state of international affairs. The earlier Cold War conflict between communism and capitalism has given way to a more amorphous but, paradoxically, more intense struggle between representations of the political good. There is some analysis of diplomatic history and processes in international politics, but the focus is on the underlying attitudes and ideologies that have generated and sustained Cold War 2.

The work begins with some definitions of a Cold War and whether the term is applicable to the current condition of international affairs. There is also some discussion of the term ‘culture’ and how it is applied in this study. The fundamental question is why Cold War has returned, after all the hopes after 1989 and the end the First Cold War for a new peace order. The contesting explanations are examined, including perspectives from the ‘political West’ (the term used to describe the distinctive development of the Atlantic alliance system since 1945), from Russia and China, and later in the work, from the global South.

The work then looks at how this Cold War is being conducted, including renewed militarism, the suppression of dissent, the decline of diplomacy and the reduced opportunities for dialogue. This includes some discussion of ‘double standards’, applied not in a moralistic way but identified as a structural characteristic of international politics today. The instruments of Cold War 2 include sanctions and the reinterpretation of history and memory wars. Many of the familiar methods drawn from Cold War 1 are now applied, but in novel ways to reflect technological change as well as the different ideological contexts. Information management and communicative wars reach deep into public consciousness. However, Cold War 2 leaves much of the global South cold, refusing to be drawn into a conflict that is perceived to be largely a matter internal to the global North. The work ends with some reflections on possible ways this cold war could end.

The Spirit of the Laws not only systematizes the foundational ideas of “separation of powers” and “balances and checks,” it provides the decisive response to the question of whether power in the nation-state can be limited in the aftermath of the Westphalian settlement of 1648. It describes a civilizational change through which power becomes domesticated, with built-in resistance to attempts to absolutize (or make total) political power. As such, it is the Bible of modern politics, now made more accessible to English readers than it ever has been.

There have been in English only two prior translations of this work that first appeared in 1748. The deficiencies of those two efforts have been broadly identified in the scholarship. Although the text is still used with regularity in university instruction (having been recovered after a lull in the 1950s and 60s), it deserves – and now receives – a presentation that enhances its usefulness in the analysis both of politics and the philosophical foundations of human life.

Montesquieu’s singularity – the first secular argument against race-based slavery and only the second secular argument against the servitude of women – provides a special heritage for the modern word to preserve and a key to making operational those fundamental insights within the context of sustained political and cultural development. The replacement of blood and tribe with the universal attributes of humanity (while recognizing the highly variable ecologies of communities) constitutes the single-most important moral and political development of the modern world. And The Spirit of the Laws bears a primary responsibility for that accomplishment.

Argues that the rapid rise of artificial intelligence and other pressing global challenges necessitate a fundamental reset in skills, career paths, and leadership approaches to prepare workers for the evolving workplace of the 21st century

The career path you prepared for no longer exists. AI is reshaping work faster than schools can update curricula or employers can retrain staff. Whether you are a student choosing a major, a professional facing disruption, a parent guiding your child's future, or an executive rethinking talent strategy, the same question now drives every decision: What skills truly matter in an age of intelligent machines?

The Platinum Workforce delivers a practical, research-backed answer. Drawing on a decade of work across MIT, Stanford, Fortune 500 firms, and more than 1,500 startups, futurist Trond Arne Undheim introduces Human+, a unified capability model built for an economy defined by rapid technological and social change. Human+ brings together twelve essential skills that determine who adapts, who thrives, and who leads in the new industrial era.

The Human+ skill set includes:

Human–AI collaboration - working productively with intelligent systems
Interoperability mindset - adapting across tools, teams, and technologies
Systems thinking - understanding complexity without losing the plot
Risk aptitude - navigating cascading hazards and volatile environments
Psycho-resilience - staying steady under continuous change
Eco-awareness - integrating sustainability into daily decisions
Maker skills - hands-on technical fluency in a digital world
Mediation skills - bridging human and machine decision-making
Megascale operations - executing effectively at enterprise or global scale
Mobility - moving fluidly across industries, roles, and contexts
R&D hacks - accelerating innovation without bureaucratic drag
Sociotechnical finesse - understanding the human side of technology
Whether you are building a future-proof workforce, navigating your own career path, entering a shifting job market, or preparing the next generation, Human+ provides the blueprint. This is the skill reset the 21st-century economy demands.

Explores how cricket has been portrayed in fiction from the 19th century to the 21st, examining shifts in the treatment of national, post-colonial and global themes.

Following a short introduction, the book is arranged in seven chapters, each dealing with a specific genre and its main themes. The opening chapter considers how the village cricket story laid down the main tropes of cricket and fiction and established a defining relation between cricket, England’s green and pleasant land and national identity, especially in times of war and its aftermath. The second chapter develops the cricket, war and nation theme in the public school cricket novel, especially in the period of the South African (Boer) and First World Wars when cricket and war were frequently dramatised in similar terms. It also discusses the recurring treatment of homosexuality in the public school cricket novel and how the language of cricket was used to write about same-sex attraction. The next chapter breaks new ground in discussing how cricket has featured in murder mysteries. It demonstrates how well suited to each other the sport and the genre are – cricket providing a kind of open-air closed-room setting for a murder narrative – and explores the formal similarities between the shape and structure of a game of cricket and the procedures of the novel.
The following two chapters explore how amenable cricket fiction has proved as a medium for both comedy and tragedy. It discusses the inherent comic potential of cricket for fiction, the mishap and slapstick of a sport in which the box was introduced a century before the helmet. Cricket also has a long association with suicide as many observers of the game have noted. Fictional treatment of this tragic theme has focused on how a sport which is so time-consuming, both in the duration of a game and the extended career of those who play it, has made retirement difficult to manage and sometimes led to suicide.
As the English cricket story declined into insularity and nostalgia, and cricket ceased to be a subject for serious literary fiction, the post-colonial cricket novel emerged. The penultimate chapter considers how contemporary post-colonial novelists have revived and expanded the fictional possibilities of cricket by extending its global range and replenishing its traditional narratives to include previously unspoken issues of migration and race, thereby creating new kinds of stories. The concluding chapter looks at several apocalyptic end-of-the-world cricket stories and develops into a discussion of how cricket is both contributing to and threatened by global heating, raising the question of its sustainability as a sport and as a subject for fiction.

Alessandro Michele’s creative direction at Gucci, starting in 2015, transformed the brand into a maximalist, gender-fluid and intellectual aesthetic that blended vintage-inspired, eclectic designs with philosophical and cultural references

Before Alessandro Michele took the creative helm at Gucci in 2015, the brand was mostly known for its sleek sophistication and sexy hedonism. Despite having worked at the Italian fashion house for over twelve years as the accessories and jewellery designer, Michele was relatively unknown in the fashion industry and the public sphere. All of that was to change when he sent his models down the runway for the 2015 Fall/Winter ready-to-wear collection in an eclectic mix of pussy-bow blouses, chiffon dresses, wallpaper prints and a motley collection of accessories, including fur-lined loafers, berets and granny-style horn-rimmed glasses. Michele’s stylistic design approach created an aesthetic reminiscent of the fashion eccentric who wears flea market finds with high-end designer and heirloom pieces – imperfect, nostalgic and maximalist. The new Gucci woman (and man) were intellectual and sensual misfits who are perfectly at home in the glamourous rag-tag aesthetic of a Wes Anderson film.
With his inaugurate collection, Michele tapped into the zeitgeist that was yearning for a more colourful and playful design, and a disregard of traditional gender divisions: while Gucci has hitherto showcased its men’s and women’s collections separately, as well as favoured traditional masculine and feminine looks respectively, Michele broke with the idea of a gender binary, ushering in gender fluidity and a new fantastical vision of masculinity.
Although his collections were spectacular in their scope (the Fall/Winter 2017 consists of roughly 120 looks), the designs are also a testimony to his ability to scramble signifiers of gender, pop culture, history and time. Referencing and borrowing from philosophical concepts and ideas, such as the infamous Cyborg collection (Gucci Fall/Winter 2019) that envisioned subjectivities beyond the confines of the human body with replica heads or extra eyes on their hands; the Fall/Winter 2016 collection titled ‘Rhizomatic Scores’, referencing Deleuze and Guattari’s influential concept; or the Fall/Winter 2020 menswear collection titled ‘Masculine, Plural’ that referenced Butler’s notion of gender performativity, Michele exemplifies a fashion auteur who knows how to play not only with gender signifiers but also with signifiers of time, culture and species.

Disappearing Cities is a collection of over fifty short stories of invented cities, set in the not too distant future, destroyed by varied climate change impacts and linked natural disasters. The stories bring into question the relation between the natural and unnatural forces of change and expose responses to, and lessons learnt, from different disaster crises situations. Stories also focus on how means to adapt are sought. The projected fictions are created from projected current climate facts; trends; and the author’s experience of population displacement, relocation and design-based climate change responsive action. Central to the book is the recognition that to be able to respond and adapt to the scale of coming changes in the climate requires going beyond existing practical action and embracing a new way of imagining futures. Disappearing Cities aims to stimulate ways of meeting this need.
The book opens with a Prologue that establishes the contextual frame of empirical foundation out of which the fictions are created. It recognises that we all live in a world in which the conditions that will result in huge numbers of cities disappearing are underway. From the human perspective, the process appears to be very slow, whereas in historico-geological time, it is happening exceptionally quickly. The number of the loss of cities is going to be huge, yet the recognition that this will occur is not arriving, In part, this is because of a lack of knowledge, but equally, it reflects a lack of imagination. Transposing what is known about climate change by a significant percentage of the societies of many nations to actual environments in which they live is just not arriving. What appears so solid and established fails to be seen and imagined as a risk and vulnerable. From establishing this opening perspective, the first part of the book presents stories of cities already disappearing as a result of the forces of nature changed by anthropogenically created global warming. Part two discusses the impacts of natural disasters being made unnaturally. For example, by the way industrial societies are damaging and changing natural systems, including the climatic. The final part goes to cities destroyed by completely un-natural means, including war.
Disappearing Cities aims to contribute to meeting the need for a better understanding of, and ability to imagine, the risks to which vast numbers of cities are, and will be, exposed to forces of disappearance. To do this, the narratives are a hybrid of fact and fiction. The work was inspired by Italo Calvino’s book Invisible Cities and is intended to be a salient contemporary companion to this text. It mirrors its form but differs in style and content. Invisible Cities attained diverse readership, Disappearing Cities aspires to do likewise.

This book is the first biographical account of Sebastian Masuda written in English. Sebastian Masuda is a Japanese creator and artist who is globally known as the king of Japanese “Kawaii” (cute) subculture which originated in Harajuku. His continuous pursuit of the concept of kawaii is his lifetime passion and mission, and his work is always characterized by bright neon colors that led to the emergence of Decora fashion. He wears several hats in the field of fashion, art, and entertainment and uses colorful and kawaii elements as his creative foundation. He treats kawaii styles as explicit, non-violent forms of rebellion and resistance like many other youth subcultures in Japan that express themselves in unconventional fashion. One needs courage to walk down the street wearing bright, flashy clothes and accessories from head to toe.
As an artist, Masuda has created prominent art pieces, such as a giant Hello Kitty sculpture in New York and a giant Doraemon statue made out of fluffy yarn in Singapore. As a designer, he has designed the décor of Kawaii Monster Café in Harajuku and Sushidelic, a sushi restaurant, in New York. He also runs a store, 6%DokiDoki, which has its own clothing line. As an entertainment producer, he has collaborated with Kyary Pamyu Pamyu, a Japanese singer and pop culture icon, and produced her first music video.
This book traces a strong impact of Masudaʼs difficult and lonely childhood and upbringing and complex family background on his creative endeavors that attract millions of youngsters that are also going through personal hardships. Masuda went through his teenage years spending time alone in the library reading books which made him observant and perceptive. This book also delves into his deep understanding of kawaii with intricate layers of interpretations which are often misunderstood and misconstrued as simply being cute, girlie, and infantile. Kawaii is not just an adjective but a lifestyle, philosophy, and ideology.

Good Trouble will show the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.
Award winning author Julieann Campbell (On Bloody Sunday) wrote the introduction for Good Trouble, looking back at her times growing up in Derry, in the heart of the Catholic Civil Rights Movement. Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, Once Upon A Time In Northern Ireland) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann (he took part in the Belfast to Derry march in 1969; he was the John Lewis of Northern Ireland).
Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.

Preface

The book’s Preface places the current AI explosion in the context of other technological cataclysms and recounts the author’s personal (and not always deadly serious) AI journey.

Chapter One: “Extracting the Essence: Toward Machine Translation of Literature” 

This 2019 essay rashly inquired whether artificial intelligence (AI) and machine translation (MT) might eventually be applied to literary translation. Such translation strives to somehow preserve the essence of a work while carrying it over to a different language and culture and giving it rebirth there. To recognize that essence, the translator must accurately capture the meaning of the original; appreciate its metaphors, connotations, register, references, and other abstract or associative factors; and choose among available target language expressions by exercising esthetic judgments. Computers, however, have until recently remained incapable of such accuracy, abstraction, and judgment. We revisited these shortfalls in light of developments in MT and AI. We teased apart several separable aspects of literary translation – literal meaning, meter, rhyme, and the abovementioned associative elements – with reference to arguments about Vladimir Nabokov’s hyper-literal translation of Pushkin’s poem Eugene Onegin. Prompted by this debate, we came to analyze translation as an optimization problem: because it will often prove impossible to perfectly convey all aspects or essences of a text in a single translation, the translator must search for some optimal compromise. Then we discussed several avenues for improvement in MT which could help to extract these aspects of a text’s essence – first, those which might enhance textually grounded MT (i.e., MT trained on text only), leading to delivery of high-quality literal translations; and second, those related to perceptually grounded MT (i.e., MT trained on simulated perception, e.g. of audiovisual input, as well as text), which might extract more abstract or associative elements of a text. We suggested that recognition of categories would prove central to the essence extraction sought by translators. As this categorization improves, MT should increasingly support literary, and thus cultural, preservation. However, the deepest artificial esthetic judgments will await artificial emotion. Chapter One concluded with two appendices, the first sampling numerous competing translations of Pushkin verses and the second displaying widely varying translations of a short French poem.

Chapter Two: “Toward an Artificial Nabokov”

Chapter One inquired whether artificial translation of literature might be at all possible. The cautious conclusion was that while high-quality literal translation might be achievable through foreseeable development of current techniques, artistic translation would await artificial emotion, a more distant prospect. This 2021 sequel went on to ask whether an artificial intelligence might eventually gain the ability to actually create works of literary art. To throw literary consciousness into the sharpest relief, we took as exemplar an author known for a kind of hyper-consciousness: Vladimir Nabokov. To be sure, the suggestion that artworks combining Nabokov’s superhuman intricacy and wholly human depth could be authored by a collection of switches would horrify this transcendent author, and does seem to fly in the face of everything that is most human. But while we are concerned with what machines might do, our more fundamental concern is to understand the human thoughts and feelings to which machines might aspire; and this understanding, promising to bridge the gap between C.P. Snow’s two cultures, is finally coming within reach. In our literary context, Nabokov scholarship provides many specific examples – in Ada: or Ardor, Pale Fire, and other works – of the author’s hyper-conscious artistic techniques: glorying in memory; repetition to establish themes and motifs; allusion to wide-ranging works and facts; intricate puzzle posing; and relentlessly careful structuring at multiple levels of the text. Here we considered several such techniques, speculating about the extent to which current or coming AI capabilities could approach them. In Chapter Two, Section 2, to clarify assumptions, I set forth my own current conceptions of computation, consciousness, feeling, language, and thinking, providing in the process a somewhat prejudiced AI primer for the computer-shy humanist. In Chapter Two, Section 3, I applied to Nabokov’s prodigious work my understanding of these aspects of mind. Subsections focused on self-awareness, perception, memory, and puzzles.

Chapter Three: “Large Literary Models? Intelligence and Language in the LLM Era”

Spoiler: Chapter Three, Section 6, Experiments will present several striking demonstrations of the current (2025) state of the artificial literary art. This chapter’s initial sections aim to explain the breakthroughs that triggered the abrupt phase change from wannabe to indisputable intelligence and linguistic ability. We first give an account of intelligence, sufficiently general to apply to both biological and artificial entities, defining it as the ability to select actions or outcomes effectively according to the conditions and goals encountered – in computers, as conditional (if/then) expressions. We'll scan various ways of packaging conditionals in computer programs, culminating in deep neural network technology, in which each network node among billions can be seen as an if/then expression. Thus, conditionality realized through networks is seen as the common underpinning of artificial and biological intelligence. Next, to explain the breakthrough success of Large Language Models, we undertake an accompanying account of language, viewed as combining two separable capabilities: (1) to communicate using symbols, minimally one at a time and (2) to communicate with a sequence of symbols – that is, exploiting grammar. We explain the technological breakthrough enabling artificial symbol use as development of vector-based semantic techniques and we explain in depth our understanding of symbolic communication. In the grammatical area, the linguistic breakthrough has been enablement of improved predictors of sequences through consideration of much larger contexts. To manage the accompanying threat of computational overload, it’s necessary to focus on the most predictive contextual elements among thousands. These are taken to be those closest semantically to a given element in question – and the vector-based semantic approach proves to be perfect for identifying them via the attention mechanism and the sequence-prediction technology built upon it, the transformer architecture. However, despite spectacular progress in computational intelligence and language, some aspects undoubtedly remain lacking. We emphasize that the structure of neurally learned knowledge remains unclear, while speculating that class hierarchies and schemas play important parts in LLMs and describing new tools for analyzing the networks’ hidden patterns. We go on to consider issues of (1) search and revision (linguistic and otherwise); (2) experience grounded in the world beyond text, with explanation of Imitation Learning and Reinforcement Learning as ways of predicting what to do next; (3) memory and identity issues; and (4) emotions, stressing that current systems’ lack of built-in drives handicaps artificial artistry – for better or worse – and cautioning against mistaking faked feelings for felt ones. After presenting the abovementioned experiments, we'll conclude with an evaluation, attempting a working definition of “understanding” to support the contention that current LLMs do in fact evince artificial comprehension, while also noting original touches and linguistic creativity.

Sendoff

The volume’s Sendoff considers whether machines, while now arguably intelligent, can ever also gain sufficient sensation and emotion to create language art with other than borrowed depth – and, while viewing this development as likely all too soon, declines to despair on that account.

This book is about the Cannes Medical Conference of April 1919 and its long-lasting impacts in the humanitarian space. In the aftermath of the First World War, as the world order was being redesigned, this conference served to shift the Red Cross movement towards peacetime and public health work. The book examines the origins, course and consequences of the Cannes Medical Conference, and its wider legacy within the Red Cross movement: a legacy which is very significant yet almost completely undocumented.

The book demonstrates that this medical conference was a watershed moment that served to pivot the Red Cross movement across the world, from war and conflict-related activities to peacetime programs such as relief, disease and disaster management. The Red Cross movement is one of the largest humanitarian organisations in the world, and initially, its aim was to alleviate the suffering of people on the battlefield. In 1919, however, a new Red Cross organisation was created in Paris: the League of Red Cross Societies (LRCS) to considerably expand Red Cross work around the world.

The Cannes Medical Conference was the catalyst for the creation of the LRCS. Understanding this conference is therefore paramount to understanding why and how the LRCS was created, how it was imagined, and what its functions were. The LRCS still exists today, known as the International Federation of the Red Cross: it is the largest humanitarian organisation in the world, with 191 national Red Cross societies as its members, and it is based in Geneva. Much has been written on the International Committee of the Red Cross (ICRC), but there has been very little research on the International Federation of the Red Cross, or its ancestor, the LRCS. Aside from a few pages in less than a handful of publications, the way in which the Cannes Medical Conference established the LRCS’s mission remains unknown. This book therefore proposes something that is innovative and that advances the historiography of the Red Cross movement, of humanitarianism and of public health.

Asia’s legendary playwright- director Stan Lai has written one of the unique works of our time, explaining that the mysterious act of creativity is actually a traceable function of mind, and there is a path to learn creativity through un-learning many of our habits picked up in life. His special map, as well as tailor-made exercises, lays out an awe-inspiring yet practical guide from a lifetime of creative work, revered in Asia by artists and business leaders alike. Through his extensive experience, the greatest living Asian playwright shows us how to cultivate a ‘creative app’ that works within us.
Matthieu Ricard says: “Stan Lai teaches us, how to see and how to do.” Praised by Jack Ma, Ang Lee and other luminaries, this book is a rewrite by the author of his book that is the most prominent work on creativity in China, having sold over 700,000 copies. Robert Wilson calls the work “foundational support for arts and culture.” Stan Lai is uniquely qualified to write on creativity, because he not only has four decades of creative experience, widely acclaimed as the greatest playwright in the Chinese language, but is also a dedicated educator. Shannon Jackson calls the work “A must-read from an internationally renowned artist.”
Can creativity be taught? Most of the books and training in this area deal with skills for jumpstarting alternative thinking, brainstorming and other exercises, but do not deal with creativity itself. They don’t tackle the obvious question: What is creativity and how can I get it? As one of the world's leading artists, Lai explains that the reason we don’t think creativity can be taught is that we don’t really understand what happens in the mysterious process. By slowing down the moment of inspiration, Lai lets us see exactly the elements involved in this complex process that lasts only an instant. Then he shows you how to prepare for this moment, through his unique Map of Creativity. This is a whole path of training in creativity, which he explains clearly and humour and compassion, and tailor-made exercises. Travis Preston says “Stan Lai guides us to the center of the creative moment and the ultimate unity of the spiritual and physical worlds.”
Creativitry is a milestone in understanding and learning the creative act. Born in America, raised in Taiwan, with a career spanning the Chinese diaspora, Lai believes that we are all born creative, but the source to creativity has been blocked, by life. How to take down the barriers that are blocking the source from us is a task of un-learning many things that have become habits and put us into a so-called non-creative mode. Taking his cue from his Buddhist training that wisdom and method are both needed for success in any endeavour, he explains how ‘wisdom’ has mysteriously vanished from education systems all over. Most teaching in creativity focuses on method, which one learns in one’s art. But we need another type of training, more urgently, the training for wisdom, which can only happen in the domain of life. To do, you must first be. To discover your creativity, you must first discover yourself. Octavian Saiu says, “This book is not a manual, but a statement of belief, an enduring message about how each of us can go beyond our limits.”

• Joint winner of The Literary Encyclopedia book prize 2024, category ‘Literatures written in languages other than English'
• Winner of the Nancy Staub Publications Award 2024
• Winner of the AATI Book Award 2024 for Literary, Critical Theory, and Cultural Studies

- Sicilian puppet theater is a unique nineteenth- and twentieth-century popular theatrical tradition based on the masterpieces of medieval and Renaissance chivalric literature. It flourished not only in southern Italy and Sicily, but also in the diasporic Italian urban communities of North and South America and North Africa, bringing immigrants together for nightly performances of the same deeply cherished chivalric stories. Even though this art form was designated by UNESCO as an “intangible cultural heritage of humanity” in 2001, it remains largely unknown today because by the late 1950s Sicilian puppet theater companies had ceased to perform the full Paladins of France cycle that used to extend nightly for well over a year. Thus, the only means we have left to explore the substance of this once widely enjoyed cultural phenomenon are the scripts dating from opera dei pupi’s heyday. Most of these invaluable documents, however, have been lost, while the few sets still in existence are either privately owned by the remaining puppeteer families and collectors or tucked away in the archives of Italian institutions. Thanks to the newly accessible scripts of the preeminent Catanese-American puppeteer Agrippino Manteo (1884–1947), whose career stretched from Sicily to Argentina to New York, students, scholars, and the general public can now explore the cycle of chivalric narratives staged during the golden age of Sicilian puppet theater.

- The many delicate hand-written notebooks containing Agrippino Manteo’s dramatic repertory are not only of interest for their historical and aesthetic value. These masterfully executed theatrical adaptations invite readers into a chivalric world featuring knights and damsels from across the globe – from Europe to Africa to East Asia – who share the stage with a host of wizards, fairies, giants, and monsters, in alternating episodes of love, enchantment, adventure, and warfare. The concerns with which they engage, such as justice, identity, duty, love, freedom, and virtue, transcend the categories of elite and folk, local and global, medieval and modern, interrogating what it means to be human.

- This book provides the most comprehensive history to date of the Manteo Family's Sicilian Marionette Theater across three generations and brings to light for the first time the contents of Agrippino Manteo’s extensive Sicilian puppet theater scripts, including translations of 8 selected plays and 270 extant play summaries of the famous Paladins of France cycle. Accompanying comparative analyses uncover the creative process of adaptation from Italian Renaissance masterpieces of chivalric poetry to nineteenth-century prose compilations to Agrippino’s opera dei pupi scripts.

Africa: Envisioning Tomorrow explores the major trends that will define the face of the sub-Saharan continent in the next three decades. The near doubling of Africa’s population by 2050 will lead to more than twenty million new job seekers entering the African labour market every year until then. Right now, Africa doesn’t seem armed to offer jobs to this many people, resulting in possible unrest and intra-African or intercontinental migration flows, including to Europe. Climate change creates additional migratory pressure as it threatens the future of agriculture and livestock.
The author explores the opportunities for increased job creation in Africa. Work provides income, and decent and meaningful jobs contribute to prospects and social stability. The evolution of the labour market is essential for the continent’s future. Fortunately, Africa has some major strengths. The continent has the youngest population in the world and represents a wealth of creativity and innovation. Moreover, Africans excel in ‘market-creating innovation’: the ability to see market opportunities and innovations that others do not. Africans create their own jobs through micro and small enterprises. A young well-trained middle class, familiar with digital technologies, is emerging. Africa’s abundant natural resources also attract global regional powers aspiring to secure access to critical raw materials, something the continent can use to its own advantage.
Special attention goes to the European Union’s Africa policy: the book takes a critical look at the European Union’s intentions and approach and formulates recommendations to the European Commission. The author combines economic analysis with stories from twenty-five years of experience with impact investments in Africa. He challenges the typical pessimistic stereotypes about the continent and provides an optimistic vision of Africa’s future.

‘Because at the heart of the apparent conflict between public health concerns and capitalistic interests, market access for pharmaceuticals is largely driven by political considerations, the difference with usual consumer goods being that pharmaceuticals are saving lives or years of life in good health’. Pharmaceuticals are mainly sourced by companies investing in costly R&D and production at their own risks to make them globally available. However, access for patients in need can be restricted due to insufficient medical resources and/or unaffordability. The dilemma between rewarding innovation with prices in line with value and risks for companies and ensuring affordability for patients or health insurances has become critical for all stakeholders, with political and economic implications. The development of universal health coverage puts pressure on governments to control directly or indirectly reimbursement and prices of pharmaceuticals, whereas the flow of innovations addressing infectious, chronic, and life-threatening diseases, thanks to accelerated scientific progress, is growing constantly.

Management of pharmaceutical health care expenditure approach varies according to the historical, cultural, and economic backgrounds that contribute to building each health care system, and companies are confronted with a very complex environment to launch their new drugs and manage their lifecycle until loss of patent. This book explores the different models of health care systems (e.g., Europe, United States, Japan, China) and the criteria and processes for decision making in coverage and pricing of pharmaceuticals. It also provides the analytic tools that are used to inform the decisions, and how market access strategy can be integrated in the product life cycle. Short case studies related to specific disease areas or methods are supporting exposed concepts and methods.

This book targets primarily students, but may prove useful to industry or insurance executives and eventually public decision makers with interest in the field: all will find relevant insights and sources to dig deeper into the topic. The content has been developed partially through a well received teaching program at CEIBS MBA since 2020.

This book presents the most comprehensive study of the Waffen-SS until this date. It draws on archival studies done in more than 20 archives in 13 different countries over a period of 5 years. The gathered material comprises a wide-ranging selection of data such as records from the SS, contemporary Allied documents, letters from soldiers, as well as diaries and memoirs. Other major groups of material derive from the investigations into war crimes, from intelligence services and other organisations with a stake in the SS soldiers’ post-war networks and veteran societies. All this diverse data has made it possible to study the Waffen-SS not merely as a hierarchical organisation but as a living organisation made up by human beings. Based on this extensive material the book covers the entire history of the Waffen-SS and follows the post-war fate of the SS-veterans as well. The evolution of the Waffen-SS is analysed with special emphasis on the role of Nazi ideology, war crimes and atrocities, as well as the unique multi-ethnic and transnational character of the organization. The book describes the haphazard, opportunistic and sometimes chaotic growth of the Waffen-SS but also analyses how a constant focus on ideology and a continuous brutalization through commitment of war crimes had a considerable integrative power. The SS managed to form a strong ethos with lasting power both among many of the former SS-soldiers and a greater public audience, documented in the book’s study of the post-war veterans’ culture and the popular cultural memory of the Waffen-SS.

Family law is a site of social conflict and the erasure of non-traditional families. This book explores how conservative religious and progressive queer groups can cooperatively work together to expand family law’s recognition beyond the traditional state-sponsored family. Various religious groups have shown an interest in promoting alternative family structures.

For example, certain Muslim and Mormon communities have advocated for polygamy, in the process aligning with queer groups’ interest in overcoming the engrafting of monogamy into state law. Advocacy by North American religious conservatives for reforms in favor of non-conjugal families and against same-sex marriage overlaps with certain queer efforts to legitimize friendships and non-traditional families more generally.

This book explores these potential areas of queer and religious political cooperation—including limitations and principled reservations to such cooperation. It then looks at additional future arenas of queer and religious political cooperation going beyond family law.

Ultimately, this book aims to locate and systematize seemingly isolated interest convergences between queer and religious groups into a coherent theoretical framework that can also be used on the ground in political work. In challenging dominant narratives of ‘culture wars,’ the book’s analysis is timely and in line with the need to prevent the escalation of social cleavages looming over our increasingly diverse societies. 

For those captive to the broken world of late modernity, wherein ageing and dying persons become vulnerable to despair, this book offers a diagnostic of such despair. It also resources the practices of a realistic, humanising hope that might enable a strength for person to journey with and for others, together, through such despair. Thus, by addressing the aetiology of despair experienced by people confronting ageing, frailty and dying, and drawing upon the writings of Gabriel Marcel, among others, Ashley Moyse reveals the problematic life of a broken world with its functionalising metaphors, instrumentalising reasoning and objectifying desires that offer no hope at all. It is a broken world where despair generates behaviours that anticipate suicide or other, often tragic, outcomes that impede or greatly curtail or even completely inhibit human flourishing. Resisting despair, but living through it, Moyse presents the activity of the moral life, demonstrating a way persons might be resourced through an intersubjective and reflective pedagogy, with its habits or practices that enable a humanising hope, liberating human beings to become those readied to confront the actualities of human living and dying, and encouraged to grow and develop as ‘wayfarers’, hopefully.

This volume deals critically with the insertion of university life in contemporary United States of America. The time frame covers the 1980s and today. These are five critical conversations with noted scholars hailing from different origins, holding different trajectories, agendas and interests who have excelled in the humanities in addressing the (Latin) American Scene in the United States of America. The volume is pursuing the interrogation of the sign “America” in between the crucial “Anglo/Latin” divide. This five-part interrogation is done in ways that do not necessarily agree with conventional understandings of the big sign (America) in mainstream or hegemonic English-language senses of the sign as it travels internally in the United States and internationally up and down and across the Atlantic. Hence, the suggested parenthesis of “Latin” that is intended to disrupt the sign of “America,” which is not and cannot possibly be the United States of America. The volume title also plays with “perfection” as in the verbal sense of finished business plus the idea of excellence. These five critical conversations illustrate some of the challenges, problems, troubles, dilemmas, and so on. We are in the “not yet” finished quality and the self-awareness of the scholarship that is “never perfect.” Hence, we are perpetually in motion and perhaps moving towards progress. Bright and dark sides frame the immediate and more distant past, the pressing present and the immediate future. The “here-and-now” summons an interregnum in which readers can see some of the challenges informing the academic profession, university life, history, Latin America and the U.S. associations, avatars of the (foreign) humanities, Spanish in pressurized Anglo settings, and so on.

The five interviewees (Walter D. Mignolo, John Beverley, Rolena Adorno, José Rabasa and Roberto González Echevarría) have all been affiliated with Departments of Spanish and Portuguese, also called Romance Studies, Hispanic Studies (and now, Iberian and Latin American Studies or vice versa, Latin American and Iberian Studies). The signs “Latin” and “Hispanic” surface significantly in fields of languages, literatures and cultures, but also history and a variety of studies (the humanities, historical, sociological, Latin American, post/de-colonial, cultural, subaltern, etc.). “Hispanic” is challenged, and it turns out to be a common misnomer within and sometimes against “Anglo” domains (i.e. the U.S. and the U.K. too). The category of “West” is debated in different ways. It is not necessarily assumed as an unquestionable summum bonum (conventionally, “Latin America” is not part of the “West” in conventional English-speaking domains and a rich tradition of criticism emerges in these conversations). Tensions within monolingual institutional settings in the United States are mentioned.

These conversations open up the notion of “history” which will go in different directions. There are different genealogies and there is no resolution. “Literature” is vigorously defended at least by one or two of these participants, but this is not the case in others who open up to the mounting challenges of literacy and the virtues and limitations of the alphabetic letter in historical and contemporary settings in the Americas (Latin America and the United States). Inter- or trans-disciplinarity is defended by all and 1,001 references fly around these exchanges. There is humor too, sometimes coming from me and sometimes at the expense of the interviewer. Three conversations took place in Spanish (Mignolo, Rabasa, Roberto Gonzalez Echevarria ) and two in English (Beverley, Adorno). The final work includes my translations into English. There are personal predilections and collective trajectories, changes and continuities, celebrations and desires, accusations and stubborn challenges. The historical present allows for the referencing of Early Modern / colonial dimensions among these five (Latin) American scholars, and this is significant vis-à-vis the hegemonic European horizon inside U.S. academia. But things are ineluctably changing.

As with “Hispanic cultures,” speakers occupy both sides of virtually all binaries (majority and minority, white and non-white, “off-white,” “brown,” etc.), minority-academic culture and majority minority population, bilingual, English and Spanish, (Latin) American, American and European, humanities and social-science, a general struggle for a greater visibility in the universities in the Anglo Zone. Vast historical vistas are addressed starting with the “modern” in the Spanish-language tradition. There are additions of post/decolonial perspectives, continental philosophical traditions and criticism from the margins. These vistas are combined with their most pressing situations in the various academic environments. Tensions, challenges, xenophobia and even racism come up. The thrust of this work is to open up to something bigger and something different. “Hispanic” writ large inside the “foreign humanities” allows for numerous upsets of the conventional narratives.

Writing the notes for the exhibition catalogue, Becoming Tennessee Williams, a centenary exhibit at the Harry Ransom Humanities Research Center at the University of Texas (1 February–31 July 2011), Professor and Exhibition Curator Charlotte Cannin noted of Williams’s work that he “reinvented the American theater,” and that “There is no more influential 20th-century American playwright than Tennessee Williams.” “He inspired future generations of writers,” she continues, “as diverse as Suzan-Lori Parks, Tony Kushner, David Mamet and John Waters, and his plays remain among the most produced in the world.” Of A Streetcar Named Desire in particular, critic Philip C. Kolin has said that it is, “One of the most influential plays in the twentieth century.” Kolin’s comment is not restricted to the United States or even to the English-speaking world. A Streetcar Named Desire made an immediate and profound impact on a Europe devastated by World War II, as much of it emerged from beneath the heavy boots of fascism. For Europe, A Streetcar Named Desire was of a piece with liberation, with political liberation, with literary liberation into new forms of expression, and with sexual emancipation. A Streetcar Named Desire suggested for many a new and more open way to live, and offered for writers a set of new possibilities for their art. And while the more sensational Williams may have helped attract large theater and finally film audiences, his endurance as arguably the greatest and most enduring of American dramatists will rest on his language, on his poetic theater, for, after all, as Williams himself has said of his work “Treatment is everything in a play of this type.”

Tennessee Williams, T-shirt Modernism and the Refashionings of Theater refocuses the work of Tennessee Williams against the larger fabric of cultural change in the post–World War II era in which he came to prominence, an era in which the rate of cultural change accelerated unprecedentedly as the late 40s became the 50s, the 50s the 60s, the 60s the 70s, etc. into periods of fragmentation and dislocation, a cultural unmooring we now generally (if too loosely) call postmodern, or, more accurately, perhaps, late modern. The study engages the Williams we thought we knew, as he grew, developed, reconfigured himself into a playwright we didn’t, in his attempts to refashion himself amid the vortices of changing sexual mores, including the performance of masculinities and the queering of theater, the struggle for a literate, literary theater, and the place of the theatrical experience in his contemporary culture.

This renewed edition of the Tractatus Logico-Philosophicus, exactly a century after Wittgenstein’s release, presents the text in a hierarchical manner, “which is the way in which the book was composed and in which Wittgenstein arranged (selected and supplemented) the best of the philosophical remarks that he had been writing since 1913” (Peter Hacker). That tree-like reading is recommended by Wittgenstein himself in the sole footnote of his book, in which he suggests that the inner logical structure of the text is set by the decimal numbers of its propositions. “They alone – the Author will add – give the book perspicuity and clearness, and without this numbering it would be an incomprehensible jumble”. Indeed, the compact and intricate sequence of the traditional presentation is only a rigorous logical bet, but only a logical machine or a robot can unravel the tangle: for an ordinary human understanding that does not exploit its numbering, the book remains “an incomprehensible jumble”.

In the present disposition, instead, all horizontal and vertical references become directly manifest and any reader can enjoy the fine architecture and the elegant reasoning of Wittgenstein's work. Every page is an actual reading unit, perfectly coherent and complete. The Tractatus becomes comprehensible also to unskilled readers, of course at more or less deep levels, while a scholar or a more practised reader can detect suggestions and meanings that had remained, until now, completely hidden. A historical note shows in which manner the new structural perspective sheds new light also in the compositional manuscript we have, which “writing units” are very similar, actually, to the pages of the present edition. Besides, this allows to rebuild the list of “Supplements” (here in the Appendix) that Wittgenstein gathered after he roughly finished his manuscript, but that he used very little in the final book.

Printing the Tractatus following Wittgenstein's decimal prescriptions required meticulous philological care and some discretional conventions: for instance, at the top of each page the commented-upon proposition is printed again, to make the sight complete and self-sufficient. On the other hand, some forcing of the text by the translators in their sequential reading could be eliminated, restoring a more literal translation. Also the famous and intriguing picture of the eye and its visual field (5.6331) has been restored as Wittgenstein drafted it, making the entire page perfectly understandable and coherent. This documented and editorial work on one of the most referenced books of the last century was conceived to obtain, and in fact gained, a perspicuous and crystal clear text, philologically faithful and relaxingly readable at the same time.

Statistics and the use of numbers, in general, are becoming increasingly important in journalism, this to the point that it cannot be overemphasised. In the age of the so-called big data, journalists’ engagement with numbers is seen as the Holy Grail to save the news media from declining streams of revenues, hyper-fragmentation of audiences and the de-politicisation of society in general. Indeed, for some the interaction between journalists and numbers is the future. These voices often refer to the ‘datafication’ of news – and society in general – and vehemently call for the incorporation of statistics and data into journalism practice as a way of improving the quality of news. They see in the ‘data revolution’ a real possibility to revolutionise the way journalism is done, making news stories more comprehensive, relevant, accessible and engaging. It is a quest that pretends to use numbers to enhance journalism and provide better public service journalism. To be sure, many journalists are now expected to deal and examine big and small numbers almost on a daily basis at least in ways that they were not asked to do in the past. This against the pressure of time, declining resources and growing masses of quantitative information related to economic, political and social phenomena (including scientific and academic research reports, public opinion data, political polls, and official and non-official datasets, among others). 

Therefore, it is impossible today to disassociate the discussion about quality in the news from the use of numbers. In this sense, there are important questions to ask: How do journalists use statistics to articulate news? What are the reasons and rationale behind incorporating numbers in the news? Are news stories really better because they present the audience particular numbers or data? Does the incorporation of statistics make news stories more comprehensive and accessible? The book is an attempt to answer this along other more fundamental questions such as: What do we understand by quality in the news? Is data really the future for journalism?

In this book, we aim at challenging some common assumptions about how journalists engage and use statistics in their quest for quality news. In doing so, it seeks to improve our understanding about the usage of data and statistics as a primary means for the construction of social reality. This is a task, in our view, that is urgent in times of ‘post-truth’ politics and the rise of ‘fake news’. In this sense, the quest to produce ‘quality’ news, which seems to require incorporating statistics and engaging with data, as laudable and straightforward as it sounds, is instead far more problematic and complex than what is often accounted for.

To start with, the notion of ‘quality’ in the news remains not only elusive but also contentious. On the one hand, as it is argued here, the notion of ‘quality news’ and ‘quality news providers’ has centred around the normative claims of journalism being a public service to society; something that, as we will argue, is questionable both factually and historically. On the other, there is ample evidence to suggest that contrary to the common assumptions statistics do not necessarily bring accessibility, reliability, validity nor credibility to the news stories. Indeed, based on extensive research and drawing from original data, the book explores the use of statistics within the practice of journalism through the lenses of five quality dimensions: relevance, accuracy, timeliness, interpretability and accessibility. According to the authors, by studying each dimension as a threshold that seeks to guarantee the quality of information in news it is possible to understand the whole journalistic workflow, from production to consumption, on how statistics are articulated throughout in order to substantiate quality news stories. The authors highlight the dichotomy between the normative and professional aspirations of journalism, whereby statistics help support the quality of news, and there is a desire to strengthen the ability of storytellers (journalists) through the use of numbers. The book tries to underpin the tensions and issues around journalism and statistics. The central point made is that while the concept of quality and its dimensions remains a theoretical aspiration among journalists, what they really aim to achieve is ultimately credibility and authority. Hence, drawing from this last dichotomy we argue that not only the use of statistics automatically translates into quality journalism but that in some occasions it even hinders the possibility of greater civic engagement with the news.

This book is unique in its dedicated tackling of the subject of death in the work of Jean Baudrillard. Through new readings of his work, juxtaposed with philosophical (Schopenhauer, Kant) and artistic (Jeremy Millar, Ron Mueck) examples along with films (Norte, the End of History; Ida), the book makes so patently clear the importance of Baudrillard’s tendency to poeticize, his core indebtedness to Georges Bataille, Alfred Jarry, and others, and his reliance on paradox. Ultimately, Stratagem of the Corpse is less a making sense of death and more a transcript of what occurred when death made sense of us, a reverse thanatology in which death delineates the variant forms of our encroachment, not so much death as seen by Baudrillard but Baudrillard as seen by death.

Examples of Baudrillardian simulacra, depersonalization, detachment, violence, obscenity, Baudrillard’s notion of the ‘perfect crime’, and nihilism are incisively discussed. The book makes a compelling case for why Baudrillard is relevant and necessary.

This book aims to increase our knowledge and deepen the understanding of Jewish resistance to the Holocaust by examining personal circumstances and characteristics of Jewish resistance members and the formation of small Jewish resistance groups during the Second World War. It is a carefully researched, fully annotated and referenced case study that examines primary and secondary sources, including evidence from oral history interviews with resistance members and documentary evidence, which have been conducted and was collected by the author during almost 40 years of research on the subject but were previously unavailable in English. It uses a qualitative analysis to investigate individual and small group manifestations of Jewish resistance during the German occupation of the Netherlands between 1940 and 1945. This study contributes to historiography, but its focus enables a different interpretation and displays a new view of history. It is a scholarly work, but it is also easily accessible for students and general readers interested in this subject.

The sumptuous Topkapı Palace in eighteenth century Istanbul is a place of breathtaking splendour where human foibles, love, lust and above all greed reign supreme in the lives of a sultan, a painter, a grand vizier and some of the world’s most beautiful women. [NP] Imperial favour has raised a graceful blossom to the symbol of a time that history would later name the Tulip Era. Sultan Ahmed III reigns over a still vast empire as his close companion and Chief Imperial Painter Levnî creates exquisite works of art. But real power lies with his trusted Grand Vizier İbrahim Pasha. In the background, the radiant denizens of the imperial harem fight for supremacy in their cloistered universe. [NP] How will history record Sultan Ahmed III? Hedonist, aesthete or reformer? What will happen to his descendants? [NP] Levnî barely remembers his own Christian family before he was selected as a child tribute and raised into high office by the mighty Ottoman Empire. But who is he really? [NP] Will the Grand Vizier’s quest for ultimate power yield results? [NP] How does an imperial wife justify her own wickedness? [NP] And conversely, what makes another so loyal for better, for worse, for richer, for poorer? [NP] For whose shadow will the tulip gardens long when their world comes crashing down? [NP] 'Unto the Tulip Gardens: My Shadow' is a novel founded on historical fact woven by the silken yarn of imagination. 

Wittgenstein’s remarks on colour have been accorded little critical examination, the sole exception being the explanation in the Tractatus of the logical impossibility of a point in the visual field having two colours simultaneously, a gap the present work is primarily meant to fill. Remarks on Colour, a compilation of writings on the subject drafted in the last fifteen months of Wittgenstein’s life, is subjected to sustained critical scrutiny and is shown that it does not deserve to languish in the limbo to which it has been mostly consigned, but it indeed is deeper and more illuminating than other more studied writings, to say nothing of peripheral writings on ethics, aesthetics and religion.

The Remarks would warrant a careful look if only because it is, as it has been billed, ‘one of the few documents which shows [Wittgenstein] concentratedly at work on a single philosophical issue’. But it also deserves special consideration and is worth grappling with since it shows Wittgenstein thinking through a problem from scratch and, what is still less common, without knowing where he will end up. In particular no other extended stretch of writing so clearly shows him as engaged in an unconstrained investigation of a topic of huge general interest and setting the agenda for philosophers, indeed as pioneering a still insufficiently investigated subject. And following in his footsteps pays since it brings to light a great deal about how he approaches philosophy and proves to be a good way into the philosophy.

Wittgenstein’s once said: ‘Sometimes a sentence can be understood only if it is read at the right tempo’, and the present work takes him at his word and accords him the courtesy of treating his own sentences as ‘all to be read slowly’. His remarks are examined one by one in the order he wrote them rather than the order they appear in the published text with close attention to his toing-and-froing and changes of tack. The result is a picture of a serious philosopher at work, one grappling with rare scrupulousness to a series of problems. Just as importantly one sees that the thrust of his deliberations is routinely misidentified, that there are significant similarities as well as significant differences between his late and early thinking about colour, and that much folklore, both laudatory and disparaging, that has sprung up regarding the thinness of his reasoning and the thickness of his conclusions is substantially off-base.

In November 2007, Romain Lannuzel Erasmus, student at the Autonomous University of Barcelona, ​​mysteriously disappeared without a trace. This case remains unsolved, when the novel begins with another mysterious disappearance of Costantinu Iliescu, a Romanian student. His girlfriend and two of his Erasmus colleagues sound the alarm and move heaven and earth to find him, but both police and university officials believe that Iliescu has left voluntarily and refuse to get involved. However, they will soon have to change their minds as the events that occur after the disappearance of the Romanian student reveal that something terrible, dark and macabre is happening at the college.

A team of policemen, including Deputy Inspector Manuela Vazquez, open an in-depth investigation and the potential suspects multiply. In the minds of teachers, police officers and students, the thick shadow of what appears to be a meticulous and bloodthirsty murderer looms.

Carme Riera endorses the best elements of the thriller genre to create a state of tension and suspense that is maintained until the last page. The prose is evocative, almost cinematic and knows how to combine brilliantly intrigue, irony and social criticism.

The two volumes on Wittgenstein and AI aim to trace and suggest Wittgensteinian influences in some of the most cutting-edge areas of research in Artificial Intelligence (such as Computation, Machine Learning, Natural Language Processing and the use of automation in legal settings). The collection is driven by an essentially interdisciplinary approach, featuring articles from philosophers, computer scientists and legal scholars, writing on a broad range of topics in AI.

The chapters across these two volumes are grouped into two sets of themes: Mind and Language and Value and Governance. These themes correspond to two major areas of research in the philosophical study of AI: the computational mind and the ethics of artificial intelligence. These volumes make a significant and unprecedented contribution to the question of what Wittgenstein’s philosophy can offer to the ever-growing field of AI. It aims to provide insight for both philosophers and non-philosophers alike, offering reflection on the significance of Wittgenstein’s work for AI, and on the implications of advancements in AI technology for Wittgenstein’s philosophy and philosophy influenced by Wittgenstein.

VOLUME I: Wittgenstein and AI (Volume I): Mind and Language. This volume includes chapters on Wittgenstein and Turing’s views on AI, the question of whether machines can think, intentionality, AI language models, analogical reasoning and logic.

Today we face an incredibly complex array of interconnected water issues that cross multiple boundaries: Is water a property or a human right? How do we prioritize between economic utility and environmental sustainability? Do fish have more rights to water than irrigated grain? Can we reconcile competing cultural and religious values associated with water? How much water do people actually need? These questions share two key defining characteristics: (a) competing values, interests and information to frame the problem; and (b) differing views - of how to resolve a problem - are related more to uncertainty and ambiguity of perception than accuracy of scientific information.

These problems - known as complex problems - are ill-defined, ambiguous, and often associated with strong moral, political and professional values and issues. For complex water problems, certainty of solutions and degree of consensus varies widely. In fact, there is often little consensus about what the problem is, let alone how to resolve it. Furthermore, complex problems are constantly changing because of interactions among the natural, societal and political forces involved. The nature of complexity is contingent on a variety of contextual characteristics of the interactions among variables, processes, actors, and institutions. Understanding interactions and feedback loops between and within human and natural systems is critical for managing complex water problems. [NP] This edited volume synthesizes insights from theory and practice to address complex water problems through contingent and adaptive management using water diplomacy framework (WDF). This emerging framework diagnoses water problems, identifies intervention points, and proposes sustainable solutions that are sensitive to diverse viewpoints and uncertainty as well as changing and competing needs. The WDF actively seeks value-creation opportunities by blending science, policy, and politics through a contingent negotiated approach.

Gulf Gothic moves through deep time across languages and borders, presenting haunted, secret-laden narratives that emerge from the gulfs between people all along the Gulf of Mexico and on both sides of the Rio Grande. Collaborating in an interdisciplinary manner, literary and cultural critics Dolores Flores-Silva and Keith Cartwright chart the Gulf as a unified region and ground zero of North American (and global) transculturation.

The Gulf of Mexico has been inadequately appreciated as the dynamic transnational region that it is (taking in the Gulf states of Mexico and the U.S., as well as western Cuba), a cultural matrix that nourished the spread of maize agriculture and the rise of a two-thousand-year-old literary historical tradition that has responded to traumas of colonial conquest and plantation slavery. In this study, the Gulf signifies metaphorically and symbolically—as undead space of contacts and supposed impasses between peoples—as well as topographically. Its gothic modalities carry an urgent charge that demands to be addressed in holistic form

Gulf Gothic addresses modes of representing all that is blocked from free movement and aspiration. Here, the figure of La Llorona haunts boundary waters and shorelines, voicing much that has been occulted by colonial power and national narrative. La Llorona’s Indigenous prototypes, plantation/hacienda atmospherics, and heated storm patterns show up repeatedly in variations of an originary undeadness unconstrained by attempted quarantines and border walls. The authors turn to cinematic horror and the double gaze of ancient Maya texts, to folk-fable and legal documents and popular song, as well as to works by Gloria Anzaldúa, Sandra Cisneros, Leslie Marmon Silko, Joy Harjo, LeAnne Howe, Kate Chopin, James Weldon Johnson, William Faulkner, Carlos Fuentes, Vicente Riva Palacio, Jesmyn Ward, and Fernanda Melchor, to attend to forces unbound by traditional gothic modalities and their foundational gulfs. 

Edited and with an introduction by Professor Habib, 'Confronting Colonialism' is a series of essays commemorating the second centenary of Tipu's final battle against the British at Sriranagapatnam in 1799. The essays, devoted to the history of Mysore under Haider Ali and Tipu Sultan, underscore the need to defend the memory of two rulers, who were indomitable opponents of the colonial regime; they also emphasize the centrality of Haider Ali and Tipu Sultan in Indian nationalist historiography. This collection is of particular importance, especially in light of the recent tendency to devalue the significance of the two rulers.

This renewed edition of the Tractatus Logico-Philosophicus, exactly a century after Wittgenstein’s release, presents the text in a hierarchical manner, “which is the way in which the book was composed and in which Wittgenstein arranged (selected and supplemented) the best of the philosophical remarks that he had been writing since 1913” (Peter Hacker). That tree-like reading is recommended by Wittgenstein himself in the sole footnote of his book, in which he suggests that the inner logical structure of the text is set by the decimal numbers of its propositions. “They alone – the Author will add – give the book perspicuity and clearness, and without this numbering it would be an incomprehensible jumble”. Indeed, the compact and intricate sequence of the traditional presentation is only a rigorous logical bet, but only a logical machine or a robot can unravel the tangle: for an ordinary human understanding that does not exploit its numbering, the book remains “an incomprehensible jumble”.

In the present disposition, instead, all horizontal and vertical references become directly manifest and any reader can enjoy the fine architecture and the elegant reasoning of Wittgenstein's work. Every page is an actual reading unit, perfectly coherent and complete. The Tractatus becomes comprehensible also to unskilled readers, of course at more or less deep levels, while a scholar or a more practised reader can detect suggestions and meanings that had remained, until now, completely hidden. A historical note shows in which manner the new structural perspective sheds new light also in the compositional manuscript we have, which “writing units” are very similar, actually, to the pages of the present edition. Besides, this allows to rebuild the list of “Supplements” (here in the Appendix) that Wittgenstein gathered after he roughly finished his manuscript, but that he used very little in the final book.

Printing the Tractatus following Wittgenstein's decimal prescriptions required meticulous philological care and some discretional conventions: for instance, at the top of each page the commented-upon proposition is printed again, to make the sight complete and self-sufficient. On the other hand, some forcing of the text by the translators in their sequential reading could be eliminated, restoring a more literal translation. Also the famous and intriguing picture of the eye and its visual field (5.6331) has been restored as Wittgenstein drafted it, making the entire page perfectly understandable and coherent. This documented and editorial work on one of the most referenced books of the last century was conceived to obtain, and in fact gained, a perspicuous and crystal clear text, philologically faithful and relaxingly readable at the same time.

A selection of ruminative nature writing on walking and the beauty of New England, here Thoreau’s characteristically wide-ranging and philosophical style offers a multitude of fascinating observations. Excursions presents Thoreau’s most studied and expansive collection of writing on the natural world. An early advocate of conservationism, he discusses here, in mesmerising prose, the complex but essential relationship between man and nature. This edition includes a remarkable Biographical Sketch by Thoreau’s great contemporary and mentor Ralph Waldo Emerson.

This choice collection of Thoreau’s nature writing includes the essays ‘The Succession of Forest Trees’, ‘Walking’, and ‘Autumnal Tints’ – each one an explorative reach into the heart of the natural world. Thoreau’s travels through the woods of New England are not only physical journeys through some of the most awe-inspiring landscapes in America but also spiritual excursions of the mind.

Few are aware that since antiquity, there has always been the philosophy of love at the core of Western culture. It articulates what makes life meaningful and worthwhile, and how we can live a good life together through an ethic of love. This book fills this significant gap, not only reconnecting the reader with such important wisdom, and more crucially, also reorienting our socio-economic institutions and collective actions towards more loving and caring, and more concerned with the qualities of our lived experiences. 

By re(dis)covering the gifts of love, we may challenge the existing systemic dehumanisation, and draw from knowledge and understanding already present in our culture. This is timely because the global crises we are facing are catastrophic, especially when it comes to climate change. Therefore we must respond from a place of love rather than fear. Whether it is reducing the use of fossil fuels, lowering greenhouse emission, choosing the right food to eat, or advocating for structural transformation, our concerted endeavours start with an appropriate appreciation of the nature of our well-being which includes the planet’s well-ness. This book highlights a clear pathway forward: to ensure collective healing and co-flourishing with nature, we must practise the art of loving. 

Although introducing conceptions of love developed throughout Western history of thought, this book is not a book of philosophy. Instead, it makes philosophical ideas of love more accessible to anyone who is interested in developing a better understanding of love and its evolution. It intends to awaken the reader to such claims about love that have been quietly speaking to humanity from the depth of the Western culture. In doing so, this book invites the reader to become curious about how and why love has been side-lined if not almost forgotten in the contemporary Western socio-economic systems and national and international politics. Ultimately, by re-familiarising ourselves with these articulations of love, this book urges us to embark on the paths of love and engage in those activities, processes, experiences and relationships that constitute the good life, and embrace the practices of love.

Violence exploding in public spaces, corruption by political figures and economic elites, the will of the people thwarted in both elections and votes in the senate, military misadventures abroad, and rampant economic inequality at home diminishing a shared sense of the common good – in sum, a republic in disarray. These descriptions are not only familiar from ancient Roman political and social life but are also recognizable to any United States citizen who follows the news and American civic life. On the Republic proceeds chronologically through the fall of the Roman Republic beginning in 133 BCE and continuing down to around 14 CE, providing a continuous narrative of the fall of the Roman Republic juxtaposed with the contemporary political landscape of the United States.

On the Republic focuses on four constellations of lessons that represent the most significant things which the fall of the Roman Republic has to teach us at this time: the dangers of political violence, the inability of individuals and institutions to save us, the finality of the loss of freedom, and lastly the importance of civic virtue. In 20 short chapters, On the Republic explores how the United States now faces many of the same challenges that toppled the Roman Republic - political divisions, economic inequality, and creeping authoritarianism. How we respond to these challenges today will determine the future of American democracy.

On the Republic is not a book about the fall of ancient Rome to so-called barbarians overrunning the border. It addresses the fall of a democratic society (the Roman Republic) into an autocracy (the Roman empire). This is not a book about sexual debauchery and gluttony, but a serious reading of political events that had serious consequences. On the Republic offers modern readers lessons that, while sobering, can also empower them to participate in political life in new ways. History is a means not to predict the future, but rather to stir the civic imagination of its readers.

Ali Kadri examines how over the last three decades the Arab world has undergone a process of developmental descent, or de-development. He defines de-development as the purposeful deconstruction of developing entities. The Arab world has lost its wars and its society restructured to absorb the terms of defeat masquerading as development policies under neoliberalism. Foremost in this process of de-development are the policies of de-industrialisation that have laid to waste the production of knowledge, created a fully compradorial ruling class that relies on commerce and international finance for its reproduction, as opposed to nationally based production, and halted the primary engine of job creation. The Arab mode of accumulation has come to be based on commerce in a manner similar to that of the pre-capitalist age along with its cultural decay. Kadri attributes the Arab world’s developmental failure not only to imperialist hegemony over oil, but also to the rising role of financialisation, which goes hand in hand with the wars of encroachment that were already stripping the Arab world of its resources. War for war’s sake has become a tributary to the world economy, argues Kadri, and like oil, there is neither a shortage of war nor a shortage of the conditions to make new war in the Arab world.

“Decolonizing the Diet” challenges the common claim that native American communities were decimated after 1492 because they lived in “virgin soils” that were distinct from those in the Old World. Comparing the European transition from Paleolithic hunting and gathering with native American subsistence strategies before and after 1492, this book offers a new way of understanding the link between biology, ecology and history. After examining the history and bioarchaeology of ancient Europe, the ancient Near East, ancient native America and Europe during the medieval Black Death, this book sets out to understand the subsequent collision between indigenous peoples and Europeans in North America from 1492 to the present day. Synthesizing the latest work in the science of nutrition, immunity, and evolutionary genetics with cutting edge scholarship on the history of indigenous North America, this book highlights a fundamental model of human demographic destruction—Human populations have been able to recover from mass epidemics within a century, whatever their genetic heritage. They fail to recover from epidemics when their ability to hunt, gather and farm nutritionally dense plants and animals is diminished by war, colonization and cultural destruction. The history of native America before and after 1492 clearly shows that biological immunity is contingent on historical context, not least in relation to the protection or destruction of long-evolved nutritional building blocks that underlie human immunity.

“Decolonizing the Diet” cautions against assuming that certain communities are more prone to metabolic syndromes and infectious diseases, whether due to genetic differences or a comparative lack of exposure to specific pathogens. This book refocuses our understanding on the ways in which human interventions—particularly in food production, nutritional accessibility and ecology—have exacerbated demographic decline in the face of disease; both in terms of reduced immunity prior to infection and reduced ability to fight pathogenic invasion.

“Decolonizing the Diet” provides a framework to approach contemporary health dilemmas, both inside and outside native America. Many developed nations now face a medical crisis: so-called “diseases of civilization” have been linked to an evolutionary mismatch between our ancient genetic heritage and our present social, nutritional and ecological environments. The disastrous European intervention in native American life after 1492 brought about a similar—though of course far more destructive— mismatch between biological needs and societal context. The curtailment of nutritional diversity is related to declining immunity in the face of infectious disease, to diminishing fertility and to the increasing prevalence of metabolic syndromes such as diabetes. “Decolonizing the Diet” thus intervenes in a series of historical and contemporary debates that now extend beyond native America—while noting the specific destruction wrought on indigenous nutritional systems after 1492.

• Americans perceive the many political dilemmas in our society and corruption in our government, but few understand the causes of these problems. After explaining the constitutional roots of declining governing capacity in our federal system, this book sets out a comprehensive agenda of 25 amendments that can attract wide support across the political spectrum. The “top 10” proposals include reforms to make elections more competitive, reliable, and fair, such as ranked choice voting (“instant runoffs”); semi-open primary races with fixed dates rotating among all states; an anti-gerrymandering formula to make congressional elections more competitive; improved access to the polls through a national voter registry and voter rights; limits to campaign donations and political advertising. 
• Instead of considering them piecemeal, we should understand how the needed amendments form a systemic overhaul that includes major improvements to the House and Senate. This requires a ban on filibusters, creative ways to fix unequal representation in the House of Representatives, and restoring popular access to legislators. Improving the judiciary requires an 18-year term on the Supreme Court and appellate courts, firm deadlines for confirmation votes to reduce partisan pressures on the judiciary, and clarification of judicial review. A national civics education curriculum and fair-and-balanced requirements for mass media would make it much harder to manipulate people through misinformation campaigns.
• The book also argues for direct election of the president, Puerto Rico statehood, and ways to fix our current radical inequalities of voter influence in the Senate. Several common-sense “good government” reforms will reduce corruption. These include mandated financial disclosures; a requirement for federal legislators and officers to hold their assets in blind trusts; penalties for campaigns using stolen information; limits to the president’s pardoning powers; and clearer grounds for impeachment. Beyond the filibuster, there are further steps to break gridlock in Congress and fix the budget process. 
• Finally, we need to improve the amendment process itself, and clarify how a national convention should work as an alternative to Congress for proposing amendments for ratification. When called by 38 states, a convention can reach national compromise on a whole package of amendments to restore responsive, efficient, and effective government.

Irish author (Eleanor) Norah Hoult (1898–1984) traveled in prominent literary circles and corresponded actively with some of the leading Irish authors of her time, including Brigid Brophy, Sean O’Casey, and Sean O’Faolain. Critics today compare her not only to O’Faolain and Frank O’Connor, but also to novelists Kate O’Brien and Edna O’Brien. Despite her reputation and a forty-four year publishing career, however, Hoult and her work remain surprisingly neglected.

This edition rectifies this critical oversight and introduces Hoult’s short story collection, 'Poor Women!', to a new generation of readers. 'Poor Women!' displays Hoult’s subtlety and humor as an author and her nature as a keen witness to human frailty. In these stories, Hoult unflaggingly highlights the restrictions imposed on her characters by society and its institutions: she thus provides a window into the social, literary and political milieu from which she hails.

Largely cited for its engagement with women’s and religious issues, 'Poor Women!' thus also displays a keen awareness of wider historical issues like the challenges of war and of cultural identity construction. Her incisive portraits capture the emotional paralysis of her characters and their self-delusions. Such thematic and stylistic emphases invite further comparison to better-known contemporary Irish literary giants like James Joyce and Mary Lavin.

Publishing is in crisis. Publishing has always been in crisis, but today’s version, fuelled by the digital boom, has some frightening symptoms. Trade publishers see their mid-lists hollowed, academic customers face budgetary pressures from higher education spending cuts, and educational publishers encounter increased competition across their markets. But over the centuries, forced change has been the norm for publishers. Somehow, they continue to adapt.

This ground-breaking study, the first of its kind, outlines a theory of publishing that allows publishing houses to focus on their core competencies in difficult times while building a broader notion of what they are capable of. Tracing the history of publishing from the press works of fifteenth-century Germany to twenty-first-century Silicon Valley, via Venice, Beijing, Paris and London, ‘The Content Machine’ offers a new understanding of media and literature, analysing their many connections to technology and history. In answer to those who insist that publishing has no future in a digital age, this book gives a rejuvenated identity to this ever-changing industry and demonstrates how it can survive and thrive in a period of unprecedented challenges.

How did European colonization transform the organization of territory in South Asia? “Statemaking and Territory in South Asia: Lessons from the Anglo–Gorkha War (1814–1816)” seeks to connect two historical junctures at which the idea of the modern state as a geographically discernible and territorially circumscribed entity emerged in colonial South Asia.

The volume first examines the territorial disputes that emerged along the common frontiers of the Himalayan kingdom of Gorkha (present-day Nepal) and the English East India Company that eventually led to the Anglo–Gorkha War of 1814–1816. The volume argues that these disputes arose out of older tribute, taxation and property relationships that left their territories perpetually intermixed and with ill-defined boundaries. Following the war, the British sought to end this territorial illegibility by defining the joint boundary of the two states, rendering it linear and distinct.

Secondly, the volume also reveals the long-drawn-out process whereby the colonial state, through various cartographic projects and changes in administrative routines, attempted to rearrange its internal administrative divisions in an effort to create the geographical template of the modern state. This template would occupy a definite portion of the earth’s surface and with non-overlapping divisions and subdivisions.

The book looks at the turn of the century, when organized soccer began to be played in a systematic way by the European community of Rio and São Paulo, mostly by the British. It shows that the new sport was embraced by these people as a way to celebrate their culture, and to imitate the activities of the elite schools in Britain that became quite popular throughout Europe. Young Brazilians from the elite also embraced the sport as a way of sharing a popular European sport that was identified with what was respected as a white/upper class activity. In this way making a distinction from the lower and darker populations. Making this distinction was important in this moment of post-emancipation, affirming the superiority of the upper/white class. It was also important for the European residents of Brazil in order to distinguish themselves from Brazilians (colonial mentality). Football was one aspect of the modernity that these two cities were craving to achieve.

The book highlights the impact of European-based racial assumptions on the development of professional soccer. It provides a broad discussion on how the official discourse after 1930 was one of conciliation, claiming that Brazil was not European, but unique due to its racial mixing. This idea began to be promoted by artists and intellectuals as an attempt to Brazilianize the country, but it was soon embraced by politicians with the leadership of President Getulio Vargas in an attempt to create a unified national identity. In this context, futebol was also unique in relation to European football because of its mulatoism. Although this new attitude would influence social and racial barriers within football to fall, racism did not end, nor did Brazil become a racial democracy – as it has been claimed by many. 

Examines the ethical challenges facing journalism and public communication in Eastern Europe, analysing the effects of political change, digitalisation and media policy on journalistic integrity and democratic function

Journalism underwent multiple changes in the late 1980s and early 1990s in Eastern Europe, including a political and economic transformation, technological change, a generation shift, tabloidisation and the rise of new professional roles. The journalism landscapes of the region that were for most of the second half of the 20th century uniformly shaped by the Soviet theory and practice of the press have turned highly diverse by the early 21st century. Yet they share a number of similarities, most of which are rooted in the joint historical legacy of the region’s countries, their current economic hardships and, in some cases, democratic backsliding.
Some of these similarities are also explained by the general crisis of journalism hitting the region as an outcome of globalisation and digitalisation after the millennium. In consequence, the revenues of traditional news organisations have been on the decline, the rise of social media has resulted in a mass-scale dissemination of disinformation and, most importantly, public trust in legacy media has been largely lost. These changes call for a renewal of the ‘invisible contract’ between professional journalists and the public. To regain trust, professional journalists must reconsider the standards of ethical journalism in collaboration with the audiences and strengthen the mechanisms of self-regulation.
This textbook offers a critical analysis of some of the most pressing challenges ahead of contemporary journalism and public communication in Eastern Europe. Based on general media landscape descriptions and brief case studies, it attempts to identify some key areas of concern, including organised disinformation and character-assassination campaigns disseminated via social media platforms, and to offer some self-regulatory responses to them. It also argues that ethical communication calls for more than just ethical journalism: media policy must also be ethically based and seek answers that provide all citizens with equal access to the means of public communication.

This book sets forth how the “greening” of Wharton’s private and public writings contributes to exciting strands in cultural geography and recent postcolonial theory: for example, biological and political constructions of citizenship, mobility, race, and nation; hospitality and hostility toward the “Other”; fraught experiences of exile and competing conceptions of home/land; trans/national selfhood; the figure of the nomad, the outcast, or the wanderer. Ultimately, it will address this question: What are the issues, broadly speaking what motivates an ecocriticism, how does that address the challenges of cultural geography, why can we uncover meaning by turning to Wharton? The argument made is that a reading of Wharton’s fiction can help reveal how to understand those issues. This book situates Wharton as an author who is acutely responsive to pastoral tropes and terrain, among other species of spaces. She addresses the affective and geographical resonances of such sites, especially sparsely populated localities and landforms—voguish mountain resorts, private ornamental gardens, lush public parks, monumental and “sham” ruins—which offered pampered American socialites a brief escape from the “welter.” I wish to complicate popular perceptions of “Wharton’s world”—reinforced by numerous handsomely produced cinematic and television adaptations of her novels—as one rooted in often-opulent domestic interiors with their waspish social cliques, strict rules of politesse, and elaborate hierarchies.

Indeed, one of the central aims of this book is to treat pastoral as a kind of palimpsest—a “parchment” upon which successive generations of artist-pilgrims have etched their impressions, constantly revising its imagery, formal procedures, and lyrical effects. This notion of the palimpsest also reinforces how my research seeks to extend the range of Wharton studies. First of all, my close reading of selected texts adds another “layer” of sophistication to the ever-evolving field of ecocriticism, whose core ideas and critical standpoints have assumed both an urgency and galvanizing potency given the seismic upheaval to our material localities around the globe—some of the most damaging tornadoes in US history; flooding in the American Midwest; devastating earthquakes in Haiti, China, and Japan; stronger and more extensive wildfires in the American Southwest.

This is a comprehensive book about the three significant African American women dramatists whose plays illustrate the debilitating effects of racism, sexism, and classism on African Americans in general and African American women in particular. The book explicates the novel ideas about the African American women who have been oppressed by the men (both white and black); however, they launch a rebellion against the oppressive hegemonic white culture, African American patriarchy, and white materialistic ideology. This book offers an exhaustive background of the social, economic, political, and cultural history of African Americans in general and how the social, economic, political, and cultural history of African American women is different than that of white men, white women, and African American men in particular. The book also discusses how the images of African American women in American mainstream theater and African American male theater are different than the images of African American women in African American women’s dramas. 

The themes of the book are the African American women as warriors or militants. African American women playwrights have transformed and re-invented American theater by writing plays for African American theater which focus on African American concerns, delineation of blackness, challenging the racial and gender authorities, projection of black womanhood, and production of African American history. African American women were truly and genuinely excluded from American mainstream theater because they were projected as stereotypes in American mainstream dramas and theater. Therefore, these women dramatists carried out the African American women’s voice on the African American stage by telling the story of their race, history, African identity as well as being a woman. In their plays, they voice against the brutal treatment meted out to them by the white patriarchal social order and also by the African American patriarchy.

African American women dramatists depict social violence, rape, suicide, domestic violence, racial violence, verbal abuse, child molestation, and so on. In most cases, black women are the victims of the violence and are portrayed as mere objects in a discourse of domination that African American women playwrights challenge. The main characters in the plays are not presented as mere objects, passive victims who endure subjugation; they are surrounded by brutal behavior and they use violence too. This shift in identification and focus is clearly influenced by the playwrights’ adherence to African American feminist thought.

Categorization is an essential and unavoidable instrumentality for conceptually navigating a world—indeed for being able to conceptualize a world to be navigated. Classification is a pivotal instrument for scientific systemization, featured as a basis for the philosophical understanding of reality since Aristotle, but classificatory concepts of sorts, types and natural kinds inevitably pervade our understanding of ourselves and our position in the social as well as the natural world at all levels. The authors argue that the character, purpose, context and culturerelativity of categories and categorization have been widely misunderstood—that standard philosophical views are substantially correct in some respects but markedly mistaken in others.

The book offers a comprehensive survey of basic principles of classification and categorization, with a multitude of illustrative examples accompanied by instructive analysis of ways and means. Initial chapters include a critical examination of previous work on the nature of categories, a wide-ranging survey of the ways in which categories have been conceptualized in the history of philosophy and a survey of relevant empirical work and scientific theory regarding both perceptual categories and categorization in general. In later chapters, the authors argue that the long-seated misunderstandings of categories that they identify underlie paradoxes in logic regarding vagueness and identity, puzzles in philosophy of science regarding induction, essences, natural laws and natural kinds, and problems in social philosophy and our ethical lives as well. A more adequate grasp of the nature of categories and categorization offers a better understanding of a range of classical philosophical problematics and the promise of alternative approaches.

This book sets out to probe, explore and evaluate the betrayal of anticolonial nationalism in Kenya. Contemporary Kenya’s emergence is rooted in the colonial enterprise, its deleterious effects and the subsequent decolonization spearheaded by a fierce anti-colonial nationalism that was embodied in freedom struggles at the cultural, political, and military levels. As a settler colony, the colonial settlers hived off millions of hectares of the best land in the highland areas of Kenya and appropriated them for themselves thereby generating a large mass of the landless. This land alienation constituted one of the most deeply felt grievances which, together with the exclusivist, exploitative and oppressive colonial system, inflamed anti-colonial nationalism that undergirded the struggle for independence. The expectation on the part of the masses was that independence would bring about social justice, restitution of the stolen lands, and a government based on the will and aspirations of the governed. Political developments soon after independence, however, demonstrated the extent of betrayal of the cause of anti-colonial nationalism, which has remained the reality to date. This book covers the extent of this sense of betrayal from the time of independence to the present. It begins by locating contemporary Kenya within the colonial context then proceeds to thematic issues of betrayal including the fall out between President Kenyatta and Vice President Odinga over ideology and issues of development, which constituted the first betrayal; the scourge of bureaucratic corruption and rent seeking; the question of land and associated historical injustices; and electoral malpractice since the return of multiparty politics in 1992 to the most recent elections of 2022. The implications of these dynamics for the future of the Kenyan polity are delineated and discussed.

Gothic has often articulated fear as much through its depictions of weather, climate and landscape as it has through its typical monsters, and the relationship between geography, the environment and travel has been a persistent characteristic of the Gothic from its earliest moments. Gothic is an innately travelling mode of writing, and the literary fascination provoked by armchair travel is central to the navigation of cultural fears: ‘strangeness’ only becomes apparent once one exchanges the homely (Heimlich) for the uncanny in new or uncharted settings. This book will argue that what differentiates Gothic travel from all other kinds is the growing realisation that the terrain across which one journeys has become ‘haunted’ by what one finds there. At the same time, that encounter similarly transforms the traveller ‘for good’: whatever ghosts we encounter abroad follow us home and take root in our collective consciousness. This book therefore argues that Gothic literary travel plays a key role in giving expression to a range of very ‘real’ haunting anxieties. The strange and discomforting landscapes into which our reading propels us allow those anxieties to take form while, in turn, our experience of journeying through these landscapes enables us, in part, to confront the fears they provoke. 

This book argues that the process and experience of travel in Gothic literature provides a unique perspective on recurring cultural preoccupations from the late-eighteenth century onward, ranging from concerns about climate change or the presence of the unseen to the negotiation of cultural difference and the apprehensions produced by various modes of modern transport. The book follows travellers who take many fictional forms – tourists, commuters, walkers, explorers, as well as the ‘armchair’ tourist or reader – as they encounter fascinating, curious and often disquieting weathers, climates, landscapes and topographies. Gothic travel epitomises the wonder, excitement, suspicion or incomprehension that arises from journeys through familiar and unfamiliar terrain. While exposure to the wild, elemental or primitive could produce the elevation of the sublime in early Gothic, increasingly the experience of travel raised unsettling questions about people and environments that lay beyond established frames of knowledge. Gothic travellers are haunted, never alone, and the experience of journeying through these landscapes provokes fears that may shadow them even after they have returned to home ground.

One of the reasons why Gothic literature remains as popular in the twentieth and twenty-first centuries as it has ever been, despite our lessening belief in the supernatural or the after-life, is because it continues to provide us with a mechanism for giving shape to otherwise formless but profound cultural concerns. The book questions, however, whether Gothic literature per se remains a source of fear (as it arguably was in its earliest phases), or whether it now provides a ‘homeopathic’ response to growing social, cultural and environmental anxieties which loom large in our consciousness. It tracks the ways in which Gothic literature, from the later eighteenth century to the present, has always propelled fictional travellers abroad into cultural landscapes which prove terrifying and unknowable, but also questions whether more recent literary portrayals ask different questions of their readers in relation to the environment, surveillance, (im)migration, the foreign and technological innovation, as viewed through the lens of travel. As this study will show, these expressions of fear speak loudly to our own time, and are manifested not only in contemporary Gothic literature but in the wider cultural discourse.

This book explores how artificial intelligence is transforming accounting education. It provides educators and institutions with practical frameworks, case studies, and implementation strategies to integrate AI into teaching, learning, and curriculum design, preparing the next generation of accountants for an AI-driven world.

Focusing on two foundational Turkic epics, the Kyrgyz Manas and the Anatolian Köroğlu, this study offers a comparative analysis of masculine ideals and generational authority and the uses to which they were put by nation-builders and rebels.

The book criticises Kripkean ideas, for instance the rigidity of names, the causal theory of names, the necessity of identity and of origin, the nature of fictional characters, and the approach to the liar paradox. It develops an alternative view on logic, language, and philosophy, close to Wittgenstein’s.

This book explores a social biography of a London childhood growing up in a turbulent middle-class London household between World War I and II.  Based on extensive interviews, the book weaves together how the world in which the child grew up was both created by and mirrors the social and political turmoil of her times.

This scholarly but accessible book exploring the Palestine-Israel Conflict, balances history, politics, and human experience to make the case for a one state solution arguing that the conflict has its roots in European racism and American fundamentalism, forces which have combined to produce what has been called a setter-colonial state.

The book explores how disembodiment is relevant and productive for feminist theory. Panayotov asks how and can we face disembodiment literally, as a real praxis, and not as a literary trope, while colliding feminism, non-philosophy, new realisms, and posthumanities, to make the case for literal disembodiment in our contemporary posthuman condition.

Offers an interdisciplinary corporate governance perspective on the rising global adherence to ESG principles in 2025, exploring its historical roots and regulatory evolution to serve both academic and professional audiences.

This book concerns a unique approach of assessing the high increasing rates of adherence to ESG principles in 2025 through the perspective of an interdisciplinary, corporate governance approach. As regulatory authorities and related authorities globally demand adherence and a genuine adoption of a standardised understanding and implementation of ESG principles, new methods of assessment are being agreed. Despite its importance, ESG has not been successfully analysed within this context. It could serve as a unique textbook to lecturers in addition to its main purpose as a general book for specialists and practitioners in the fields such as law, economics, management and governance. As large companies are in particular need to comply with ESG adoption, this book assesses the history of its roots in the City of London and its development through Lord Mervyn King and the King Laws in South Africa.
In 2025, there will be great pressure on large companies to be rated as ESG compliant or they will lose their ratings status in the world economy. This book charts this course and assesses the outcomes. The importance of these outcomes cannot be underestimated, and countries such as South Africa are finding they will be stranded economically if they do not comply. In this book, the authors assess these important issues and what rating systems will be acceptable to maintain high levels of investment on the LSE, JSE by pension funds, asset management companies and banks in listed companies. They also analyse the Maritime sector in detail which is based financially in the City of London and which is not covered in related books despite it being a sector that controls 95% of world trade.

Offers an interdisciplinary corporate governance perspective on the rising global adherence to ESG principles in 2025, exploring its historical roots and regulatory evolution to serve both academic and professional audiences.

This book concerns a unique approach of assessing the high increasing rates of adherence to ESG principles in 2025 through the perspective of an interdisciplinary, corporate governance approach. As regulatory authorities and related authorities globally demand adherence and a genuine adoption of a standardised understanding and implementation of ESG principles, new methods of assessment are being agreed. Despite its importance, ESG has not been successfully analysed within this context. It could serve as a unique textbook to lecturers in addition to its main purpose as a general book for specialists and practitioners in the fields such as law, economics, management and governance. As large companies are in particular need to comply with ESG adoption, this book assesses the history of its roots in the City of London and its development through Lord Mervyn King and the King Laws in South Africa.
In 2025, there will be great pressure on large companies to be rated as ESG compliant or they will lose their ratings status in the world economy. This book charts this course and assesses the outcomes. The importance of these outcomes cannot be underestimated, and countries such as South Africa are finding they will be stranded economically if they do not comply. In this book, the authors assess these important issues and what rating systems will be acceptable to maintain high levels of investment on the LSE, JSE by pension funds, asset management companies and banks in listed companies. They also analyse the Maritime sector in detail which is based financially in the City of London and which is not covered in related books despite it being a sector that controls 95% of world trade.

Explores Bollywood cinema’s aesthetic, cultural and corporeal dimensions across foundational genres, iconic performers and diasporic narratives, highlighting the interplay of narrative, poetry, the body and national and transnational identities.

The first substantive chapter of the book recovers the special allure of Parsi theatre and the role of the Muslim courtesan in Bollywood cinema. If the first provided a foundational cinematic scaffolding, the Muslim courtesan films gave the cinema its very special quality, more immediately the language of poetry in Urdu. There was nevertheless a tragic quality to the Muslim courtesan films and that tragic quality was given structural form through the ‘Devdas’ movies of the sentimental man of feeling whose life is marked by loss, failure to find the object of love and finally sacrifice in death.
Beginning with Chapter Two the book offers three genres that are foundational to any serious reading of Bollywood cinema. The first, dealt with in Chapter Two, is the genre of the Arabian Nights tales in as much as these fantasies provided a narrative base that emphasised India’s own inter-connected and diverse cultural heritage. The second, Bollywood mythologicals, examined in Chapter Three express what may be called the religio-cultural dominant of the nation. The third, examined in Chapter Four, is the disturbing fantasy of the darker, Gothic, side of humanity. However, when it came to the latter’s transformation in the established melodramatic genre of Bollywood, the Gothic took the form of reincarnation tales.
The book is defined by the correspondence between cinema and one’s passionate, sensual and even libidinal relationship to it. The corporeal aesthetic is read through two exemplary actors: Helen and Shammi Kapoor. They occupy Chapters Five and Six of the book, and both chapters have as their central theme precisely the question of the body in cinema and its articulation or representation either as an allegory of lived experience or as a redefinition of affective or precognitive understanding of the nation. Against the earlier emphasis on doctrinaire ethics, allegorical masculinity and nationalist ideology via a socialist realism, the libidinal enjoyment of the spectatorial image led to sensual delight and an understanding of the hitherto undertheorized aesthetic possibilities of the body in cinema.
The final substantive chapter (Chapter Seven) examines a dramatic turn during the first ten years of the third millennium. The book frames this shift with reference to elements of the diasporic imaginary captured in some of the films of the period and foreshadowed in the Prologue. In these films, Bollywood cinema unobtrusively enters the life-worlds of the burgeoning Indian diaspora and brings it into its own socio-political sphere. It is also a cinema where, beyond the confines of the Indian nation, the diaspora looks back at the homeland as a space of redemption as well as creativity but without uncritically embracing the jingoism and propagandist historical distortions that have in recent years confounded socio-political norms and bedevilled the nation via films like The Kashmir Files (2022), Chhaava (2025) and Dhurandhar (2025).

Analyzes how Chinese MMORPGs and their fanfiction, particularly Jianxiaqingyuan Online (Jian 3), reproduce, reinterpret, and challenge state-sanctioned masculinity through gameplay and narrative, highlighting both hegemonic and soft masculinities and their transformation in fan works.

Over the last 15 years, Chinese videogames and fan production have become spaces where state-sanctioned gender norms are reproduced, altered, and challenged. This book analyzes the representation of masculinity in the Chinese MMORPG Jianxiaqingyuan Online (Jian 3) (2009) and how fanfiction writers either reproduce or transform these representations.
One chapter shows that the Chinese game, Jian 3, expresses Chinese hegemonic masculinity through game procedures, and its four fanfics borrow game procedures to reproduce Chinese hegemonic masculinity. More specifically, the game expresses Chinese hegemonic masculinity through its in-game rewards and game systems. Fanfics reinforce Chinese hegemonic masculinity and do so in terms of body, mind, and social position. Through the narrativization of game systems and quests, fanfics surveil male protagonists’ bodies and minds into wen and wu, privileging Chinese hegemonic masculinity. Fanfics also reinforce Chinese hegemonic masculinity by representing a formal transgressive play of the protagonists: The protagonists liberate themselves from the control of the Systems and take control of the Systems. 

Another chapter explores how Jian 3 expresses soft masculinity through its game characters and other game objects, and how its fanfics reconstruct this soft masculinity as textual feminine masculinities. The game represents soft masculinity through different game objects that function differently in terms of their ambiguity. This ambiguity leads to different and even contradictory interpretations of masculinity in relation to two characteristics: sexuality and the degree of control the characters have over themselves. Three analyzed fanfics take the ambiguous male–male relationships in the game and transform them into explicit homosexual relationships. They establish a form of masculinity characteristic of textual feminine masculinities, highlighting reciprocity, equality, tenderness, androgyny, and intensity. The ambiguous expression of soft masculinity, which in the game is a means of attracting danmei fans while avoiding censorship, becomes in the fanfics a pleasure for fans to reimagine a wide range of sexual orientations and fantasies with alternative forms of masculinity that challenge the heteronormative masculinity proposed by the state.

The book contributes to game studies by providing insights into how masculinity is represented in Chinese MMORPGs and exploring the ideological implications of the relationship between games and fanfiction. It also contributes to fan studies by showcasing the different textual and rhetorical strategies used by fanfic writers to negotiate with state-sanctioned gender norms.

Provides a comprehensive, analytical exploration of contemporary China from 1949 to 2020, guiding students to understand its history, society, and politics while developing advanced research and critical thinking skills.

This book offers readers an opportunity to explore the fascination and complexities of the People’s Republic of China from 1949 to 2020. The content covers a wide range of topics and aspects in contemporary China, including politics, foreign relations, ethnic issues, law, social policy, and academic development. It aims to examine the 70-year historical development of contemporary China in a comprehensive, systematic, critical, and analytical way.
As a university textbook, the author will not only guide students to review past scholarship on contemporary China but also strive to teach students to reflect on the old issues from a new perspective. The book hopes to bring students new thinking about contemporary Chinese history and to inspire them to apply new methodology and directions in research and writing. Through rigorous academic reading, we expect the book will elevate the students’ understanding on contemporary China to an advanced level and will equip them with a strong intellectual and research capacity for their future chosen academic and professional careers.

Provides a comprehensive, analytical exploration of contemporary China from 1949 to 2020, guiding students to understand its history, society, and politics while developing advanced research and critical thinking skills.

This book offers readers an opportunity to explore the fascination and complexities of the People’s Republic of China from 1949 to 2020. The content covers a wide range of topics and aspects in contemporary China, including politics, foreign relations, ethnic issues, law, social policy, and academic development. It aims to examine the 70-year historical development of contemporary China in a comprehensive, systematic, critical, and analytical way.
As a university textbook, the author will not only guide students to review past scholarship on contemporary China but also strive to teach students to reflect on the old issues from a new perspective. The book hopes to bring students new thinking about contemporary Chinese history and to inspire them to apply new methodology and directions in research and writing. Through rigorous academic reading, we expect the book will elevate the students’ understanding on contemporary China to an advanced level and will equip them with a strong intellectual and research capacity for their future chosen academic and professional careers.

This book is the only scientific biography of the Nobel Prize–winning Indian American chemist, Har Gobind Khorana. It begins with the story of Khorana’s origins in poverty in rural India and how he manages to emerge from that to be trained in chemistry in Britain and Switzerland before immigrating to Canada and the United States. Science was the dominant focus of Khorana’s life, and his biography is treated chronologically in conjunction with his scientific career.
The book explains in detail Khorana’s most important scientific achievements, his role in deciphering the genetic code (the reason for his Nobel Prize), the first synthesis of a functional gene in the laboratory, the elucidation of the idea behind the PCR technology that has since become ubiquitous in biotech, and his seminal studies of how structure determines the function of biological macromolecules in membranes. Finally, it focuses on his scientific legacy, and what his career means for future generations of scientists.

Population is a dangerous political category. It is not separable from the racist and class-based valorisation and devaluation of different lives. From contraceptive implant programmes for the Global South to right wing anti-immigration discourses, demographic interpretations of multiple global and local crises legitimise the states' grip on childbearing and mobility. The results are various dimensions of reproductive racism and restrictive border regimes. Meanwhile, global social inequalities and racial capitalist extractivism stay out of the game. 

The book explores how demographic knowledge production and states’ grip to the variable of population intertwine. It introduces the concept of a Malthusian matrix in order to understand how class-selective and racist hierarchies within population narratives are combined with gendered policies of reproductive bodies and behaviours. Another chapter unfolds the invisible assumptions underlying demographic projections, as these future narratives support powerful strategies of domination in the presence. 

Through the book various current dimensions of reproductive racism are demonstrated, distinguishing between the birth of desirable and undesirable people: an upward redistributive family policy in Germany is promoting births within the privileged middle classes. And international population programs revive targets in order to increase the use of long-acting contraceptives in the Global South, within a market-oriented setting of Big Pharma promotion. Reproductive racism is also effective in migration policy strategies: narratives about "migrant birth rates" circulate in ultra-right forces as well as among seemingly apolitical demographic policy consultancy. 

Finally, the book also reflects on the role of statehood in contested demographic politics and what theoretical instruments are needed in order to attack the demographic power-knowledge complex. The epilogue refers to the intersectional feminist concept of reproductive justice as an important tool and framework for anti-Malthusian resistance and alliances.

Simply the best atlas for school students, Anthem’s ‘Modern World School Atlas’ is the essential reference resource for the contemporary world. This is the only student atlas with fully integrated study maps and other illustrations on: climate and the environment; geological processes; natural disasters; economic and social concerns; health and education; wealth and poverty; travel and tourism; population trends, and maps of the world’s 18 greatest cities.

The ‘Modern World School Atlas’ also benefits from clear, detailed and fresh political and physical digital colour maps of our world and stunning colour imagery of the Earth from space, study maps providing in-depth colour analysis of key regions and themes, a section on map-making, satellites and remote sensing, up-to-date social and economic statistics for every country of the world, a comprehensive, 16-page index of world place names and features, and a flags of the world display.

The Colombian Gothic in Cinema and Literature traces the aesthetic and political development of the Gothic genre in Colombia. Drawing on works like José Asunción Silva´s poetic “Nocturnos,” Caliwood’s films and Mario Mendoza’s novels, Gabriel Eljaiek-Rodriguez shows how Gothic tropes appear in the works of Colombian writers and filmmakers. However, he argues that what results ultimately is not just the Gothic in Colombia, but rather the Colombian Gothic—a new form of the genre with its own agenda and aesthetics.

To identify a form of the Gothic as “Colombian” is, in one sense, to demonstrate how thinkers from that nation have reconfigured and laid claim to tropes often regarded as the purview of Europe and the US. The Colombian Gothic pays homage to but also pokes fun at the Gothic of figures like Poe, Bronte, Hawthorne and Stoker. In the hands of Colombian writers and filmmakers, Gothic tropes are taken to their extremes to reflect particularly Colombian issues, like the ongoing armed conflict in the country since the 1950s as various left wing guerillas, government factions and paramilitary groups escalated violence. In this Colombian Gothic, traditional tropes like distorted familial relations appear as open fratricide and incest. Such transformations address the real-life horrors of violence wrought within the supposed protections of shared nationality. 

In another sense, the Colombian Gothic does not just define itself apart from the US and European Gothics—it also challenges the centrality of Bogota-centered perspectives of Colombian politics and conflict. By the 1970s and 1980s, cities such as Cali suffered particularly extreme levels of violence, when the war among the drug cartels added another layer to the already complicated conflict. At the same time, Cali had one of the strongest filmmaking traditions in the country. The “Cali group” of writers and filmmakers seized the Gothic to challenge not just Europe and the US as the centers of the genre, but also to challenge Bogotá as the center of the country—and as the most “logical” place to set a Gothic narrative with its colder, gloomier, darker urban ambience. The Colombian Gothic of Cali addresses the topics of conflict, but within an unapologetically tropical setting that reflects the hotter climate in the region surrounding Cali. The effort of these Cali-based writers and filmmakers became so dominant in shaping the Colombian Gothic that the twenty-first-century Colombian Gothic—now mainly composed in Bogotá—follows the lead of these creators, continuing to create a Gothic that uniquely reflects the aesthetics and politics of Colombia.

Internal reviews of tangible or perceived deviant behavior within the contemporary business sphere typically involve expert individuals and teams drawn from the legal and financial services professions.

Decolonising International Solidarity analyses the post-independence trajectories of formerly colonized countries in Africa and the Middle East from an unexplored angle: the differences between the natural environments of coloniser and colonised.

Decolonising International Solidarity analyses the post-independence trajectories of formerly colonized countries in Africa and the Middle East from an unexplored angle: the differences between the natural environments of coloniser and colonised.

Defends the vital role of theory in the humanities, exposing antitheory’s risks and warning against its threats to critical thinking and education.

Antitheory can be and is many things. At its most basic level, it takes the form of opposition to some of the major mandates of theory. For example, there is a faction of antitheory that opposes the use of race, class, gender, and sexuality in the analysis of literature and culture. There is another that rejects critique and calls for forms of criticism that do not involve ideological analysis. There is still another form of antitheory that rejects the epistemological and metaphysical project of structuralism and poststructuralism, and its so-called “social construction of knowledge.” And today, it is also appropriate to term the assault by the far right against diversity, equity, and inclusion in education as a version of antitheory.

Antitheory, writes the novelist Mario Vargas Llosa, “returns sanity and rationality to literary criticism, rescuing it from the esotericism, jargon, and delusions under which it [has] been buried by the ‘theorizers’”—something he feels that “lovers of genuine literature and criticism” desperately desire.

By eliminating theory from the academy, the valiant warriors of antitheory believe that they are saving it from appreciative peril. This Is Not the End of Theory presents a host of arguments against this claim. It demonstrates that the elimination of theory from the academy has quite the opposite effect. Namely, it foreshadows the death of the academy. 

This is not the end of theory because our ability to think, interpret, and judge critically depends on it—and a world without theory is one where critical thinking, interpretation, and judgment will soon vanish in the darkness. This Is Not the End of Theory is a warning to all who value critical theory, humanities, and pedagogy to be wary of new directions in antitheory regardless of their source—and to do everything they can to avoid them taking root.

Freetown Echoes: Stories From Along the Odokoko, an autofiction that captures a decade of life along the Odokoko stream in Freetown, Sierra Leone, through vivid memories and interwoven tales of childhood, folklore, ritual, and community. It concludes with a quiet act of care, revealing the humor, resilience, and enduring heart of a place shaped by memory.

Analyzes how Taiwan’s #MeToo movement emerged from the Netflix series Wave Makers, showing how fictional storytelling mobilized real survivors and then tracing how the movement spread—and met its limits—through Taiwanese social media.

This book offers a pioneering examination of the #MeToo movement in Taiwan, foregrounding the pivotal role played by the Taiwanese Netflix series Wave Makers in igniting public discourse and social mobilization around sexual violence. Employing frame analysis and sociological theories, the study begins by analyzing the narrative structure, character development, and thematic framing of Wave Makers, with a particular focus on how the series mirrors the lived realities and sociocultural challenges faced by survivors of sexual harassment and assault in Taiwan. Through close textual analysis, it unpacks how the drama articulates issues of workplace power dynamics, institutional silencing, and the emotional toll of disclosure—concerns that deeply resonate within Taiwanese society.
Using psychological and communication theories such as narrative identity and parasocial contact, the book also demonstrates how the storytelling of Wave Makers—specifically the scene “don’t just let it go”—served as a cultural catalyst, transforming fictional moments into a springboard for collective action. It highlights how the series’ emotionally charged narrative and morally grounded protagonists created an empathic framework through which viewers—especially women—could find the language and courage to speak out. In doing so, the book contributes to broader discussions on media influence, showing how cultural productions can foster empathy, shape public consciousness, and inspire acts of resistance.
The rest of the book explores the communication of Taiwan’s #MeToo movement, focusing on how digital testimony emerged as a hybrid form of personal disclosure and public truth-telling that collapses the boundary between the intimate and the political. It also critiques the limits of digital testimony, showing how platform-mediated activism often shifts the call for systemic change toward viral hashtag campaigns centered on public shaming and spectacle. By situating Taiwan’s #MeToo movement within the broader dynamics of the attention economy, the book further examines how digital testimony functions simultaneously as a political intervention and a media commodity. It foregrounds how algorithmic logics privilege voices and narratives already embedded in dominant public discourse, while rendering others less visible or marginal.
By interweaving media analysis with sociopolitical critique, the book offers a nuanced account of how popular culture and digital activism converged to shape Taiwan’s #MeToo movement. This ultimately raises important questions about the durability of social change, the risks of performative justice, and the potential of narrative-driven movements in non-Western contexts.

Aphra Behn (1640–1689), a prolific and popular playwright, poet, novelist, and translator, has an extensive corpus of literature that plays a key role in literary history as the work of a female author. Based upon word counts, Quantitative Literary Analysis of the Works of Aphra Behn chronicles Behn’s obsession with the mystery and power of love and early modern passions through her entire oeuvre. Love, for Behn, is an external power, sometimes figured as the boy god Cupid or an abstraction, that enters the body with pain and pleasure and leaves the victim searching for understanding. The book follows two threads of argument: one using quantitative measures to indicate passages for significant close reading of preferred language and the other focused upon her use of small words like thou, sir, or said. Situating her writings in the conflicts of Early Modern discourses on the passions, the book demonstrates that Behn’s language reveals generic patterns for representing love that include a warning about its potential to destroy the body and condemn the soul. Taken as a whole, Behn’s literary production is an extraordinary examination of the early modern concept of love at a moment of change in the language and meaning of the passions.

Each chapter focuses on one type of writing: poetry, drama, and prose. Her poetry conjures love as an extremely powerful, disabling force, conveyed through the eyes, ears and hands, and acting on the heart and soul. The recipient of love’s force is essentially passive except for the need to reflect and decide if the love is worthy or to regret the passion after abandonment. Language from the pastoral mode structures her love poetry; the shady greenery and responsive nature provide a context of ideal love in a golden age with the everlasting fulfilment of mutual desires or a suitably moody place to die. The physical progression of love remains the same in her drama: an external force entering the body with pain and sweet desire stimulating the power of reason to preserve honor and determine the quality of desire. The trail of betrayed lovers and broken vows in her comedies testifies to the prevailing force of love. In the dramatic context, love is unsurprisingly comic and active. Operating in the same way on the body, Behn’s stage version of love is overblown, farcical and stagey. In her prose, the genre of writing most noted for her amatory style, Behn once again adopts the configuration of love as a powerful and mysterious external force operating on passive victims who respond in conversations with their hearts. Opposite to the succinct style of Behn’s love poetry, love in her prose is characterized by amplitude and repetition. It shares with poetry, however, love’s contradictory nature, and her love aphorisms have the balanced antithesis of her verse.

Each chapter also features a unique comparative study that illustrates Behn in a specific context. The poetry chapter compares Behn's Poems Upon Several Occasions to a corpus of six contemporary poetry collections by Ephelia (1679), the Earl of Rochester (1680), Nahum Tate (1684), Anne Killigrew (1684), Edmund Waller, fifth edition, 1686, and Philomela or Elizabeth Singer Rowe (1696). The Drama comparison includes plays by Thomas Killigrew, William Davenant, John Dryden, Thomas Shadwell, George Etherege, Edward Ravenscroft, Thomas Durfey, Thomas Otway, Thomas Southerne, and Mary Pix. Behn's Fiction corpus is compared to Aretina by George McKenzie (1660), The Blazing World, by Margaret Cavendish (1668), Five Love-Letters to a Cavalier translated by Roger L'Estrange (1678), John Bunyan's The Pilgrim's Progress (1678), The Princess of Cleves by Madame de La Fayette (1679), Don Tomazo by Thomas Dangerfield (1680), The Royal Loves, by Mademoiselle (Anne) Roche-Guihen (1680), The Martyrdom of Theodora and Didymus by Roger Boyle (1687), Incognita by William Congreve (1692) and The Inhumane Cardinal by Mary Pix (1696).

Central to any interpretation of Wittgenstein’s later philosophy is an understanding of his philosophical method and the nature of the turn which characterises the evolution from his early to his later work. In the essays in Wittgenstein, Scepticism and Naturalism, Marie McGinn argues that the methodological shift has at its heart a highly distinctive form of naturalism. 

This form of naturalism has nothing to do with the kind of scientific naturalism that is associated with accounting for all phenomena in terms of the conceptual resources of the natural sciences. It is closer to the Aristotelian naturalism defended by John McDowell, although, in Wittgenstein’s case, the principal influence is Goethe, whose conception of how to understand the phenomena of nature is self-consciously opposed to the reductive approach of scientific naturalism. Goethe places the emphasis on achieving a clarified view of complex, natural phenomena in their natural setting, with a view to describing patterns and connections that are in plain view. The novelty of Wittgenstein’s later work is that it applies these methods to the task of conceptual clarification, which aims at dissolving philosophical problems and paradoxes.

The essays in Wittgenstein, Scepticism and Naturalism cover the following topics: scepticism about the external world; scepticism about other minds; knowledge and belief; meaning and rule-following; psychological states and the distinctive first-person use of psychological concepts; the relation between the early and the later philosophy; and the nature of Wittgenstein’s naturalism.

During the eighteenth century, the Bourbon monarchy set about making geopolitical changes in the colonies in order to encourage trade. Buenos Aires was designated as the new capital city of the Viceroyalty of the River Plate in 1776. However, the city had at the time very little urban infrastructure – it did not even have a cathedral or appropriate government buildings to welcome high-ranked bureaucrats from Spain, such as the Viceroy. Streets were mainly unpaved, dusty and there were no parks or promenades like in other capitals, where the eighteenth-century society could parade in fine clothes and displayed their often newly acquired social status.

This book tells the story of how the monarchy aimed at creating a new capital city in a remote and forgotten area of the empire. It also shows how the local Creole bourgeoisie rapidly assumed the role of urban developers, and enhanced their economic status by investing in and controlling the Buenos Aires’ property market. In a short period, from 1776 to 1810, the urban transformation of Buenos Aires helped increase the Crown’s revenues and considerably reduced contraband trade. Nevertheless, urban changes generated an internal struggle for power for the control of the city between the Spanish loyalist and the local wealthier Creoles. As this book concludes, for an empire such as the Spanish, which was constructed upon a network of cities, the Crown’s loss of the control of Buenos Aires’ urban space was a serious threat to its power that foreshadowed Argentina’s wars of independence.

The book collects almost thirty-two opinion pieces, essays, and two poems written by the author on a wide variety of public policy topics and published in books, magazines, and online between 2006 and 2022. The author, a self-described “militant moderate,” draws on his participation as a commentator in these and many other public debates.

The articles are grouped into six parts, topical groupings that range widely: the growing need for moderate voices in policy debates, the nature of American exceptionalism, the challenge of civic discourse, the depredations of the Trump years, the role of campus debates in the formation of public ideas, and policies concerning immigration, citizenship, and refugees.

In each of the essays (and poems), the author's distinctive voice is resonant. It is militant, emphasizing the major values at stake and explaining why he would resolve them in particular ways. But it is also moderate in patiently but firmly rejecting extreme factual and normative claims. The form and content of these writings model civic engagement in its highest sense: respectful of differences, reasonable in its reliance on sound evidence, appealing to civic virtue, and rejecting the extreme claims of left and right.

While the United States celebrates the 250th anniversary of its founding, this timely book considers a darker legacy of the Declaration of Independence.  Focusing on the work of three antebellum Philadelphia gothic writers, Henry identifies a literary mode she calls “civic horror” and examines its relevance to U. S. politics today.

Carsten C. Schermuly explores why people grant power to a few sometime authoritarian leaders and how power psychologically transforms those who hold it. Drawing on research, he shows how power can distort judgement, empathy and behaviour, and argues for understanding its mechanisms to use it more responsibly through better structures, selection and psychological empowerment.

Carsten C. Schermuly explores why people grant power to a few sometime authoritarian leaders and how power psychologically transforms those who hold it. Drawing on research, he shows how power can distort judgement, empathy and behaviour, and argues for understanding its mechanisms to use it more responsibly through better structures, selection and psychological empowerment.

Rediscovers the economic ideas that built America by offering the most comprehensive treatment of the American protectionist school of economic thought – tracing its origins from Alexander Hamilton and Tench Coxe, and highlighting the School’s dynamic, invention-driven vision as a rival to English classical economics.

America’s Neglected Protectionist Tradition offers the most comprehensive treatment of the American protectionist school of economic thought – an intellectual tradition which originated with the ideas of Alexander Hamilton and Tench Coxe, and was developed further by thinkers such as Friedrich List, John Rae, and Henry Charles Carey. This work provides the first systematic account of the philosophy and theory of the American protectionist tradition by drawing upon the full corpus of their literature, which includes the writings of nearly seventy statesmen and economists.
In reconstructing their system of theory, America’s Neglected Protectionist Tradition demonstrates that the American protectionists represented a coherent and systematic school of economic thought, and one that rivalled their English classical counterparts. Against the conventional literature on the topic, which treats American Protectionist thought as merely an adaption of English classical economics, this work demonstrates that the American Protectionists developed a distinctive approach to economics. Not only did they differ from the Classicals on the policy recommendations concerning international trade, they rejected basic assumptions of the English classicals which remain foundational to contemporary economic analysis. Central to the thinking of the American protectionist tradition is the idea of the economy as dynamic and inventive. Rather than seeing scarce resources as placing fixed limits on economic progress, the American protectionists looked to invention, human ingenuity, and the diversity of talents and aptitudes as the means of forging the wealth of nations. Among other areas of economic analysis, this work explores the American protectionists’ support for economic diversification, which stands in contrast with free trade theory’s emphasis on specialisation. By challenging the Classical view that individuals represent homogeneous and uniform factors of production, the protectionists saw mankind as possessing unique talents, aptitudes and dispositions. Protected diversification was thus necessary to allow individuals to exercise these unique qualities. By recovering this neglected tradition, this work not only fills a significant gap in the history of economic thought but also provides valuable historical perspective on contemporary debates regarding trade and industrial policy, technological innovation and economic development.

Argues that our lived experiences of light, the body, and mortality fundamentally shape how we understand vision, space, time, and knowledge, offering a philosophically grounded realism that goes beyond scientific explanation.

This book deals with the perception and essence of space and time from an unorthodox angle. It engages with current debates in the philosophy of perception, philosophy of mathematics, philosophy of physics, and the philosophy of time. But it is fundamentally an existential text, with strong affinities to what Gabriel Marcel calls “experiential philosophy.” The starting point is a deceptively simple question: how can one, situated here, see the moon that is there? The book argues that, contrary to conventional views, this simple fact cannot be exhaustively accounted for by science. Photons and their interaction with retinal receptors, or the neurology of the primary visual cortex, do not explain the experience of seeing the moon—the multilayered, normatively charged, rich relationship that vision establishes between the seer and the seen. Moreover, scientific discussions of vision often introduce intermediaries between the perceiver and the perceived that are foreign to our perceptual experiences.

These intermediaries render the moon merely an indirect object of vision—which is to say, not an object of vision at all. Attempts to evade this consequence by claiming that representations facilitate direct perception rather than stand between perceiver and perceived are unconvincing. This book is not anti-scientific—on the contrary, it is written from a standpoint of immense appreciation for science and its achievements. But it is premised on the view that there are important aspects of vision, and of space and time, whose analysis requires going beyond the domain of science. I propose taking one’s primal relationship to one’s body as the basis for investigating one’s visual relation to distant objects. This leads to a novel, existential deliberation over the essence of distance and to a new outlook on both space and time. From this perspective, they emerge as derivatives of more fundamental elements of experience: our ordinary, mundane experience of light, and the unassailable certainty of our own death. Pre-reflectively, we regard space and time as they figure in science and daily life as more or less familiar givens. However, space and time do not figure among the essential constituents that emerge from examining our relation to our bodies. On this foundation, the book develops a novel experiential/existential understanding of space and time as derivatives of light and death. I argue that this experiential conception underpins space and time as we encounter them in scientific investigations and everyday life. These are further developed through discussions of the non-visual senses and mathematical perception. The truism that the world we know is inevitably the world as it is given to us in our experience underlies the book’s methodology.

Nevertheless, the book defends realism—albeit a unique form that emerges from recognizing the constitutive role of human finitude in shaping what we take to be objective knowledge. This experiential realism offers a third way between naive scientific objectivism and anti-realist skepticism about the external world.

Examines how middle-class Muslim men and women in Dhofar, Oman, make and negotiate marital choices, tracing every stage of marriage through their own personal accounts.

Studying Marriage in Dhofar, Oman explains the choices middle-class, Muslim, tribal Dhofari men and women make when creating a life together. Based on 19 years observations of and discussions about Omani marriages, the book shows all the steps of marriage, including how people decide to get married, the wedding invitations and parties are arranged, the newlyweds’ home is organised, the work within a marriage is delineated, and a marriage succeeds or falls apart. Unlike many texts about family life on the Arabian Peninsula, the author spoke extensively to both men and women, so that the book is rich with examples of Omanis explaining their personal decisions.
There are no comparable texts which look at the complete scope of a marriage from deciding to marry, to asking to marry, arranging the wedding parties, creating a successful marriage, and coping with stresses such as children, divorce, polygamy and widowhood.
The book starts with a discussion of how a man might find a bride and how a young woman might create or avoid situations in which she would be asked to marry. There is a discussion of how people might fight to (or not to) marry and all the steps taken after the engagement, including sending out announcements and preparing where the new couple will live. All types of marriage parties are described, including taking photos and displaying the gifts. Next, there is an overview of how the couple can create a marital relationship, followed by an examination of what might go wrong in a marriage, which looks at topics such as incompatibility, gross misconduct and divorce. There is a chapter on pregnancy, which includes a discussion on how children are named. The books ends with a short overview of specific aspects of marriage such as who has free time and what ‘family time’ means.

Laura Investigation in Classic Hollywood provides a detailed investigation of Laura, the beloved, award-winning and fondly remembered 1944 classic Hollywood detective drama. This book argues that we can shed new light on this fascinating film by thinking like filmmakers ourselves, exploring the hidden complexities we overlook while watching any movie.

Presents the first English translation of Joseph Jacob Plenck’s 1776 handbook, a foundational work that established the morphology-based classification system underlying modern dermatology.

In 1776, an Austro-Hungarian surgeon named Joseph Jacob Plenck (1738–1807) unknowingly laid the foundation for the coming specialty with a handbook for his students titled Doctrina de Morbis Cutaneis. The title translates from the Latin to “Instruction on Cutaneous Diseases.” For the very first time, this 18th-century handbook has been translated into English. We translated the second Latin edition, published in 1783.
The work represents a milestone in the evolution of how early modern physicians and surgeons viewed skin disease. It contains the first scientific classification of skin diseases according to their appearance. The skin-focused physicians in the generation that followed the publication of this text—especially Robert Willan (1757–1812), widely considered the founder of the specialty of dermatology—built upon the knowledge contained within this foundational text.
Its size was ideal for a handbook—a vade mecum (literally, “go with me”)—a book kept handy by Plenck’s audience, who were medical students and inexperienced surgeons expected to care for patients with skin diseases. In the preface, Plenck acknowledged the challenges faced by his students in learning about skin diseases, stemming from “the great number and the diversity of cutaneous diseases, the obscurity of their causes and differences, as well as the difficulty of treating them.” He claimed that the study of skin diseases was one of the most difficult and most incomprehensible subjects for his students. As a result, his objective, as stated in the preface, was to “reduce this vast and disparate pile of diseases into a system.” Plenck broke ground with his attempt to distill the known information of his time into a morphology-based system. His classification system categorizes 119 skin diseases into 14 categories or “classes,” such as macules, papules, and pustules. Under each class, Plenck offered “genera” and “species.” For example, under the first class, “Maculae,” Plenck created 35 different genera of macules, and each of these genera has 3 to 12 different species. Dermatologists today still use these terms—macules, papules, pustules, crusts, and so on—to describe the primary skin lesions of a skin disease. Doctrina was a groundbreaking, concise, and at the same time comprehensive text that has yet to get the credit it deserves. In an effort to bring order to the chaos of skin disease knowledge for his young pupils, Plenck and his little book unknowingly set dermatology on its path to modernity. For all these reasons, the authors would like to declare Doctrina de morbis cutaneis by Joseph Jacob Plenck to be the true foundational text for modern dermatology.

The purpose of this research is to give a voice to nameless and countless stories that represent the personal lived experiences of Sub-Saharan African immigrants in the US. The authors believe that telling our own stories from our own perspectives is important and empowering because when others tell our stories there are omissions and misrepresentations and a lot of stereotyping. 

This book seeks to produce a more specific description of Sub-Saharan African immigration in the US by recording our reflections, experiences, and strategies of coping, as well as those of the participants. We hope that the insights gained from the research in this book will be used by immigrant communities, academic institutions, and governmental agencies in advocating for immigration policies that positively impact the lived experiences of Sub-Saharan African immigrants, and in planning support interventions. 

Their voices are heard as they narrate their experiences, which are presented in the book under major themes that emerged from the interviews. These include how and why Sub-Saharan Africans immigrate to the United States of America (USA), their perceptions before, during and after the process of immigration, the challenges they face as they adjust, adapt, and settle in the USA, and the coping strategies they devise. The authors argue that issues of identity and lack of platforms where they can express their concerns as Sub-Saharan African immigrants and be heard are lacking. The authors are also using a phenomenological qualitative approach of collecting and interpreting participants’ personal narratives and their lived experiences

Make America Sane Again is an analysis of Donald Trump’s many travesties, dating back to his first inauguration but concentrating on the last year.

John R. Mott’s Recent Experiences and Impressions in Russia presents a collection of public addresses and letters created during his participation in a United States diplomatic mission to Russia—sent by President Woodrow Wilson and led by Elihu Root—from May to August 1917. These historical documents (printed in 1917 but never published) describe this Root Mission and offer perspectives on several momentous events and leaders of the era: World War I, the February Revolution, officials of the Provisional Government, and clergy of the Russian Orthodox Church.

Mott, a key leader of global outreach for the Young Men’s Christian Association of the US, stands out as an influential Protestant leader of this era. In 1946, he received the Nobel Peace Prize in recognition of his life-long effort to promote cooperative ministry around the world. The documents in this volume include Mott’s proposal for the YMCA to carry out a program of social, educational, and spiritual assistance among Russia’s military, as well as relevant chapters from Service with Fighting Men: An Account of the Work of the American Young Men’s Christian Associations in the World War (published in 1924), which outlines and evaluates the activities carried out in Russia in response to Mott’s plans. Together, these writings illustrate the variety of assumptions, convictions, and relationships that contributed to a very significant episode of Russian–American interaction.

The Value Creation Ratings 2025 (VCr2025) proof-of-concept focuses on The Sustainable Value Creation of Firms and is an exploratory prototype that assesses 1,000 listed firms from the world’s leading stock markets in terms of how their business models create or transfer value.

The comprehensive firm-level VCr measurement establishes the proportion of value creation in relation to revenue. A simpler second measurement, the Value Creation Position (VCp), establishes the percentage of value transfers in relation to revenue. The VCr2025 proof-of-concept report is the flagship output of a sister project to the already established Elite Quality Index (EQx2025) that assesses The Sustainable Value Creation of Nations. “Revolutionizing Risk by Weighting Value” drives VCr2025 and represents a uniquely comprehensive approach to double materiality, connecting a firm’s value creation and profit optimization with its impact on stakeholders, including customers, suppliers, capital providers, employees, regulators, nature, and academic and research institutions.

In short, the VCr reports operationalize sustainability by matching the revenue of firms against their extractive value transfer-IN and inclusive transfer-OUT amounts. Value transfer-IN is “value appropriated but not created,” while value transfer-OUT is “value created but not appropriated.”

A firm’s business model is assessed in the VCr2025 proof-of-concept report by 102 Sustainable Value Creation (SVC) Metrics selected because of its value transfer- IN/OUT rationale.

A special correspondent of The New York Times, Carl W. Ackerman traveled from Vladivostok to Irkutsk to Omsk to Ekaterinburg in the fall of 1918 in the midst of the Russian Civil War. He met with officers of the American and Japanese expeditionary forces, with members of the Czecho-Slovak corps fighting the Red Army, with ministers of the democratic Russian government in Omsk, and with military dictator Admiral Alexander Kolchak, who became the ruler of anti-Bolshevik Russia after a coup that displaced the Democrats. In fact, Ackerman was the first foreign journalist who visited the Ipatiev House in Eka-terinburg, the place of Tsar Nicholas II and his family’s imprisonment until they were murdered in July 1918.

With his notes and newspaper articles to consult, Ackerman wrote Trailing the Bolsheviki soon after his return to the United States. His book was one of the very first American accounts of the Russian Civil War in Siberia and the Far East, providing his readers with the wealth of his observation and the entertainment of his travel feats. Moreover, Ackerman was among the first Americans to notice the basic split between the new political system materializing in Russia and the universalism of the Woodrow Wilson approach. Thus, he became one of the proponents of the first Red Scare and an early forerunner of the Cold War.

A special correspondent of The New York Times, Carl W. Ackerman traveled from Vladivostok to Irkutsk to Omsk to Ekaterinburg in the fall of 1918 in the midst of the Russian Civil War. He met with officers of the American and Japanese expeditionary forces, with members of the Czecho-Slovak corps fighting the Red Army, with ministers of the democratic Russian government in Omsk, and with military dictator Admiral Alexander Kolchak, who became the ruler of anti-Bolshevik Russia after a coup that displaced the Democrats. In fact, Ackerman was the first foreign journalist who visited the Ipatiev House in Eka-terinburg, the place of Tsar Nicholas II and his family’s imprisonment until they were murdered in July 1918.

With his notes and newspaper articles to consult, Ackerman wrote Trailing the Bolsheviki soon after his return to the United States. His book was one of the very first American accounts of the Russian Civil War in Siberia and the Far East, providing his readers with the wealth of his observation and the entertainment of his travel feats. Moreover, Ackerman was among the first Americans to notice the basic split between the new political system materializing in Russia and the universalism of the Woodrow Wilson approach. Thus, he became one of the proponents of the first Red Scare and an early forerunner of the Cold War.

John R. Mott’s Recent Experiences and Impressions in Russia presents a collection of public addresses and letters created during his participation in a United States diplomatic mission to Russia—sent by President Woodrow Wilson and led by Elihu Root—from May to August 1917. These historical documents (printed in 1917 but never published) describe this Root Mission and offer perspectives on several momentous events and leaders of the era: World War I, the February Revolution, officials of the Provisional Government, and clergy of the Russian Orthodox Church.

Mott, a key leader of global outreach for the Young Men’s Christian Association of the US, stands out as an influential Protestant leader of this era. In 1946, he received the Nobel Peace Prize in recognition of his life-long effort to promote cooperative ministry around the world. The documents in this volume include Mott’s proposal for the YMCA to carry out a program of social, educational, and spiritual assistance among Russia’s military, as well as relevant chapters from Service with Fighting Men: An Account of the Work of the American Young Men’s Christian Associations in the World War (published in 1924), which outlines and evaluates the activities carried out in Russia in response to Mott’s plans. Together, these writings illustrate the variety of assumptions, convictions, and relationships that contributed to a very significant episode of Russian–American interaction.

Civilization is a Ponzi scheme... that we cannot stop, even as we face increasingly scarce resources, environmental degradation, market bubbles, and an Artificial Intelligence that grows energy-hungrier every day. The complex history of the Middle East shows how we got here, and how we can turn those challenges into opportunities. We are helped by those energy-hungry thinking machines, by combining their data crunching power our human intuition and ability to think outside the box. George J. Nasr shows how this team-up can help us turn challenges into opportunity, by can drawing on the turbulent past of the Middle East and its future hopes. We can transcend scarcity-driven ""Black Wars"" for resources like oil and water, and toward a technology-led ""Blue Peace"" of shared growth and continued expansion and even conquer the stars

Current debates in the environmental humanities, animal studies, and related fields increasingly revolve around this question: What to do with “the human”? Is the human a category worth preserving? Should it be replaced with the post-human? Should marginalized and minoritarian groups advocate for a universal humanism? What is the relationship between humanism and anthropocentrism? Is a genuinely non-anthropocentric mode of thinking and living possible for human beings?
This book argues that the writings of twentieth-century poet Robinson Jeffers offer twenty-first-century readers a number of crucial insights concerning such questions and timely advice about how not to be human. For Jeffers, our tendency to turn inward on ourselves and to indulge in human narcissism is at the heart of the social, economic, and existential ills that plague modern societies. As a remedy, Jeffers recommends turning ourselves outward—beyond the self and beyond the human—and learning to affirm and even love the inhuman cosmos in all of its terrible beauty. In articulating this vision of “inhumanism,” Jeffers develops a full-orbed and radical non-anthropocentrism that stretches across ethical, political, ontological, and aesthetic registers. In the process, Jeffers helps us find our way back to ourselves, but this time no longer as “human” in the traditional sense but as plain members of the inhuman world. With his inhumanist philosophy and poetics, Jeffers not only anticipates the most pressing questions and cutting-edge debates of our present moment but also challenges us to reconsider some of the key dogmas that underpin familiar discourses surrounding the Anthropocene and posthumanist philosophies and ecopoetics.

In a community hospital in suburban Chicago run by Catholic nuns, surgeons performed an operation never done in the world before. The team at the Little Company of Mary Hospital led by Richard Lawler transplanted a kidney in 1950 from a just-deceased woman into the abdominal cavity of a 44-year-old woman.

Critics in the medical community called the operation irresponsible because immunosuppressant drugs that prevent the rejection of a transplanted organ had yet to be developed. Some Catholic clergy considered the transplant sacrilegious because it “desecrated” the sacred body of a dead woman when her kidney was removed. Yet the nuns who ran the hospital blessed the procedure.

Lawler said time alone would judge its success. Seventy years later, that transplant is largely lost to history—overshadowed by remarkable transplant surgeries and medical breakthroughs that have made life-saving kidney and other organ transplants almost routine. The book throws light on a seminal moment in medical history, offering new insights into the early days of human organ transplantation while also looking at the current national kidney crisis.

The papers in this volume can be roughly divided between ‘the philosophy of mind’ and ‘the philosophy of language’. They are, however, united by the idea that this standard philosophical classification stands in the way of clear thinking about many of the core issues. With this, they are united by the idea that the notion of a human being must be central to any philosophical discussion of issues in this area, and by an insistence on an inescapably ethical dimension of any adequate discussion of these issues. None of the papers is well described as ‘exegetical’, but most of them are, in one way or another, papers about Wittgenstein, and all of them are discussions of themes central to his later work and strongly influenced by it. While the debt to Wittgenstein is enormous, many of the papers involve significant criticisms of ideas widely drawn from him, and some of these criticisms may have application to Wittgenstein himself.

The discussions of ‘the philosophy of mind’ are marked by an emphasis on the individual’s relations with others and, with that, by a detailed attention given to the human bodily form. Within the bodily form, the face is, both visually and through the voice, the locus of expression of our thoughts and feelings, and so central to our recognition of each other as beings who have thoughts and feelings. With this, it is central to the ‘attitude towards a soul’ of which Wittgenstein speaks: a phrase that highlights the centrality of an ethical dimension to any adequate philosophical treatment of our understanding of others. My relation to other creatures – both human and non-human – is distorted by the idea of an underpinning of the kind proposed in ‘the argument from analogy’; but it is distorted, too, by the idea (that we may take from Wittgenstein) that our seeing similarities between we human beings and dogs or giant squids is a condition of our ability to ascribe pain or fear to such creatures. A ‘phenomenological’ treatment of our perception of faces may be helpful in breaking down pervasive philosophical prejudices here. The irreducible sense in which the smile that we see is a smile on this face is intimately connected with Wittgenstein’s insistence on the importance of context for an ascription of thoughts and feelings: an insistence that brings out a fundamental incoherence in dominant, ‘reductive’, treatments of the notion of a persisting individual. This incoherence is intimately tied to a failure to leave a place for the notion of a particular individual, as opposed to kinds (transferable properties), in our thought about those whom we know and care for; and, with that, a failure to leave a place for anything recognisable as love. 

The notion of a human being links the discussions of mind and language through the relation between two themes in Wittgenstein: (i) the way in which the human enters into our thinking (‘The human body is the best picture of the human soul’); (ii) the way in which our thinking is a reflection of our humanity. These relations are distorted by the emphasis on ‘rule following’ and the appeal to the idea of continuing an arithmetical series that has had a central place in discussions of language originating from Wittgenstein. Approaches from this perspective fail to do justice to the idea of speech as a form of interaction between people. Rush Rhees suggests that conversation provides a better model for thinking about language. To share a language with someone is to be able to speak with her. One aspect of Wittgenstein’s ‘attitude towards a soul’ is the demand to seek forms of contact with others: including, centrally, interaction in speech with others. Such interaction is crucially dependent on trust, and on the effort to sustain conversation in the face of the unlimited possibilities of its collapse: possibilities that find expression in philosophy in various forms of scepticism. Wittgenstein’s appeal to the idea that ‘justification comes to an end’ is potentially misleading in that it may obscure the possibilities of sustaining discussion in the face of such potential collapse. While much of what we say may run into the sand if pursued in certain directions, we may take one of the tasks of philosophy to be that of bringing out possibilities of a sense of forms we would not have anticipated: and so enhancing the links between us that are involved in conversation. We do well here to shift from the familiar question ‘What conditions must something satisfy in order to be a language?’ to the question ‘What is it seriously to think of – to acknowledge in practice - an individual or group as speaking?’ A focus on this question may cast in a clearer light the character and importance of questions about the language capacities of non-human creatures. The issues here are only well understood if we recognize the primacy of the ethical in our relations to such creatures: a point well illustrated by a remarkable study of the language capacities of bonobo.

William Blake as Natural Philosopher, 1788-1795 takes seriously William Blake’s wish to be read as a natural philosopher, particularly in his early works, and illuminates the way that poetry and visual art were for Blake an imaginative way of philosophizing. Blake’s poetry and designs reveal a consistent preoccupation with eighteenth-century natural philosophical debates concerning the properties of the physical world, the nature of the soul, and God’s relationship to the material universe. This book traces the history of these debates, and examines images and ideas in Blake’s illuminated books that mark the development of the monist pantheism in his early works, which contend that every material thing is in its essence God, to the idealism of his later period, which casts the natural world as degenerate and illusory. The book argues that Blake’s philosophical thought was not as monolithic as has been previously characterized, and that his deepening engagement with late eighteenth-century vitalist life sciences, including studies of the asexual propagation of the marine polyp, marks his metaphysical turn. 

In contrast to the vast body of scholarship that emphasizes Blake’s early religious and political positions, William Blake as Natural Philosopher draws out the metaphysics underlying his commitments. In so doing, the book demonstrates that pantheism is important because it entails an ethics that respects the interconnected divinity of all material objects – not just humans – which in turn spurns hierarchical power structures. If everything is alive and essentially divine, Blake’s early work implies, then everything is worthy of respect and capable of giving and receiving infinite delight. Therefore, one should imaginatively and joyfully immerse oneself in the community of other beings in which one is already enmeshed. Often in the works discussed in this book, Blake offers negative examples to suggest his moral philosophy; he dramatizes the disastrous individual and social consequences of humans behaving as if God were a transcendent, immaterial, nonhuman demiurge, and as if they were separate from and ontologically superior to the degraded material universe that they see as composed of inert, lifeless atoms. 

William Blake as Natural Philosopher traces the evolution of eighteenth-century debates over the vitalist qualities of life and the nature of the soul both in the United Kingdom and on the continent, devoting significant attention to the natural philosophy of Newton, Locke, Berkeley, Leibniz, Buffon, La Mettrie, Hume, Joseph Priestley, Erasmus Darwin, and many others.