Comics & Graphic Novels

Starred Review from Library Journal, “Its unflinching portrayal of oppression and the vital necessity of maintaining idealism in the face of utter despair is as timely as it is deeply stirring.”

Starred Review from Booklist, the journal of the American Library Association, “The potent narrative . . . proves hauntingly timely with today's global unrest, growing militarism, proliferating wars, and even U.S. politics. . . . Readers could well be witnessing an oracular warning of an imminent future.”

From Emmy-nominated journalist Melissa Chan and esteemed activist artist Badiucao comes a near-future dystopian graphic novel about technology, authoritarian government, and the lengths that one will go to in the fight for freedom. 

It's 2035. The US and China are at war. America is a proto-fascist state. Taiwan is divided into two. As conflict escalates between nuclear powers, three idealistic youths who first met in Hong Kong develop diverging beliefs about how best to navigate this techno-authoritarian landscape. Andy, Maggie, and Olivia travel different paths toward transformative change, each confronting to what extent they will fight for freedom, and who they will become in doing so. 

A powerful and important book about global totalitarian futures, and the costs of resistance.

Death stalks a quartet of girls – or is it the other way around?

A simple, elemental story of a group of adorable, little girls evading the specter of Death perfectly complements Gabriel Howell’s poetic diary/manifesto/wishlist. What looks like a Victorian children’s book complete with moral lessons, depicts an internal and external tug-of-war between vulnerability and intimacy, relatability and honesty, observation and isolation. The message remains raw and uncensored: don’t hide it in a book; forget about who is or isn’t watching; Forget Me Not.

In this gripping graphic novel, a Jewish journalist encounters an extension of the horrors of the Holocaust in North Africa.

In the lead-up to World War II, the rising tide of fascism and antisemitism in Europe foreshadowed Hitler's genocidal campaign against Jews. But the horrors of the Holocaust were not limited to the concentration camps of Europe: antisemitic terror spread through Vichy French imperial channels to France's colonies in North Africa, where in the forced labor camps of Algeria and Morocco, Jews and other "undesirables" faced brutal conditions and struggled to survive in an unforgiving landscape quite unlike Europe. In this richly historical graphic novel, historian Aomar Boum and illustrator Nadjib Berber take us inside this lesser-known side of the traumas wrought by the Holocaust by following one man's journey as a Holocaust refugee.

Hans Frank is a Jewish journalist covering politics in Berlin, who grows increasingly uneasy as he witnesses the Nazi Party consolidate power and decides to flee Germany. Through connections with a transnational network of activists organizing against fascism and anti-Semitism, Hans ultimately lands in French Algeria, where days after his arrival, the Vichy regime designates all foreign Jews as "undesirables" and calls for their internment. On his way to Morocco, he is detained by Vichy authorities and interned first at Le Vernet, then later transported to different camps in the deserts of Morocco and Algeria. With memories of his former life as a political journalist receding like a dream, Hans spends the next year and a half in forced labor camps, hearing the stories of others whose lives have been upended by violence and war.

Through bold, historically inflected illustrations that convey the tension of the coming war and the grimness of the Vichy camps, Aomar Boum and Nadjib Berber capture the experiences of thousands of refugees through the fictional Hans, chronicling how the traumas of the Holocaust extended far beyond the borders of Europe.

New York Public Library Top 10 Graphic Novels of 2024

American Library Associate Top 10 Best Graphic Novels for Adults of 2024

Starred Review from Publishers Weekly. "It's a revealing visualization of a rare, 'depersonalizing' condition and how Sweeney finds 'drops of disabled joy whenever I can.' Sweeney's subtle and elegant art reflects the nuance of her moment-to-moment struggle."

An evocative and heartfelt graphic memoir about the challenges of living with a progressive disability.

When Maria Sweeney was young, she kept count of her broken bones. As she grew older, she stopped. Living with Bruck syndrome, a rare progressive condition that gives her very brittle bones and joint abnormalities, meant that those numbers climbed and climbed.

Today, she struggles every day, living in an often-inaccessible world. As an ambulatory wheelchair user, ordinary actions like entering a building, sitting at a café, or holding a cup of tea can be drastically different for her than for others.

With lush illustrations, Maria tells the story of her lifelong struggle to obtain care in an increasingly complicated and disinterested US healthcare system. But for every step that presents a struggle, there's also beauty, friendship, art, and growth. She documents the relief she's found in alternative therapies, particularly medical marijuana; in loving community and chosen family; and in nature and her creative practice. A powerfully understated critique of our modern world, Brittle Joints offers a generous, expansive look at how to live and love amidst the challenges of survival.

“This visually spectacular book offers a powerful dive into the depths of fear and trauma and a reminder that the impact of violence spreads far beyond the official victim.” —Rebecca Solnit, author of Orwell's Roses and Hope in the Dark

When someone is murdered next door, it changes everything about the way you live your life.

When Hugh was ten years old, he walked home from school to find his friends next door crying outside – they had just come home and discovered their mother’s body. She had been murdered.

Now an adult, Hugh has a happy social life and a successful career as an artist in Oakland, California. But even so he is plagued by anxiety, anger, and panic attacks. As he attends therapy and looks back on his childhood, he comes to realize the trauma and stress that the murder next door had on his life, and how it still affects him today.

Does trauma ever go away? Or does it just hang around, in the backs of our minds forever? This thoughtful, powerful memoir explores how one event in childhood can make a permanent mark on someone’s life.

Winner of the 2022 Palestine Book Award

“An artistic triumph that will stand as an enduring testament to the spirit of the Palestinian people. Mohammad Sabaaneh is a master.”--Joe Sacco, winner of the American Book Award for Palestine

What does freedom look like from inside an Israeli prison?

A bird perches on the cell window and offers a deal: “You bring the pencil, and I will bring the stories,” stories of family, of community, of Gaza, of the West Bank, of Jerusalem, of Palestine. The two collect threads of memory and intergenerational trauma from ongoing settler-colonialism. Helping us to see that the prison is much larger than a building, far wider than a cell; it stretches through towns and villages, past military checkpoints and borders. But hope and solidarity can stretch farther, deeper, once strength is drawn of stories and power is born of dreams. Translating headlines into authentic lived experiences, these stories come to life in the striking linocut artwork of Mohammad Sabaaneh, helping us to see Palestinians not as political symbols, but as people.

One of the best feminist books of the year! —Ms. Magazine

This autobiographically-inspired graphic novel explores mental health and schizophrenia in a surprising and emotionally honest story with a fantastical cast of animal characters.

Fox Foxerson's got a new roommate. Fox Foxerson's got a new job. Fox Foxerson's got a date. The roommate is only a little strange, sometimes. The job seems to involve . . . filing? It's not very clear. The date seems to be more interested in someone else. Fox would rather be making art.

As the oppressive weight of the everyday routine beats down on Fox, nothing is going right. And it doesn't seem like anyone can help — not Fox's roommate, not Fox's friends, and definitely not the nurses and doctors at the hospital, who don't seem to take notice of anything Fox tries to tell them. Fox needs some time and space to figure things out. This quirky, humorous graphic novel tinged with pathos, immerses readers in the constant question: are you okay? Fox is not okay, but Fox is working on it.

The first graphic novel adaptation of Charles Ferdinand Ramuz's modernist classic

"Our smallness in the face of nature is at the heart of Derborence. Ramuz's words meet their match with Fabian Menon's paintbrush." – Le Temps

Called "the sensation of the Left Bank" by the New York Times, Charles Ferdinand Ramuz was compared to writers as great as Faulkner and Homer. Though he worked in Paris for a decade, he is remembered as one of the great novelists of the Alps.

Derborence is the story of a devastating alpine landslide, of the grief-stricken villagers who are haunted by what they believe is the ghost of a man who should not have survived the unsurvivable, and of a woman who refuses to give up hope. A tragic tale full of endearing characters and harsh mountain landscapes, Charles Ferdinand Ramuz's famous novel lends itself perfectly to graphic novel form.

The third and final volume of All Over Coffee presents some of the most beloved and never-before-collected pieces from the weekly series. Originally published in the San Francisco Chronicle, this timeless work, which includes collaborations with many prize-winning authors, is now collected for the first time into a new gorgeous hardcover edition.

"[Paul] Madonna, Bayview-based artist, illustrator, writer and award-winning author, is renowned for his long-running city-inspired comic strip series ‘All Over Coffee.’ Once described by Madonna as ‘a comic strip without the comic,’ the series paired intricate sketches of The City—a street corner, a view of Alcatraz or a deserted alleyway—with poignant, poetic text. The infusion of art and literature challenged typical comic strip conventions, attracting a regional cult following and setting Madonna on a path of artistic discovery. The third and final installment [of the series], You Know Exactly, launched this month."
—San Francisco Examiner

"All Over Coffee was in many ways a gift to the city. It immortalized the San Francisco that locals see every day; not the one most commonly depicted in movies and on TV. Because of its grounding in familiar corners, sidewalks and liquor stores, Madonna's art can also ask viewers to explore their own psyche, or to suspend their disbelief, or to go on a journey with him they weren't expecting. And sometimes, just sometimes, it'll be so close to home, you'll think he's made a personal visit."
—KQED Arts & Culture

"[A]n impressive coffee-table style volume, You Know Exactly, the Third Collection of All Over Coffee is an inherently fascinating book to browse through."
—Midwest Book Review

You Know Exactly enigmatically melds art, story, and travel to capture the profundity reflected outside and resting deep within the soul. With original writings plus collaborations with award-winning writers including Lawrence Ferlinghetti, Cheryl Strayed, Andrew Sean Greer, Robert Olen Butler, Kristen Tracy, Daniel Handler (otherwise known as Lemony Snicket), and more, artist and writer Paul Madonna pairs words with exquisitely rendered cityscapes to create a poignant, thought-provoking showpiece. Each page offers something unique: short stories, poems, fleeting thoughts, and one-liners displayed alongside pen and ink drawings that travel from San Francisco to New York, from Paris to Tokyo. The effect coalesces into a mesmerizing work that you’ll want to return to again and again.

Whatever happened to Marchenoir?

Enter the Marchenoir Library, a different kind of graphic novel from A. Degen, an artist Michael DeForge (Lose, Ant Colony, Leaving Richard’s Valley) says is “one of the smartest and funniest cartoonists in the game.”  A gallery of the most beautiful covers from the beloved series, Marchenoir, is all that’s left of the mystery of Marchenoir, ex-celebrity singer/songwriter working as a superheroine to pay off her debts, and defend our dreams and reality, as she searches for a terrestrial paradise. Can you solve a book by its covers?

An in-depth piece of comics journalism exploring the persistent use of the deadly chemical Chlordecone to support the banana crops in Martinique and Guadeloupe. 

In 1975, pesticide producer LifeSciences closed their plant that produced the chemical chlordecone, after numerous employees had toxic chemical poisoning, and the local river had been polluted. But in the French Antilles, farmers continued to use the pesticide. Even after it was banned in 1993, planters continued to illegally import and use it. Chlordecone use became so widespread that it was in almost everything people on the islands ate and drank. 

Today, 95% of the inhabitants of Guadeloupe and 92% of the inhabitants of Martinique are contaminated by the chemical, and the islands have one of the highest cancer rates in the world. 

In this richly illustrated work, the author brings her personal experience and connection to the story as she interviews scores of local people as well as scientists and government officials to uncover the true story behind the decision to continue poisoning the water and the soil for the sake of global commerce. We, as global citizens, are urged to consider the decisions we are making through our consumer choices and how they affect the health of the planet and the survival of communities throughout the world.

A graphic biography of Djuna Barnes: writer, artist, and queer radical of the Lost Generation in the Roaring 20s.

Djuna Barnes lived in a dazzling world filled with literary salons, innovative writing, and daring new art styles. But it didn’t come easily. She managed to work her way out of an abusive childhood growing up in a polygamous rural utopian community on Long Island. She was determined to live an extraordinary life, and found herself socializing with the likes of James Joyce, Natalie Barney, Peggy Guggenheim, and T.S. Eliot in 1920s literary Paris. Called the most famous unknown of the century, Djuna Barnes stood out for her brilliant writing, her biting wit, and her unique style. Her novel, Nightwood is considered by some to be one of the greatest lesbian love stories ever written. But as the stock market crashed and the Lost Generation left Paris, her life began to unwind.

A fascinating window into the life of a woman whose enormous literary talent and provocative attitude were both celebrated and disdained by the world.

“The queer community is lucky to have Sharon on our side, using her skills and passions to create a better world for all of us.”—Alison Bechdel, author of Fun Home: A Family Tragicomic

Are you feeling fed up with the current political landscape? Over 100 amazing comic artists show you unique actions any one of us can take turn things around. 

A To Do list for changing the world. Artists share their passion and commitment to make things better in this fun and engaging collection. From simple ideas like signing a petition or going on a march, to more imaginative ones like becoming a 'raging granny' (old ladies who use their innocuous looks to gain entry into places like board meetings or arms fairs, and then create havoc). Many things can be done immediately, with little or no money at all. Others require a bit more planning. But all of them are steps that anyone can take if they want to enact change.

How China became the China we know today, through war and societal transformation.

China entered the 20th century as an agrarian society, weakened under internal and external pressures. Revolutionaries came together to bring down the last imperial dynasty but quickly split over the direction of reconstruction. Civil wars ensued, followed by WWI. 

The fate of the country appeared to be in the hands of industrial powers like Britain, Germany, Japan, the Soviet Union, and the United States. All seemed lost when Japan seized all Chinese seaports, railways, industries, and fertile farmland. Yet Chinese resistance continued for eight years and the entire society was mobilized. After decades of struggling, China finally regained independence that laid the foundation for its own modernization.

The fourth volume in this fun, comic-style series that explores China's move to modernization!

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The Understanding China Through Comics series answers these questions and more.

The fourth volume in the Understanding China Through Comics series The Making of Modern China, covers the stunningly productive Ming dynasty and its fall to the Manchus under the Qing, the last Chinese dynasty. The book also addresses Wang Yangming's School of Mind and the painful process of modernization and conflict with the West and Japan, including the Opium Wars and the Boxer Rebellion.

A fun way to learn about China in a visual, informative comic-style history.

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The accessible and fun Understanding China Through Comics series answers those questions and more.

For all ages, Foundations of Chinese Civilization covers China's early history in comic form, introducing philosophies like Confucianism and Daoism, the story of the Silk Road, famous emperors like Han Wudi, and the process of China's unification.

Includes a handy timeline. This is volume one of the Understanding China Through Comics series.

Jing Liu is a Beijing native now living in Davis, California. A successful designer and entrepreneur who helped brands tell their stories, Jing currently uses his artistry to tell the story of China.

Winner of the 2016 Foreword INDIES Award for Graphic Novels & Comic

The official manga biography of Osamu Tezuka, Japan's "God of Manga," chronicling the birth and evolution of manga and anime.

This graphic-format biography of Osamu Tezuka—Japan's "God of Manga"—looks at one of the twentieth century's great creative artists (Astro Boy, Kimba the White Lion, Black Jack). It is also an anecdotal study of the evolution of Japan's early manga and anime business and its heroes.

A never-before-seen popular culture history of postwar Japan, it is sure to fascinate fans and anyone interested in manga, anime, and the potential of the graphic storytelling medium.

Have you ever gotten turned on while stuffing a turkey? Get a Little Stranger with Edie Fake.

What’s silly, scary and sexy? Edie Fake’s comics forged an entire aesthetic of art and queer culture. Since his Ignatz Award winning Gaylord Phoenix, Fake’s comics have only appeared in underground anthologies and zines. At last, these rare comics can all be found under the covers of a Little Stranger. You’ll never look at a turkey the same way again.

NPR's 2024 Books We Love list

Starred Review in Publishers Weekly: "Through elegant yellow and black illustrations, Harms's powerful English-language debut traces the ecosystems that pollinators inhabit—and exposes the dangers that threaten their existence. . . Readers will be convinced by this firm and vibrantly drawn warning call." 

What would the future of the world look like without bees?

Bees are vital to securing our food supply. We could live in a paradise where insects, especially bees pollinate fragrant seas of flowers whose fruits we harvest. Instead, vast lawns are now replacing flower gardens, and agriculture is characterized by monocultures. Pesticides and climate change are also causing insect mortality, with dramatic consequences for the global ecosystem. As we destroy the insect populations, honey is just one of many foods that will no longer be available to us, unless we learn to honor our innate connection with nature before it's too late.

In gorgeous, limited palette artwork, using contemplative images as well as informative charts, Hanna Harms brings us into the world of bees: their hives, their colonies, and their interactions with the global ecosystem. This is the perfect gift book for anyone concerned about climate change and the environment.

An occupied country.

A people infested with demons.

a time of revolution.

a liberator rises.

One of the oldest and most powerful stories in human history comes uniquely alive in this telling of the Gospel of Mark.

Join a carpenter as he changes the world. And join Steve Ross as he re-imagines the ancient story, with all of its power and mystery intact. Told with unexpected and startling imagery, Marked will forever change the way you think about this both familiar and strange tale.

This is a human story of passion and murder. Of a compassionate man brutally killed and yet compellingly alive.

"Impressive, exhaustive, labyrinthine, and obsessive—The Anime Encyclopedia is an astonishing piece of work." —Neil Gaiman

With over 10,000 entries nothing comes close . . . from classics to hidden gems, all the anime you love is finally at your fingertips.

This 3rd edition of The Anime Encyclopedia brings the landmark reference work up to date with six additional years of information on Japanese animation, its practitioners and products, as well as incisive thematic entries on anime history and culture. Even the most diehard anime fans will come away with new facts about their favorite anime and hidden gems to watch.

More than just generic listings, these reviews have snark, intelligence, and a discerning point of view. Data-obsessed fans will relish the extensive credits, online links, and cross-references, and parents and librarians will appreciate the content advisories.

This fun, comic-style series that explores China's relationship with its barbarian neighbors. The Mongols!

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The Understanding China Through Comics series answers these questions and more.

The third volume of the Understanding China Through Comics series, Barbarians and the Birth of Chinese Identity, tells of the founding of the Song Dynasty and its attempts to reinvigorate a flagging economy and government while defending against barbarians and the eventual invasion of China by Genghis Khan and the Mongols.

“A vibrant graphic memoir full of dark humor, Nervosa is an insightful look into the torment of disordered eating that will be a source of comfort to others who struggle with their mental health.” —STARRED REVIEW, Foreword Reviews

Anorexia nervosa is an eating disorder. It is not a phase, a fad, or a choice. It is a debilitating illness, manifested in a distorted relationship with food, but which actually has more to do with issues of control. It is often a puzzle for doctors, therapists, parents, and friends. And so those who suffer from it are belittled, or tragically misunderstood, not only by society but by the healthcare system meant to treat it.

A rough-and-tumble Iraq War veteran is young and in love, and the last thing on his mind is food and the ethics of eating meat. But when his girlfriend becomes a vegetarian and animal rights activist, suddenly food is all he thinks about. 

A true story of how love and vegetarianism can triumph over all else. Love, heartache, and the rest of the ingredients that make a reader laugh, smile, stop-and-think, are all found in this enthralling graphic memoir. Amidst the stories of love and frustration, there are treatises on food, vegetarianism, and the ethics of the animal rights movement (some of it juxtaposed against Michael’s graphic wartime experiences). Told with Michael’s sardonic perspective and the delightful artwork of debut graphic novelist Chai Simone, this is a journey of true love gone temporarily astray.

“a tour de force of comics” —Ed Park, The New York Times

One of the Top Ten Graphic Novels of 2020, as chosen by the American Library Association

One of the Best Books of 2020, as chosen by Publishers Weekly

“Fortunately for readers of this raw and intimate graphic memoir, Terry never fully lets go of his youthful vulnerability. . . . Reckoning with sobriety requires connection and humility, as Terry makes the case for with sincerity and beauty, as he ties his recovery to his spiritual homecoming.” —Starred Review, Publishers Weekly

A brutally honest but charming look at the pain of childhood and the alienation and anxiety of early adulthood.

In his memoir, we are invited to walk through the life of the author, Jim Terry, as he struggles to find security and comfort in an often hostile environment. Between the Ho-Chunk community of his Native American family in Wisconsin and his schoolmates in the Chicago suburbs, he tries in vain to fit in and eventually turns to alcohol to provide an escape from increasing loneliness and alienation. Terry also shares with the reader in exquisite detail the process by which he finds hope and gets sober, as well as the powerful experience of finding something to believe in and to belong to at the Dakota Access Pipeline resistance at Standing Rock.

Whether one describes them as sequential art, graphic narratives or graphic novels, comics have become a vital part of contemporary culture. Their range of expression contains a tremendous variety of forms, genres and modes − from high to low, from serial entertainment for children to complex works of art. This has led to a growing interest in comics as a field of scholarly analysis, as comics studies has established itself as a major branch of criticism. This handbook combines a systematic survey of theories and concepts developed in the field alongside an overview of the most important contexts and themes and a wealth of close readings of seminal works and authors. It will prove to be an indispensable handbook for a large readership, ranging from researchers and instructors to students and anyone else with a general interest in this fascinating medium.

Are you dating your parents? Welcome to Mount Scopus Academy, where everyone becomes who they already are.

Rivi’s been accepted to Mount Scopus Academy - but escaping Mount Scopus is like escaping your dysfunctional childhood— you end up recreating it. Is that cute boy following her, or is she dating her father? The familiar has its own gravity; just don’t fall for it. Even the best of us have daddy issues.

I Will Bite You! is Eisner Award winner Joe Lambert's debut short story collection for weird kids of all ages.

Along with several new short stories, I Will Bite You! collects the rare, self-published mini-comics work of Eisner Award winner Joe Lambert. A Los Angeles Times Book Prize finalist and Best American Comics selection, these comics reveal sophisticated, unusual, and surprising narratives about animal musicians, mischievous children, cavemen, and heavenly bodies.

"An urgent (and often very funny) attempt to explain a coocoo-rococo cosmology made up of garbled fragments of role-playing games, Transformers episodes, relaxation exercises and horror movies." — The New York Times

The Understanding Monster—Book Two follows Pharoah Tellitome, Inspector Gimble, and Master Sponko on their quest to awaken Izadore. Constructed with the same intricate, lush visuals as the first volume, the story returns to the world of time crystals, afterlife quests, thought projection resurrection and the ever-majestic Toy Mountain.

"An urgent (and often very funny) attempt to explain a coocoo-rococo cosmology made up of garbled fragments of role-playing games, Transformers episodes, relaxation exercises and horror movies."—The New York Times

The final chapter of this epic trilogy finds our hero, Izadore, awoken with his mind, body and soul reunited. The last Monks of the Imaginary Man lead him beyond Toy Mountain to discover the true nature of the relationship between imagination and reality. Not simply concluding the relentless, psychedelic plot, The Understanding Monster—Book Three explains how our creativity re-shapes our world, how we can overcome doubt through self-actualization.

Open every illuminated correspondence between two star-crossed artists yet to meet - and discover a dizzying, dazzling almost love story.

The 2018 Slate Book Review and the Center for Cartoon Studies sixth annual Cartoonist Studio Prize winner for Best Print Comic, the Academic Hour charts the romance between Poethel, a disgraced architecture professor, and his student, Liana. Told in a series of surreal, vibrant vignettes, and set in a fantastic, logic-defying college of shifting rooms and secret performance spaces, the Academic Hour affirms how an intense, fledgling relationship can ignite the impulse for storytelling with unbridled, ferocious creative energy.

The award winning author of monsters explores the political issues that affect our personal health in his new book, Sick.

The author of the perennial classic, Monsters (written as Ken Dahl), Gabby Schulz returns with a new graphic novel, Sick, which Hicksville author Dylan Horrocks calls "a punch in the face and well worth reading." Severely ill, uninsured, alone, and confined to his bed for weeks, Schulz was left searching—only to find himself. Sick documents his discovery in gory, glorious, water-colored detail, finally completed and collected here for the first time in a beautiful, album-sized hardcover edition. Like Monsters, Sick focuses on health and social policy, this time expanding from the subject of STDs and their stigma to the larger, hot-button issue of national healthcare. 

This unique comic by Milton Knight illuminates the early years of C.L.R. James (1901–1989), known in much later years as the “last great Pan-Africanist.” The son of a provincial school administrator in British-governed Trinidad, James disappointed his family by embracing the culture and passions of the colonial underclass, Carnival and cricket. He joined the literary avant-garde of the island before leaving for Britain. In the UK, James swiftly became a beloved cricket journalist, playwright for his close friend Paul Robeson, and a pathbreaking scholar of black history with The Black Jacobins (1938), the first history of the Haitian revolt.

The artistic skills of Milton Knight, at once acute and provocative, bring out James’s unique personality, how it arose, and how he became a world figure.

“Often quite funny . . . The layers of identity and story in the memoir and Som's fluid approach to representing the self, feel impressively easy, unbelabored.” —Hillary Chute, The New York Times Book Review

A Lambda Literary Award Finalist

The meticulous artwork of transgender artist Bishakh Som gives us the rare opportunity to see the world through another lens.

This exquisite graphic novel memoir by a transgender artist, explores the concept of identity by inviting the reader to view the author moving through life as she would have us see her, that is, as she sees herself. Framed with a candid autobiographical narrative, this book gives us the opportunity to enter into the author’s daily life and explore her thoughts on themes of gender and sexuality, memory and urbanism, love and loss.

“Ebensperger debuts with a big pink splash in the forthright but lighthearted memoir . . . This entertaining, funny, and warmhearted chronicle of the rocky road toward self-acceptance is a real charmer.” —Publishers Weekly

A gay giant can't hide. This charming coming-of-age and coming-to-terms with oneself story shows us what it feels like to grow up queer in a heteronormative society in the 1990s. 

Filled with pop culture touchstones from Cher to Steven Tyler, from Jurassic Park to Grey's Anatomy, this book navigates both the joy and the pain of puberty surrounded by ignorance and homophobia. How do you love yourself if you've learned so well to hate yourself? For all of us who've ever felt bizarre, damaged, or strange, we are shown that all is full of love, and that true acceptance must come from within yourself.

A graphic history featuring the true story of three friends from Brooklyn who join in the global fight against fascism

In this exhilarating graphic novel about the Spanish Civil War, three American friends set off from Brooklyn to join in the fight—determined to make Spain “the tomb of fascism” for the sake of us all. Together they defy the U.S. government and join the legendary Abraham Lincoln Brigade, throw themselves into battle, and conduct sabotage missions behind enemy lines. As Spain is shattered by the savagery of combat during the Spanish Civil War (1936-1939), readers see the darkening clouds of the World War to come.

Artist Anne Timmons has created a thrilling graphic novel in the spirit of the “war comic” genre that appeared after the attack on Pearl Harbor and the United States' entry into World War II. Drawing upon the real-life experiences of Lincoln Brigade veteran Abe Osheroff, writer Miguel Ferguson offers a lively, accessible resource based on actual events during the Great Depression and the Spanish Civil War. ¡Brigadistas! will stir the memories of older audiences who remember the Spanish Civil War as a time of unparalleled international solidarity and heartbreak, and it will expose young audiences to the passions, politics, and conflicts of a bygone era with striking contemporary relevance.

The road to Satan’s Kingdom is paved with good intentions.

Robert Sergel's Best American Comics selection and Ignatz Award nominated series, Eschew, captures those awkward, private, hilarious moments of our past. This new collection proves those who cannot remember the past are condemned to repeat it. Tour America’s haunted history of spite houses and bad babysitters, meet Napoleon in New Jersey, and find yourself somewhere between Desolation Bay and Satan’s Kingdom. This is one to remember.

"Sean Ford creates a world that's both eerie and warmly mundane. Not an easy feat." —Alison Bechdel (Fun Home)

Only Skin is an exploration of the hallucinatory and grim landscape of rural America seen through the eyes of two orphaned siblings searching for answers in a world filled with terrible questions.

A contemporary political allegory of power, to remind us of the dangers of following a dictator and surrendering your freedom.

Life is simple for the pigeons. They have no desire to contemplate their future or take control of it. Free from responsibility, they are all too willing to submit to a strong authority. This is precisely what a cruel and power-hungry crow was waiting for—a perfect opportunity to wield his natural talents as a tyrant. The crow enforces law and order, but also terror and arbitrary rules. Everyone seems to accept this situation—or maybe, they are too scared to resist. Until an idealistic seagull steps in, determined to challenge the system through debate and free elections.

A fun way to learn about China in a visual, informative comic-style history.

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The accessible and fun Understanding China Through Comics series answers those questions and more.

For all ages, Foundations of Chinese Civilization covers China's early history in comic form, introducing philosophies like Confucianism and Daoism, the story of the Silk Road, famous emperors like Han Wudi, and the process of China's unification.

Includes a handy timeline. This is volume one of the Understanding China Through Comics series.

Jing Liu is a Beijing native now living in Davis, California. A successful designer and entrepreneur who helped brands tell their stories, Jing currently uses his artistry to tell the story of China.

This fun, comic-style series that explores China's relationship with its barbarian neighbors. The Mongols!

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The Understanding China Through Comics series answers these questions and more.

The third volume of the Understanding China Through Comics series, Barbarians and the Birth of Chinese Identity, tells of the founding of the Song Dynasty and its attempts to reinvigorate a flagging economy and government while defending against barbarians and the eventual invasion of China by Genghis Khan and the Mongols.

The fourth volume in this fun, comic-style series that explores China's move to modernization!

Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The Understanding China Through Comics series answers these questions and more.

The fourth volume in the Understanding China Through Comics series The Making of Modern China, covers the stunningly productive Ming dynasty and its fall to the Manchus under the Qing, the last Chinese dynasty. The book also addresses Wang Yangming's School of Mind and the painful process of modernization and conflict with the West and Japan, including the Opium Wars and the Boxer Rebellion.

"Impressive, exhaustive, labyrinthine, and obsessive—The Anime Encyclopedia is an astonishing piece of work." —Neil Gaiman

With over 10,000 entries nothing comes close . . . from classics to hidden gems, all the anime you love is finally at your fingertips.

This 3rd edition of The Anime Encyclopedia brings the landmark reference work up to date with six additional years of information on Japanese animation, its practitioners and products, as well as incisive thematic entries on anime history and culture. Even the most diehard anime fans will come away with new facts about their favorite anime and hidden gems to watch.

More than just generic listings, these reviews have snark, intelligence, and a discerning point of view. Data-obsessed fans will relish the extensive credits, online links, and cross-references, and parents and librarians will appreciate the content advisories.

How China became the China we know today, through war and societal transformation.

China entered the 20th century as an agrarian society, weakened under internal and external pressures. Revolutionaries came together to bring down the last imperial dynasty but quickly split over the direction of reconstruction. Civil wars ensued, followed by WWI. 

The fate of the country appeared to be in the hands of industrial powers like Britain, Germany, Japan, the Soviet Union, and the United States. All seemed lost when Japan seized all Chinese seaports, railways, industries, and fertile farmland. Yet Chinese resistance continued for eight years and the entire society was mobilized. After decades of struggling, China finally regained independence that laid the foundation for its own modernization.

Llega el bestseller de los exitosos dibujantes de @dinosaurcouch

Terapia para dinosaurios es mucho más que un libro de humor gráfico. A través de estas viñetas llenas de ternura, los dinosaurios nos enseñan, de forma original y divertida, cómo enfrentarnos a las paradojas de la vida moderna. En este libro podrás reflexionar sobre el estrés, la soledad o la ansiedad desde un prisma diferente, pero también te reirás con los irónicos comentarios de los dinosaurios sobre problemas comunes a cualquier ser humano.

Terapia para dinosaurios te hará pensar, reír y sentir. Aprenderás a afrontar los aspectos negativos de la vida con esperanza y sentido del humor, y a recibir los positivos sin cinismo y con el corazón abierto. Además, te recordará la importancia de cuidar nuestra salud mental y de hablar de ello sin tapujos. Sin duda, algo necesario en estos tiempos tan complicados. Únete a los dinosaurios en esta aventura terapéutica y disfruta de la vida con humor y sabiduría.

ENGLISH DESCRIPTION

Presenting the bestseller from the successful illustrators of @dinosaurcouch

Dinosaur Therapy  is much more than a graphic humor book. Through these heartwarming cartoons, the dinosaurs teach us, in an original and fun way, how to face the paradoxes of modern life. In this book, you can reflect on stress, loneliness, or anxiety from a different perspective, but you'll also laugh at the dinosaurs' ironic comments on problems common to any human being.

Dinosaur Therapy  will make you think, laugh, and feel. You'll learn to face the negative aspects of life with hope and a sense of humor, and to receive the positive ones without cynicism and with an open heart. Moreover, it will remind you of the importance of taking care of our mental health and talking about it openly. Undoubtedly, something necessary in these complicated times. Join the dinosaurs on this therapeutic adventure and enjoy life with humor and wisdom.

When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise.

The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind.

Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas to begin their long run on the title.

Close in size to the original artworks, this XXL-sized edition features the first 21 stories of our favorite oddball super heroes from 1963–1966. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off of a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics.

In addition to these seminal tales are an original foreword by modern X-Men mastermind Chris Claremont, reliving the heyday of Lee and Kirby’s foundational years, and an in-depth essay by X-Men writer Fabian Nicieza alongside original art, photographs, and memorabilia from the early years of X.

Also available in a Collector’s Edition of 1,000 numbered copies



© 2023 MARVEL

The second Marvel character to spring from the legendary creative collaboration of Stan Lee and Jack Kirby in the early 1960s was a far cry from the Fantastic Four’s recognizable family dynamics and globe-trotting super heroics. The Hulk was a Monster! The alter ego of puny human scientist Bruce Banner unleashed when an experimental bomb douses the hapless scientist in Gamma radiation, and thereupon unleashed every time the mild-mannered Banner lost his temper, the Hulk exploded from comics stands into an unsuspecting world…and he hasn’t stopped since!

Unquestionably one of the strangest, strongest, and most evocative archetypes to come from Marvel Comics, the Hulk defies all explanation. At times at war with other superheroes, villains, the United States military, humanity, and even his alter-ego Bruce Banner himself, he stands as an avatar of unbridled fury, primal instincts, the destructive potential of the atomic bomb and humanity’s hubris all at once. A modern Prometheus, imbued by atomic fire, who will never stop raging, never stop smashing.

Now, TASCHEN brings you the Hulk as you’ve never seen him before, in an XXL-size volume worthy of his name. Collecting The Incredible Hulk Nos. 1–6, along with his appearances in Tales to Astonish. All issues have been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing.

An introduction by pop-culture and comic scholar Douglas Wolk, meticulously researched and adorned with rarely seen original art, photos, and paraphernalia showcasing the Hulk’s lasting impact on global culture, rounds out this massive package to honor of the biggest, meanest, and greenest superheroes of all time.

Also available in a Collector’s Edition of 1,000 numbered copies

© 2025 MARVEL

The mostly true tale of Stan Lee, the one and only Godfather of Comics. From his childhood in Depression-era New York, to transforming Marvel into the number one comics publisher in the world, to his 21st-century reinvention as Chief Creative Officer of global entertainment company POW! Entertainment, Stan “the Man” Lee stands the test of time as the most legendary name in comicbook history.

Stanley Lieber began working at Timely Comics in 1940 at the age of 17 and found himself at the helm of the bullpen as its top editor just two years later. But it wasn’t until 1961 that he ignited a revolution known as the “Marvel Age of Comics.” With a legendary stable of art partners including Jack Kirby, Steve Ditko, John Romita, and Jim Steranko, Lee unleashed a dizzying cascade of seminal comicbook creations—the Fantastic Four, Hulk, Spider-Man, Thor, Iron Man, the X-Men, and the Avengers to name a few. After moving to Hollywood in 1980, he did it again, developing TV and film projects that laid the groundwork for the “Marvel movie.” Stan’s constant cameo presence in these billion-dollar worldwide events was a testament to his influence. As the man behind POW! Entertainment, he became a master of all media—working with rock stars and professional sports leagues, movie mavens and reality TV shows—reinforcing his creative stature the world over.

First published as a signed Collector’s Edition and sold out within a week, the book was written and edited with Lee himself. His tale is told by his successor at Marvel, renowned comics writer, editor, and historian Roy Thomas, who brings “you are there” insights and wide-eyed clarity to key moments of Lee’s journey to pop culture immortality. Featuring hundreds of treasures of comicbook art, intimate photographs sourced straight from his family archives, a foreword written by Lee himself, a novel-length essay and new epilogue by Thomas, and an appendix with complete reprints of Stan’s comics from throughout the decades, this is a titanic tribute worthy of the Man.

All Marvel characters are © MARVEL

By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers.Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn’t choose. Not everyone got along—the Hulk fought with everyone—but working together they could defeat the baddest of Marvel’s bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes—and Avengers—and the group’s founding members shockingly departed, leaving Captain America to lead the newly minted heroes.Relive the classic early adventures of Avengers Nos. 1–20 now available as a compact trade edition. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has then been digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press.Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that’s illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth’s Mightiest Heroes is worthy of Tony Stark’s library—or yours.
© 2024 MARVEL

Their collaboration on Spider-Man couldn’t last forever—but the five-years of Stan Lee and Steve Ditko’s remarkable partnership lasted long enough for their character to evolve into a timeless icon and create a fandom that would last generations. TASCHEN’s second volume of Amazing Spider-Man stories collects the latter half of the duo’s magnum opus, featuring brand new arch-villains the Scorpion, Molten Man, and the Crime-Master, return engagements with Kraven the Hunter and the Green Goblin—and the three-part “Master Planner Saga” that reignited a feud with an iconic mystery villain, and left behind what many comics critics declare to be the greatest super hero story of all time.
Beyond the action that faced Spider-Man—all choreographed with aplomb by the master stylist Ditko—there was also the matter of Peter Parker’s maturation during a decade of social upheaval and change. With Stan Lee’s blend of soap opera melodramatics and finger-on-the-pulse social sensitivities, Peter graduated from high school to college and started to deal with a myriad of adult struggles, mirroring the life experiences of the book’s readership. A scrawny teenager no more, Lee and Ditko would widen his network of friends and frenemies, debuting Gwen Stacy, Harry Osborn, and, in a series of hilarious cameos, Mary Jane Watson—all characters that would develop into one of the deepest and most substantive supporting casts in all of comics. Also introduced is Harry’s father, Norman Osborn, the short-tempered industrialist who would later be revealed as Spider-Man’s most dreaded foe. Meanwhile, Peter’s up-and-down romance with Betty Brant would reach its culmination with both changed forever.
Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection. Bretall’s pedigreed collection has been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published in 1965 and 1966, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves from comic collecting diehards for combining an old school comic book reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design.
Complementing the comics is an incisive and often side-splitting essay by British TV and radio host Jonathan Ross. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era.



© 2023 MARVEL

In the years 1965 through 1967, Stan Lee and his art partner Don Heck guided the Avengers through their “Kooky Quartet” era with unbridled adventures and important character development. Hawkeye, Scarlet Witch, Quicksilver, and Captain America took on all comers, often in multi-part epics that pitted the Avengers against foes old and new, like the Enchantress, Doctor Doom and Kang.

The Avengers of 1965–1967 also featured change within the ranks of the team and its creative stable. The Wasp and Giant-Man would rejoin Earth’s Mightiest–the latter adopting a new costume and codename–and Black Widow and Hercules would join as guest stars. Lee would depart as writer in the summer of 1966, handing the keys to the Avengers over to newcomer Roy Thomas, whose earliest stories set the stage for his future glories carrying the title to a legacy filled with milestone after milestone.

Avengers Nos. 21–40 are collected here in a volume that closely simulates the size and proportions of the original comic artboards; with comics sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection, meticulously photographed to resemble the way these comics looked when first published, while also being digitally remastered using modern retouching techniques to correct problems with the era’s imperfect printing. A custom paper stock was developed exclusively for this series to replicate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves for combining an old school reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design.

Complementing the comics is an essay by Black Panther writer Christopher Priest, whose lively style merges with a deep and abiding love for the comic book artform and its history. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era.Also available in a Collector’s Edition of 1,000 numbered copies

Introduced by Stan Lee and Jack Kirby in the fertile pages of The Fantastic Four, the Silver Surfer quickly established himself as one of Marvel’s most far-out characters. Enslaved by Galactus to prowl the cosmos for the demi-god’s next planet-sized meal, the Surfer was as tragic a figure as any in comics—and he looked impossibly cool at the same time! A smash hit with fans and a regular supporting character in Fantastic Four, the character struck a creative nerve with Lee, who couldn’t wait to begin to tell some Surfer solo stories, but the timing had to be right.

In the spring of 1968, things came together for both writer and character, with Lee giving the Surfer Marvel’s very first ongoing double-sized book. Lee also recruited artist John Buscema, who had recently been lending his extraordinary pencils to The Avengers. Together, they spun off a run of legendary tales that helped define the character forevermore.
The feature stories from the entire 18-issue run of the 1968 Silver Surfer series are collected in this cosmic-sized XXL tome from the Eisner Award-winning Marvel Comics Library series. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics.
Texts by author and critic Douglas Wolk and Marvel artist and brother of John Buscema, Sal Buscema, accompany original artwork, photographs, and rare memorabilia.



© 2023 MARVEL

When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise.

The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind.

Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas to begin their long run on the title.

Close in size to the original artworks, this XXL-sized edition features the first 21 stories of our favorite oddball super heroes from 1963–1966. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off of a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics.

In addition to these seminal tales are an original foreword by modern X-Men mastermind Chris Claremont, reliving the heyday of Lee and Kirby’s foundational years, and an in-depth essay by X-Men writer Fabian Nicieza alongside original art, photographs, and memorabilia from the early years of X.

Also available in a Collector’s Edition of 1,000 numbered copies



© 2023 MARVEL

Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super team. Kirby, who thought superheroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to “do the type of story I myself would enjoy reading.” The Fantastic Four forever changed their careers, their lives, and the comic book industry.

Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren’t always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other’s books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three.

Collected here in an XXL-size volume are the first 20 issues reproduced from the most pristine pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company.

Featured alongside the comics is an in-depth essay by acclaimed Marvel writer Mark Waid, a foreword by former NASA astronaut Mike Massimino, and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics.



© 2022 MARVEL

Their collaboration on Spider-Man couldn’t last forever—but the five-years of Stan Lee and Steve Ditko’s remarkable partnership lasted long enough for their character to evolve into a timeless icon and create a fandom that would last generations. TASCHEN’s second volume of Amazing Spider-Man stories collects the latter half of the duo’s magnum opus, featuring brand new arch-villains the Scorpion, Molten Man, and the Crime-Master, return engagements with Kraven the Hunter and the Green Goblin—and the three-part “Master Planner Saga” that reignited a feud with an iconic mystery villain, and left behind what many comics critics declare to be the greatest super hero story of all time.
Beyond the action that faced Spider-Man—all choreographed with aplomb by the master stylist Ditko—there was also the matter of Peter Parker’s maturation during a decade of social upheaval and change. With Stan Lee’s blend of soap opera melodramatics and finger-on-the-pulse social sensitivities, Peter graduated from high school to college and started to deal with a myriad of adult struggles, mirroring the life experiences of the book’s readership. A scrawny teenager no more, Lee and Ditko would widen his network of friends and frenemies, debuting Gwen Stacy, Harry Osborn, and, in a series of hilarious cameos, Mary Jane Watson—all characters that would develop into one of the deepest and most substantive supporting casts in all of comics. Also introduced is Harry’s father, Norman Osborn, the short-tempered industrialist who would later be revealed as Spider-Man’s most dreaded foe. Meanwhile, Peter’s up-and-down romance with Betty Brant would reach its culmination with both changed forever.
Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection. Bretall’s pedigreed collection has been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published in 1965 and 1966, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves from comic collecting diehards for combining an old school comic book reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design.
Complementing the comics is an incisive and often side-splitting essay by British TV and radio host Jonathan Ross. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era.



© 2023 MARVEL

When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history.Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to cocreator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever.First available as an XXL-sized collector’s dream, close in size to the original artworks, this compact edition features the first 21 stories of the world’s favorite web slinger from 1962–1964. Rather than recolor the original artwork (as has been done in previous decades’ reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press.With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, this robust collection of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation.© 2024 MARVEL

Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super team. Kirby, who thought superheroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to “do the type of story I myself would enjoy reading.” The Fantastic Four forever changed their careers, their lives, and the comic book industry.

Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren’t always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other’s books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three.

Collected here in an XXL-size volume are the first 20 issues reproduced from the most pristine pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company.

Featured alongside the comics is an in-depth essay by acclaimed Marvel writer Mark Waid, a foreword by former NASA astronaut Mike Massimino, and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics.



© 2022 MARVEL

By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers.

Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn’t choose. Not everyone got along—the Hulk fought with everyone—but working together they could defeat the baddest of Marvel’s bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes—and Avengers—and the group’s founding members shockingly departed, leaving Captain America to lead the newly-minted heroes.

Relive the classic early adventures of Avengers Nos. 1–20 in an XXL-sized edition that’s bigger than the Hulk’s fist, weightier than Thor’s hammer, and with more extras than Iron Man’s armor. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has then been digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off of a world-class 1960s printing press.

Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that’s illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth’s Mightiest Heroes is worthy of Tony Stark’s library—or yours.

Also available in a Collector’s Edition of 1,000 numbered copies.



© 2022 MARVEL

When Bill Gaines inherited EC Comics from his father, the legendary publisher M. C. Gaines, at just 25 years old, no one could predict the impact he would have—not only on comics, but on global pop culture at large.

Inspired by the pulp sci-fi stories and weird fiction of their youth, Bill Gaines and artist Al Feldstein drafted the initial issues of what would become the first true serialized science fiction magazine, delivering stories, creatures, and worlds unlike anything readers had ever seen.
Far from the simplistic space adventures of Flash Gordon and Buck Rogers, the high-concept, morally ambiguous, and often-chilling tales of Weird Science resonated deeply with readers growing up in the Atomic Age under the shadow of the mushroom cloud. Nuclear threats, the ravages of science unshackled from ethics, and the creeping authority of world governments locked in a Cold War had begun seeping into the fabric of American life.

The first issue of Weird Science appeared on newsstands in the spring of 1950, its cover boldly daring readers to pick it up. Subsequent bimonthly releases pulled audiences into an ever-changing kaleidoscope of “Scientific SuspenStories,” featuring Martian invasions, murderous androids, time travel gone awry, planets inhabited entirely by women, and more.

Bolstered by a growing stable of soon-to-be comic art legends like Harvey Kurtzman, Wally Wood, and Joe Orlando, Weird Science shaped the collective imagination of a generation. Gaines and Feldstein boldly tackled themes that were rarely addressed in serialized comics, while visionary artists like Wood went on to define the aesthetic and societal impact of the genre, depicting futuristic vistas and impossible technology with a level of detail as if not merely imagining them, but glimpsing into the very future itself.

In Volume 1, TASCHEN presents the first eleven issues of Weird Science, meticulously recreating the comics in their original glory. Rather than recolor the artwork, this edition works with super-high-resolution photographs of each page as it was printed more than half a century ago, using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. The result is a pristine product, keeping the character and feel of the classic pulp comic magazines, but freshly printed by a world-class press, produced without the economic or time constraints of the past.

Complete with an introductory essay by EC authority Grant Geissman, which illustrates the historical, cultural, and artistic context of the stories and their creators, this collection is a must-have for fans of the weird, the strange, and the fantastical.

Also available in a Collector’s Edition of 1,000 numbered copies

Introduced by Stan Lee and Jack Kirby in the fertile pages of The Fantastic Four, the Silver Surfer quickly established himself as one of Marvel’s most far-out characters. Enslaved by Galactus to prowl the cosmos for the demi-god’s next planet-sized meal, the Surfer was as tragic a figure as any in comics—and he looked impossibly cool at the same time! A smash hit with fans and a regular supporting character in Fantastic Four, the character struck a creative nerve with Lee, who couldn’t wait to begin to tell some Surfer solo stories, but the timing had to be right.

In the spring of 1968, things came together for both writer and character, with Lee giving the Surfer Marvel’s very first ongoing double-sized book. Lee also recruited artist John Buscema, who had recently been lending his extraordinary pencils to The Avengers. Together, they spun off a run of legendary tales that helped define the character forevermore.
The feature stories from the entire 18-issue run of the 1968 Silver Surfer series are collected in this cosmic-sized XXL tome from the Eisner Award-winning Marvel Comics Library series. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics.
Texts by author and critic Douglas Wolk and Marvel artist and brother of John Buscema, Sal Buscema, accompany original artwork, photographs, and rare memorabilia.



© 2023 MARVEL

In 1947, Bill Gaines inherited EC Comics, a new venture founded by his legendary father M. C. Gaines, who was responsible for midwifing the birth of the comic book as we know it during his tenure at All-American Comics, bringing the likes of Wonder Woman and Green Lantern to the world. Over the next eight years, Bill Gaines and a “who’s who” of the era including Al Feldstein, Harvey Kurtzman, and Wally Wood would reinvent the very notion of the comic book with titles like Tales from the Crypt, Crime SuspenStories, Weird Science, and MAD.

EC delighted in publishing gory, morbid horror and crime comics that had snap, ironic endings—but they also pioneered the first true-to-life war comics, the first “real” science-fiction stories, and a series of tales about such then-taboo subjects as racism, bigotry, vigilantism, drug addiction, police corruption, and anti-Semitism. Too good to last, they were eventually caught up by various 1950s guardians of morality, who were convinced that EC’s often over-the-top content was causing juvenile delinquency. A year or so after a full inquiry investigating horror and crime comics, the incredible EC Comics were no more.

TASCHEN presents the full, fascinating story of this fabled company, written and expertly curated by EC-authority Grant Geissman. Even the most die-hard EC Fan-Addicts will find something new within these pages, with the Gaines family archives providing more than 100 rarities that have never seen print. Many of the cover images are reproduced from Gaines File Copies, which are widely regarded as the best surviving copies of the EC Comics.

Gathering more than 1,000 illustrations that include the rarest and most notorious covers, interior pages and panels, photos, vintage original artwork, and some of the most celebrated stories ever to be printed in four colors for a dime, this is the ultimate EC Comics compendium and a must-have for any comics enthusiast or pop culture historian.

This is the century of homeland security. 

The federal government created a monster. They said it would keep us safe. The monster hatched in November 2002. It was named the Department of Homeland Security (DHS). An appetite for control and conquest was in its DNA. Its early influences, in the years after 9/11, were paranoia and vengeance. 

The DHS is the only new department the United States has spawned in this century. With its birth, issues that were previously seen as separate—immigration control, policing, and counter-terrorism—were brought into a single, sprawling entity. Twenty-two preexisting agencies were absorbed into what became the nation’s third largest government department. Today it has a budget of over $100 billion and employs a quarter of a million people. Every danger is now conceived of as a threat to “homeland security,” and as the 9/11 Commission said in 2003, “the American homeland is the planet.”

This gripping graphic novel tells the story of the 1891 Coal Creek War—one of the most significant yet overlooked labor and abolitionist uprisings in the history of the United States.

Told through the eyes of a young Welsh immigrant, Trouble! at Coal Creek is the epic story of a cross-racial struggle to abolish the system of convict-leasing in the mines. Austin Sauerbrei's evocative black-and-white illustrations and masterful storytelling show the personal battles and motivations that led thousands of miners to repeatedly take up arms against the powerful companies, their militias, and politicians.

Lured by coal companies’ promises of good pay, stability, and opportunity, the narrator’s father brought their family across the Atlantic Ocean for work in the mine. The job, however, was deadly, and life grew unbearable as the coal companies immiserated miners and their families. Meanwhile, slavery, the Civil War, Reconstruction, racist terror, and the birth of the Ku Klux Klan were still fresh memories for most. Coal companies relied increasingly on the forced labor of mostly Black prisoners who were loaned out from the state, an extremely profitable continuation of the old system of racist brutality. As Ida B. Wells noted at the time, "The Convict Lease System and Lynch Law are twin infamies which flourish hand in hand."

The miners of Coal Creek, however, set fire to the edifice of convict-leasing and inspired similar rebellions throughout the South. In this captivating graphic novel, Saurbrei brings their overlooked story to life for new generations of organizers.

Anarchy in the Big Easy is an anarchist graphic history of the quest for freedom in radical and revolutionary New Orleans.

The story begins with the anarchic forces of nature creating the land and the cooperative indigenous communities that thrived before the European conquest. Next we see the revolt against domination through the Enslaved Peoples’ Uprising of 1811, the rise of maroon communities, the work of figures such as anarchist geographer Elisée Reclus and utopian revolutionary Joseph Déjacque, and the moving history of labor militancy—exemplified by the First International, the General Strike of 1892, and the rise of the Industrial Workers of the World. The anarchic aspects of jazz are explored, including its birthplace, the famous red-light district of Storyville. Other episodes recount the history of the Black Panthers, including the legendary shootout in the Desire Project, and the important role anarchists played in the grassroots recovery after Hurricane Katrina. The often-subversive People’s Carnival is depicted, from the history of the Mardi Gras Indians through today’s anarchist marching Krewes. The book concludes with the recent struggle to take down the confederate monuments, and the growth of a decentralized, autonomous mutual aid movement.

These stories are recounted by surregionalist writer Max Cafard and brought vividly to life through the striking images of comix artist Vulpes.

Down by Law: Criminalization, Solidarity, and Survival in Europe is a collaborative graphic novel by ethnographers, artists, and activists that starkly and honestly illuminates people’s stories of those whose lives have been shaped by the social and political implications of criminalization across Europe.

The near-total ban on abortion in Poland, new hate speech laws across Europe, a de facto ban of sea rescue in the Mediterranean, and the criminalization of sex work—these trends toward a harsher politics of criminalization, securitization, and threat are spreading throughout the continent. In eight moving, illustrated vignettes, readers encounter everyday people involved in search-and-rescue activism, sex work, internet content moderation, abortion activism, drug use. We set sail with civilians who take action to save the lives of migrants at sea who face increasingly militarized borders, follow the journey of a woman jailed for a bus fare she couldn’t pay, see the impact of state neglect and violence on people who use drugs in Poland, and follow a migrant woman navigating the challenges of sex work policing who finds resilience in her community, and more.

These ethnographic stories not only bring to life alarming insights into criminalization across Europe but the hope and solidarity of everyday people in the face of increasing repression. The criminalized don’t stay put. They adapt, resist, and survive. Their personal stories are rarely seen or heard, until now.

With contributions from Agata Chełstowska, Agata Dziuban, Aleksandra “Sasza” Stachowska, Asia Bordowa, Beate Binder, Friederike Faust, Florian Krynicki, Carmen Grimm, H-P Lehkonen, Janita-Marja Juvonen, Jan Peukert, Jérémy Geeraert, Joris Bas Backer, Justyna Struzik, Juulia Kela, Katarzyna Urbaniak, Monique Horstmann, Salla Sariola, Sylvain Adam, Todd Sekuler, Valerie Assmann.

In the early-20th century, strikes and union battles were common in industrial centers throughout the US. But nothing compared to the class warfare of the West Virginia Mine Wars. The origins of this protracted rebellion were in the dictatorial rule of the coal companies over the proud, multi-racial, immigrant and native-born miners of Appalachia.

Our illustrated history begins with Mary Harris “Mother” Jones's arrival at the turn of the century. White-haired, matronly, and fiercely socialist, Jones became known as the “miners’ angel,” and helped turn the fledgling United Mine Workers into the nation’s most powerful labor union. “Pray for the dead and fight like hell for the living,” was her famous battle cry.

In 1912, miners led by stubborn Frank Keeney struck against harsh conditions in the work camps of Paint and Cabin Creeks. Coal operators responded by enlisting violent Baldwin-Felts guards. The ensuing battles and murderous events caused the governor to declare and execute martial law on a scale unprecedented in the US.

On May 19, 1920, in response to evictions by coal company agents, gunshots rang through the streets of a small-town in “Bloody Mingo” county. In an event soon known as the “Matewan Massacre”; the pro-union, quick-draw chief of police Smilin’ Sid Hatfield became an unexpected celebrity—but also a marked man.

Events climax with the dramatic Battle of Blair Mountain that pitched the spontaneous Red Neck Army of 10,000 armed strikers against a paid army of gun thugs in the largest labor uprising in US history and the largest armed uprising since the American Civil War.

This graphic interpretation of people’s history features unforgettable main characters while also displaying the diverse rank and file workers who stood in solidarity during this struggle.

Addicted to War takes on the most active, powerful, and destructive military in the world.

Hard-hitting, carefully documented and heavily illustrated, it reveals why the United States has been involved in more wars in recent years than any other country. Read Addicted to War to find out who benefits from these military adventures, who pays and who dies. Over 450,000 copies of the previous editions are in print.

This edition is substantially reworked and fully updated including Barack Obama's drone wars, Chelsea Manning and WikiLeaks, statistics on military spending, and the ongoing costs and consequences of the wars in Iraq and Afghanistan.

The explosive tale of Peterloo, told through the voices of those who were there. This is a vivid, original and historically accurate 'comic book' visual account of the 1819 Manchester massacre, to be published as part of the 200th anniversary commemorations. More than 15 people died and 600 were severely wounded by sabre-wielding troops at a peaceful pro-democracy rally.

The entire narrative is drawn exclusively from the direct testimony of the time (letters, memoirs, journalist's accounts, spies' reports, courtroom evidence...) carefully woven together by rich, vivid, graphic-novel style illustrations created by professional cartoonist, illustrator and graphic novelist Polyp.

This a vital record of working-class history by Manchester-based authors and artists who have been central in reviving the long-suppressed memory of this shocking and world-changing event.

Before the Golden Age of comic books, there was Mr. Block: a bumbling, boss-loving, anti-union blockhead, brought to life over a hundred years ago by subversive cartoonist Ernest Riebe.

A dedicated labour activist and member of the Industrial Workers of the World, Riebe dreamed up his iconic, union-hating anti-hero to satirize conservative workers’ faith in the capitalist system that exploits them. This wickedly funny anthology of Riebe’s writings and comics is a treasure trove of radical 20th-century art and an essential addition to the bookshelves of comics lovers, historians, and labour activists alike.

As income inequality skyrockets and the collective power of the working class is undermined, the lessons from Mr. Block’s misadventures and misbeliefs are as relevant today as ever. Building the new world from the ashes of the old demands many tools—and laughter will always be one of them.

“Sharp, funny, and heart-stoppingly honest.” —Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction

THE #1 INTERNATIONAL BESTSELLER

A Next Big Idea Club’s Must-Read of March 2025 • A She Reads Most Anticipated Book of 2025

A rich and colorful French graphic novel that has become a word-of-mouth sensation and transformed the way hundreds of thousands of people think about climate change.

There is no green energy. Nor pink, nor black. Nor clean nor dirty, for that matter.

In this intelligent, eye-opening, and witty international bestseller, an eminent climate expert takes a graphic novelist on a journey to understand the profound changes that our planet is experiencing. The scientist, Jean-Marc Jancovici, explains the workings of superpowers and history; oil and climate; ecology, economics, and energy flows. He describes, in short, the world we live in today—a world whose future is deeply uncertain. The artist, Christophe Blain, intently listens and draws.

As the pair come face to face with global warming, they—along with Mother Nature and a cast of others—create a picture of what the solution to our predicament actually looks like. It’s not just about switching to renewable energy sources. It’s about rethinking everything: our energy supply, our economies, and our whole world. We’re left with a vision of the future in which food, education, housing, transport, and communities—in other words, all of us—come together and, with a few technological fixes, work to create a world without end.

What do Superman, Prince Valiant, Cerebus the Aardvark, and Spawn have in common? Their creators — Joe Shuster, Harold Foster, Dave Sim, and Todd McFarlane are Canadians. And while many of the cutting-edge talents of contemporary comix and graphic novels are also from Canada — artists such as Chester Brown, Seth, Dave Cooper, and Julie Doucet — far too few Canadians realize their country had a remarkable involvement with the "funnies" long before.

Invaders from the North profiles past and present comic geniuses, sheds light on unjustly neglected chapters in Canada’s pop history, and demonstrates how this nation has vaulted to the forefront of international comic art, successfully challenging the long-established boundaries between high and low culture. Generously illustrated with black-and-white and colour comic covers and panels, Invaders from the North serves up a cheeky, brash cavalcade of flamboyant and outrageous personalities and characters that graphically attest to Canada’s verve and invention in the world of visual storytelling.

Before the Golden Age of comic books, there was Mr. Block: a bumbling, boss-loving, anti-union blockhead, brought to life over a hundred years ago by subversive cartoonist Ernest Riebe.

A dedicated labour activist and member of the Industrial Workers of the World, Riebe dreamed up his iconic, union-hating anti-hero to satirize conservative workers’ faith in the capitalist system that exploits them. This wickedly funny anthology of Riebe’s writings and comics is a treasure trove of radical 20th-century art and an essential addition to the bookshelves of comics lovers, historians, and labour activists alike.

As income inequality skyrockets and the collective power of the working class is undermined, the lessons from Mr. Block’s misadventures and misbeliefs are as relevant today as ever. Building the new world from the ashes of the old demands many tools—and laughter will always be one of them.

2020 Bram Stoker Awards Finalist

In the vein of Flatliners and Ghost meets The Bourne Identity and La Femme Nikita, a diverse team of black ops “Spectres”—elite soldiers who died in the line of duty only to be reanimated by military scientists and brought back as actual ghosts—carry out illicit missions for the United States government in exchange for day passes to haunt their old lives and fulfill their unfinished business.

Spectre Deep 6 is a paranormal sci-fi graphic novel that centers on six reanimated spectres who have the tactical precision and paranormal abilities to carry out the most important and clandestine missions for our government. Missions that are too dangerous, illegal, and secretive to leave any trace—assassinations, regime toppling, technology theft, halting nuclear weapons programs, and more.

When the Spectre Team assassinates a target, they literally scare the victim to death, making it look like they had a stroke or heart attack, so the target appears to die from natural causes. Then they ghost from the scene, leaving no trace they were ever there. They’re the perfect weapons. The downside to spectre soldiers? They’re like batteries that need to be recharged, or they’ll disperse and pass on. That’s why they have to stay locked in containment most of the time, a glorified ghost prison located in a secret military bunker under Area 51 and powered by a nuclear reactor (it takes a lot of energy to charge a ghost). Oh, and ghost soldiers can get a bit … testy. They don’t always get along or follow orders. After all, they didn’t ask to be brought back.

2020 Bram Stoker Awards Finalist

“Spectre Deep 6 is awesome! Horror, science-fiction, great characters, devious twists, rampant weirdness and a heck of a lot of fun! Highly recommended!” -Jonathan Maberry, New York Times bestselling author of V-Wars, Rot & Ruin and Black Panther: Doomwar”

In the vein of Flatliners and Ghost meets The Bourne Identity and La Femme Nikita, a diverse team of black ops “Spectres”—elite soldiers who died in the line of duty only to be reanimated by military scientists and brought back as actual ghosts—carry out illicit missions for the United States government in exchange for day passes to haunt their old lives and fulfill their unfinished business.

Spectre Deep 6 is a paranormal sci-fi graphic novel that centers on six reanimated spectres who have the tactical precision and paranormal abilities to carry out the most important and clandestine missions for our government. Missions that are too dangerous, illegal, and secretive to leave any trace—assassinations, regime toppling, technology theft, halting nuclear weapons programs, and more.

When the Spectre Team assassinates a target, they literally scare the victim to death, making it look like they had a stroke or heart attack, so the target appears to die from natural causes. Then they ghost from the scene, leaving no trace they were ever there. They’re the perfect weapons. The downside to spectre soldiers? They’re like batteries that need to be recharged, or they’ll disperse and pass on. That’s why they have to stay locked in containment most of the time, a glorified ghost prison located in a secret military bunker under Area 51 and powered by a nuclear reactor (it takes a lot of energy to charge a ghost). Oh, and ghost soldiers can get a bit … testy. They don’t always get along or follow orders. After all, they didn’t ask to be brought back.

A Kirkus Reviews Best YA Book of 2022 

A USBBY 2023 Outstanding International Book

A 2022 Foreword INDIES Bronze Winner (Graphic Novels & Comics Category)

Honorable mention, 2023 Children's Africana Book Awards

2022 VLA Graphic Novel Diversity Award Overfloweth honoree

Nominated for the TLA Maverick List

 All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country’s colonial government in the years leading up to Apartheid. In six parts—each of which is illustrated by a different South African artist—All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations.

This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories—true stories of grit, compassion, and hope, now being told for the first time in print.

A quietly powerful graphic novel of hope, separation, and perseverance in the journey to reunite with those you love.

"Set in a near future of apocalyptic threat and space colonization, Fiona Ostby's debut graphic novel, Space Story, is a queer love story full of wistful longing. . . Refreshingly, most characters are women or nonbinary and are matter-of-factly represented as queer. Many particularly touching spreads create parallels: a left-hand panel in red, opposite one in blue, show Leah and Hannah in separate beds, facing each other across an impossible divide. The simple layouts and focus on relationships turn a cosmic dystopia into something universal."
—Shelf Awareness, featured as one of the Best Books of the Week

"This is a story filled with bitter-sweet moments (but with a happy ending), and I am in love with it."
—BookRiot

"Economical and poignantly told, Ostby’s debut graphic novel sets a queer family’s separation drama against an apocalyptic backdrop. . . This is a touching love story for hard times."
—Publishers Weekly

Two women fall in love and start a family on a dying Earth.

Only one escapes to space.

Her family is still on the planet.

They won't give up until they find each other again.

From debut author Fiona Ostby, Space Story weaves an interstellar tale of discovering love and finding strength, courage, and hope—even in the darkest moments.

A graphic novel that confronts our habits, narratives, and fantasies head-on to help
break our petroleum dependency

What if the biggest barriers to responding to climate change are not technological or governmental but, rather, cultural? In other words, what if we ourselves could help to enact change through a deeper understanding of our petroleum dependency? In a provocative graphic format that draws widely from history, critical theory, and popular culture, Gasoline Dreams explores and challenges the ways fossil fuels have shaped our identities, relationships, and our ability to imagine sustainable, equitable futures.

As our rapidly warming planet is pushed toward ecological collapse, we might often feel helpless or paralyzed by the enormity of the challenges confronting us. However, reflecting upon the cultural dimensions of our predicament helps reveal the great potential for social transformation inherent in the multiplying crises. Author and artist Simon Orpana engages with contemporary scholarship in the emergent field of Energy Humanities to confront the habits, narratives, and fantasies that support our attachment to fossil fuels. By revealing the many ways petroculture repeatedly fails to deliver on its promises of “the good life,” Gasoline Dreams calls us to the difficult work of waking up from the fantasies that inhibit us from working toward a global transition to renewable energy.

Written in an engaging graphic format that makes relevant historical, cultural, and political analyses of global warming and petrol dependency important to a wide audience, Gasoline Dreams refutes the progress narratives that depict contemporary, energy-intensive societies as the inevitable product of human history. By revealing the contingencies, coercions, and compulsions this myth disguises, the book allows us to imagine truly progressive alternatives. Rather than casting climate change as a problem for technological elites to solve, the book confronts the everyday realities that reinforce our dependence on fossil fuels, offering a space of hope and engagement from which concerned people can work to build a more sustainable future.

On the threshold of the single greatest transformation the human species has yet faced, Gasoline Dreams challenges us to start living, working, and dreaming differently to become less culturally dependent on petroleum.

A graphic novel that confronts our habits, narratives, and fantasies head-on to help
break our petroleum dependency

What if the biggest barriers to responding to climate change are not technological or governmental but, rather, cultural? In other words, what if we ourselves could help to enact change through a deeper understanding of our petroleum dependency? In a provocative graphic format that draws widely from history, critical theory, and popular culture, Gasoline Dreams explores and challenges the ways fossil fuels have shaped our identities, relationships, and our ability to imagine sustainable, equitable futures.

As our rapidly warming planet is pushed toward ecological collapse, we might often feel helpless or paralyzed by the enormity of the challenges confronting us. However, reflecting upon the cultural dimensions of our predicament helps reveal the great potential for social transformation inherent in the multiplying crises. Author and artist Simon Orpana engages with contemporary scholarship in the emergent field of Energy Humanities to confront the habits, narratives, and fantasies that support our attachment to fossil fuels. By revealing the many ways petroculture repeatedly fails to deliver on its promises of “the good life,” Gasoline Dreams calls us to the difficult work of waking up from the fantasies that inhibit us from working toward a global transition to renewable energy.

Written in an engaging graphic format that makes relevant historical, cultural, and political analyses of global warming and petrol dependency important to a wide audience, Gasoline Dreams refutes the progress narratives that depict contemporary, energy-intensive societies as the inevitable product of human history. By revealing the contingencies, coercions, and compulsions this myth disguises, the book allows us to imagine truly progressive alternatives. Rather than casting climate change as a problem for technological elites to solve, the book confronts the everyday realities that reinforce our dependence on fossil fuels, offering a space of hope and engagement from which concerned people can work to build a more sustainable future.

On the threshold of the single greatest transformation the human species has yet faced, Gasoline Dreams challenges us to start living, working, and dreaming differently to become less culturally dependent on petroleum.

Can Alison play with fire without getting burned? From two comics superstars comes an explosive, high school noir romance for everyone with a mind of their own. 

Everyone hates Darren, the firebug, the bad boy trouble follows everywhere. Alison finds a warmth to Darren, a spark everyone's missing. Alison knows what she's doing, but after tonight's fireworks, she'll find out who knows best. 

Palefire, the first collaboration between writer MK Reed and artist Farel Dalrymple, takes us back to high school for a hot date to the party of the year. When you're not a girl, and not yet a woman, the last thing you want is advice. The road to hell may be paved with good intentions, but everyone deserves a second chance—even if it goes up in flames..

The Cargo Rebellion tells a true story of mutiny on the high seas in which four hundred indentured Chinese men overthrew their captor, the Connecticut businessman and slave trader Leslie Bryson, taking a stand against an exploitative global enterprise.

The laborers learned that Bryson’s claimed destination of San Francisco was a lie to trick them into deadly servitude in the dreaded guano islands of Peru. Reaching a dramatic tipping point, the mutineers rose up and killed Bryson and several of the ship's officers and then attempted to sail back to China.

This book's centerpiece, a deft graphic account of the rebellion in the context of the “coolie trade” and the struggle to end traffic in human “cargo,” is supported by essays that spotlight the rebellion itself, how the subject of indentured Asian workers is being taught in classrooms, and how Chinese workers shaped the evolution of American music, particularly in the making of the first drum set. The Cargo Rebellion is a history from below that does justice to the memory of hundreds of thousands of indentured workers and demonstrates how Asian migration to the Americas was rooted in slavery, colonialism, and the life-and-death struggle against servitude.

In the summer of 2012 the Kurdish people of northern Syria set out to create a multiethnic society in the Middle East. Persecuted for much of the 20th century, they dared to try to overcome social fragmentation by affirming social solidarity among all the region’s ethnic and religious peoples. As Syria plunged into civil war, the Kurds and their Arab and Assyrian allies established a self-governing polity that was not only multiethnic but democratic. And women were not only permitted but encouraged to participate in all social roles alongside men, including political and military roles.

To implement these goals, Rojava wanted to live in peace with its neighbors. Instead, it soon faced invasion by ISIS, a force that was in every way its opposite. ISIS attacked its neighbors in Iraq and Syria, imposing theocratic, tyrannical, femicidal rule on them. Those who might have resisted fled in terror. But when ISIS attacked the mostly Kurdish city of Kobane and overran much of it, the YPG and YPJ, or people's militias, declined to flee. Instead they resisted, and several countries, seeing their valiant resistance, formed an international coalition to assist them militarily. While the YPG and YPJ fought on the ground, the coalition coordinated airstrikes with them. They liberated village after village and in March 2019 captured ISIS’s last territory in Syria.

Around that time, two UK-based filmmakers invited the author to spend a month in Rojava making a film. She accepted, and arrived to explore the society and interview people. During that month, she explored how the revolution had progressed and especially the effects of the war on the society. She found that the war had reinforced social solidarity and welded together the multiethnic, gender-liberated society. As one man in Kobane told her, “Our blood got mixed.”

Founded in 1979 by Seth Tobocman and Peter Kuper, World War 3 Illustrated is a labor of love run by a collective of artists (both first-timers and established professionals) and political activists working with the unified goal of creating a home for political comics, graphics, and stirring personal stories. Their confrontational comics shine a little reality on the fantasy world of the American kleptocracy, and have inspired the developing popularity and recognition of comics as a respected art form.

This full-color retrospective exhibition is arranged thematically, including housing rights, feminism, environmental issues, religion, police brutality, globalization, and depictions of conflicts from the Middle East to the Midwest. World War 3 Illustrated isn’t about a war that may happen; it’s about the ongoing wars being waged around the world and on our very own doorsteps. World War 3 Illustrated also illuminates the war we wage on each other—and sometimes the one taking place in our own minds. World War 3 artists have been covering the topics that matter for over 30 years, and they’re just getting warmed up.

Contributors include Sue Coe, Eric Drooker, Fly, Sandy Jimenez, Sabrina Jones, Peter Kuper, Mac McGill, Kevin Pyle, Spain Rodriguez, Nicole Schulman, Seth Tobocman, Susan Willmarth, and dozens more.

Wildcat Anarchist Comics collects the drawings of Donald Rooum, mostly (but by no means entirely) from the long-running “Wildcat” cartoon series that has been published in Freedom newspaper since 1980. Rooum does not just purvey jokes but makes the drawings comical in themselves, “getting the humour in the line,” provoking laughter even in those who do not read the captions or speech balloons.

The chief characters in the strip are the Revolting Pussycat, a short-fused anarchist who is furious and shouty; and the Free-Range Egghead, an intellectual who would like anarchism to be respectable but sometimes appears foolish. Governments, bosses, and authoritarians are presented as buffoons, and quite often so are anarchists. This thoughtful and delightful collection includes strips from The Skeptic and many more, all beautifully colored for the first time by Jayne Clementson.

The book also includes a lively autobiographical introduction that discusses Rooum’s role in the 1963 “Challenor case,” in which a corrupt police officer planted a weapon on Rooum at a demonstration, ultimately resulting in Rooum’s acquittal.

Actions speak louder than words.

It’s said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast. It’s this premise that lies at the core of The System, a wordless graphic novel created and fully painted by award-winning illustrator Peter Kuper. From the subway system to the solar system, human lives are linked by an endless array of interconnecting threads. They tie each of us to our world and it to the universe. If every action has an equal and opposite reaction, get ready to run for cover!

A sleazy stockbroker is lining his pockets. A corrupt cop is shaking down drug dealers. A mercenary bomber is setting the timer. A serial killer is stalking strippers. A political scandal is about to explode. The planet is burning. And nobody’s talking.

Told without captions or dialogue, The System is an astonishing progression of vivid imagery, each brilliantly executed panel containing a wealth of information, with layer upon layer forming a vast and intricate tour of an ominous world of coincidences and consequences.

“Underground comix,” an artistic expression of rambunctious rebellion in the Vietnam War era, were exploding in 1969 when Radical America, a journal affiliated with Students for a Democratic Society, published a memorable comic art edition. Its principal artist and editor, Gilbert Shelton, whose Fabulous Furry Freak Brothers would be enjoyed in many editions across the world, brought to the project his Texas pals Frank Stack and Jack Jackson. Also on hand, among others, were Chicago comics innovators Jay Lynch and Skip Williamson. Together, these and other contributors issued a veritable artistic manifesto: a new vernacular art had arrived!

A half century after its original appearance, Radical America Komiks retains its rebellious spirit and its rollicking humor. Dopey but also militantly antimilitarist, the comics in this reprinted volume speak to the ideas, sentiments, and artistic experiments of a generation.

Longtime underground artist Jay Kinney, coeditor of the satirical series Young Lust and Anarchy Comics, adds a foreword, and Radical America editor Paul Buhle offers an extensive introduction to the saga of comic art, radical and otherwise.