Anthem Press

The long-awaited convergence of climate, economic, political, intellectual, faith and social failures gives many reasons for despair. The authors of this volume have spent their lives around the trauma of race and poverty in South Africa and the United States working with Nobel prize winners and those in townships and tenements. We have learned that hope is not delusional and accountability not naïve. But one must think clearly and deeply, untethered from the inadequate simplicities and false choices. We must be here now, with eyes wide open for when systems break down, as so many are today, knowing that they also break open new space for creative action.
The authors lead the global web of thinker-doers through the Leading Causes of Life Initiative and national networks in Africa, Europe and the United States. They find coherence among profound thinking from fields never brought into alignment before drawn from by economists, mycelial researchers, anthropologists and health sciences working in the Artic to South Africa, and the tough neighbourhoods in between. This includes a consideration of the human capacities that allow us to act in and transform the world we inhabit, of the radical nature of joy in the face of despair, of the judgement of Nemesis on hubris and privilege, of the ‘value of everything’ contra price as definitive, of the idea of involution as distinguished from evolution, of the concept of ‘meshworks’ in our entanglement with others, and, finally, of the ‘theatre of the soul’ as the unity of the physical, the psychological, the political and the spiritual.
Sharply sensitive to the urgency of careful thought and wise action, the authors help us see that life does find a way towards deep accountability for the life of complex human ecosystems. They ask us to take responsibility for this as a key to human flourishing and well-being.

Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. Unfortunately, many creative artists – and audiences – remain unfamiliar with Aesthetics as a practical discipline and how it might apply to their own creative and/or interpretive pursuits.

‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling. The book’s four chapters codify working definitions of the relevant terms and concepts, employing specific case studies to illustrate how certain aesthetic stratagems govern a film’s structural design and execution. By drawing connections between the technical/creative decisions filmmakers must make and more time-honoured traditions regarding the nature of art, the structures of storytelling and the import of visual imagery, ‘Aesthetics and the Cinematic Narrative’ helps recontextualize film within a wider sphere of artistic/intellectual endeavour. The book is a useful and much-needed addition to the pre-existing canon for students of visual storytelling and for general readers.

Hands, Wrists, Fingers invites musicians to explore a new way of thinking about good health. The physical dimensions of hands are certainly important and merit close study, encompassing coordination, relaxation, dexterity, speed, accuracy, and freedom from pain. While acknowledging these dimensions, Hands, Wrists, Fingers focuses on a broader perspective that includes cultural dimensions both conscious and unconscious, involving language, symbol, ritual, curiosity, playfulness, and mindfulness. Through a wealth of original insights, anecdotes, exercises, and games, musicians will be able to transform their hands into sensitive and intelligent agents of joyful creativity, in which the linguistic and symbolic dimensions of hands become inseparable from their physical and material existence.
Hands, Wrists, Fingers is organized in four parts: Culture, The Language of Hands, Sensitivity and Creativity, and Knowledge and Mystery. Behind the physical gestures and movements of your daily life and your music-making, there are the stories that you tell about your own hands—thoughts and feelings, memories, experiences, judgments, hopes, and fears. Hands, Wrists, Fingers argues that the way you use your hands is inseparable from these stories, in which you tell yourself “what you can and cannot do, what you should and should not do, what you’re allowed to do and what you’re prevented from doing.” If your inner stories aren’t healthy in themselves, it’s very difficult for your hands to behave in a healthy manner.
Hands, Wrists, Fingers is a practical book brimming with exercises and suggestions. Every chapter is supported by video clips illustrating and demonstrating its exercises. Among other things, you’ll explore the skills of rotation and of spiral movements, the mastery of textures and gradations, the playful manipulation of objects, and the use of your hands as agents of expressive language. Your hands will become creative, intelligent, and sensitive, and you’ll develop a new understanding of the true meaning of good health.

Appeals to a broad range of people across ages, values and political beliefs, and will change the way we live our lives

Integrating the fields of ecology and economics with practical business and conservation experience, this book delivers a clear path to restoring our economies to a sustainable state. The result is not a decline in our freedoms, values, and quality of life, but a means to sustaining them in a turbulent 21st century.
Students, business owners, and consumers have read this book and attended John’s seminars only to remark, “Why haven’t we learned this in our traditional coursework?” or “This book brings so much clarity to the fields of sustainability and environmental sciences.”
Intuitively, many of us sense some universal relationships exist between Earth’s ecological and economic systems. For Giordanengo, the most insightful relationships were not the ones he first imagined as a business and ecology student in the early 1990s. This book not only unveils critical new insights into ecology and economics, but integrates them with global case studies to make a bold case for redesigning our economies according to the immutable rules of nature. For example, viewing theories such as ecological succession through an economic lens, we discover the root causes of the wealth gap, while gaining clarity on the role of economic diversity in productivity growth and innovation gains.
Timely, Giordanengo melds centuries of research with decades of business and ecological experience to reveal three simple components common to ecosystems and economies: diversity, energy, and trade. The proper management of these foundational components is perhaps the greatest obstacle to resolving tensions between society, nature, and the global market economy. The scale at which diversity, energy, and trade must be managed is not global, nor is it hyper local. The scale of a sustainable economy lies somewhere between these two extremes, the subject of part II.
Part III of this book outlines a path for restoring our economies, guided by humanity’s shared experiences in ecological restoration. The essential process of ecosystem recovery (i.e., succession) is one such pathway. Unwittingly, the United States and other developed nations manage economic succession in ways that lower their productivity growth and resistance to future disturbances, while concentrating wealth into fewer hands. With such knowledge in hand, however, nations can also move the succession dial toward the productive and diverse center, where wealth and resources are recirculated quickly, new business opportunities are created, wealth is naturally distributed, and resilience and resistance are fortified—a stout shield in the face of global economic turmoil.
From regenerative agriculture to regional-scale manufacturing, and from endogenous energy systems to ecological conservation, practical business strategies and government policies are woven throughout this seminal book.
Consumers will find sound evidence to support a sustainable future.
Students will discover not just theoretical and systems knowledge, but applied economics, ecology, and conservation centered around actionable pathways.
Business and industry leaders will find novel solutions that balance financial responsibilities with social and environmental well-being.
One of nature’s most primeval rules is that times of great turbulence favor the evolved model, not the model of the past.

This is a relatively short work focusing on the metapolitics – the deeper structures – of the Second Cold War. It is designed to prompt discussion and debate, and thoughtful reflection on the current state of international affairs. The earlier Cold War conflict between communism and capitalism has given way to a more amorphous but, paradoxically, more intense struggle between representations of the political good. There is some analysis of diplomatic history and processes in international politics, but the focus is on the underlying attitudes and ideologies that have generated and sustained Cold War 2.

The work begins with some definitions of a Cold War and whether the term is applicable to the current condition of international affairs. There is also some discussion of the term ‘culture’ and how it is applied in this study. The fundamental question is why Cold War has returned, after all the hopes after 1989 and the end the First Cold War for a new peace order. The contesting explanations are examined, including perspectives from the ‘political West’ (the term used to describe the distinctive development of the Atlantic alliance system since 1945), from Russia and China, and later in the work, from the global South.

The work then looks at how this Cold War is being conducted, including renewed militarism, the suppression of dissent, the decline of diplomacy and the reduced opportunities for dialogue. This includes some discussion of ‘double standards’, applied not in a moralistic way but identified as a structural characteristic of international politics today. The instruments of Cold War 2 include sanctions and the reinterpretation of history and memory wars. Many of the familiar methods drawn from Cold War 1 are now applied, but in novel ways to reflect technological change as well as the different ideological contexts. Information management and communicative wars reach deep into public consciousness. However, Cold War 2 leaves much of the global South cold, refusing to be drawn into a conflict that is perceived to be largely a matter internal to the global North. The work ends with some reflections on possible ways this cold war could end.

Alessandro Michele’s creative direction at Gucci, starting in 2015, transformed the brand into a maximalist, gender-fluid and intellectual aesthetic that blended vintage-inspired, eclectic designs with philosophical and cultural references

Before Alessandro Michele took the creative helm at Gucci in 2015, the brand was mostly known for its sleek sophistication and sexy hedonism. Despite having worked at the Italian fashion house for over twelve years as the accessories and jewellery designer, Michele was relatively unknown in the fashion industry and the public sphere. All of that was to change when he sent his models down the runway for the 2015 Fall/Winter ready-to-wear collection in an eclectic mix of pussy-bow blouses, chiffon dresses, wallpaper prints and a motley collection of accessories, including fur-lined loafers, berets and granny-style horn-rimmed glasses. Michele’s stylistic design approach created an aesthetic reminiscent of the fashion eccentric who wears flea market finds with high-end designer and heirloom pieces – imperfect, nostalgic and maximalist. The new Gucci woman (and man) were intellectual and sensual misfits who are perfectly at home in the glamourous rag-tag aesthetic of a Wes Anderson film.
With his inaugurate collection, Michele tapped into the zeitgeist that was yearning for a more colourful and playful design, and a disregard of traditional gender divisions: while Gucci has hitherto showcased its men’s and women’s collections separately, as well as favoured traditional masculine and feminine looks respectively, Michele broke with the idea of a gender binary, ushering in gender fluidity and a new fantastical vision of masculinity.
Although his collections were spectacular in their scope (the Fall/Winter 2017 consists of roughly 120 looks), the designs are also a testimony to his ability to scramble signifiers of gender, pop culture, history and time. Referencing and borrowing from philosophical concepts and ideas, such as the infamous Cyborg collection (Gucci Fall/Winter 2019) that envisioned subjectivities beyond the confines of the human body with replica heads or extra eyes on their hands; the Fall/Winter 2016 collection titled ‘Rhizomatic Scores’, referencing Deleuze and Guattari’s influential concept; or the Fall/Winter 2020 menswear collection titled ‘Masculine, Plural’ that referenced Butler’s notion of gender performativity, Michele exemplifies a fashion auteur who knows how to play not only with gender signifiers but also with signifiers of time, culture and species.

This book is the first biographical account of Sebastian Masuda written in English. Sebastian Masuda is a Japanese creator and artist who is globally known as the king of Japanese “Kawaii” (cute) subculture which originated in Harajuku. His continuous pursuit of the concept of kawaii is his lifetime passion and mission, and his work is always characterized by bright neon colors that led to the emergence of Decora fashion. He wears several hats in the field of fashion, art, and entertainment and uses colorful and kawaii elements as his creative foundation. He treats kawaii styles as explicit, non-violent forms of rebellion and resistance like many other youth subcultures in Japan that express themselves in unconventional fashion. One needs courage to walk down the street wearing bright, flashy clothes and accessories from head to toe.
As an artist, Masuda has created prominent art pieces, such as a giant Hello Kitty sculpture in New York and a giant Doraemon statue made out of fluffy yarn in Singapore. As a designer, he has designed the décor of Kawaii Monster Café in Harajuku and Sushidelic, a sushi restaurant, in New York. He also runs a store, 6%DokiDoki, which has its own clothing line. As an entertainment producer, he has collaborated with Kyary Pamyu Pamyu, a Japanese singer and pop culture icon, and produced her first music video.
This book traces a strong impact of Masudaʼs difficult and lonely childhood and upbringing and complex family background on his creative endeavors that attract millions of youngsters that are also going through personal hardships. Masuda went through his teenage years spending time alone in the library reading books which made him observant and perceptive. This book also delves into his deep understanding of kawaii with intricate layers of interpretations which are often misunderstood and misconstrued as simply being cute, girlie, and infantile. Kawaii is not just an adjective but a lifestyle, philosophy, and ideology.

Preface

The book’s Preface places the current AI explosion in the context of other technological cataclysms and recounts the author’s personal (and not always deadly serious) AI journey.

Chapter One: “Extracting the Essence: Toward Machine Translation of Literature” 

This 2019 essay rashly inquired whether artificial intelligence (AI) and machine translation (MT) might eventually be applied to literary translation. Such translation strives to somehow preserve the essence of a work while carrying it over to a different language and culture and giving it rebirth there. To recognize that essence, the translator must accurately capture the meaning of the original; appreciate its metaphors, connotations, register, references, and other abstract or associative factors; and choose among available target language expressions by exercising esthetic judgments. Computers, however, have until recently remained incapable of such accuracy, abstraction, and judgment. We revisited these shortfalls in light of developments in MT and AI. We teased apart several separable aspects of literary translation – literal meaning, meter, rhyme, and the abovementioned associative elements – with reference to arguments about Vladimir Nabokov’s hyper-literal translation of Pushkin’s poem Eugene Onegin. Prompted by this debate, we came to analyze translation as an optimization problem: because it will often prove impossible to perfectly convey all aspects or essences of a text in a single translation, the translator must search for some optimal compromise. Then we discussed several avenues for improvement in MT which could help to extract these aspects of a text’s essence – first, those which might enhance textually grounded MT (i.e., MT trained on text only), leading to delivery of high-quality literal translations; and second, those related to perceptually grounded MT (i.e., MT trained on simulated perception, e.g. of audiovisual input, as well as text), which might extract more abstract or associative elements of a text. We suggested that recognition of categories would prove central to the essence extraction sought by translators. As this categorization improves, MT should increasingly support literary, and thus cultural, preservation. However, the deepest artificial esthetic judgments will await artificial emotion. Chapter One concluded with two appendices, the first sampling numerous competing translations of Pushkin verses and the second displaying widely varying translations of a short French poem.

Chapter Two: “Toward an Artificial Nabokov”

Chapter One inquired whether artificial translation of literature might be at all possible. The cautious conclusion was that while high-quality literal translation might be achievable through foreseeable development of current techniques, artistic translation would await artificial emotion, a more distant prospect. This 2021 sequel went on to ask whether an artificial intelligence might eventually gain the ability to actually create works of literary art. To throw literary consciousness into the sharpest relief, we took as exemplar an author known for a kind of hyper-consciousness: Vladimir Nabokov. To be sure, the suggestion that artworks combining Nabokov’s superhuman intricacy and wholly human depth could be authored by a collection of switches would horrify this transcendent author, and does seem to fly in the face of everything that is most human. But while we are concerned with what machines might do, our more fundamental concern is to understand the human thoughts and feelings to which machines might aspire; and this understanding, promising to bridge the gap between C.P. Snow’s two cultures, is finally coming within reach. In our literary context, Nabokov scholarship provides many specific examples – in Ada: or Ardor, Pale Fire, and other works – of the author’s hyper-conscious artistic techniques: glorying in memory; repetition to establish themes and motifs; allusion to wide-ranging works and facts; intricate puzzle posing; and relentlessly careful structuring at multiple levels of the text. Here we considered several such techniques, speculating about the extent to which current or coming AI capabilities could approach them. In Chapter Two, Section 2, to clarify assumptions, I set forth my own current conceptions of computation, consciousness, feeling, language, and thinking, providing in the process a somewhat prejudiced AI primer for the computer-shy humanist. In Chapter Two, Section 3, I applied to Nabokov’s prodigious work my understanding of these aspects of mind. Subsections focused on self-awareness, perception, memory, and puzzles.

Chapter Three: “Large Literary Models? Intelligence and Language in the LLM Era”

Spoiler: Chapter Three, Section 6, Experiments will present several striking demonstrations of the current (2025) state of the artificial literary art. This chapter’s initial sections aim to explain the breakthroughs that triggered the abrupt phase change from wannabe to indisputable intelligence and linguistic ability. We first give an account of intelligence, sufficiently general to apply to both biological and artificial entities, defining it as the ability to select actions or outcomes effectively according to the conditions and goals encountered – in computers, as conditional (if/then) expressions. We'll scan various ways of packaging conditionals in computer programs, culminating in deep neural network technology, in which each network node among billions can be seen as an if/then expression. Thus, conditionality realized through networks is seen as the common underpinning of artificial and biological intelligence. Next, to explain the breakthrough success of Large Language Models, we undertake an accompanying account of language, viewed as combining two separable capabilities: (1) to communicate using symbols, minimally one at a time and (2) to communicate with a sequence of symbols – that is, exploiting grammar. We explain the technological breakthrough enabling artificial symbol use as development of vector-based semantic techniques and we explain in depth our understanding of symbolic communication. In the grammatical area, the linguistic breakthrough has been enablement of improved predictors of sequences through consideration of much larger contexts. To manage the accompanying threat of computational overload, it’s necessary to focus on the most predictive contextual elements among thousands. These are taken to be those closest semantically to a given element in question – and the vector-based semantic approach proves to be perfect for identifying them via the attention mechanism and the sequence-prediction technology built upon it, the transformer architecture. However, despite spectacular progress in computational intelligence and language, some aspects undoubtedly remain lacking. We emphasize that the structure of neurally learned knowledge remains unclear, while speculating that class hierarchies and schemas play important parts in LLMs and describing new tools for analyzing the networks’ hidden patterns. We go on to consider issues of (1) search and revision (linguistic and otherwise); (2) experience grounded in the world beyond text, with explanation of Imitation Learning and Reinforcement Learning as ways of predicting what to do next; (3) memory and identity issues; and (4) emotions, stressing that current systems’ lack of built-in drives handicaps artificial artistry – for better or worse – and cautioning against mistaking faked feelings for felt ones. After presenting the abovementioned experiments, we'll conclude with an evaluation, attempting a working definition of “understanding” to support the contention that current LLMs do in fact evince artificial comprehension, while also noting original touches and linguistic creativity.

Sendoff

The volume’s Sendoff considers whether machines, while now arguably intelligent, can ever also gain sufficient sensation and emotion to create language art with other than borrowed depth – and, while viewing this development as likely all too soon, declines to despair on that account.

This book is about the Cannes Medical Conference of April 1919 and its long-lasting impacts in the humanitarian space. In the aftermath of the First World War, as the world order was being redesigned, this conference served to shift the Red Cross movement towards peacetime and public health work. The book examines the origins, course and consequences of the Cannes Medical Conference, and its wider legacy within the Red Cross movement: a legacy which is very significant yet almost completely undocumented.

The book demonstrates that this medical conference was a watershed moment that served to pivot the Red Cross movement across the world, from war and conflict-related activities to peacetime programs such as relief, disease and disaster management. The Red Cross movement is one of the largest humanitarian organisations in the world, and initially, its aim was to alleviate the suffering of people on the battlefield. In 1919, however, a new Red Cross organisation was created in Paris: the League of Red Cross Societies (LRCS) to considerably expand Red Cross work around the world.

The Cannes Medical Conference was the catalyst for the creation of the LRCS. Understanding this conference is therefore paramount to understanding why and how the LRCS was created, how it was imagined, and what its functions were. The LRCS still exists today, known as the International Federation of the Red Cross: it is the largest humanitarian organisation in the world, with 191 national Red Cross societies as its members, and it is based in Geneva. Much has been written on the International Committee of the Red Cross (ICRC), but there has been very little research on the International Federation of the Red Cross, or its ancestor, the LRCS. Aside from a few pages in less than a handful of publications, the way in which the Cannes Medical Conference established the LRCS’s mission remains unknown. This book therefore proposes something that is innovative and that advances the historiography of the Red Cross movement, of humanitarianism and of public health.

Africa: Envisioning Tomorrow explores the major trends that will define the face of the sub-Saharan continent in the next three decades. The near doubling of Africa’s population by 2050 will lead to more than twenty million new job seekers entering the African labour market every year until then. Right now, Africa doesn’t seem armed to offer jobs to this many people, resulting in possible unrest and intra-African or intercontinental migration flows, including to Europe. Climate change creates additional migratory pressure as it threatens the future of agriculture and livestock.
The author explores the opportunities for increased job creation in Africa. Work provides income, and decent and meaningful jobs contribute to prospects and social stability. The evolution of the labour market is essential for the continent’s future. Fortunately, Africa has some major strengths. The continent has the youngest population in the world and represents a wealth of creativity and innovation. Moreover, Africans excel in ‘market-creating innovation’: the ability to see market opportunities and innovations that others do not. Africans create their own jobs through micro and small enterprises. A young well-trained middle class, familiar with digital technologies, is emerging. Africa’s abundant natural resources also attract global regional powers aspiring to secure access to critical raw materials, something the continent can use to its own advantage.
Special attention goes to the European Union’s Africa policy: the book takes a critical look at the European Union’s intentions and approach and formulates recommendations to the European Commission. The author combines economic analysis with stories from twenty-five years of experience with impact investments in Africa. He challenges the typical pessimistic stereotypes about the continent and provides an optimistic vision of Africa’s future.

Family law is a site of social conflict and the erasure of non-traditional families. This book explores how conservative religious and progressive queer groups can cooperatively work together to expand family law’s recognition beyond the traditional state-sponsored family. Various religious groups have shown an interest in promoting alternative family structures.

For example, certain Muslim and Mormon communities have advocated for polygamy, in the process aligning with queer groups’ interest in overcoming the engrafting of monogamy into state law. Advocacy by North American religious conservatives for reforms in favor of non-conjugal families and against same-sex marriage overlaps with certain queer efforts to legitimize friendships and non-traditional families more generally.

This book explores these potential areas of queer and religious political cooperation—including limitations and principled reservations to such cooperation. It then looks at additional future arenas of queer and religious political cooperation going beyond family law.

Ultimately, this book aims to locate and systematize seemingly isolated interest convergences between queer and religious groups into a coherent theoretical framework that can also be used on the ground in political work. In challenging dominant narratives of ‘culture wars,’ the book’s analysis is timely and in line with the need to prevent the escalation of social cleavages looming over our increasingly diverse societies. 

For those captive to the broken world of late modernity, wherein ageing and dying persons become vulnerable to despair, this book offers a diagnostic of such despair. It also resources the practices of a realistic, humanising hope that might enable a strength for person to journey with and for others, together, through such despair. Thus, by addressing the aetiology of despair experienced by people confronting ageing, frailty and dying, and drawing upon the writings of Gabriel Marcel, among others, Ashley Moyse reveals the problematic life of a broken world with its functionalising metaphors, instrumentalising reasoning and objectifying desires that offer no hope at all. It is a broken world where despair generates behaviours that anticipate suicide or other, often tragic, outcomes that impede or greatly curtail or even completely inhibit human flourishing. Resisting despair, but living through it, Moyse presents the activity of the moral life, demonstrating a way persons might be resourced through an intersubjective and reflective pedagogy, with its habits or practices that enable a humanising hope, liberating human beings to become those readied to confront the actualities of human living and dying, and encouraged to grow and develop as ‘wayfarers’, hopefully.

Writing the notes for the exhibition catalogue, Becoming Tennessee Williams, a centenary exhibit at the Harry Ransom Humanities Research Center at the University of Texas (1 February–31 July 2011), Professor and Exhibition Curator Charlotte Cannin noted of Williams’s work that he “reinvented the American theater,” and that “There is no more influential 20th-century American playwright than Tennessee Williams.” “He inspired future generations of writers,” she continues, “as diverse as Suzan-Lori Parks, Tony Kushner, David Mamet and John Waters, and his plays remain among the most produced in the world.” Of A Streetcar Named Desire in particular, critic Philip C. Kolin has said that it is, “One of the most influential plays in the twentieth century.” Kolin’s comment is not restricted to the United States or even to the English-speaking world. A Streetcar Named Desire made an immediate and profound impact on a Europe devastated by World War II, as much of it emerged from beneath the heavy boots of fascism. For Europe, A Streetcar Named Desire was of a piece with liberation, with political liberation, with literary liberation into new forms of expression, and with sexual emancipation. A Streetcar Named Desire suggested for many a new and more open way to live, and offered for writers a set of new possibilities for their art. And while the more sensational Williams may have helped attract large theater and finally film audiences, his endurance as arguably the greatest and most enduring of American dramatists will rest on his language, on his poetic theater, for, after all, as Williams himself has said of his work “Treatment is everything in a play of this type.”

Tennessee Williams, T-shirt Modernism and the Refashionings of Theater refocuses the work of Tennessee Williams against the larger fabric of cultural change in the post–World War II era in which he came to prominence, an era in which the rate of cultural change accelerated unprecedentedly as the late 40s became the 50s, the 50s the 60s, the 60s the 70s, etc. into periods of fragmentation and dislocation, a cultural unmooring we now generally (if too loosely) call postmodern, or, more accurately, perhaps, late modern. The study engages the Williams we thought we knew, as he grew, developed, reconfigured himself into a playwright we didn’t, in his attempts to refashion himself amid the vortices of changing sexual mores, including the performance of masculinities and the queering of theater, the struggle for a literate, literary theater, and the place of the theatrical experience in his contemporary culture.

This renewed edition of the Tractatus Logico-Philosophicus, exactly a century after Wittgenstein’s release, presents the text in a hierarchical manner, “which is the way in which the book was composed and in which Wittgenstein arranged (selected and supplemented) the best of the philosophical remarks that he had been writing since 1913” (Peter Hacker). That tree-like reading is recommended by Wittgenstein himself in the sole footnote of his book, in which he suggests that the inner logical structure of the text is set by the decimal numbers of its propositions. “They alone – the Author will add – give the book perspicuity and clearness, and without this numbering it would be an incomprehensible jumble”. Indeed, the compact and intricate sequence of the traditional presentation is only a rigorous logical bet, but only a logical machine or a robot can unravel the tangle: for an ordinary human understanding that does not exploit its numbering, the book remains “an incomprehensible jumble”.

In the present disposition, instead, all horizontal and vertical references become directly manifest and any reader can enjoy the fine architecture and the elegant reasoning of Wittgenstein's work. Every page is an actual reading unit, perfectly coherent and complete. The Tractatus becomes comprehensible also to unskilled readers, of course at more or less deep levels, while a scholar or a more practised reader can detect suggestions and meanings that had remained, until now, completely hidden. A historical note shows in which manner the new structural perspective sheds new light also in the compositional manuscript we have, which “writing units” are very similar, actually, to the pages of the present edition. Besides, this allows to rebuild the list of “Supplements” (here in the Appendix) that Wittgenstein gathered after he roughly finished his manuscript, but that he used very little in the final book.

Printing the Tractatus following Wittgenstein's decimal prescriptions required meticulous philological care and some discretional conventions: for instance, at the top of each page the commented-upon proposition is printed again, to make the sight complete and self-sufficient. On the other hand, some forcing of the text by the translators in their sequential reading could be eliminated, restoring a more literal translation. Also the famous and intriguing picture of the eye and its visual field (5.6331) has been restored as Wittgenstein drafted it, making the entire page perfectly understandable and coherent. This documented and editorial work on one of the most referenced books of the last century was conceived to obtain, and in fact gained, a perspicuous and crystal clear text, philologically faithful and relaxingly readable at the same time.

Statistics and the use of numbers, in general, are becoming increasingly important in journalism, this to the point that it cannot be overemphasised. In the age of the so-called big data, journalists’ engagement with numbers is seen as the Holy Grail to save the news media from declining streams of revenues, hyper-fragmentation of audiences and the de-politicisation of society in general. Indeed, for some the interaction between journalists and numbers is the future. These voices often refer to the ‘datafication’ of news – and society in general – and vehemently call for the incorporation of statistics and data into journalism practice as a way of improving the quality of news. They see in the ‘data revolution’ a real possibility to revolutionise the way journalism is done, making news stories more comprehensive, relevant, accessible and engaging. It is a quest that pretends to use numbers to enhance journalism and provide better public service journalism. To be sure, many journalists are now expected to deal and examine big and small numbers almost on a daily basis at least in ways that they were not asked to do in the past. This against the pressure of time, declining resources and growing masses of quantitative information related to economic, political and social phenomena (including scientific and academic research reports, public opinion data, political polls, and official and non-official datasets, among others). 

Therefore, it is impossible today to disassociate the discussion about quality in the news from the use of numbers. In this sense, there are important questions to ask: How do journalists use statistics to articulate news? What are the reasons and rationale behind incorporating numbers in the news? Are news stories really better because they present the audience particular numbers or data? Does the incorporation of statistics make news stories more comprehensive and accessible? The book is an attempt to answer this along other more fundamental questions such as: What do we understand by quality in the news? Is data really the future for journalism?

In this book, we aim at challenging some common assumptions about how journalists engage and use statistics in their quest for quality news. In doing so, it seeks to improve our understanding about the usage of data and statistics as a primary means for the construction of social reality. This is a task, in our view, that is urgent in times of ‘post-truth’ politics and the rise of ‘fake news’. In this sense, the quest to produce ‘quality’ news, which seems to require incorporating statistics and engaging with data, as laudable and straightforward as it sounds, is instead far more problematic and complex than what is often accounted for.

To start with, the notion of ‘quality’ in the news remains not only elusive but also contentious. On the one hand, as it is argued here, the notion of ‘quality news’ and ‘quality news providers’ has centred around the normative claims of journalism being a public service to society; something that, as we will argue, is questionable both factually and historically. On the other, there is ample evidence to suggest that contrary to the common assumptions statistics do not necessarily bring accessibility, reliability, validity nor credibility to the news stories. Indeed, based on extensive research and drawing from original data, the book explores the use of statistics within the practice of journalism through the lenses of five quality dimensions: relevance, accuracy, timeliness, interpretability and accessibility. According to the authors, by studying each dimension as a threshold that seeks to guarantee the quality of information in news it is possible to understand the whole journalistic workflow, from production to consumption, on how statistics are articulated throughout in order to substantiate quality news stories. The authors highlight the dichotomy between the normative and professional aspirations of journalism, whereby statistics help support the quality of news, and there is a desire to strengthen the ability of storytellers (journalists) through the use of numbers. The book tries to underpin the tensions and issues around journalism and statistics. The central point made is that while the concept of quality and its dimensions remains a theoretical aspiration among journalists, what they really aim to achieve is ultimately credibility and authority. Hence, drawing from this last dichotomy we argue that not only the use of statistics automatically translates into quality journalism but that in some occasions it even hinders the possibility of greater civic engagement with the news.

This book aims to increase our knowledge and deepen the understanding of Jewish resistance to the Holocaust by examining personal circumstances and characteristics of Jewish resistance members and the formation of small Jewish resistance groups during the Second World War. It is a carefully researched, fully annotated and referenced case study that examines primary and secondary sources, including evidence from oral history interviews with resistance members and documentary evidence, which have been conducted and was collected by the author during almost 40 years of research on the subject but were previously unavailable in English. It uses a qualitative analysis to investigate individual and small group manifestations of Jewish resistance during the German occupation of the Netherlands between 1940 and 1945. This study contributes to historiography, but its focus enables a different interpretation and displays a new view of history. It is a scholarly work, but it is also easily accessible for students and general readers interested in this subject.

The sumptuous Topkapı Palace in eighteenth century Istanbul is a place of breathtaking splendour where human foibles, love, lust and above all greed reign supreme in the lives of a sultan, a painter, a grand vizier and some of the world’s most beautiful women. [NP] Imperial favour has raised a graceful blossom to the symbol of a time that history would later name the Tulip Era. Sultan Ahmed III reigns over a still vast empire as his close companion and Chief Imperial Painter Levnî creates exquisite works of art. But real power lies with his trusted Grand Vizier İbrahim Pasha. In the background, the radiant denizens of the imperial harem fight for supremacy in their cloistered universe. [NP] How will history record Sultan Ahmed III? Hedonist, aesthete or reformer? What will happen to his descendants? [NP] Levnî barely remembers his own Christian family before he was selected as a child tribute and raised into high office by the mighty Ottoman Empire. But who is he really? [NP] Will the Grand Vizier’s quest for ultimate power yield results? [NP] How does an imperial wife justify her own wickedness? [NP] And conversely, what makes another so loyal for better, for worse, for richer, for poorer? [NP] For whose shadow will the tulip gardens long when their world comes crashing down? [NP] 'Unto the Tulip Gardens: My Shadow' is a novel founded on historical fact woven by the silken yarn of imagination. 

Wittgenstein’s remarks on colour have been accorded little critical examination, the sole exception being the explanation in the Tractatus of the logical impossibility of a point in the visual field having two colours simultaneously, a gap the present work is primarily meant to fill. Remarks on Colour, a compilation of writings on the subject drafted in the last fifteen months of Wittgenstein’s life, is subjected to sustained critical scrutiny and is shown that it does not deserve to languish in the limbo to which it has been mostly consigned, but it indeed is deeper and more illuminating than other more studied writings, to say nothing of peripheral writings on ethics, aesthetics and religion.

The Remarks would warrant a careful look if only because it is, as it has been billed, ‘one of the few documents which shows [Wittgenstein] concentratedly at work on a single philosophical issue’. But it also deserves special consideration and is worth grappling with since it shows Wittgenstein thinking through a problem from scratch and, what is still less common, without knowing where he will end up. In particular no other extended stretch of writing so clearly shows him as engaged in an unconstrained investigation of a topic of huge general interest and setting the agenda for philosophers, indeed as pioneering a still insufficiently investigated subject. And following in his footsteps pays since it brings to light a great deal about how he approaches philosophy and proves to be a good way into the philosophy.

Wittgenstein’s once said: ‘Sometimes a sentence can be understood only if it is read at the right tempo’, and the present work takes him at his word and accords him the courtesy of treating his own sentences as ‘all to be read slowly’. His remarks are examined one by one in the order he wrote them rather than the order they appear in the published text with close attention to his toing-and-froing and changes of tack. The result is a picture of a serious philosopher at work, one grappling with rare scrupulousness to a series of problems. Just as importantly one sees that the thrust of his deliberations is routinely misidentified, that there are significant similarities as well as significant differences between his late and early thinking about colour, and that much folklore, both laudatory and disparaging, that has sprung up regarding the thinness of his reasoning and the thickness of his conclusions is substantially off-base.

In November 2007, Romain Lannuzel Erasmus, student at the Autonomous University of Barcelona, ​​mysteriously disappeared without a trace. This case remains unsolved, when the novel begins with another mysterious disappearance of Costantinu Iliescu, a Romanian student. His girlfriend and two of his Erasmus colleagues sound the alarm and move heaven and earth to find him, but both police and university officials believe that Iliescu has left voluntarily and refuse to get involved. However, they will soon have to change their minds as the events that occur after the disappearance of the Romanian student reveal that something terrible, dark and macabre is happening at the college.

A team of policemen, including Deputy Inspector Manuela Vazquez, open an in-depth investigation and the potential suspects multiply. In the minds of teachers, police officers and students, the thick shadow of what appears to be a meticulous and bloodthirsty murderer looms.

Carme Riera endorses the best elements of the thriller genre to create a state of tension and suspense that is maintained until the last page. The prose is evocative, almost cinematic and knows how to combine brilliantly intrigue, irony and social criticism.

Today we face an incredibly complex array of interconnected water issues that cross multiple boundaries: Is water a property or a human right? How do we prioritize between economic utility and environmental sustainability? Do fish have more rights to water than irrigated grain? Can we reconcile competing cultural and religious values associated with water? How much water do people actually need? These questions share two key defining characteristics: (a) competing values, interests and information to frame the problem; and (b) differing views - of how to resolve a problem - are related more to uncertainty and ambiguity of perception than accuracy of scientific information.

These problems - known as complex problems - are ill-defined, ambiguous, and often associated with strong moral, political and professional values and issues. For complex water problems, certainty of solutions and degree of consensus varies widely. In fact, there is often little consensus about what the problem is, let alone how to resolve it. Furthermore, complex problems are constantly changing because of interactions among the natural, societal and political forces involved. The nature of complexity is contingent on a variety of contextual characteristics of the interactions among variables, processes, actors, and institutions. Understanding interactions and feedback loops between and within human and natural systems is critical for managing complex water problems. [NP] This edited volume synthesizes insights from theory and practice to address complex water problems through contingent and adaptive management using water diplomacy framework (WDF). This emerging framework diagnoses water problems, identifies intervention points, and proposes sustainable solutions that are sensitive to diverse viewpoints and uncertainty as well as changing and competing needs. The WDF actively seeks value-creation opportunities by blending science, policy, and politics through a contingent negotiated approach.

Gulf Gothic moves through deep time across languages and borders, presenting haunted, secret-laden narratives that emerge from the gulfs between people all along the Gulf of Mexico and on both sides of the Rio Grande. Collaborating in an interdisciplinary manner, literary and cultural critics Dolores Flores-Silva and Keith Cartwright chart the Gulf as a unified region and ground zero of North American (and global) transculturation.

The Gulf of Mexico has been inadequately appreciated as the dynamic transnational region that it is (taking in the Gulf states of Mexico and the U.S., as well as western Cuba), a cultural matrix that nourished the spread of maize agriculture and the rise of a two-thousand-year-old literary historical tradition that has responded to traumas of colonial conquest and plantation slavery. In this study, the Gulf signifies metaphorically and symbolically—as undead space of contacts and supposed impasses between peoples—as well as topographically. Its gothic modalities carry an urgent charge that demands to be addressed in holistic form

Gulf Gothic addresses modes of representing all that is blocked from free movement and aspiration. Here, the figure of La Llorona haunts boundary waters and shorelines, voicing much that has been occulted by colonial power and national narrative. La Llorona’s Indigenous prototypes, plantation/hacienda atmospherics, and heated storm patterns show up repeatedly in variations of an originary undeadness unconstrained by attempted quarantines and border walls. The authors turn to cinematic horror and the double gaze of ancient Maya texts, to folk-fable and legal documents and popular song, as well as to works by Gloria Anzaldúa, Sandra Cisneros, Leslie Marmon Silko, Joy Harjo, LeAnne Howe, Kate Chopin, James Weldon Johnson, William Faulkner, Carlos Fuentes, Vicente Riva Palacio, Jesmyn Ward, and Fernanda Melchor, to attend to forces unbound by traditional gothic modalities and their foundational gulfs. 

Edited and with an introduction by Professor Habib, 'Confronting Colonialism' is a series of essays commemorating the second centenary of Tipu's final battle against the British at Sriranagapatnam in 1799. The essays, devoted to the history of Mysore under Haider Ali and Tipu Sultan, underscore the need to defend the memory of two rulers, who were indomitable opponents of the colonial regime; they also emphasize the centrality of Haider Ali and Tipu Sultan in Indian nationalist historiography. This collection is of particular importance, especially in light of the recent tendency to devalue the significance of the two rulers.

A selection of ruminative nature writing on walking and the beauty of New England, here Thoreau’s characteristically wide-ranging and philosophical style offers a multitude of fascinating observations. Excursions presents Thoreau’s most studied and expansive collection of writing on the natural world. An early advocate of conservationism, he discusses here, in mesmerising prose, the complex but essential relationship between man and nature. This edition includes a remarkable Biographical Sketch by Thoreau’s great contemporary and mentor Ralph Waldo Emerson.

This choice collection of Thoreau’s nature writing includes the essays ‘The Succession of Forest Trees’, ‘Walking’, and ‘Autumnal Tints’ – each one an explorative reach into the heart of the natural world. Thoreau’s travels through the woods of New England are not only physical journeys through some of the most awe-inspiring landscapes in America but also spiritual excursions of the mind.

Few are aware that since antiquity, there has always been the philosophy of love at the core of Western culture. It articulates what makes life meaningful and worthwhile, and how we can live a good life together through an ethic of love. This book fills this significant gap, not only reconnecting the reader with such important wisdom, and more crucially, also reorienting our socio-economic institutions and collective actions towards more loving and caring, and more concerned with the qualities of our lived experiences. 

By re(dis)covering the gifts of love, we may challenge the existing systemic dehumanisation, and draw from knowledge and understanding already present in our culture. This is timely because the global crises we are facing are catastrophic, especially when it comes to climate change. Therefore we must respond from a place of love rather than fear. Whether it is reducing the use of fossil fuels, lowering greenhouse emission, choosing the right food to eat, or advocating for structural transformation, our concerted endeavours start with an appropriate appreciation of the nature of our well-being which includes the planet’s well-ness. This book highlights a clear pathway forward: to ensure collective healing and co-flourishing with nature, we must practise the art of loving. 

Although introducing conceptions of love developed throughout Western history of thought, this book is not a book of philosophy. Instead, it makes philosophical ideas of love more accessible to anyone who is interested in developing a better understanding of love and its evolution. It intends to awaken the reader to such claims about love that have been quietly speaking to humanity from the depth of the Western culture. In doing so, this book invites the reader to become curious about how and why love has been side-lined if not almost forgotten in the contemporary Western socio-economic systems and national and international politics. Ultimately, by re-familiarising ourselves with these articulations of love, this book urges us to embark on the paths of love and engage in those activities, processes, experiences and relationships that constitute the good life, and embrace the practices of love.

Violence exploding in public spaces, corruption by political figures and economic elites, the will of the people thwarted in both elections and votes in the senate, military misadventures abroad, and rampant economic inequality at home diminishing a shared sense of the common good – in sum, a republic in disarray. These descriptions are not only familiar from ancient Roman political and social life but are also recognizable to any United States citizen who follows the news and American civic life. On the Republic proceeds chronologically through the fall of the Roman Republic beginning in 133 BCE and continuing down to around 14 CE, providing a continuous narrative of the fall of the Roman Republic juxtaposed with the contemporary political landscape of the United States.

On the Republic focuses on four constellations of lessons that represent the most significant things which the fall of the Roman Republic has to teach us at this time: the dangers of political violence, the inability of individuals and institutions to save us, the finality of the loss of freedom, and lastly the importance of civic virtue. In 20 short chapters, On the Republic explores how the United States now faces many of the same challenges that toppled the Roman Republic - political divisions, economic inequality, and creeping authoritarianism. How we respond to these challenges today will determine the future of American democracy.

On the Republic is not a book about the fall of ancient Rome to so-called barbarians overrunning the border. It addresses the fall of a democratic society (the Roman Republic) into an autocracy (the Roman empire). This is not a book about sexual debauchery and gluttony, but a serious reading of political events that had serious consequences. On the Republic offers modern readers lessons that, while sobering, can also empower them to participate in political life in new ways. History is a means not to predict the future, but rather to stir the civic imagination of its readers.

Ali Kadri examines how over the last three decades the Arab world has undergone a process of developmental descent, or de-development. He defines de-development as the purposeful deconstruction of developing entities. The Arab world has lost its wars and its society restructured to absorb the terms of defeat masquerading as development policies under neoliberalism. Foremost in this process of de-development are the policies of de-industrialisation that have laid to waste the production of knowledge, created a fully compradorial ruling class that relies on commerce and international finance for its reproduction, as opposed to nationally based production, and halted the primary engine of job creation. The Arab mode of accumulation has come to be based on commerce in a manner similar to that of the pre-capitalist age along with its cultural decay. Kadri attributes the Arab world’s developmental failure not only to imperialist hegemony over oil, but also to the rising role of financialisation, which goes hand in hand with the wars of encroachment that were already stripping the Arab world of its resources. War for war’s sake has become a tributary to the world economy, argues Kadri, and like oil, there is neither a shortage of war nor a shortage of the conditions to make new war in the Arab world.

“Decolonizing the Diet” challenges the common claim that native American communities were decimated after 1492 because they lived in “virgin soils” that were distinct from those in the Old World. Comparing the European transition from Paleolithic hunting and gathering with native American subsistence strategies before and after 1492, this book offers a new way of understanding the link between biology, ecology and history. After examining the history and bioarchaeology of ancient Europe, the ancient Near East, ancient native America and Europe during the medieval Black Death, this book sets out to understand the subsequent collision between indigenous peoples and Europeans in North America from 1492 to the present day. Synthesizing the latest work in the science of nutrition, immunity, and evolutionary genetics with cutting edge scholarship on the history of indigenous North America, this book highlights a fundamental model of human demographic destruction—Human populations have been able to recover from mass epidemics within a century, whatever their genetic heritage. They fail to recover from epidemics when their ability to hunt, gather and farm nutritionally dense plants and animals is diminished by war, colonization and cultural destruction. The history of native America before and after 1492 clearly shows that biological immunity is contingent on historical context, not least in relation to the protection or destruction of long-evolved nutritional building blocks that underlie human immunity.

“Decolonizing the Diet” cautions against assuming that certain communities are more prone to metabolic syndromes and infectious diseases, whether due to genetic differences or a comparative lack of exposure to specific pathogens. This book refocuses our understanding on the ways in which human interventions—particularly in food production, nutritional accessibility and ecology—have exacerbated demographic decline in the face of disease; both in terms of reduced immunity prior to infection and reduced ability to fight pathogenic invasion.

“Decolonizing the Diet” provides a framework to approach contemporary health dilemmas, both inside and outside native America. Many developed nations now face a medical crisis: so-called “diseases of civilization” have been linked to an evolutionary mismatch between our ancient genetic heritage and our present social, nutritional and ecological environments. The disastrous European intervention in native American life after 1492 brought about a similar—though of course far more destructive— mismatch between biological needs and societal context. The curtailment of nutritional diversity is related to declining immunity in the face of infectious disease, to diminishing fertility and to the increasing prevalence of metabolic syndromes such as diabetes. “Decolonizing the Diet” thus intervenes in a series of historical and contemporary debates that now extend beyond native America—while noting the specific destruction wrought on indigenous nutritional systems after 1492.

• Americans perceive the many political dilemmas in our society and corruption in our government, but few understand the causes of these problems. After explaining the constitutional roots of declining governing capacity in our federal system, this book sets out a comprehensive agenda of 25 amendments that can attract wide support across the political spectrum. The “top 10” proposals include reforms to make elections more competitive, reliable, and fair, such as ranked choice voting (“instant runoffs”); semi-open primary races with fixed dates rotating among all states; an anti-gerrymandering formula to make congressional elections more competitive; improved access to the polls through a national voter registry and voter rights; limits to campaign donations and political advertising. 
• Instead of considering them piecemeal, we should understand how the needed amendments form a systemic overhaul that includes major improvements to the House and Senate. This requires a ban on filibusters, creative ways to fix unequal representation in the House of Representatives, and restoring popular access to legislators. Improving the judiciary requires an 18-year term on the Supreme Court and appellate courts, firm deadlines for confirmation votes to reduce partisan pressures on the judiciary, and clarification of judicial review. A national civics education curriculum and fair-and-balanced requirements for mass media would make it much harder to manipulate people through misinformation campaigns.
• The book also argues for direct election of the president, Puerto Rico statehood, and ways to fix our current radical inequalities of voter influence in the Senate. Several common-sense “good government” reforms will reduce corruption. These include mandated financial disclosures; a requirement for federal legislators and officers to hold their assets in blind trusts; penalties for campaigns using stolen information; limits to the president’s pardoning powers; and clearer grounds for impeachment. Beyond the filibuster, there are further steps to break gridlock in Congress and fix the budget process. 
• Finally, we need to improve the amendment process itself, and clarify how a national convention should work as an alternative to Congress for proposing amendments for ratification. When called by 38 states, a convention can reach national compromise on a whole package of amendments to restore responsive, efficient, and effective government.

Irish author (Eleanor) Norah Hoult (1898–1984) traveled in prominent literary circles and corresponded actively with some of the leading Irish authors of her time, including Brigid Brophy, Sean O’Casey, and Sean O’Faolain. Critics today compare her not only to O’Faolain and Frank O’Connor, but also to novelists Kate O’Brien and Edna O’Brien. Despite her reputation and a forty-four year publishing career, however, Hoult and her work remain surprisingly neglected.

This edition rectifies this critical oversight and introduces Hoult’s short story collection, 'Poor Women!', to a new generation of readers. 'Poor Women!' displays Hoult’s subtlety and humor as an author and her nature as a keen witness to human frailty. In these stories, Hoult unflaggingly highlights the restrictions imposed on her characters by society and its institutions: she thus provides a window into the social, literary and political milieu from which she hails.

Largely cited for its engagement with women’s and religious issues, 'Poor Women!' thus also displays a keen awareness of wider historical issues like the challenges of war and of cultural identity construction. Her incisive portraits capture the emotional paralysis of her characters and their self-delusions. Such thematic and stylistic emphases invite further comparison to better-known contemporary Irish literary giants like James Joyce and Mary Lavin.

Publishing is in crisis. Publishing has always been in crisis, but today’s version, fuelled by the digital boom, has some frightening symptoms. Trade publishers see their mid-lists hollowed, academic customers face budgetary pressures from higher education spending cuts, and educational publishers encounter increased competition across their markets. But over the centuries, forced change has been the norm for publishers. Somehow, they continue to adapt.

This ground-breaking study, the first of its kind, outlines a theory of publishing that allows publishing houses to focus on their core competencies in difficult times while building a broader notion of what they are capable of. Tracing the history of publishing from the press works of fifteenth-century Germany to twenty-first-century Silicon Valley, via Venice, Beijing, Paris and London, ‘The Content Machine’ offers a new understanding of media and literature, analysing their many connections to technology and history. In answer to those who insist that publishing has no future in a digital age, this book gives a rejuvenated identity to this ever-changing industry and demonstrates how it can survive and thrive in a period of unprecedented challenges.

The book collects almost thirty-two opinion pieces, essays, and two poems written by the author on a wide variety of public policy topics and published in books, magazines, and online between 2006 and 2022. The author, a self-described “militant moderate,” draws on his participation as a commentator in these and many other public debates.

The articles are grouped into six parts, topical groupings that range widely: the growing need for moderate voices in policy debates, the nature of American exceptionalism, the challenge of civic discourse, the depredations of the Trump years, the role of campus debates in the formation of public ideas, and policies concerning immigration, citizenship, and refugees.

In each of the essays (and poems), the author's distinctive voice is resonant. It is militant, emphasizing the major values at stake and explaining why he would resolve them in particular ways. But it is also moderate in patiently but firmly rejecting extreme factual and normative claims. The form and content of these writings model civic engagement in its highest sense: respectful of differences, reasonable in its reliance on sound evidence, appealing to civic virtue, and rejecting the extreme claims of left and right.

While the United States celebrates the 250th anniversary of its founding, this timely book considers a darker legacy of the Declaration of Independence.  Focusing on the work of three antebellum Philadelphia gothic writers, Henry identifies a literary mode she calls “civic horror” and examines its relevance to U. S. politics today.

Carsten C. Schermuly explores why people grant power to a few sometime authoritarian leaders and how power psychologically transforms those who hold it. Drawing on research, he shows how power can distort judgement, empathy and behaviour, and argues for understanding its mechanisms to use it more responsibly through better structures, selection and psychological empowerment.

The purpose of this research is to give a voice to nameless and countless stories that represent the personal lived experiences of Sub-Saharan African immigrants in the US. The authors believe that telling our own stories from our own perspectives is important and empowering because when others tell our stories there are omissions and misrepresentations and a lot of stereotyping. 

This book seeks to produce a more specific description of Sub-Saharan African immigration in the US by recording our reflections, experiences, and strategies of coping, as well as those of the participants. We hope that the insights gained from the research in this book will be used by immigrant communities, academic institutions, and governmental agencies in advocating for immigration policies that positively impact the lived experiences of Sub-Saharan African immigrants, and in planning support interventions. 

Their voices are heard as they narrate their experiences, which are presented in the book under major themes that emerged from the interviews. These include how and why Sub-Saharan Africans immigrate to the United States of America (USA), their perceptions before, during and after the process of immigration, the challenges they face as they adjust, adapt, and settle in the USA, and the coping strategies they devise. The authors argue that issues of identity and lack of platforms where they can express their concerns as Sub-Saharan African immigrants and be heard are lacking. The authors are also using a phenomenological qualitative approach of collecting and interpreting participants’ personal narratives and their lived experiences

Make America Sane Again is an analysis of Donald Trump’s many travesties, dating back to his first inauguration but concentrating on the last year.

A special correspondent of The New York Times, Carl W. Ackerman traveled from Vladivostok to Irkutsk to Omsk to Ekaterinburg in the fall of 1918 in the midst of the Russian Civil War. He met with officers of the American and Japanese expeditionary forces, with members of the Czecho-Slovak corps fighting the Red Army, with ministers of the democratic Russian government in Omsk, and with military dictator Admiral Alexander Kolchak, who became the ruler of anti-Bolshevik Russia after a coup that displaced the Democrats. In fact, Ackerman was the first foreign journalist who visited the Ipatiev House in Eka-terinburg, the place of Tsar Nicholas II and his family’s imprisonment until they were murdered in July 1918.

With his notes and newspaper articles to consult, Ackerman wrote Trailing the Bolsheviki soon after his return to the United States. His book was one of the very first American accounts of the Russian Civil War in Siberia and the Far East, providing his readers with the wealth of his observation and the entertainment of his travel feats. Moreover, Ackerman was among the first Americans to notice the basic split between the new political system materializing in Russia and the universalism of the Woodrow Wilson approach. Thus, he became one of the proponents of the first Red Scare and an early forerunner of the Cold War.

John R. Mott’s Recent Experiences and Impressions in Russia presents a collection of public addresses and letters created during his participation in a United States diplomatic mission to Russia—sent by President Woodrow Wilson and led by Elihu Root—from May to August 1917. These historical documents (printed in 1917 but never published) describe this Root Mission and offer perspectives on several momentous events and leaders of the era: World War I, the February Revolution, officials of the Provisional Government, and clergy of the Russian Orthodox Church.

Mott, a key leader of global outreach for the Young Men’s Christian Association of the US, stands out as an influential Protestant leader of this era. In 1946, he received the Nobel Peace Prize in recognition of his life-long effort to promote cooperative ministry around the world. The documents in this volume include Mott’s proposal for the YMCA to carry out a program of social, educational, and spiritual assistance among Russia’s military, as well as relevant chapters from Service with Fighting Men: An Account of the Work of the American Young Men’s Christian Associations in the World War (published in 1924), which outlines and evaluates the activities carried out in Russia in response to Mott’s plans. Together, these writings illustrate the variety of assumptions, convictions, and relationships that contributed to a very significant episode of Russian–American interaction.

Current debates in the environmental humanities, animal studies, and related fields increasingly revolve around this question: What to do with “the human”? Is the human a category worth preserving? Should it be replaced with the post-human? Should marginalized and minoritarian groups advocate for a universal humanism? What is the relationship between humanism and anthropocentrism? Is a genuinely non-anthropocentric mode of thinking and living possible for human beings?
This book argues that the writings of twentieth-century poet Robinson Jeffers offer twenty-first-century readers a number of crucial insights concerning such questions and timely advice about how not to be human. For Jeffers, our tendency to turn inward on ourselves and to indulge in human narcissism is at the heart of the social, economic, and existential ills that plague modern societies. As a remedy, Jeffers recommends turning ourselves outward—beyond the self and beyond the human—and learning to affirm and even love the inhuman cosmos in all of its terrible beauty. In articulating this vision of “inhumanism,” Jeffers develops a full-orbed and radical non-anthropocentrism that stretches across ethical, political, ontological, and aesthetic registers. In the process, Jeffers helps us find our way back to ourselves, but this time no longer as “human” in the traditional sense but as plain members of the inhuman world. With his inhumanist philosophy and poetics, Jeffers not only anticipates the most pressing questions and cutting-edge debates of our present moment but also challenges us to reconsider some of the key dogmas that underpin familiar discourses surrounding the Anthropocene and posthumanist philosophies and ecopoetics.

In a community hospital in suburban Chicago run by Catholic nuns, surgeons performed an operation never done in the world before. The team at the Little Company of Mary Hospital led by Richard Lawler transplanted a kidney in 1950 from a just-deceased woman into the abdominal cavity of a 44-year-old woman.

Critics in the medical community called the operation irresponsible because immunosuppressant drugs that prevent the rejection of a transplanted organ had yet to be developed. Some Catholic clergy considered the transplant sacrilegious because it “desecrated” the sacred body of a dead woman when her kidney was removed. Yet the nuns who ran the hospital blessed the procedure.

Lawler said time alone would judge its success. Seventy years later, that transplant is largely lost to history—overshadowed by remarkable transplant surgeries and medical breakthroughs that have made life-saving kidney and other organ transplants almost routine. The book throws light on a seminal moment in medical history, offering new insights into the early days of human organ transplantation while also looking at the current national kidney crisis.

The papers in this volume can be roughly divided between ‘the philosophy of mind’ and ‘the philosophy of language’. They are, however, united by the idea that this standard philosophical classification stands in the way of clear thinking about many of the core issues. With this, they are united by the idea that the notion of a human being must be central to any philosophical discussion of issues in this area, and by an insistence on an inescapably ethical dimension of any adequate discussion of these issues. None of the papers is well described as ‘exegetical’, but most of them are, in one way or another, papers about Wittgenstein, and all of them are discussions of themes central to his later work and strongly influenced by it. While the debt to Wittgenstein is enormous, many of the papers involve significant criticisms of ideas widely drawn from him, and some of these criticisms may have application to Wittgenstein himself.

The discussions of ‘the philosophy of mind’ are marked by an emphasis on the individual’s relations with others and, with that, by a detailed attention given to the human bodily form. Within the bodily form, the face is, both visually and through the voice, the locus of expression of our thoughts and feelings, and so central to our recognition of each other as beings who have thoughts and feelings. With this, it is central to the ‘attitude towards a soul’ of which Wittgenstein speaks: a phrase that highlights the centrality of an ethical dimension to any adequate philosophical treatment of our understanding of others. My relation to other creatures – both human and non-human – is distorted by the idea of an underpinning of the kind proposed in ‘the argument from analogy’; but it is distorted, too, by the idea (that we may take from Wittgenstein) that our seeing similarities between we human beings and dogs or giant squids is a condition of our ability to ascribe pain or fear to such creatures. A ‘phenomenological’ treatment of our perception of faces may be helpful in breaking down pervasive philosophical prejudices here. The irreducible sense in which the smile that we see is a smile on this face is intimately connected with Wittgenstein’s insistence on the importance of context for an ascription of thoughts and feelings: an insistence that brings out a fundamental incoherence in dominant, ‘reductive’, treatments of the notion of a persisting individual. This incoherence is intimately tied to a failure to leave a place for the notion of a particular individual, as opposed to kinds (transferable properties), in our thought about those whom we know and care for; and, with that, a failure to leave a place for anything recognisable as love. 

The notion of a human being links the discussions of mind and language through the relation between two themes in Wittgenstein: (i) the way in which the human enters into our thinking (‘The human body is the best picture of the human soul’); (ii) the way in which our thinking is a reflection of our humanity. These relations are distorted by the emphasis on ‘rule following’ and the appeal to the idea of continuing an arithmetical series that has had a central place in discussions of language originating from Wittgenstein. Approaches from this perspective fail to do justice to the idea of speech as a form of interaction between people. Rush Rhees suggests that conversation provides a better model for thinking about language. To share a language with someone is to be able to speak with her. One aspect of Wittgenstein’s ‘attitude towards a soul’ is the demand to seek forms of contact with others: including, centrally, interaction in speech with others. Such interaction is crucially dependent on trust, and on the effort to sustain conversation in the face of the unlimited possibilities of its collapse: possibilities that find expression in philosophy in various forms of scepticism. Wittgenstein’s appeal to the idea that ‘justification comes to an end’ is potentially misleading in that it may obscure the possibilities of sustaining discussion in the face of such potential collapse. While much of what we say may run into the sand if pursued in certain directions, we may take one of the tasks of philosophy to be that of bringing out possibilities of a sense of forms we would not have anticipated: and so enhancing the links between us that are involved in conversation. We do well here to shift from the familiar question ‘What conditions must something satisfy in order to be a language?’ to the question ‘What is it seriously to think of – to acknowledge in practice - an individual or group as speaking?’ A focus on this question may cast in a clearer light the character and importance of questions about the language capacities of non-human creatures. The issues here are only well understood if we recognize the primacy of the ethical in our relations to such creatures: a point well illustrated by a remarkable study of the language capacities of bonobo.

William Blake as Natural Philosopher, 1788-1795 takes seriously William Blake’s wish to be read as a natural philosopher, particularly in his early works, and illuminates the way that poetry and visual art were for Blake an imaginative way of philosophizing. Blake’s poetry and designs reveal a consistent preoccupation with eighteenth-century natural philosophical debates concerning the properties of the physical world, the nature of the soul, and God’s relationship to the material universe. This book traces the history of these debates, and examines images and ideas in Blake’s illuminated books that mark the development of the monist pantheism in his early works, which contend that every material thing is in its essence God, to the idealism of his later period, which casts the natural world as degenerate and illusory. The book argues that Blake’s philosophical thought was not as monolithic as has been previously characterized, and that his deepening engagement with late eighteenth-century vitalist life sciences, including studies of the asexual propagation of the marine polyp, marks his metaphysical turn. 

In contrast to the vast body of scholarship that emphasizes Blake’s early religious and political positions, William Blake as Natural Philosopher draws out the metaphysics underlying his commitments. In so doing, the book demonstrates that pantheism is important because it entails an ethics that respects the interconnected divinity of all material objects – not just humans – which in turn spurns hierarchical power structures. If everything is alive and essentially divine, Blake’s early work implies, then everything is worthy of respect and capable of giving and receiving infinite delight. Therefore, one should imaginatively and joyfully immerse oneself in the community of other beings in which one is already enmeshed. Often in the works discussed in this book, Blake offers negative examples to suggest his moral philosophy; he dramatizes the disastrous individual and social consequences of humans behaving as if God were a transcendent, immaterial, nonhuman demiurge, and as if they were separate from and ontologically superior to the degraded material universe that they see as composed of inert, lifeless atoms. 

William Blake as Natural Philosopher traces the evolution of eighteenth-century debates over the vitalist qualities of life and the nature of the soul both in the United Kingdom and on the continent, devoting significant attention to the natural philosophy of Newton, Locke, Berkeley, Leibniz, Buffon, La Mettrie, Hume, Joseph Priestley, Erasmus Darwin, and many others. 

Offers a fresh interpretation of French Symbolist poetics, showing how Mallarmé, Baudelaire, and Rimbaud used visionary, transformative language to challenge modern secular perceptions of reality and reveal the enduring power of poetry.

Despite intensive scholarly activity around its various protagonists, there is surprisingly little comprehensive attempt at critical interpretation in English of the French symbolist movement and its far-reaching purport. Most contemporary works on the topic take the form of anthologies of poetry and theory. The turn to religion, moreover, in recent decades (“post-secular” times) has opened new perspectives developed especially by Bertrand Marchal and his satellites in France, but to date without much echo in the English-speaking world. The Sign of the Swan stands out as an ambitious attempt to interpret the profound spiritual revolution wrought by this poetry in a religiously visionary key rather than as simply consonant with the general secularizing trend of art in modern times.
Historically, symbolism presents itself when a need to open up other channels of meaning besides those recognized by scientific positivism comes to be strongly felt at various stages of the industrial revolution. Thus, symbolist meaning defines itself against denotative, scientific, pragmatic meaning in language. And yet an indescribable, literal rootedness of language in physiological fact is acknowledged by Mallarmé as a disappearing source of poetic creation. This irrecoverable origin can be compensated for and reconstructed by the productions of fantasy. Paradoxically, Mallarmé’s poetry exalts the pure idea and at the same time the concrete materiality of language. This book explains how this coincidence of opposites is possible.
The emptiness of language resulting from its merely representing an absent object, what we may term its objective emptiness, makes it open to every sort of subjective in-pouring of contents to fill it out. What is missing on the objective side constitutes an opportunity for investment on the subjective side. It is not surprising that the symbolists discovered one of their richest symbols in the “cygne”—which not only means “swan,” but also homophonically says “sign” (“signe”). This word in French symbolist poetry, starting with Baudelaire and Mallarmé, intimates the transfiguration of the pure, blank linguistic sign, “white” like the swan, into an inexhaustible plethora of associations to be made by individuals and their subjective fantasies. The “symbol” thus becomes itself a source of perceptions, a verbal unity containing a universe.

International efforts to ensure that armed forces meet the requirements of IHL so that the protection of civilians and detainees in armed conflict is increased continue to face implementation challenges that compromise their effectiveness. This includes, for example, the operations of the International Criminal Court, or the nascent norm of Responsibility to Protect. Relying on initiatives such as these also means that before pressure can be brought to bear on those who violate IHL, irreparable damage is done to victims’ lives and dignity. 

At the same time, the ICRC has grown to recognize that its traditional approach of informing militaries about IHL and emphasizing the incorporation of IHL principles into military policies, doctrines, and educational and training curricula, while healthy measures, are not by themselves sufficient to keep soldiers from not complying with IHL and injuring or killing civilians and detainees. Importantly, this recognition has been driven by empirical data on IHL training effectiveness, and it has been coupled with an understanding that soldiers need to internalize IHL principles to ensure they comply with them. The ICRC has realized that the role played by military leaders, both officers and NCOs, in establishing a sense of positive military identity and professionalism can lead to the development of a values-oriented culture that includes IHL compliance.

Using case studies of empirical assessment in IHL and IHL-related training, as they have occurred over the last 20 years, this book illustrates for military leaders and both civilian and military IHL instructors the many different ways empirical assessment can be used to measure training effectiveness long before troops take to the field. The results of these assessments can also be used to support the deliberate creation of better IHL training curricula and programs, especially ones that emphasize the importance of relying on multidisciplinary teams supporting military leaders as they directly engage with their troops on the ethical and moral issues as well as the legal issues raised by armed conflict. This book also looks to the future and considers the potential of war video games to serve as an effective training platform for young soldiers.

This book explores Raf Simons’ revolutionary impact on fashion and modern masculinity, analyzing his collections and campaigns to uncover how his work challenges traditional masculine norms and creates new visual narratives in menswear.

Explores Nicola Caputi’s scientific writings to reveal how his studies of tarantism, local flora, and environmental health exemplify the integration of local observation and experimental practice within early eighteenth-century scientific culture in the Kingdom of Naples.

The Situated Science of Nicola Caputi provides the first systematic study of the intellectual trajectory of Nicola Caputi (1696–1761), a physician from Salento whose work illustrates the role of local observers in the making of eighteenth-century science. A member of the Neapolitan Academy of Sciences, Caputi combined the empirical study of natural phenomena with explicit reflections on the credibility of testimony and the authority of the witness. His writings reveal how scientific knowledge could be constructed at the intersection of local practice, early eighteenth-century experimental philosophy, and European scholarly networks.
The core of Caputi’s production is the De tarantulae anatome et morsu (1741), a detailed treatise on the anatomy of the tarantula and on tarantism as a culturally and medically significant condition. Here Caputi employed the microscope to dissect hundreds of specimens, recorded case histories of the afflicted, and reflected on the epistemic role of the conterraneus author, the local witness uniquely authorized to interpret endemic diseases. Tarantism, with its strange symptoms, cyclical recurrence, and musical therapy, is presented as a wondrous phenomenon, situated between natural philosophy and medical practice, and explained through an experimental approach.
Caputi’s engagement with local natural knowledge extended further. In his Dissertatio de delfinio, composed at the time of his admission to the Neapolitan Academy in 1733, he investigated both the morphological characteristics and the pharmacological virtues of a Salentine plant against intermittent fevers, combining Tournefortian botanical categories with experimental analysis.. In the Guadina difesa (1751), he acted as expert consultant in a dispute over the edibility of fish from a coastal lake, defending its salubrity through direct measurement and hydrometric instruments of his own design. These works show Caputi’s ability to address pressing medical, environmental, and social issues through experimental practices anchored in his territory.
By presenting these three writings together, the book situates Caputi within the broader intellectual landscape of early eighteenth-century Neapolitan scientific culture and the European Republic of Letters. His work exemplifies a mode of situated science: knowledge rooted in a specific region but articulated with the tools and categories of early modern philosophy and medicine. Wonders and singular natural phenomena emerge here not as marginal curiosities but as central objects of experimental inquiry. Caputi’s case thus offers a fresh perspective on the creative role of peripheral regions in the history of science and medicine.

This monograph examines how far-right political parties in Europe instrumentalize gender to shape voter mobilization and reinforce exclusionary national identities, with comparative case studies of Italy and the Netherlands highlighting strategies targeting women, LGBTQ+ individuals, and migrants.

Collection of my most recent accessible papers on Wittgenstein. Some are previously unpublished. Others have been revised since their original publication.

In this selection of essays written for a variety of publications and platforms throughout the 1990s (essays, program notes, conferences), Nicole Brenez sets out and applies the tenets of what she dubs the “figurative analysis” of cinema. As the title suggests, her two main interests could broadly be summarized as the “figure” (in general) and the “body” (in particular). An actor performing on screen is, of course, a body, but Brenez goes beyond psychological or purely dramatic considerations, studying how formal elements such as framing, lighting, and editing determine what a body is and an audience’s perception of it as well as how cinematic devices can be used to create new bodies – as in the science fiction films of the 1990s that posit hybrid, post-human forms. At the same time, a body can also be a collective of individuals or even themes and motifs brought together via cinematic means.
The term “figure” also has a broad and rich meaning in Brenez’s work, informing concepts such as “figural analysis,” “figural economy,” “figurative invention,” or pure “figuration.” While glimpses of these concepts have appeared in scattered translations over the years, this collection represents the first comprehensive and expansive selection of her writings on cinema in English.
Brenez is interested in the myriad of shapes that figures take in film: shadows, silhouettes, and contours, but also themes and motifs, and how these are visually and aurally manifested. She is especially interested in the ways in which an individual film produces these figures or figurative constellations. Laying out a methodology in the book’s introduction (a letter to John Ford biographer Tag Gallagher), Brenez goes on to analyze and interpret the myriad of figures found in movies by filmmakers ranging from John Woo to Paul Sharits as well as classics by Orson Welles and Sergei Eisenstein. At once rigorous and open, the originality of the films Brenez studies and her very stimulating intuitions and connections, has produced one of the major studies of cinema of the late 20th century.

The proposed volume covers Christopher Winch’s work over a period of 37 years and illustrates four interconnected themes that have informed his thinking over that period. Writing from a Wittgensteinian perspective, Winch is primarily interested in applying Wittgenstein’s general approach to philosophising to educational problems and puzzles of a variety of different kinds. Throughout the collection there is an emphasis on the complexity and subtlety of many of the philosophical problems associated with education, the importance of appreciating differences and the contestability of many educational judgements. Thus the volume starts with a section on rationality and argument and a discussion of some of the perplexities about the nature of literacy and whether it represents a cognitive ‘leap forward’ for the human race or whether it is more of an enabling technology. It is followed, in a reply to David Cooper, by an article that emphasises the importance of charitable interpretation in understanding reasoning and looks at some of the difficulties involved in understanding reasoning in informal contexts.

Winch’s interest in rule-following and concept formation is the theme of the next few articles. Winch has long been interested in philosophical aspects of professional action and judgement. The third section of this book focuses on that preoccupation. Gilbert Ryle’s ideas as well as Wittgenstein’s have been a significant influence on this. This section closes with a discussion of the sense we can make of the claim that theoretical knowledge can inform agency in professional contexts. The fourth section gathers together seven papers on learning and training that Winch has published over the last 25 years. The overarching theme of this section is the highly variegated nature of the phenomena of learning and the difficulty of constructing a ‘grand theory’ of learning. 

This book explores fourteen international case studies of ‘crimes of the powerful’, both contemporary and historical. As such, it explores a hidden and often unknown area of criminal and immoral activity beyond the more commonly studied field of conventional or ‘street’ crimes. It offers a unique insight into different examples of criminality and immorality enacted by the powerful, including corporations, states and criminal networks. The case studies include little-known and more widely known events, offering a critical sociological or forensic analysis of each case. By doing so, the book explores what kinds of criminality or immorality the case exemplifies and identifies key contextual and legislative factors facilitating their occurrence and limiting the perpetrators’ accountability. The critical analytical approach situates the case studies within the wider context and considers the role of social, political and other factors, such as neoliberalism, colonialist histories, inequalities of race and gender and globalisation in their facilitation of particular kinds of immoral or criminal acts. Fundamentally, it explores the legacies of social harm produced by the case study events and how these have played out over time.

Drawing upon themes like disasters, medico-crimes, genocide, corporate crime, organised crime, colonial crimes and internment, the book explores key concepts like critical criminology, sociology and legislation combined with critical social policy. It will also include corporate crime, white collar crime, professional crime and social harm. These concepts will be outlined and then applied in the case studies as a way of understanding and analytically engaging with the individual cases.

Being highly topical, the book reflects a growing popular and academic interest in the social harms produced by the actions of the powerful relating to the legacies and consequences of colonialism, and the impacts of global inequalities, particularly in terms of race and gender. Offering a critical sociological perspective on these issues, the book presents a novel insight into criminality which has interdisciplinary relevance in diverse disciplines including criminology, sociology, social policy and law, geography, environmental studies, international politics and development, peace studies and critical gender studies.

This book examines documenta fifteen (2022) as a turning point in global art politics, from ruangrupa’s Indonesian lumbung model to Palestinian cultural infrastructures. It traces how debates over collectivity, decolonization, and memory politics reveal the contradictions of globalization, financialization, and contemporary art’s search for rootedness.

This book explores the ‘culture of caution’ within Islamic television talk show production, with a primary focus on the Islam Channel in the United Kingdom. Drawing on ethnographic research and personal reflections, it unpacks the socio-political, emotional and creative challenges Muslim media producers face in crafting religious and cultural content for diverse audiences. The book highlights how faith-based media operates under constraints shaped by Islamophobia, public scrutiny and regulatory boundaries, while striving for authentic representation.
By analysing content creation, labour dynamics and gendered experiences, this monograph fills a gap in the literature by offering a behind-the-scenes perspective into religious broadcasting rarely documented in academic work. It investigates the pressures of self-censorship, emotional regulation, and the balancing act between tradition and modernity.
Written for academics, media professionals and cultural policy stakeholders, this book sheds light on how Islamic media navigates production in the West, while affirming the value of resilience, faith and critical media practice in shaping public narratives about Muslims.

Charles Edward Russell was a major intellectual and political figure of the late nineteenth- and early twentieth-century United States. As a very well-known American radical, he published many books on the US economy, the condition of workers, social issues, and other subjects. He was an active member of the American socialist movement before 1917, but when the US entered the war in 1917 he moved to support the US war effort, something many radicals had still opposed. When President Woodrow Wilson was preparing a special delegation to Russia in the summer of 1917, he added Russell to the delegation in an effort to include a radical at a time when the Russian Provisional Government was increasingly socialist.

Russell was the only delegation member to write an account of his trip, and he hurried to get it published by early 1918. He managed to communicate the complexity of the situation in 1917 Russia and inform readers about some of the leaders who were not well recognized abroad. He provided an optimistic view of the revolution, Russia’s future, and how it might have a significant positive effect on change in the United States."

"When an astonishing revolution toppled the Russian autocracy early in 1917, James L. Houghteling Jr., a special attaché to the US embassy in Russia, was one of the very few Americans present who daily recorded the striking events he witnessed and the comments he heard from both Russian and foreign observers. The diary of the thirty-three-year-old Chicago native therefore provides a rare and valuable record of dramatic developments in the streets of the wartime capital, Petrograd. It also offers unusual insights into how Russian elites and foreign diplomats, journalists, and business owners viewed the actions of soldiers, workers, and political leaders who shaped the revolution.

Like US Ambassador David R. Francis and others, Houghteling enthusiastically hailed the fall of the Romanov monarchy as a triumph for American-style liberty and for a patriotic spirit that seemed to promise more vigorous prosecution of the war against Germany and Austria-Hungary. Although Houghteling witnessed soldiers’ refusals to obey officers’ orders, heard stories about desertions, and learned about the popularity of socialists, he refused to allow that to dim his optimism in the weeks when the United States moved toward declaring war against Germany in April. A Diary of the Russian Revolution thus reflects the wishful thinking that affected so many Americans’ views of the overthrow of the autocracy and distorted their responses to anti-war socialists’ seizure of power in the fall of 1917.

This book presents Houghteling’s original account along with explanatory notes and an introduction that sets the diary in the wider context of American interpretations and misinterpretations of the revolutions of 1917 that did so much to shape the twentieth century."

In 1917—that is, in the midst of the First World War—Madeleine Z. Doty, a feminist, lawyer, prison reformer, peace activist, and journalist, was commissioned by the magazine Good Housekeeping to travel "around the world" to get a view “behind the battle line” of how people on the home front, especially women, were responding to the war. Traveling on the Trans-Siberian Railway from China, Doty crossed the border into Russia just days after the Bolshevik Revolution had begun. She meant it literally when she declared in her account of these travels, Behind the Battle Line: Around the World in 1918: “The Bolshevik Revolution had descended on me.”

Having found herself serendipitously arriving in St. Petersburg (then called Petrograd) as history was being made, Doty made plans to extend her visit, staying in Russia for four months, and documenting the revolution as it unfolded, as well as particular elements of it in revolutionary Russia that interested her, such as the justice and penal system and women’s leadership. She also offered a strikingly textured portrait of Russian-German peace negotiations at Brest-Litovsk. When Behind the Battle Line was published, critics noted that the Russian chapters are richest, but combined as they are with discussion of Japan, Korea, Norway, France, Sweden, China, and England, Doty’s account of the Bolshevik Revolution has not gotten the attention it deserves. This book offers Doty’s writings on Russia and the Bolshevik Revolution as a stand-alone volume (supplemented with explanatory footnotes) along with an introduction providing background on Doty herself and the milieu of suffragists, reformers, professionals, and journalists in New York City, of which she was an important part.

Malcolm Grow’s commentary presents us with a fascinating personal account of wartime experience, one that highlights a number of pertinent issues of Russia’s experience of total war. While military historiography is replete with studies of battle plans and strategies, troop movements, numbers of casualties, territorial gains, and decisions of state actors, war is so much more than these, as a fundamentally human experience. Unlike most other foreigners’ accounts of Russia’s war, written by journalists, diplomats, or civilian observers who spent little, if any, time at the “front,” Grow’s narrative provides a firsthand perspective of someone embedded with the Russian troops. Although his primary duty as a regimental doctor was medical care of wounded and ill soldiers, Grow’s narrative focuses much attention on combat, particularly his experiences observing operations from the trenches—even occasionally being drawn into the fighting. His narrative clearly reveals how lines of separation between combatants and non-combatants were blurred on the Eastern Front, where the war was highly mobile and divisions between “front” and “rear” were difficult to maintain. As a result, medical personnel were exposed to dangers, deprivations, and physical and psychological traumas that paralleled the experiences of combatants. Grow also offers his observations of the Russian revolutions of 1917 and their effects on the army. Although he does so through a distinctly American lens and thus reflects some (mis)conceptions held by Americans and other Westerners, his narrative also defies some of these conventions, and provides us with a unique and intimate look at life on the Russian front.

"In April 1917, Walter Crosley assumed the position of naval attaché to Petrograd and brought his wife, Pauline, with him. Over the next eleven months, the Crosleys witnessed the last gasps of the Russian Empire and the emergence of the new Bolshevik-led communist regime. Throughout this period, Pauline wrote letters describing the changing political landscape and the challenges of daily life in a city in the midst (and in the wake) of revolution. Though her letters were written primarily to family members, she recognized their potential value and the interest they might hold for a larger audience, and decided to publish them in 1920. As Crosley wrote in the foreword to her book, “May these letters now serve to interest and enlighten those others who would know what has not before been published!”

Crosley’s book of published letters is a unique and interesting addition to the body of first-hand literature on the Russian Revolution. It is particularly important as the product of a female author. Pauline Crosley’s role and experience in Russia in 1917 was much the same as the diplomatic wives of the US Foreign Service: she was largely responsible for their social calendar and the day-to-day operations of their home. Her letters tend to focus on the details of everyday life, particularly the assessment of their fuel and food supplies, as well as the changing cultural scene and growing violence in the city. Crosley’s letters give us a sense of what life was like during these tumultuous months, and serve as a fascinating companion to some of the more politically detailed accounts of the revolutionary period."

Arthur Bullard’s The Russian Pendulum (1919) is a personal and political analysis of the Russian Revolution, from the Revolution of 1905 through the beginning of the Civil War in 1918. It reflects Bullard’s own perspective, as an advocate for change in Russia with American help. Bullard’s experience as an advisor to Colonel House and Woodrow Wilson as a key staffer for the Committee for Public Information in Russia strongly colors his analysis. In this provocative study, Bullard analyzes the February Revolution, Lenin’s success with “land and peace” proposals, and then ends with Bullard’s own proposals, entitled “What IS To Be Done?” Here he argues that those concerned with Russia should seek information on all sides of the problem and should accept that an “agrarian revolution” has occurred and that any regeneration of Russia must involve public education and commerce. If the United States is to help, it must provide education cooperation, and avoid military intervention.

This book is a first-hand account of the Russian Revolution and its impact on the Russian people. Cantacuzene, an American journalist who lived in Russia during the revolution, provides a detailed and personal narrative of the events leading up to the revolution, the revolution itself, and its aftermath. The book is divided into three parts, each focusing on a different period of the revolution. The first part covers the years leading up to the revolution, including the political climate in Russia, the rise of the Bolsheviks, and the growing unrest among the Russian people. The second part covers the actual revolution, including the fall of the Tsarist regime and the rise of the Bolsheviks to power. The final part covers the aftermath of the revolution, including the civil war, the establishment of the Soviet Union, and the impact of the revolution on the Russian people.Throughout the book, Cantacuzene provides a unique perspective on the revolution, offering insights into the lives of ordinary Russians and their experiences during this tumultuous period in history. She also provides a critical analysis of the Bolsheviks and their policies, highlighting the challenges and contradictions of their revolutionary project.Russian People: Revolutionary Recollections is a valuable historical document that provides a vivid and engaging account of one of the most significant events of the 20th century. It is a must-read for anyone interested in the Russian Revolution, Soviet history, or the history of revolutionary movements. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Universality and Utopia explores the intersection between philosophical universalism and revolutionary politics in twentieth-century Peruvian indigenista literature. It traces a tradition of thought whose basic tenets originate in the philosophical works of José Carlos Mariátegui and are subsequently elaborated in the literary works of César Vallejo and José MaríaArguedas. My central thesis is that, more than a “regionalist” or “provincialist” literature that describes the social reality and historic oppression of the rural Indian since colonial times, the socialist indigenismo is continuous with the invention of a utopian imaginary for a project of alternative modernity, through which urban intellectuals, artists and activists conceived of a national future beyond that of capitalist modernization. Above all, such a future would traverse the prescient division between the urban mestizo and the Indian, and finally the lingering disparity between the nation’s Western and native heritage. In doing so, indigenista writers did not only adapt the tenets of socialist philosophy and avant-garde aesthetics to describe their unique social realities and thinking of the possibility of an emancipatory political practice; they also interrogated the foundations of European Marxism, expressing various figurations of the emancipatory process to come, and different models for the new revolutionary subjectivity that would aid this transition. 

Rejecting assimilation into Western modernization within the urban milieu (“acculturation”) under liberal capitalism imagined by liberal writers—such as Manuel González Prada and ClorindaMatto de Turner, in the late nineteenth century—I argue that the twentieth-century socialist indigenista tradition anticipated a bilateral process of appropriation and mediation between the rural Indian and mestizo, integrating indigenous as well as Western cultural and economic forms. In the first chapter, I assess Mariátegui’s heterodox “Peruvian socialism,” tracing the articulation of a nascentindigenista aesthetics to an emancipatory politics as part of an “active philosophy” driven by what the author names “creative antagonism.” In the second chapter, I explore how César Vallejo’s “materialist poetics” progressively extend the nationalist destiny and social realist aesthetic avowed by Mariátegui onto an internationalist and geopolitical horizon, as part of an “aesthetics of transmutation” that coincides with a plea for humanity as a whole. In the third chapter, I trace how José MaríaArguedas’ novels attempt to reconcile what he named “the magical and rational conceptions of the world,” extending the ideal of a transcultural mediation between the rural Indian and urban mestizo to conceive of a new collectivist and cooperativist ethics of “labor for-itself,” informed by his anthropological and ethnographic research. In the fourth chapter, I propose a general retrospective of the aims and limitations of the ideals guiding this tradition, considering the development of Peruvian indigenista literature after Arguedas, interrogating the legacy and prospects of emancipatory politics in response to the limits of neoliberal capitalism and the crisis of democracy in Latin America today.

‘Regimes of Happiness’ is a comparative and historical analysis of how human societies have articulated and enacted distinctive notions of human fulfillment, determining divergent moral, ethical and religious traditions and incommensurate and conflicting understanding of the meaning of the ‘good life’.

Presented in two parts, ‘Regimes of Happiness’ provides a historical view of the way in which Western societies, the descendants of the Latin Roman Empire, created languages and institutions that established specific and occasionally antithetical conceptions of a fulfilled human life or 'happiness' in the first part. The second part explores how non-Western societies and non-Christian religions have conceived and established their own ideals of human perfection. ‘Regimes of Happiness’ is a critical reflection on modern notions of happiness which are typically focused on individual feelings of pleasure.

The book explores the era of space collaboration (from 1970 to the present). This period has been largely ignored by historians in favor of a focus on the earlier space race. The Apollo-Soyuz Test Project, a key program and catalyst for Détente, marked the transition to the new age of space collaboration, which continued through the Soviet Interkosmos missions, the Mir-Shuttle dockings of the early 1990s, and on through the International Space Station. Europeans, Americans, and Russians envisioned space collaboration as a way to reconfigure political and international relations. 

The shift toward collaboration was a result of a new focus on safety, which displaced the earlier emphasis on risk-taking in the first phase of the space race, when military imperatives often overshadowed peaceful goals. Apollo-Soyuz (ignored by Cold War historians) was thus imagined as a test project for a docking mechanism that would allow a manned-capsule stranded in orbit to dock with another capsule and provide an escape hatch back to earth (it was actually inspired, in part, by the 1969 Hollywood film “Marooned” with Gene Hackman). The focus on engineering for safety grew out of the broader concerns about environmental degradation and nuclear war that in turn reflected a growing sense in the 1970s and 1980s of the dangers associated with excessive risk-taking in politics and engineering. Few historians or social scientists have examined the social construction of safety and its use in engineering and politics. 

The book draws on the Russian Academy of Sciences Archives, Nixon and Reagan libraries and National Archives Collections, NASA headquarters library documents, and various memoirs and other published sources in English and Russian.

An Interdisciplinary Approach to the Theory and Practice of Wildlife Corridors charts some best practices and makes some new theoretical contributions related to the design and creation of wildlife corridors in Anthropocene times. The book not only provides much of the knowledge necessary for a general and credible understanding of connectivity projects, but also makes a unique theoretical contribution to current knowledge about wildlife corridors by arguing that theories about compassion, empathy, and traditional ecological knowledge should inform wildlife corridor projects.

Wildlife corridors, or connectivity projects, are necessary, because when land is set aside or used for human activities, habitats that were once contiguous become fragmented. If species are unable to move between these fragmented areas, they become at risk for inbreeding or extinction. Wildlife corridors attempt to remediate such fragmentation by restoring connectivity and creating expanses of habitat that can provide species with important bridges and points of connection between other habitats. Providing such linkages between habitats reduces these risks and helps maintain genetic diversity and a population’s health.

The book argues for a holistic approach to wildlife corridors that attempts to account for a broad and varied range of stakeholder voices, including those of the vulnerable nonhuman species that underpin the need for corridor projects in the first place. This book should appeal to general audiences and practitioners alike.

The purpose of this volume is not simply to compile yet another wearying chronicle of the horrors that have been committed by our fellow human beings. Most students who register for a course on Genocide assume that it will focus, perhaps exclusively, on the Holocaust—the only case with which they are familiar. Many of them have read Elie Wiesel’s eloquent masterpiece Night in secondary school, and some may have read The Diary of Anne Frank. A few students might even know that a genocide occurred in Rwanda or Darfur. Like most people, however, they equate genocide simply with mass killing, and assume that genocide must by definition entail millions of deaths. Raphael Lemkin, who coined the word “genocide”—meaning “to kill a people”— originally defined it “a colonial crime of destroying the national patterns of the oppressed and imposing the national patterns of the oppressors.” This was a process, Lemkin said, that was intended to destroy a people’s culture thatcould sometimes but not necessarily always result in mass murder. Students need to know that after World War II the great powers undermined and co-opted the process of writing the1948 Genocide Convention at the UN. It was written very carefully to remove from the definition of genocide the treatment of Indigenous peoples in the US and Canada; racial lynching and Jim Crowism in the US; the “elimination of backwards people to protect human progress” in pre-apartheid South Africa, New Zealand and Australia; the mass murder of colonial subjects and repression of racial minorities at the hands of European security forces the world over; the mass murder of political opponents in Latin America; the mass murder of “economic” or social groups in the Soviet Union; and the blanket removal of any mention of famine and sexual violence as acts that could constitute genocide. Instead, they simply used the Holocaust as a template and succeeded in distorting what Lemkin originally meant by “genocide”—the murder of a people by destroying their social and cultural connections.

Students should also know that Lemkin’s ideas were most strongly supported at the UN by member states that were former colonies—namely Egypt, India, Pakistan, China and the Philippines—and by women within many of the delegations that were working to prevent the UN from succeeding in outlawing genocide, such as those from the US and the UK. When students learn this history can begin to think critically about what international law is and which systems of power international law serves. However, they also need a textbook that guides them to think critically and imaginatively about genocide and the 1948 UN Convention without reducing genocide and the UN Genocide Convention to a crude and cynical analysis of global power struggles. In other words, they need a book that is honest and that resists the temptation to spin ahistorical morality tales.

Academic writing is built on choices, and even a single word can change the strength and direction of an argument. This book helps students move beyond formulas, showing how to draft with purpose, revise for clarity, and build credible, well-supported claims. Through real examples, practical exercises, and clear explanations, it guides writers from research planning to sentence-level refinement. Suitable for both classroom use and independent study, it turns the process of writing academic essays into an engaging practice that develops critical thinking and precision, giving students the tools to succeed across disciplines and in real-world communication.

Academic writing is built on choices, and even a single word can change the strength and direction of an argument. This book helps students move beyond formulas, showing how to draft with purpose, revise for clarity, and build credible, well-supported claims. Through real examples, practical exercises, and clear explanations, it guides writers from research planning to sentence-level refinement. Suitable for both classroom use and independent study, it turns the process of writing academic essays into an engaging practice that develops critical thinking and precision, giving students the tools to succeed across disciplines and in real-world communication.

Academic writing is built on choices, and even a single word can change the strength and direction of an argument. This book helps students move beyond formulas, showing how to draft with purpose, revise for clarity, and build credible, well-supported claims. Through real examples, practical exercises, and clear explanations, it guides writers from research planning to sentence-level refinement. Suitable for both classroom use and independent study, it turns the process of writing academic essays into an engaging practice that develops critical thinking and precision, giving students the tools to succeed across disciplines and in real-world communication.

Examines how Denis Martinez’s art, particularly his 1990 exhibition 7 murs revisités, used Indigenous collaboration to challenge nationalist narratives and illuminate the cultural tensions within post-colonial Algeria. 

Grainy video footage, dated back to the 1990s, features Algerian artist Denis Martinez (b. 1941) in conversation with several Kabyle (Amazigh) women. Gesturing toward a carpet, women discussed its geometric motifs with him. Abruptly, the camera cuts to a close-up of one of his canvases, revealing similar painted designs. This scene unfolds during the exhibition of Martinez’s 1989 series 7 murs revisités at a rural Amazigh cultural center in Ait Hichem, a considerable distance from the capital of Algiers. His seven monumental canvases, measuring 200 × 300 cm2, reimagine Kabyle wall paintings as cosmic vessels, marked by bold and colorful patterns and an angst-ridden figure emerging from a portal. The exhibition created a space of conviviality and cultural affirmation despite growing political repression by the Algerian national government. When Martinez painted this series, the Kabyle house had become a potent symbol of resistance against the increasingly repressive policies of the Algerian government, who advocated an Arab-Muslim identity for the nation. Sadly, the works were never acquired by a museum and were later damaged by water after Martinez fled Algeria in 1993, following the outbreak of civil war.
The 1989 series 7 murs revisités by Denis Martinez serves as the central focal point of this book, offering a lens through which to examine how visual expressions of Indigeneity served as symbols of resistance in Algeria. This study of Denis Martinez’s artistic practice centers on his engagement with Amazigh culture, offering insights into how modern artists from post-colonial nations strategically appropriated symbols and motifs linked to Indigeneity. Martinez, an Algerian of Spanish ancestry, was sensitive to the plurality of identities that historically characterized Algeria. After the Algerian revolution (1962), several competing modernisms were emerging in Algeria. Martinez’s deliberately utilized signs and symbols drawn from Amazigh textiles, ceramics, and tattoos with the intention of creating a visual language rooted in universal humanism.
This book undertakes an in-depth analysis of Martinez’s artistic practice, the critical reception to his works, and the contextual backdrop within which they were displayed. As a founding member of the post-colonial collective Aouchem, meaning “Tattoo,” he coined the group’s slogan, “the sign is louder than the bomb,” which was included in the 1967 Aouchem manifesto. This phrase encapsulated their belief in the supremacy of signs and symbols over physical aggression to counter oppression. Martinez worked in an artistic style that conveyed a humanist pan-ethnic ethos. He intertwined swirling patterns derived from Arabic script with geometric motifs inspired by Indigenous Amazigh (Berber) arts. He used muted tones and frequently depicted emaciated human figures, symbolizing the trauma of violence endured during Algeria’s struggle against colonization. He imagined that Indigenous visual representation could confront systematic marginalization, transform power structures, and construct a more equitable future. When Martinez painted his series 7 murs revisités in 1989, it marked a radical change in his visual aesthetic. The study posits that by concentrating on interior wall paintings of the Kabyle house, Martinez fashioned a subversive and strategic localism. In doing so, he used Indigenous art to encapsulate the prevailing tensions of the period and express anxieties surrounding the future trajectory of the Algerian nation.

Academic writing is built on choices, and even a single word can change the strength and direction of an argument. This book helps students move beyond formulas, showing how to draft with purpose, revise for clarity, and build credible, well-supported claims. Through real examples, practical exercises, and clear explanations, it guides writers from research planning to sentence-level refinement. Suitable for both classroom use and independent study, it turns the process of writing academic essays into an engaging practice that develops critical thinking and precision, giving students the tools to succeed across disciplines and in real-world communication.

As the first study of its kind, this book offers a new understanding of progressive women’s poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu’s linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women’s diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies.

In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women’s movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women’s voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing? 

Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women’s movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy. 

Williams fought a good fight for a better democracy and the collective equal rights of African Americans. He was not just a revolutionary voice and internationalist leader and voice in the Black Power movement, and should not be forgotten or dismissed because he maintained other reasons for raging his grievance towards the policies and practices of democracy in the United States. Robert F. Williams neither should be reduced to the status of a tool of Cold War politics or to a study about armed self-defense. Rather, in his contesting the government’s refusal to defend the human rights of 22 million African Americans, Williams’ actions and uncompromising stance directly and affirmatively addressed the promise and rights guaranteed US citizenship and the constitutional rights of the members of that society. Williams critically questioned numerous unjust acts and human rights violations, and waged (often a one-family man) war against America’s inability to practice principles of freedom and democracy, when these mistreatments were ignored. Robert F. Williams was an independent thinker, a compassionate and intelligent man. He was a common man, and despite his lofty intelligence, he was an American, claiming his right to his American citizenship. He was acutely aware of the broken promises of the United States. Yet, he nonetheless remained fully invested in assuming all of the rights, privileges, and responsibilities the Constitution guaranteed American citizens of African descent. He was always focused on making sure Americans took full advantage of the tools available in society and/or in government to bring them to bear in their situation. He believed in the redress of government, and the citizen’s right to do that. He believed that the US Constitution should be abided by, and that that was the right of every citizen.  Robert F. Williams collaborated with leaders of two foreign countries in order to communicate his grievances against the United States government and its citizens who remained complicit in practices of racial injustice. His exile in China from 1966 to 1969 led to his being expunged from the memory of Monroe, North Carolina’s trumped up charges of kidnapping. In the South and the Black Diaspora of the Midwest, he was a local civil rights leader, pragmatist, and internationalist in twentieth-century world history.

This book circumscribes both news media and popular cultural discourse dealing with the U.S. military, including its attendant industries, personnel, and leadership, over the course of a century and a half of American war. This book encompasses an analysis of American introspection, or lack thereof, describing the tone, content, lexicon, and spirit of media coverage of the American military in its engagements from the Spanish American War through to U.S. wars of choice in Iraq and the War on Terror. This work establishes conclusions about the overall way in which American media producers see the U.S. military and, in turn, describes the powerful and dynamic parameters of a discourse on the U.S. military in the public consciousness of the United States as well as international observers during the course of the last 125 years.

This new monograph is, therefore, positioned to provide an innovative and carefully researched view into the linkages between discourse and politics and between culture and policies within the United States looking at various critical moments in the history of the development of the American Empire. Ultimately, this research provides insight into the complex interrelationships between policy, the military, discourse, and culture focusing upon the power centres of discourse creation while connecting previously disjointed lines of historical and media research considering the United States and its imperial and military reach throughout the twentieth and twenty-first century.

Potential benefits of the proposed research project are manifest within its innovative approach to the study of discourse construction, its broad historical vision and its multifaceted methodological approach applying the precepts of history, critical discourse analysis, political science, and media and communication studies. Further benefit from the proposed project includes the pioneering analysis it offers about the U.S. military itself, an institution which is routinely spared time under the critical lense of academic researchers given its primacy of place within the popular, contemporary American imagination. Through this unflinching analysis, this work is both viable and timely given the current geopolitical position of the United States at the apex of global political developments, and possibly, according to some researchers, at the beginning of the end of its military imperium.

W. E. B. Du Bois was one of the leading figures of Pan-African thought and activism in the twentieth century. As a sociologist, Du Bois wrote much about the historical and social circumstances of African Americans while often acknowledging the African historical background driving much of African American, or Negro, culture. In 1946, Du Bois published The World and Africa, which was a culmination of previous attempts at penning a narrative of African history beginning with his 1915 publication The Negro, in which he included the social-historical experience of African Americans within the continuity of African history. This book delivers for the first time a comprehensive Afrocentric investigation and critique of Du Bois’s writings on African history. The book argues that while Du Bois presented at the time a strong critique of the Eurocentric construction of African history, many of Du Bois’s descriptions and arguments about African people and history were likewise flawed with interpretations that projected the cultural subjectivities of Europe. Further, while Du Bois rightfully presents the historical relationship between African Americans and Africa as a justification for Pan-African activism, this book contends that Du Bois’s failure to center African culture instead of race leads to superficial justifications for Pan-African unity. Due to the history of slavery and colonialism, African Americans and other African diasporic people face unique challenges regarding identity. This book posits that the reconstruction of an African cultural-historical matrix would have served Du Bois in better ways than the use of the racial paradigm. Therefore, Adé offers his own African World Antecedent Methodology (AWAM) as a tool for scholars to assist in piecing together the African cultural-historical matrix of diasporic African people. There are three approaches in the AWAM methodology: Kanna (sameness), Fanna (similarity), and Naani (uniqueness), which applied together functions in providing a framework for reconstructing the past lifeways of African people transgenerationally and transcontinentally, as well as reaffirming the cosmological rationale for various aspects of African cultural continuity and cultural unity extant among the African diaspora.

Explores how fitness technology affects mental health, self-image, and social anxiety, revealing its paradoxical effects through insights from sports science, psychology, UX, and gender studies

Beyond the Metrics: The Psychological Impact of Fitness Technology on Self-Image and Social Anxiety offers a compelling, interdisciplinary analysis of digital fitness tools’ effects on mental well-being, identity formation, and physical self-perception. With technology’s pervasive influence on wellness, this book analyzes the meaning of existence and competition under conditions of continuous monitoring.
The authors, drawing upon their diverse expertise, offer valuable perspectives. Dr. Asegul Hulus, a specialist in user experience (UX) and human–computer interaction (HCI), provides insights into self-tracking, gendered interfaces, and platform anxieties. Professional bodybuilder and PhD candidate Esat Hulus offers insights into digital self-surveillance, the pressures of aesthetics, and the emotional toll of performance metrics; his perspective is further contextualized by Dr. Erman Doğan, a sport psychologist and academic, who analyzes motivation, body image, and psychosocial dynamics within competitive sport.
The joint analysis reveals how applications, wearable devices, and social media platforms may contribute to increased self-doubt, the development of body dysmorphia, and amplified social comparison, with a particular focus on young athletes and marginalized groups. This book also offers a vision of fitness technology that prioritizes well-being over ideals of perfection, promoting a more ethical and inclusive approach to design.
This monograph integrates empirical research and cultural critique, making it suitable for scholars, students, coaches, therapists, and designers working within the evolving fields of mental health, digital identity, and embodied performance. This book delves beyond the quantitative data to explore the qualitative aspects relevant to individuals concerned with self-tracking, the influence of social media aesthetics, or technology’s role in personal growth.

Reimagines political theory through a critical political theology that challenges liberal individualism and proposes a historically grounded, action-oriented vision of political reason and subjectivity informed by eschatological time.

Political theology classically and traditionally was about legitimizing state power by grounding it in a metaphysical order revealed in nature. Thomas Hobbes’s Leviathan interrupted this tradition and set political theory on a new, culturally modern course. Hobbes secularized biblical myth to describe how a political order based on a social contract among naturally free and independent individuals works. Hobbes was a natural scientist, and the development of the modern sciences in which Hobbes participated undermined confidence in any natural order based on metaphysical principles. He defined liberty in terms derived from physics as simply the absence of impediments and defended the freedom of individuals to think for themselves. Hobbes also was an early modern biblical critic subjecting biblical texts to historical criticism, and he might be said to have demythologized the Leviathan: his mythological beast turns out to be a big machine. But Hobbes also recognized the usefulness of religion for understanding and encouraging obedience to state power. He stipulated that the Sovereign has the power to establish the religion to be espoused publicly in the worship and opinions of the subjects of the state but at the same time (and in line with his modern principles) allowed for individuals to maintain a private reserve regarding their personal beliefs, thereby opening the door to conflicts that bedevil political life today. The new political theology of Johann Baptist Metz offers a way to work through the tensions and conflicts of contemporary political life. Classical political theology and modern social contract theory are both concerned with establishing and legitimizing order and (at least for modern political theory) security. Metz’s political theology shifts attention to the meaning of political action and the perpetually unfulfilled hope for justice in history. Metz participated in Marxist-Christian dialogue in the 1960s leading him to a “theology of the world” which reads the world as eschatological history (in the manner of Walter Benjamin’s messianic history) rather than as nature and understands historical action as informed by hope in the promise of political justice, a promise defined negatively (in the manner of Theodor Adorno’s critical negativity) as the “eschatological proviso” that all political systems are provisional in light of the unrealized promise of justice. Metz understands reason anamnestically as based on “dangerous memories” (another Benjamin category) of past suffering or anamnestic solidarity with the dead whose suffering precludes closure of meaning. Metz offers an image for this work expressed in terms of the cultural history of the West: he is proposing a return to “Jerusalem” as understood in Tertullian’s distinction “Jerusalem versus Athens.” Christian theology turned to “Athens” and categories derived from Greek philosophy to explain itself. Both Tertullian and Metz called for a return to “Jerusalem” and the categories of (Jewish) biblical thinking. For Tertullian, this was preserving faith from rational criticism; for Metz, “Jerusalem” is still about reason. But Metz also recognizes the threats to this history-integrated reason like the Holocaust. This requires confronting the challenge of Auschwitz as a paradigm of meaningless suffering that cannot be explained; neither can it be denied, and we are left with unanswerable questions that nevertheless must direct our thinking. A new political theology makes possible new ways of thinking through the challenges of modern political culture. A primary case is political subjectivity. Modern political culture begins with liberal individualism: the question becomes why rational individuals live together in organized groups. For Hobbes, our natural freedom and equality result in the war of each against all, making life “nasty, brutish, and short.” Our response is to enter a social contract in which we hand over some of our liberty to a state we create to protect our lives (and property). At base, politics is about survival (biopolitics), about bare life and not the good human life. An alternative is the political subjectivity found in the Israelite prophet Amos whose understanding of repentance locates the meaning of individual lives in their maintenance of the covenant vitality of the people. Individual existence derives from community life without being incorporated into collective identity. Hannah Arendt and Judith Butler offer parallel insights into political subjectivity: Arendt by finding a related political subjectivity in Socrates and by describing freedom as the human capacity to do something new that depends on being witnessed by others to become real, and Butler by describing subjectivity as developing in responsibility to and with others. Rather than conflict and contradiction between the individual and community, politics is where we exist as free subjects. (Other cases also are examined.)

This book examines how contemporary Taiwanese ghost films reimagine trauma, folklore, and identity within a dynamic and globally connected cinematic context.

Beethoven’s Freude theme—or “Ode to Joy”—is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition.

Through the Russian Revolution by Albert Rhys-Williams, a Congregationalist pastor turned labor organiser and journalist, offers readers a first-hand account of the exciting and confusing events of the Russian revolution from June 1917 to August 1918. Williams, a lifelong defender of the Soviet system, documented his first adventure in Russia at its most chaotic moments. There he formed a lasting impression of what he thought the Soviet system could offer to the world and dedicated the rest of his life to this cause. His account, while sympathetic, reveals to a modern audience the inner working of the Bolshevik Party, life in Petrograd and the countryside, and an optimistic vision of the revolutionary future. 

Edward Alsworth Ross, one of the founders of the academic field of sociology, spent July–December 1917 traveling across the Russian Empire and talking to the people there. As he states in his brief introduction, “I have taken it as my business to describe impartially the major social changes going on in Russia … in the latter half of 1917, and leave it to others or to time itself to judge them.” Ross follows through on that promise remarkably well, describing Russian peasants, the urban educated class, industrial workers, women, religion, people who had been imprisoned under tsarism, religion, the people of the Caucasus and Central Asia, and the proposals for democracy, among other topics.

Though this unique account focuses more on the people and less on politics than other accounts of the time, Ross includes a fascinating account of a lengthy private interview with Trotsky in December 1917. He ends the book by looking ahead to Russia’s possible future, from a perspective after the Bolsheviks took power but before the Civil War changed everything. Delving into important themes rarely mentioned in other foreigners’ writings about the Russian Revolution, Russia in Upheaval gives a unique sense of the times.

An original political economy analysis that rethinks inflation as a complex, socially constructed phenomenon, challenging orthodox views and highlighting its potential benefits for growth and inequality reduction.

The book’s seven short chapters provide an original critical, political economist’s introduction to the meaning, causes and consequences of inflation. The book begins by arguing that inflation is a metaphor rather than a ‘thing’ and that inflation is a complex social construction, whose social complexity tends to become obscured by the presentation of inflation in terms of any simple number. It identifies inclusions and exclusions, measurement difficulties, and inherent imperfections in inflation indexes. It then provides a historical context to arguments about causes and consequences, emphasising how prices and price changes are influenced by both states and (more or less private) economic forces and that rather than involving a neutral ‘change of counters’, price changes have substantial and differentiated social impacts. It shows that the ‘norm’ of rising prices is a historical novelty and highlights that genuine hyperinflations are extremely rare.
The middle part of the book develops a constructive critique of existing theories. It begins by considering the quantity theory of money, arguing that the four variables of the famous Fisher equation – money, velocity of circulation, prices and transactions – should indeed be seen as variables and that doing so means that monetarist follies do not require their inversion, that inflation cannot be a monetary phenomenon or that states cannot be implicated. It then turns to the relation between unemployment and inflation and develops ideas which link inflation to the dynamics of capitalist innovation, competition and the changing global economy.
The final part of the book considers the consequences of inflation. It contests what it sees as an anti-inflationary consensus, presenting evidence that, up to levels far beyond those contemplated by central bankers, inflation is conducive to faster economic growth and that it also tends to reduce wealth and income inequality. In this context, it argues that the contemporary low-inflation regime should be understood as a profoundly political achievement and asks why this inherently political character of inflation has been so effectively submerged and the acceptance of the low inflation agenda so widely accepted.

Explores how Ray Petri and the Buffalo collective revolutionized fashion photography in the 1980s by blending subcultural style, radical diversity, and gender politics to create a new cultural template still influential today

Scottish-born, visionary stylist Ray Petri (1948–1989) defined the look and feel of radical 1980s magazines such as The Face, i-D, and Arena. Founder of the maverick Buffalo collective, Petri styled kilts with MA-1 flight jackets and Armani suits with Dr. Martens boots to create genre-defying looks that shook up London’s subcultural scene from grassroots to high fashion. Harnessing the power of street style, sportswear, club culture, new wave, and dandyism, Petri’s vision took the sartorial vocabulary of the perpetually displaced into the mainstream. His radical casting of Black and multiracial models, styling of men in skirts, and women cast as men was a retort to the prevailing aesthetic in contemporary fashion. Moreover, it marked a culturally reflexive, implicitly political approach to the relationship between fashion and identity. Challenging the policing of masculinity and sexuality in particular, Petri’s imagery boldly toyed with the iconography of homoeroticism, employing the language of fashion in the activism for gay liberation against the backdrop of the AIDS crisis. The eclectic Buffalo circle included fellow stylist Mitzi Lorenz; photographers Jamie Morgan, Mark Lebon and Jean-Baptiste Mondino; model-muses Nick and Barry Kamen and a young Naomi Campbell; and musicians such as Neneh Cherry. Shaped by Petri, the Buffalo attitude is intrinsic to style culture today having since inspired legions of photographers, stylists, and designers from Kim Jones to Ibrahim Kamara, Martine Rose, and Grace Wales Bonner. The spirit of Buffalo lives on in the countercultural references, cultural diversity, and post-gender conversation that underlies the most powerful of contemporary fashion imagery. This book traces how Ray Petri and Buffalo created the template for modern fashion photography by advocating not simply for a new aesthetic but for a new cultural order.

David R. Francis held the post of the United States ambassador to Russia from April 1916 to November 1918, and represented his country before four Russian governments: the Imperial, Provisional, Soviet, and Northern. He was an eyewitness of the greatest events in the history of Russia: World War I, the February Revolution, the downfall of the empire, the October Revolution, and the Civil War. During the two and half years of his residence in Russia, Francis met prominent figures such as Nicholas II, the last Russian emperor, and Vladimir I. Lenin, the first Soviet leader. Francis s diplomatic experience was unique and had no parallel in the history of Russian-American relations which is why his memoirs are of special interest for historians and the general public alike.

Examines the evolving landscape of data privacy and ethics, arguing that businesses can build trust and drive growth by adopting transparent, consumer-focused data frameworks beyond legal compliance

Data privacy continues to be an important topic for discussion throughout changing technology, business, and legislation landscapes. The U.S. legislation continues to shift state-by-state, resulting in changes that are often difficult for companies to keep up with. This is (one reason) why businesses should adopt their own data framework principles to guide their business strategy. Developing data guidelines or principles is the practice of a business voluntarily going beyond data privacy legislation to create and implement a data collection and usage framework that prioritizes customer relationships through a lens of transparency and control.
The book explores how consumer data are currently collected from everyday interactions, surveys, website usage, purchases, and more, then examines how that information feeds data and business strategies for companies around the world. Data collection is often complex—it requires different kinds of technology and uses different validation methods, all across different pieces of data—and this complexity can lead to issues with accuracy and tracking of when and how consumer data are used. Data are used to drive business strategies by helping companies find their most loyal users, bring in new customers, and increase usage, among other things. An underlying guide for data principles can lead to improved accuracy in data collection, help businesses stay transparent with consumers, generate more trust, and ultimately, increase business performance.
As consumers become more educated and more aware about what data are collected and how they are used by companies, there is a growing need for businesses to develop a relationship with their consumers built on trust and mutual value. There is currently a gap between the amount of data collected, its usage, and how consumers trust and value the companies with which they do business.
Finally, this book discusses how businesses can bridge that gap, between consumer trust and effective business strategy by developing their own set of data guidelines and principles that can improve business growth. These strategies are designed to help drive consumer trust by treating consumers like real people and understanding the relationship between data collection, usage, and consumer trust.

Louise Bryant and her husband John Reed were among a relatively small group of Americans who participated in one of the most important events of the twentieth century, the Russian Revolution of 1917. As first-hand observers, they attended meetings of the revolutionaries, were present at teh Winter Palace as it was under attack, and witnesssed  the surrender of the palace guards. Over the next weeks, they saw a new regime emerge and met manu of tis most important figures, including Lenin, Trotsky, Kamenev, and Kollontai. Bryant returned home in 1918 and immediately began working on the book that would becime Six Red Months in Russia. Unfortunately for Bryant, her sec and her relationship with Reed overshadowed her talent as a writer and the depth of her observations of this historic event. But Bryant deserves better; she had her oen voice and was a skilled observer and journalist in her own right. While Reed's book is certainly a significant work, it contains little personal commentary. Bryant's account, by comparison, is also a documentation of the revolution, but it goes farther than Reed's in many wants, adding interpretation to observation. Bryant communicates what life was like during the days of the revolution - the people, the food, the excitement, the fear. She is also keenly aware of her American audience and speaks directly to them, urging them to pay attention to this world-changing moment in history and not to be fooled by the misinformation about Bolshevism and the new regime. Six Red Months in Russia conveys Bryant's understanding of the revolution, and reminds us of the utter enthusiasm that many Russians, and Americans, felt for socialism and its yet-untainted, utopian ideals. This new edition of Bryant's book is annotated and set in its appropriate historical context to create a more accessible text for modern readers on the anniversary of this truly world-changing event. 

Donald Thompson in Russia is a compilation of letters to his wife Dorothy in Topeka, Kansas, illustrated with photos. First published in 1918, it outlines Thompson’s conspiracy thesis that :German intrigue, working among the unthinking masses, has brought Russia to her present woeful condition.”

Of all the books by American witnesses of the Russian Revolution, John Reed’s Ten Days That Shook the World was and still is the best known. Even thoughtReed arrived in Russia in September 1917 and left in the spring of 1918, his enthusiastic account focuses on the ten key days of the revolution itself, brining to life the sights, sounds, and key people who were so instrumental in this critical event. Reed, officially a journalist, shed his objectivity and supplorted the Boshevik cause, and this book was the key forum in which he made his cause. In the end, the book has survived, and even thrived, as a primary source on the revolution, even thought Reed died in 1920.

Chicago native, political activist, and journalist Ernest Poole (1880-1950) provides a distinctive view of the  Bolshevik Revolution in his work, The Village: Russian Impressions. This work is unusual in the library of American accounts of Revolutionary Russia because it addresses the world of the Russian peasants, far away from the revolutionary centers of Petrograd and Moscow. He associated with a Russian priest, a doctor, a teacher, and a mill owner who offered a perspective not normally seen in the history of the Bolshevik Revolution. Poole's own views and those of the people he visited provide a fascinating account of the revolutionary era that helps readers a century later understand the complexity of this fascinating time. 

Becoming a Doctor is the inside story of one person’s transformation from naive student to professorial physician. It will make compelling reading for anyone who, when seeing a doctor, has wondered ‘How did you get to be that way?’

Becoming a Doctor is a personal account of a medical education that began in 1966. It reflects on one person’s experience of being gradually transformed from a nervous student into a professorial physician. The book is not a memoir in the ordinary sense, being less concerned with what the author did than with what education and medical practice did to him.
A doctor’s education may look like a straightforward technical training, but ‘re-membering’ it as a personal experience creates a new and disturbing picture, a blend of joys, absurdities and frustrations. Doctors in the 1960s, as now, were focused on disease and had little to say about suffering, let alone death. They were, and still are, curiously silent about healing, recovery and rehabilitation. From within the hospital, people’s ordinary lives were invisible. Becoming a Doctor shows how difficult it is for a young person to resist the pressures of history and culture.
The author observes his younger self’s efforts to be seen as ‘the right stuff’, which involves suppressing personal feelings, adopting medicine’s rhetoric and mimicking the habits of his teachers, with sometimes disastrous results. Communication, and even empathy, seems like performances in which the doctor’s self need play no part. Later in life, the author becomes more aware of what it is to be present, physically as well as psychologically, to another person.
Becoming a Doctor describes how doctors learn to adopt a compartmentalised concept of human nature that few patients would want. While training as a neurologist, the author is expected to assume that real diseases affect real, physical bodies and that other forms of distress are ‘just psychological’, in other words, unreal. Neurologists appear to be technicians of the brain, psychiatrists of the mind and other doctors of the body.
Each of the book’s chapters focuses on a theme, creating a narrative that is roughly chronological, beginning with the perspectives of a junior medical student and ending with reflections on a doctor’s two major ‘crafts’, diagnosis and treatment. While focused on a particular span of years, the book’s story is in constant conversation with its historical context, a dimension that medical orthodoxy scarcely notices. Reflections are shadowed by theory, but this is not an analytical essay but a piece of provocative and entertaining literature. It is about experiences and dilemmas that matter to everyone.

Today as in times past, the figure of the dandy evokes the image of a fashionable male who achieves social influence by distinctive elegance in dress and sophisticated self-presentation. The book explores the history of Dandy as a cultural type across Europe and Russia from the eighteenth century through the present day, analysing different manifestations of dandyism from sparse minimalism to opulent richness. Olga Vainshtein offers a unique view on dandyism as a cultural tradition, based not merely on fashionable attire, but also as a particular lifestyle with specific standards of behaviour, bodily practices and conceptual approaches to dress. The dandy is described as the prototypical hero of the modern cult of celebrities. From clubbing manners, the techniques of virtual aristocratism, urban flâneurs and the correct way to examine people, Vainshtein walks us through the optical duels and the techniques of visual assessment at social gatherings. Readers will learn about strategies of subversive behaviour found in practical jokes, the fine art of noble scandal, dry wit, bare-faced impudence and mocking politeness. Vainshtein outlines the principles of dandyism through an examination of strategies of self-fashioning among famous dandies such as George Brummell, Count D’Orsay, Oscar Wilde and Robert de Montesquiou. Looking at dandyism as a nineteenth-century literary movement, Vainshtein examines representation of dandies in fiction. Along the way, the author offers the English-language reader something entirely new: a history of Russian and Soviet dandyism. Finally, a large section is devoted to the dandies of today, including the discussion of African sapeurs.

Explores how nationalist projects in the modern Mediterranean absorbed, reshaped or erased shared intercultural identities, offering five historical case studies from Italy, Greece, Turkey, Lebanon and Libya

The study of modern Mediterranean history, society and international relations has long featured debates over whether and which of the values, norms and perspectives found in the region are site-specific or cross-cultural. In the past few decades, scholars have offered new understandings of the Mediterranean’s nationalist era in the 19th and 20th centuries by exploring the tension between national and transnational identities. Recent advances by far-right and authoritarian forces in a wide array of Mediterranean states prove that this tension remains of present-day significance and urgency.
Transnational Nationalism in the Mediterranean Sea: Origins and Aftermaths provides a timely, innovative and concise contribution to these ongoing debates. As it is indisputable that numerous Mediterranean sub-regions entered the nationalist era expressing intercultural characteristics, many questions remain to be answered about, first, the repurposing of pre-nationalist shared identities for nation-building causes and, second, attempts by nationalist forces to divide and erase those same shared identities. In the face of these questions, Schumacher argues that methodologies predicated on critiquing crude dyads like East versus West, North versus South, and Europe versus non-Europe are outmoded and present very little utility in policy-minded spaces.
Schumacher proposes that a case-studies approach has better potential to provide both new insights for scholars and actionable information for policymakers. He provides five historical case studies, centred on the national experiences of Italy, Greece, Turkey, Lebanon and Libya. First, he investigates how Italian nation-building was affected by the Italian peninsula’s pre-unification relations with other Mediterranean locales. Second, he explores the nature of Greekness in the Ottoman world after the emergence of an independent Greek state. Third, he offers a view on how the rise of Turkish nationalism affected the Ottoman role in the Mediterranean Sea. Fourth, he looks at how Lebanon’s colonial and post-colonial history reflects the limits of transnational narratives in nation-building and asserting state sovereignty. Fifth, he examines Libyan nationalists’ attempts to reconcile their country’s desert versus maritime and local versus international identities. The book closes by suggesting that the ongoing refugee crisis in the Mediterranean should lead scholars to question the instrumentality of their work.

The first book to examine the creative life and worlds of Rudolf H. Sauter

War and Peace in the Worlds of Rudolf H. Sauter is a unique project which complements current trends in scholarship and the insatiable public appetite for books about the experience and impact of war. It is the first book to examine the creative life and worlds of Rudolf H. Sauter (1895–1977), the German-born artist, poet, cultural observer and nephew of the famed novelist John Galsworthy. Revealing him to be a creative figure in his own right, it examines his early life as a German immigrant in Britain, his formative years during the run-up to the Great War, his wartime internment as an “enemy alien,” and the postwar development of his intriguing body of artistic and literary work. Placing Sauter and his creative life in the historical contexts they have long deserved, this cultural biography opens a window onto subjects of war, love, memory, travel and existential concerns of modern times.

Our world is a world of pain and suffering—at the individual level of private lives as well as the level of historical and political events. The familiar examples of suffering we need to engage with range from everyday unpleasantness, such as a prolonged illness, to massive horrors epitomized in world wars and genocides, such as, at the extreme, the Holocaust. We know, in most cases, how to explain these evils: medical science tells us how and why illnesses occur, geology explains earthquakes, and history and social psychology explain what happened at the darkest moments of our civilization, and why. However, even when everything has been explained, many of us feel that we still fail to properly understand why unspeakable events like brutal mass murders and war crimes happen. Those with religious convictions may wonder why God, if God exists, allows such things to exist. The theological and philosophical tradition of theodicy is an influential attempt to respond to such questions focusing not so much on explaining suffering but on the normative question of justifying suffering.
This book introduces antitheodicy as a critical ethical response to the problem of evil and suffering. While the mainstream debate on this problem in the philosophy of religion continues to focus on theodicies seeking to justify or excuse God’s allowing that there is apparently meaningless suffering, this introduction not only explains why an antitheodicist alternative is ethically superior to such attempts but also, more importantly, extends the antitheodicist approach from the philosophy of religion to broader ethical engagements with suffering. Sketching some of the historical milestones of antitheodicist thought as well as the most important contemporary versions of antitheodicy, the book argues that antitheodicy is the only decent account of suffering and that theodicies are incompatible with ethical seriousness. Theodicies tend to instrumentalize suffering in the service of some imagined overall good, or a metaphysical scheme failing to recognize the individual perspective of the victim. The significance of this essentially ethical argument against theodicies reaches far beyond the philosophy of religion, as the theodicy versus antitheodicy opposition also has interesting secular varieties. Any explicit or implicit instrumentalization of suffering in the service of real or imagined overall goodness may be claimed to be quasi-theodicist, even if it has nothing to do with religious or theological attempts to justify suffering. Antitheodicist critique is therefore needed across a range of ethical and political problems.

This book chiefly approaches Irish nationalist references to “Iran” as a conceptual lens for probing a broad array of developments in Irish nationalist formulations of Irish history (from ancient times to post-Norman conquests), as well as formulations of Irish identities and modes of “collective” nationalist recollection. Key thematic examples in the book range from the late eighteenth-century antiquarian debates on Irish origins to the “Iran/Erin” interchange in Irish nationalist poetry of the likes of Thomas Moore and James Clarence Mangan in the first half of the nineteenth century, the coverage of the Anglo-Iranian War of 1856–1857 in the Irish nationalist press, studies on Irish folklore by the likes of Lady Jane Wilde in the second half of the century, the emergent Aryanist discourse in some Irish nationalist circles after the mid-nineteenth century, Irish nationalist responses to the Iranian “Great Famine” of 1870–1872, references to Iran in the context of Irish Literary Revival at the turn of the twentieth century, Irish nationalist advocacy of the Iranian Constitutional Revolution of 1906–1911, and cross-territorial expressions of solidarity during and after the First World War. The only exception to the general timeline covered in the book is the section on James Joyce’s Finnegans Wake (1939), which serves as a means of interrogating the post-1922 shrinking world horizon of nationalist historiography and politics in the Irish Free State.

• In its specifically “Iran”-themed approach, this book highlights both the greater centrality of Iran in Irish nationalist antiquarianism after the late eighteenth century and in subsequent Irish nationalist folklore studies than hitherto acknowledged. At the same time, this book goes beyond explorations of Irish nationalist appropriations of “Iran” (past and contemporary) as reflected in a wide spectrum of debates ranging from antiquarian theories of Irish origins to studies on Irish folklore and mythology, as well as the manifold utilizations of Iran in Irish nationalist literature. Additionally, this book examines sporadic Irish nationalist interest in contemporary developments in Iran after the middle of the nineteenth century, most notably in the form of the protracted and multivalent Irish nationalist advocacy of Iranian sovereignty from 1907 to 1921. In the process, this book also highlights the persistently “worlded" framework of Irish-nationalist self- imaginations.

There is a fundamental mismatch between the global trade rules as they govern international economic behaviour and the political economic factors influencing domestic policy making. It comes as no surprise, therefore, that the multilateral trading system is in crisis. Countries are increasingly turning to bilateral and regional (and mega-regional) trade deals to push forward their trade agenda. There is far less consensus around these next-generation trade agreements which reach into every aspect of domestic policy-making. At this time, more than ever, policy-makers, treaty negotiators, and scholars and students of international law need to understand the ways in which this growing regime of international trade and investment impacts regulatory decisions. 

This book demonstrates how seemingly disparate spheres of legal theory and practice (investment incentives, patent protection, land reform, etc.) are all linked together through the lens of international trade and investment, while also offering solutions in the form of new negotiating texts and country examples as a way forward toward a new multilateral trade and investment regime. Furthermore, each chapter identifies the regulatory challenges facing countries.

Jews had lived with us for a thousand years. Then they were killed. Why? Had the Shoah always been brewing in these lands, or could it only happen under the conditions of late capitalism rather than in the atmosphere of primitive pogroms, the violent expulsion of Jews from their Anatevkas? An important point of reference for the author’s reflections are the postulates of the representatives of the Frankfurt School – in particular of Max Horkheimer and Theodor W. Adorno’s Dialectic of Enlightenment – who were the first to draw attention to the potentially criminal character of instrumental reason, disavowing at the same time the tradition of the siècle des Lumières, the approach which the author is inclined towards. Yet they looked for the causes of the Shoah not where these could be found, either in the “authoritarian personality” or in the difficulties of living, in the so-called “social question.” However, in order to understand what happened to the Jews in Central and Eastern Europe in the 1940s, one must resort to a language completely different from psychological, social, economic, or police discourse. We must resort to the forgotten language – or better said, the language that is being forgotten – of theology, especially political theology. It is there, the author claims, that one can find the right interpretative tools. It does not belong to the realm of superstition but is our last chance to understand what happened to the world yesterday and what is happening to it today. “It was the devil!” writes Alain Besançon, a witness of those times, “He was the one who communicated his inhuman personality to his subjects.” We do not know this for sure – maybe yes, maybe no. We do know, however, that it is good that a theological category – the concept of the devil, Antichrist – is returning to the philosophical and, more broadly, social and political discourse. The devil, Antichrist is not just a metaphor or a creature with a limp in the left leg and charred wings; it is rather the atmosphere we live in, manifesting itself in turning traditional values inside out, in replacing respect with tolerance, charity with dubious philanthropy, love with sex, family with any social organization, religion with science, freedom with safety and so on. Examples abound.

The author proposes to renew the sense of such theological concepts as eternity, salvation, the idea of chosenness, apocalypse, radical hope, and others, only to better understand the condition of today’s world and its increasingly aggressive attitude towards people of strong faith, which may fill us with anxiety and make us think of the recurrence of the Shoah.

There are no more Jews in Poland. They had been murdered by the German Nazis, and those who survived were expelled by the Polish communists after the war. We live in a world “after Jews.” Now we must tell ourselves what it means to us. It is important for them and for us. Important for the world.

Explores how cricket has been portrayed in fiction from the 19th century to the 21st, examining shifts in the treatment of national, post-colonial and global themes.

Following a short introduction, the book is arranged in seven chapters, each dealing with a specific genre and its main themes. The opening chapter considers how the village cricket story laid down the main tropes of cricket and fiction and established a defining relation between cricket, England’s green and pleasant land and national identity, especially in times of war and its aftermath. The second chapter develops the cricket, war and nation theme in the public school cricket novel, especially in the period of the South African (Boer) and First World Wars when cricket and war were frequently dramatised in similar terms. It also discusses the recurring treatment of homosexuality in the public school cricket novel and how the language of cricket was used to write about same-sex attraction. The next chapter breaks new ground in discussing how cricket has featured in murder mysteries. It demonstrates how well suited to each other the sport and the genre are – cricket providing a kind of open-air closed-room setting for a murder narrative – and explores the formal similarities between the shape and structure of a game of cricket and the procedures of the novel.
The following two chapters explore how amenable cricket fiction has proved as a medium for both comedy and tragedy. It discusses the inherent comic potential of cricket for fiction, the mishap and slapstick of a sport in which the box was introduced a century before the helmet. Cricket also has a long association with suicide as many observers of the game have noted. Fictional treatment of this tragic theme has focused on how a sport which is so time-consuming, both in the duration of a game and the extended career of those who play it, has made retirement difficult to manage and sometimes led to suicide.
As the English cricket story declined into insularity and nostalgia, and cricket ceased to be a subject for serious literary fiction, the post-colonial cricket novel emerged. The penultimate chapter considers how contemporary post-colonial novelists have revived and expanded the fictional possibilities of cricket by extending its global range and replenishing its traditional narratives to include previously unspoken issues of migration and race, thereby creating new kinds of stories. The concluding chapter looks at several apocalyptic end-of-the-world cricket stories and develops into a discussion of how cricket is both contributing to and threatened by global heating, raising the question of its sustainability as a sport and as a subject for fiction.

This study participates in the ongoing scholarly effort to re-appraise the penny dreadful phenomenon as a cornerstone of literary history and of popular culture, both within the nineteenth century and the development of Victorian popular fiction and beyond its specific context. The growing presence of these cheap entertaining Victorian texts in contemporary popular culture – through television series, musicals and literature – signals that it is high time to bestow more systematic and comprehensive attention to these publications. To do so, Penny Dreadfuls: The Circulation Patterns of a Victorian Popular Literature conceptualises the notion of circulation as a tool for analysis.
This book considers different aspects of circulation. The weaponisation of the penny dreadfuls’ successful circulation by its critics highlights tensions in the literary marketplace over the hegemonic discourse of what should and should not be read, which mirror the broader issue of contemporary changes on a social, cultural and political level. In addition, the penny dreadfuls’ consumption patterns and behaviour within the literary marketplace and within society are also marked by their circulation between different historically popular genres: within the network of late-eighteenth-century and early-nineteenth-century literature and culture, they refuse to remain within clear boundaries and constantly reinvent themselves at the intersection of several trends that constituted the popular, such as oral storytelling, sensationalism and the Gothic. Beyond the nineteenth century, their patterns of circulation develop diachronically, too, in the open-ended circulation of the penny dreadfuls across time through neo-Victorianism and the gradual transformation of the penny dreadfuls into a cultural reference.
Through the lens of the concept of circulation which pervades the penny dreadfuls’ history and content, this book reassesses the impact of the penny dreadfuls on nineteenth-century print culture and entertainment, as well as on contemporary popular culture. This book demonstrates the importance of these publications to better understand broader notions of popular culture and to keep deconstructing such binaries as ‘high’ and ‘low’ culture. Further than sales numbers, circulation interweaves numerous aspects of popular culture and of this publishing phenomenon. An analysis of these patterns helps decode many aspects of the penny dreadfuls’ life and afterlife, as it reveals how their material aspect is intimately interwoven with their seriality, their cultural significance, the reactions they provoked and their actual content. The resulting picture informs us about the nineteenth century’s social history and culture, about class warfare and political change, and about the evolution of literature over the past two hundred and fifty years.

This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears, by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. It also facilitated studies to focus on notions of hybridity where terms were not fixed but were constantly shifting and mobile.

The central idea of the book is that after horror/Gothic film was dragged into disrepute by the rise of torture porn and endless North American remakes, a set of international filmmakers are seeking to emphasize the aesthetic, artistic and philosophical potential of the Gothic. Such filmmakers include Guillermo del Toro (Crimson Peak), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Park Chan-wook (The Handmaiden, Stoker), Tomas Alfredson (Let the Right One In), Wim Wenders (Only Lovers Left Alive), Ben Wheatley (A Field in England), Jane Campion (Top of the Lake), and Carol Morley (The Falling).

Although written in an accessible manner, the book incorporates theory and engages extensively into research to tap into key developments in Gothic studies – transnationalism, fandom and genre fiction, and transmedia exchanges – bringing these together along with popular culture and associated phenomena.

This monograph is concerned with what it sees as two complementary phenomena: that of contemporary writers of fiction who seem to have turned their backs on the traditional novel in favour of what might be termed a radical realism, alongside a more general movement towards and interest in auto/biography and memoir in the post-truth era. By reviewing the work of four authors whose trajectory to date represents engagement with novelistic as well as auto/biographical forms, it reconsiders differences between ‘fiction’ and ‘non-fiction’, as they pertain to both production and reception, including issues of generic categorization, the prevalence or exclusion of specific textual markers, and readerly expectations in navigating diverse and shifting literary cultures.

The Norwegian author Karl Ove Knausgaard’s Min Kamp (My Struggle) series is considered in English translation in relation to its cross-cultural reception; it is also placed within the context of Knausgaard’s oeuvre as a whole. Some parallels between the work of Knausgaard and that of Rachel Cusk are drawn, though in the case of the latter the focus is not so much on the memoirs but on the Outline trilogy that followed the trilogy of memoirs and the extent to which it represents both a departure from and a continuation of some of the concerns expressed in previous non-fictional works with a specific focus on Aftermath. 

Comparison of Jeanette Winterson’s semi-autobiographical debut novel, Oranges Are Not the Only Fruit, with her memoir entitled Why Be Happy When You Could Be Normal? allows for close textual reading of scenes initially treated in novelistic form and revisited in the memoir permitting discussion of points of similarity and difference in their treatment in relation to the constraints and affordances of genre, where these apply. Discussion of Xiaolu Guo’s memoir, Once Upon A Time in the East, focusses both on its cross-cultural reception and on the place of the memoir within the Guo corpus.In some ways all four writers are less concerned with traditional aspects of story and more concerned to deploy a range of forms, including narrative, to serve their interest in broader questions of truth, agency and self-understanding. 

Climates of Migration examines through transregional and transhistorical lenses how environmental and migration issues intersect, and how  the disinformation and fear generated by the political instrumentalization of these is shaping contemporary societies as evident in media discourse, propaganda, literature, art, visual culture, policy-making and new technologies.

The prologue and chapter 1 situate the discussion in Climates of Migration in a broader context defined by a resurgence of attention on colonialism and postcolonial legacies, as evident in debates on restitution, reparation, historical accountability and responsibility. Colonial exploration and conquest are thereby connected with the environmental–migration nexus and accordingly chart the coordinates of the book as readers navigate the tentacular planetary reach of European colonial powers. This was of course an era when overseas travel was not even an option for the majority of people, yet one defined by sophisticated propagandist mechanisms that encouraged Europeans to travel through the imagination thanks to the immersive experiences offered at World’s Fairs and Colonial Exhibitions as well as in various board games and other ephemera that promoted the benefits of having colonies, glorified conquest and expansion, while molding young minds and bolstering patriotic fervor. The lessons to be learned were manifold, concerning as they did a recognition of the importance to the economy of—and dependency on—colonies, while implanting a deep familiarity with goods and products. These games capitalized upon the experiential realities of colonial assignments, and the design replicated the defining elements of the colonial enterprise, while also of course mobilizing support. Yet, as we know today, agricultural and extraction practices contributed to anthropogenic global warming, as communities were removed or driven off their lands, displaced and compelled to migrate elsewhere. As such, questions of mobility were therefore central to the production and visualization of Empire, and today, heated debates pertaining to border control and sovereignty can be traced back to this era.
The catalyst for chapter 2 is to be found in French philosopher Bruno Latour’s statement whereby “We can understand nothing about the politics of the last fifty years if we do not put the question of climate change and its denial front and center.” The focus thus shifts to the multiple ways in which climate change has bent the arc of politics in new directions, most notably in the conjunction between the eco-colonial dimension and migration itself given that “What makes the migratory crisis so difficult to conceptualize is that it is the symptom, to more or less excruciating degrees, of an ordeal common to all: the ordeal of finding oneself deprived of land.” Extensive recourse has been made to climate metaphors to amplify anti-immigration rhetoric, collectively delineating the parameters of an invasion narrative that alleges cultural, political and social saturation, submersion and replacement. Recourse to such terminology to describe migration exploits a simple tautology: climate change is a negative development, and therefore, conflating metaphors allows for a seamless twinning with the ills of immigration, grafting a pernicious meaning on the process (migration) and people concerned (migrants). In the associative context of climate change, this logic operates optimally since it coincides with a diagnosis of catastrophic global warming and the long-term projected impact, and has been present in European Union policy-making (“Green Deal” and “New Pact on Migration and Asylum of the EU”) and broader discussions pertaining to climate migrants and climate refugees.
Two strands intersect in chapter 3 and build on the conclusions of the previous chapters, simultaneously reappraising the coexistence of insular and open thinking and complex and simplistic reasoning and shifting the discussion toward an engagement with categories such as empathy and sympathy. This is achieved through a consideration of how cultural productions by artists and writers have enhanced modes of identification and relationality rather than detachment, and offered alternatives to racist and xenophobic media and political discourses. Chapter 4 subsequently provides an in-depth analysis of an emerging corpus of works by African writers for whom transhistorical violence motivates political commitment based on scrutiny and witnessing, documenting, recording and calls for accountability. The works considered have in common an adherence to an “environmental turn” that has culminated in a thematic “greening” of fiction (Cheryll Glotfelty) and a revitalization of writing. Writers have engaged with the longstanding consequences of environmental ecocide on the continent, while ultimately reflecting on the broader context of climate change and environmental derangement that accounts for shifting patterns of population mobility. The concluding chapter establishes a conjunction between new technologies of communication and extraction, more prominently in terms of the interplay between ecology and propaganda, and examines how the later has been used to further an anti-ecological agenda—denouncing warnings concerning global warming as fake news or promoting a lifestyle founded on the exponential use of industrial technologies—and pro-ecology positions centered on an unrelenting effort to prevent the systematic destruction of the environment and aimed at raising awareness and consciousness as well as encouraging behavior modification. The conclusion considers how new digital technologies have taken an age-old apparatus and amplified it, enabling information wars to run alongside physical ones, while discussing how disinformation and misinformation campaigns and algorithms now influence every facet of contemporary life, most prominently in terms of the climate change and migration nexus.