Fiction

“Reads like a warm hug.” —Rebecca Thorne, bestselling author of Can’t Spell Treason Without Tea

“A stunning tale of learning to let go.” —Shelf Awareness

A warm and hopeful story of a lonely witch consumed by grief who discovers a whimsical cast of characters in a magical arboretum—and the healing power of found family. 

Powerless witch Saika is ready to enact her sister’s final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate’s caretakers.

Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika’s been disconnected from her magic since her sister’s death two years prior. Saika gets by at the sanctuary using a fragment of a fallen star to cast enchantments—while hiding the embarrassing truth about herself.

As Saika works harder in avoidance of her pain, she learns more about Frank, the decaying house at Ash Gardens, and the lives of the motley staff, including bickering twin cherubs, a mute ghost, a cantankerous elf, and an irritating half witch, among others. Over time, she rediscovers what it means to love and be wholly loved and how to allow her joy and grief to coexist. Warm and inventive, House of Frank is a stirring portrait of the ache of loss and the healing embrace of love.

"Such an absolute joy to read. Highly recommended."—TJ Klune, New York Times bestselling author of The House in the Cerulean Sea

In this fresh-yet-familiar gothic tale—part historical fantasy, part puzzle-box mystery—the worlds of Dracula and Sherlock Holmes collide in a thrilling exploration of feminine power.

At the dawn of the twentieth century in Paris, Samantha Harker, daughter of Dracula’s killer, works as a researcher for the Royal Society for the Study of Abnormal Phenomena. But no one realizes how abnormal she is. Sam is a channel into the minds of monsters: a power that could help her solve the gruesome deaths plaguing turn-of-the-century Paris—or have her thrown into an asylum.

Sam finds herself assigned to a case with Dr. Helena Moriarty, daughter of the criminal mastermind and famed nemesis of Sherlock Holmes and a notorious detective whom no one wants to work with on account of her previous partners’ mysterious murders. Ranging from the elite clubs of Paris to the dark underbelly of the catacombs, their investigation sweeps them into a race to stop a Beast from its killing rampage, as Hel and Sam are pitted against men, monsters, and even each other. But beneath their tenuous trust, an unmistakable attraction brews. Is trusting Hel the key to solving the murder, or is Sam yet another pawn in Hel’s game?

Spaceships aren’t programmed to seek revenge—but for Dracula, Demeter will make an exception.

Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans.

To keep from getting decommissioned, Demeter must join forces with her own team of monsters: A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil—Dracula.

The queer love child of pulp horror and ​classic ​sci-fi, Of Monsters and ​Mainframes ​is a dazzling, heartfelt odyssey that probes what it means to be one of society’s monsters—and explores the many types of friendship that make us human.

“[A] cli-fi fantasy exploring the potential for rage and trauma to break the world.” —Library Journal, starred review

4 a.m., New York City. A silent disaster.

There is no flash of light, no crumbling, no quaking. Each person in New York wakes up on an unfamiliar block when the buildings all switch locations overnight. The power grid has snapped, thousands of residents are missing, and the Empire State Building is on Coney Island—for now. The next night, it happens again.

Esme Green and Arjun Varma work for the City of New York’s Emergency Management team and are tasked with disaster response for the Unmapping. As Esme tries to wade through the bureaucratic nightmare of an endlessly shuffling city, she’s distracted by the ongoing search for her missing fiancé. Meanwhile, Arjun focuses on the ground-level rescue of disoriented New Yorkers, hoping to become the hero the city needs.

While scientists scramble to find a solution—or at least a means to cope—and mysterious “red cloak” cults crop up in the disaster’s wake, New York begins to reckon with a new reality no one recognizes. For Esme and Arjun, the fight to hold the city together will mean tackling questions about themselves that they were too afraid to ask—and facing answers they never expected. With themes of climate change, political unrest, and life in a state of emergency, The Unmapping is a timely and captivating debut.

There can be no victory without betrayal.

Hara Duja Gatdula, queen of the island nation of Maynara, holds the divine power to move the earth. But her strength is failing and the line of succession gives her little comfort. Her heir, Laya, is a danger—a petty and passionate princess who wields the enormous power of the skies with fickle indifference. Circling the throne is Imeria Kulaw—the matriarch of a traitorous rival family who wields recklessly enhanced powers of her own—with designs to secure a high-ranking position for her son and claim the crown for her family. Each woman has a secret weakness—a lover, a heartbreak, a lie. But each is willing to pay the steepest price to bring down her rivals once and for all.

Filled with passion, romance, betrayal, and divine magic, Black Salt Queen journeys to a gorgeous precolonial island nation where women—and secrets—reign.

“Vita’s rage overflowed until she was prepared to drown in it, and she knew that she would never again dam this anger to please another.”

After nine years as the people’s beloved princess in the sun-soaked Kingdom of Carca, Vita witnesses the execution of her mother by her father’s hand. Forced into exile, Vita fades into obscurity with her only friends—the crows that visit her window.

Eleven years later, Vita is given a choice: marry an enemy general, granting him legitimacy to take the throne, or die as the forgotten princess. With time running out, Vita meets Soline, an intriguing lady-in-waiting who introduces her to the powerful-but-unstable magic of alchemy.

If Vita and Soline can learn to control it—and the undeniable spark between them—they could burn the world of men to the ground.

Kyle Seibel's debut short story collection is a bracing look into the lives of society's misfits.

From a junkyard worker haunted by the death of a special cat to dinosaurs that materialize to dispense life advice—these stories explore the thin line between the mundane and the surreal.

Hilarious, poignant, gritty and bizarre, Hey You Assholes heralds the arrival of a bold new voice in American fiction.

A tender, astonishing, and richly beautiful story cycle about remembering our shared histories and repairing the world.

"Each tale is a testament to never forgetting that the mountains, the sea, the rivers, animals and humans are all one. Osprey and abalone, wind and child, hummingbird and human—all unforgettable." —Susan Straight, author of Mecca

Perched atop Gravity Hill, two crow sisters—Question Woman and Answer Woman—recall stories from dawn to dusk. Question Woman cannot remember a single story except by asking to hear it again, and Answer Woman can tell all the stories but cannot think of them unless she is asked. Together they recount the journeys of the Forgetters, so that we may all remember. Unforgettable characters pass through these pages: a boy who opens the clouds in the sky, a young woman who befriends three enigmatic people who might also be animals, two village leaders who hold a storytelling contest. All are in search of a crucial lesson from the past, one that will help them repair the rifts in their own lives.

Told in the classic style of Southern Pomo and Coast Miwok creation stories, this book vaults from the sacred time before this time to the recent present and even the near future. Heralded as a "a fine storyteller" by Joy Harjo, Greg Sarris offers us these tales in a new genre of his own making. The Forgetters is an astonishment—comforting and startling, inspiring reveries and deepening our love of the world we share.

Toward the end of her life, Sarah Orne Jewett (1849–1909) made a surprising disclosure. Instead of the critically lauded The Country of the Pointed Firs, Jewett declared her “best story” to be A Marsh Island (1885), a little-known novel. Why? One reason is that it demonstrates Jewett’s range. Known primarily for her vignettes, Jewett accomplished in these pages a truly great novel. Undoubtedly, another reason lies in the novel’s themes of queer kinship and same-sex domesticity, as enjoyed by the flamboyant protagonist Dick Dale. Written a few years into Jewett’s decades-long companionship with Annie Fields, A Marsh Island echoes Jewett’s determination to split time between her family home in Maine and Fields’s place on Charles Street in Boston. The novel follows the adventures of Dale, a Manhattanite landscape painter in the Great Marsh of northeastern Massachusetts and envisions the latter region’s saltmarsh as a figure for dynamic selfhood: the ever-shifting boundaries between land and sea a model for valuing both individuality and a porous openness to the gifts of others.

Jewett’s works played a major role in popularizing the genre of American regionalism and have garnered praise, both in her time and ours, for her skill in rendering the local landscapes and fishing villages along or near the coasts of New England. Just as Jewett brought attention to the unique beauty and value of the Great marsh region, editor Don James McLaughlin reveals a convergence of regionalism and sexuality in Jewett’s work in his introduction. A Marsh Island reminds us that queer kinship has a long tradition of being extended to incorporate queer ecological belonging, and that the meaning of “companionship” itself is enriched when we acknowledge its indebtedness to environment.

An impulsive, madcap, and newly concussed young woman comes of age as she navigates her Ghanaian American identity, her relationships, and the muddled landscape of history, memory, imagination, and delusion.

Twenty-four-year-old Akosua is easily knocked off her feet. When she falls and hits her head, she’s too preoccupied with her latest dramas to fully absorb the shock. In the span of three months, she has broken up with her boyfriend Wisdom, discovered that her deadbeat dad has moved back to the States from Ghana, and dropped so many classes that she believes she’s the only history grad student in the history of grad students to be registered for just one partial-credit class. Instead of facing her problems, Akosua seeks distraction in Daniel, a “good Ghanaian man.” But as her head injury worsens, she questions whether she can continue to run away from her father any more than she can keep ignoring her brain and its traumas. Vibrant, funny, and bittersweet, Blood on the Brain is a novel about the complications of family, romance, and culture—and how coming of age can feel like a blow to the head.

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A Life-Changing Encounter with Magic, Romance, and Danger

Ethan is drowning in corporate burnout and heartache. Seeking escape, he retreats to the peaceful isolation of Parkfield, a quiet town in central California, hoping to heal. But his sabbatical takes an unexpected turn when a mysterious creature crashes into his front yard—Star, a being of pure magic, stranded in a world devoid of it.

With no memory of who—or what—she is, Star longs to become human. She forms a human body to live in and, with Ethan’s help, starts navigating this modern world. But the closer they get, the more their chemistry intensifies, leading to a heated pancake-making lesson and a flirtatious game of pool. As passion simmers, their fragile connection is put to the test when an ancient sea monster attacks their cabin, narrowly sparing their lives.

Suddenly, they find themselves trapped in a cosmic horror’s twisted game, with Star as the prey. As they flee, hunted by both mythical creatures and a shadowy secret society, Ethan and Star race toward San Francisco for answers. But time is running out. If they don’t survive, Star’s magic will be consumed by a brutal hunter, gaining unimaginable power.

Ethan faces an agonizing choice: run and protect the woman he loves, or fight against impossible odds to save her and stop an ancient evil from rising.

This paranormal romance blends magic, suspense, and high-stakes adventure in a heart-pounding journey of survival, love, and sacrifice. If you love fantasy with a dose of cosmic horror, intense chemistry, and supernatural creatures, this book is for you.

“Exemplary storytelling that grapples with important themes. LaBrie’s collection of misanthropic short stories offers meditations on death, dying, grief, and organ donation.” — Kirkus Reviews

In her award-winning collection of short stories, Rage and Other Cages, LaBrie offers lessons on grief, loneliness, and relationships that examine what it means to be female in today's America. 

The characters range from a former child actress turned real estate agent who yearns for her past, to a nurse who must convince a murderer to donate his girlfriend's organs, to a bartender at Ray's Happy Birthday Bar who is kidnapped by a customer searching for a mysterious key. Bad dates, bad jobs, and bad situations force these characters to use their wits and wiles to survive. In a voice akin to Lorrie Moore meets Mary Gaitskill, LaBrie has her readers laughing on one page and raging on another. Her voice is memorable, raw, and undeniably skillful.

A TOP 100 LITERARY WORK OF THE TWENTIETH CENTURY (THE ARAB WRITERS UNION)

A BOOK RIOT BEST BOOK OF 2024

"A feat of profound scholarship, an examination of how history is invented, imagined and instrumentalized in contrast to how it is experienced and lived. "—Patricia Storace, Times Literary Supplement

“A magnum opus of prose fiction”—Marina Warner, author of Once Upon a Time

A multigenerational epic set at the collapse of Muslim rule in Medieval Spain, available now for the first time in a new, complete translation

It is 1492, and the keys to Granada, the last Muslim state in the Spanish Peninsula, have been handed over to the Christian king and queen: the final vestiges of this Arab kingdom in Europe are swept away.

As the triumphant new masters of Granada burn books, Abu Jaafar, a bookseller by trade, quietly moves his rich library out of town, while preparing for the marriage of his granddaughter Saleema to his apprentice Saad. The tangled lives of Abu Jaafar’s family, his descendants, and his community bear witness to the vanquishing of Muslim life: confiscations, forced conversions, and expulsions.

Radwa Ashour’s sweeping trilogy, set over one hundred years against the backdrop of the great historical events of sixteenth-century Europe, tells the story of those who remained in Andalusia, of the individuals who struggled to maintain faith and hope in a possible future. It narrates a community’s effort to comprehend what has happened to them, of their valiant but ultimately unsuccessful efforts to resist the destruction of their identity.

Named a top literary work of the twentieth century by the Arab Writers’ Union, Granada is now available in English in its entirety for the first time. All three novels—Granada, Maryama and The Departure—are brilliantly retranslated in this outstanding new paperback edition.

INDIES INTRODUCE SELECTION • DEBUT AUTHOR, MOLLY OLGUÍN brings us THE SEA GIVES UP THE DEAD, a collection of stories sprinkled into the soil of fairy tales, left to take root and grow wild there.

“A wunderkammer of beauty and sorrow.”—Carmen Maria Machado, author of In the Dream House • “Witty, witchy, darkly brilliant”—Andrea Barrett, author of Natural History and Ship Fever • “Mix the wildness of fairy tales with horror.”—Kim Brock, Joseph-Beth Booksellers • “Fantastical, queer, wildly inventive stories.”—Austin Carter, Pocket Books Shop • “A mouthwatering ride.”—Desirae Wilkerson, Paper Boat Booksellers • “Absolutely fantastic!”—Randy Schiller, Left Bank Books, St. Louis, MO

A lovesick nanny slays a dragon. The devil tries to save her mother. A girl drowns and becomes a saint. Three kids plot to blow up their dad, a grieving mother sails the sea to find her son’s grave, a scientist brings a voice to life, and a mermaid falls into the power of a witch. Here, historical fiction, horror, and fantasy tangle together in a queer garden of love, grief, and longing.

How You Lose the Time War meets Things Have Gotten Worse Since We Last Spoke in this fast-paced queer horror novel in which an obsessive woman stumbles upon a second-chance romance with her flighty paramour, but it quickly deteriorates into a dark spiral of destruction.

Johnny spots her ex, Alice, at the local cafe with a vague sense that she’s been there before. Though she’s still angry about their breakup and Alice’s subsequent ghosting, Johnny can’t resist the draw of a second shot at their relationship and accepts Alice’s invitation back to her apartment. Once there, promises are exchanged. There’s talk of wonder and change and dreams made real. But after spending the night together, they face a morning in which Alice is still Alice, Johnny is still Johnny, and the dog has doubled in size.

Over the course of a week, increasingly bizarre changes in the world around them force Johnny to consider whether the pair can change just as easily, if they can change at all. Or if both her relationship and the bounds of reality are destined to implode. The narrative of I Can Fix Her operates on nightmare logic, putting forth an irresistible tale in which the world, the narrator, and time itself are not to be trusted.

A curious gem of 19th-century gothic fiction

Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light.

Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde—Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.

From T.J. Martinson, author of The Reign of the Kingfisher, comes a poignant odyssey of aging, stardom, and memory explored through the literal eyes of Marilyn Monroe.

Susan Jackson’s serene life as a sixty-eight-year-old florist living in Indiana shatters following a groundbreaking eye transplant that comes with an unexpected side-effect—visions of the life of Marilyn Monroe. Initially a harmless oddity, the invasive visions swiftly escalate as she starts morphing into the iconic actress. As Susan’s transformation becomes undeniable, a battle of wills ensues between the long-dead Hollywood icon and the woman whose body she’s seized.

Her New Eyes is an evocative literary novel, playing out against the bittersweet stage of eternal Americana-icon worship. With a dreamy atmosphere and unforgettable characters, Martinson crafts a story that will provoke introspection while entertaining.

AUTHOR OF THE BESTSELLER, ZABELLE • AUTHOR OF THE NEW YORK TIMES REVIEWED, ALL THE LIGHT THERE WAS • In vivid, poetic prose, Nancy Kricorian’s The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War.

“You won’t be able to put this book down."—Marie Myung-Ok Lee, author of The Evening Hero • “vivid, reverberating life.”—Aram Saroyan, author of Still Night in L.A.

Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes readers on an epic journey from the mountains of Cilicia to contemporary New York City.

AUTHOR OF LIVID • SHORTLISTED FOR THE MISSOURI REVIEW EDITORS PRIZE, THE SARTON AWARD, AND THE NAUTILUS AWARD

Cai Emmons awes readers with the release of  THE BELLS

"An immersive psychological portrait of one man’s battle with lifelong anger and guilt."–Kirkus Reviews

“A book Cai finished on the day she died, is a story of life: how to live fully, embrace our messy complications, and swim toward love.”–Miriam Gershow, author of Closer and Survival Tips: Stories

Thirty-three-year-old Niall O’Malley has failed a five-year mission to live as a monk and is attempting to redefine himself as a high school teacher in New Jersey.

As The Bells opens, thirty-three-year-old Niall O’Malley has failed a five-year mission to live as a monk and is attempting to redefine himself as a high school teacher in New Jersey. The transition has been bumpy. He loves teaching history to inner city teens, but he hits a roadblock when a belligerent student, Colton, possibly a white-supremacist, behaves in ways that threaten Niall. As troubles mount at school, Niall’s girlfriend Lluvia pressures him into making a deeper commitment to their relationship. She wants them to move in together with Lluvia’s pre-teen daughter and elderly mother.

Haunted by his failure as a Cistercian monk and his troubles with one man in particular, the abusive Brother Thomas, Niall abandons Lluvia and heads back to his old monastery in Massachusetts for a final showdown with Thomas, now dying of ALS. Redemption for Niall is elusive as he strives to mend his faith.

Charles Warren Stoddard (1843–1909) was, during his life, an acclaimed and prolific writer in multiple genres: poetry, travel sketches, personal memoir, and conversion narrative. His most popular works were dispatches primarily from the South Sea Islands but also extended into Palestine, Egypt, and what would become known as Hawai‘i, most of which were published in the San Francisco Chronicle and then collected into books.

For the Pleasure of His Company: An Affair of the Misty City, Thrice Told (1903) is Stoddard’s only novel. This new edition, as with other works in Penn Press’s series Q19: The Queer American Nineteenth Century, returns and reframes an important queer literary text to print. Set mostly in and around San Francisco in the late nineteenth century, the novel features a protagonist, Paul Clitheroe, who is an aspiring writer living among the Bohemian artistic circles of that place and time—the same circles Stoddard himself inhabited. The novel is both formally experimental and largely autobiographical. Thus Paul comes into contact, as Stoddard did, with writers, artists, actors, directors, priests, adventurers, and many others as he attempts to begin his career. Bohemian artistic life and erotic experimentation go hand in hand here: Paul has multiple relationships with other men even as he writes a novel that features similar liaisons. At the very end of the story, while on a cruise in the Pacific, Paul impulsively leaves his ship and disappears in a canoe with some young Hawaiian men. This parallels Stoddard’s life too: he spent many long periods of his life in Hawai‘i, where he found the local homoerotic customs to his liking.

This Q19 volume also includes three of Stoddard’s Hawaiian travel sketches, which chronicle his intimate personal relationship with a Hawaiian youth he calls Kána-Aná. The volume contains a full critical introduction as well as extensive annotations explaining textual references of various kinds and identifying parallels with Stoddard’s own life.

War and Peace (1869) is a novel by Russian writer Leo Tolstoy. Serialized between 1865 and 1867, it was published in book form in 1869 and has since been recognized as a masterpiece of world literature. Notable for its epic scale, War and Peace encompasses hundreds of characters, diligently following its five central families across fifteen years while featuring detailed imaginings of such historical figures as Napoleon Bonaparte. In The Epilogues, Tolstoy draws his epic story to a heartwarming close while offering his theory on the philosophy of history. After so much death and destruction, Tolstoy finds solace in the sanctity of marriage and the effort of traumatized people to rebuild and reclaim their lives. As a new generation is born, hope is rekindled, but faint rumblings of unrest and conspiracy suggest that peace, once more, will be difficult to maintain. In the epilogue’s second part, Tolstoy breaks from his narrative to offer his theory on the philosophy of history, condemning the popular Great Man Theory’s elevation of the individual and proposing that small, singular events form the basis of historical change. With its depiction of the brutalities of war on individuals and society alike, Tolstoy’s story brings history to life while reminding us that the past is always closer than we care to think. As ambitious as it is triumphant, Leo Tolstoy’s masterpiece is an epic novel of history and family, a story of faith and the will to persevere in the face of unspeakable catastrophe. War and Peace is a work that transcends both history and description, not just for the scale of its narrative and setting, but for the scope of its philosophical interests. Since its publication, it has been praised as an essential work of literature by Ivan Turgenev, Gustave Flaubert, Thomas Mann, and Ernest Hemingway, and has been adapted for film, theater, and television countless times. This edition of Leo Tolstoy’s War and Peace is a classic of Russian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

AUTHOR OF THE PEN OPEN BOOK AWARD WINNER, PERFUME DREAMS: REFLECTIONS ON THE VIETNAMESE DIASPORA • AUTHOR OF BIRDS OF PARADISE LOST, the widely taught and anthologized debut short story collection • Andrew Lam returns with a literary exploration of love, lust, and loss among Vietnamese immigrants in America.

“Universal and personal.”—Maxine Hong Kingston, author of The Woman Warrior • “Will be read and studied for years to come.”—Noël Alumit, author of Music Heard in Hi-Fi • “Maps the moveable feast of the Vietnamese diaspora.”—Scott Lankford, author of Tahoe Beneath the Surface • “Lam’s most lyrical and wide-ranging collection yet.”—Matthew Spangler, playwright • “For anyone who has loved and lost a lover, a landscape, a home."—Fenton Johnson, author of At the Center of All Beauty: Solitude and the Creative Life • “Taste the desires of comedians, soldiers, tomboys, friends, queers, mothers, and refugees.”—Long Bui, author of Returns of War: South Vietnam

At times humorous and ecstatic, other times poetic and elegiac, the fourteen pieces in Stories from the Edge of the Sea explore love and loss, lust and grief, longing and heartbreaks through the lives of Vietnamese immigrants and their children in California. A younger dancer is haunted by memories of almost dying on a boat when they escaped from Vietnam, a widow processes her husband’s death through frantic Facebook postings, a writer enters an old lover’s home and sees a ghost at twilight. If the human heart is a vast, open-ended terrain, then Andrew Lam’s short stories are its mountains, valleys, and lakes. Together they seek to chart barely explored country.

"Rich and resonant with women’s voices and values, at once familiar and entirely new.”—Rachel Barenblat, “The Velveteen Rabbi,” and author of Texts to the Holy 

Female protagonists turn Jewish folktales on their heads!

What happens when stories with traditional male protagonists are updated with female characters? Timeless plots and values remain, while old tales transform to inspire and captivate a new generation.

When Debra Gordon Zaslow first ventured into Jewish storytelling in the mid-1980s, she was surprised at how difficult it was to find Jewish tales featuring powerful female characters. This seemed odd, given the obvious strength of Jewish women. Over the years, she found herself slipping female characters into stories and changing male protagonists into females. Her criterion was simple: if it didn’t change the basic meaning or plot of the story, the character could be female. There was always the sense, however, of meddling with something sacrosanct. These Jewish stories have been handed down for centuries, and who was she to change them?

Decades later, comes this collection of stories. The maggidot (Jewish women storytellers) who wrote and compiled this innovative anthology have created a collection to honor Jewish values while featuring female characters in every central role. Some stories are female-centered versions of traditional tales (e.g. “The Fishmonger and the Shiviti” and “The Shekhinah Is in Exile”), others are original fiction inspired by perennial Jewish themes (“A Queer Soul in the Shtetl”).

Be the first to own the DELUXE LIMITED EDITION! This premium collectible is a MUST-HAVE for any book collector. Available ONLY during this limited print run in the U.S. and Canada—don’t miss your chance to own this exclusive edition!

A Dangerous Tournament, Forbidden Magic, and a Choice that Could Destroy Her World.

Nyah, the illegitimate daughter of a sorcerer king, has always lived in the shadows. With only a touch of magic and no real power to call her own, she’s accustomed to being overlooked—especially when compared to her full-blooded sister, Leuruna, the princess who suffers at the hands of their cruel father.

But when Leuruna transfers her magic to Nyah to protect it from their father's tyranny, Nyah is forced to flee the kingdom. Her escape takes an unexpected turn when she's saved—and kidnapped—by Rivven, a mysterious and charismatic warrior with dangerous secrets of his own. His mission? To assassinate Nyah’s father. But Rivven’s plans come with a risk Nyah isn’t willing to take: he wants to enter the Imrati, a tournament where the victor can claim the legendary powerstone and the hand of the princess.

It’s the perfect opportunity to get close to the king and strike. But the stakes are higher than Nyah could have ever imagined. As she’s pulled deeper into the trials—and into a scorching attraction for Rivven—she finds herself torn between her duty to her sister and the growing desire to stand by the man who’s risking everything for a better world.

In a contest where betrayal runs as deep as the magic that fuels it, Nyah must decide: will she embrace the power inside her and take the chance to change everything? Or will she risk losing herself, and the people she loves, to a king whose cruelty knows no bounds?

Enter the Imrati—where only the strongest will survive, and the prize may cost more than anyone is willing to pay.

Willow Adair has a picture-perfect life—or so it seems. A stunning model-turned-wife-and-mother, she lives in a beautiful home with her husband and two kids in historic Bexley, one of the wealthiest neighborhoods in Columbus, Ohio. On the outside, she has everything. On the inside, she struggles with issues of self-worth. Spurned by her neglectful husband and at odds with her rebellious teen daughter, Willow never feels she is good enough. She fears everyone she loves will leave.

Piece by piece, the cornerstones of Willow’s life begin to crumble. A routine colon operation goes horribly wrong. A yoga injury leads to a series of surgeries and misdiagnoses, ultimately ending in permanent loss of motion in her right arm. And then Willow is diagnosed with breast cancer. Convinced that no one will stand by her for one more day of sickness and depression, she prepares to end her life.

That's where the Angels come in.

Willow’s friends lift her spirits when she is sad, and weep with her when she is hurting. They walk beside her quite literally, on sidewalks from Cleveland to Miami. And they walk beside her spiritually and emotionally, soothing her heartache and reminding her that every single minute of her life is abundantly worth living. Walk Beside Me is the story of a woman who peels away the layers to find her inner warrior, a woman who faces insurmountable odds and—thanks to her earthly Angels—learns to treasure the gift of God's infinite light and love.

Enter the world of The Wild Mother—modern fairytale, bold biblical midrash, filled with the psychological depth and imaginative originality for which the author of The Maeve Chronicles is known. Elizabeth Cunningham's classic feminist novel is as fresh and timeless today as when it was first released in 1993 to critical acclaim.

Adam Underwood and Eva Brooke appear to be made for each other. Both are single parents. Both are academics, he a dazzling, enigmatic professor of Alchemy, she a humble but dedicated professor of Fairytales. Adam's children, Ionia and Fred, share a latchkey after school with Eva's precocious son, Jason. So why don't Adam and Eva marry and live happily ever after?

Eva can't help wondering. Pathologically polite, she cannot bring herself to ask personal questions. She struggles not to find it strange that Adam has never so much as mentioned his children's absent mother. Nor has Adam's own mother-cum-housekeeper, the feisty, outspoken Ursula, ever uttered her name. Yet Eva glimpses the missing woman in ten-year-old Ionia's haunted and haunting purple eyes and in Ionia's drawings of a woman dancing on the crest of a hill, wild black hair spread out against the sky....

Then one night, she returns: Lilith, the wild mother. The precarious status quo that Eva, Adam, and their families have achieved is shattered and their world is turned inside out or, more precisely, outside in.

As wild breaks into their lives, Adam, obsessed with control, attempts to seal them all in a deadly trap. Now a crucial challenge confronts each one of them. Will these very human beings embrace their own wildness, risking all they value and understand? Or will they deny the freedom essential to Lilith's nature--and their own.

A Professional Lola is a collection of short stories that blend literary fiction with the surreal to present the contemporary Filipino American experience and its universal themes of love, family, and identity. A family hires an actress to play their beloved grandmother at a party; a couple craving Filipino food rob a panaderya; a coven of Filipino witches cast a spell on their husbands; a Lolo transforms into a Lola. These are just a few of the stories in the collection that represent its roster of stories beautifully grounded in culture and vividly and meticulously painted to make the absurd seem mundane and the commonplace, sinister. A Professional Lola embodies the joy, mystery, humor, sadness, hunger, and family that inhabit modern-day Filipino American virtues.

In Amy DeBellis’ debut novel, The Hours meets My Year of Rest and Relaxation as, sometime in the near future, three Gen Z women ride the throes of late capitalist life in New York City.

In All Our Tomorrows, Janet, Anna, and Gemma lead separate lives, each ground down by the weight of the world they were born into, lost against the dazzling pixelated backdrop of the city. Too young to remember life before the iPhone 4, they think the real world was destroyed long before they were born.

Janet is an underpaid gig therapist who spends her time as a mental health matchmaker, responding to grievance letters from faceless online avatars. Anna is a model-turned-sugar-baby who dissociates during dates with her aging daddy, hoping to save enough not for a Birkin bag, but for the water wars of the near future. And Gemma is a freshman at NYU who aspires to become an influencer, but is so haunted by a recent loss that she can’t even film one video.

Sharp, incisive, and sparkling with dark humor, this is a novel for the age of the doomer generation. DeBellis delivers an unflinching examination of three young lives as they circle closer and closer to the drain of nihilism, climate anxiety, isolation, and grief. All Our Tomorrows is about finding yourself in a broken world, and the small but mighty decisions that can save you from leaking down the drain.

Little Lazarus is the story of two clairvoyant tortoises who bear witness to centuries of human suffering.

Teenagers Francois and Eleanor are lonely and wild in the small Southern town of Harmony that promises them nothing but more of the same: nothing. They attempt to escape their mundane existence and dysfunctional families but succeed only in finding each other. And that seems to be enough. Until one drunken night driving down a country road changes the course of their lives.

As Francois and Eleanor tell their stories in parallel sections, another larger story unfolds, told through the lives of two tortoises, Lazarus and Little Lazarus. Their respective journeys across continents constitute a tour of the human heart itself in all its manifestations. Their caretakers range from a billionaire intent on achieving immortality, to a series of mute men passing down the same seersucker suit through generations, to a dog named Pony at the end of the world.

With the deep longing of Carson McCullers's The Heart is a Lonely Hunter and the narrative lyricism of Robert Bresson's Au hasard Balthazar, New York City writer Michael Bible proves why he's a cult sensation to European readers. Little Lazarus is an unforgettable ballad of devastating love and spectacular sorrow.

“The most of-the-moment novel I’ve read all year, and it’s the book of the summer.”—Real Simple

A suspenseful family drama about moral responsibility in the age of artificial intelligence.

When the Cassidy-Shaws’ autonomous minivan collides with an oncoming car, seventeen-year-old Charlie is in the driver’s seat, with his father, Noah, riding shotgun. In the back seat, tweens Alice and Izzy are on their phones, while their mother, Lorelei, a world leader in the field of artificial intelligence, is absorbed in her work. Yet each family member harbors a secret, implicating them all in the tragic accident.

During a weeklong recuperation on the Chesapeake Bay, the family confronts the excruciating moral dilemmas triggered by the crash. Noah tries to hold the family together as a seemingly routine police investigation jeopardizes Charlie’s future. Alice and Izzy turn strangely furtive. And Lorelei’s odd behavior tugs at Noah’s suspicions that there is a darker truth behind the incident—suspicions heightened by the sudden intrusion of Daniel Monet, a tech mogul whose mysterious history with Lorelei hints at betrayal. When Charlie falls for Monet’s teenaged daughter, the stakes are raised even higher in this propulsive family drama that is also a fascinating exploration of the moral responsibility and ethical consequences of AI.

Culpability explores a world newly shaped by chatbots, autonomous cars, drones, and other nonhuman forces in ways that are thrilling, challenging, and unimaginably provocative.

In a series of lengthy letters, the unsettled and unruly Ethel Sutherland writes to an initially unnamed and ungendered correspondent, and patiently discloses the troubled history of her past romantic attachments to both men and women. Not until the third letter does she reveal that her correspondent is Ernest, the man to whom she is engaged to be married. Wanting to make him understand how all of her past loves are included and sublimated in her love for him, she especially wants to explain how "women often love each other with as much fervor and excitement as they do men"; and although this love is curiously "freed from all the grosser elements of passion, as it exists between sexes," nevertheless it "retains its energy, its abandonment, its flush, its eagerness, its palpitation, and its rapture."

Margaret Jane Mussey Sweat (1823-1908), a native of Portland, Maine, and wife of a United States congressman, published Ethel's Love-Life in 1859. The book is sometimes credited as an early—even the first—"lesbian" American novel, but such a label, Christopher Looby observes in his Introduction, somewhat misrepresents what is distinctive and surprising about the book. Ethel's Love-Life confounds our received binary distinctions between the spiritual and the carnal and, indeed, between the sexual and the nonsexual—the boundaries between such categories being not nearly as well-policed at the time as they later became. It is here reprinted, along with Sweat's Verses (1890) and five of her published essays, on Charlotte Brontë, George Sand, the contemporary novel, and the friendships of women.

WINNER OF THE 2024 SHARJAH AWARD FOR THE BEST INTERNATIONAL FICTION
NAMED ONE OF '51 FAVORITE BOOKS OF 2023' (WASHINGTON INDEPENDENT REVIEW OF BOOKS)
LONGLISTED FOR THE BRIDPORT NOVEL AWARD

“A stirring novel about a family.”—World Literature Today

An intergenerational drama rendered in beautiful prose featuring the struggles of a mother and daughter to navigate as outsiders in Baghdad and London

“Who would be charmed by tales of life in the beautiful old house on the banks of the Tigris—looted now no doubt, its shutters torn and the courtyard strewn with mattresses?”

One night in 2003, Anglo-Iraqi psychiatrist Mona Haddad has a surprise visitor to her London office, an old acquaintance Duncan Claybourne. But why has he come? Will his confession finally lay bare what happened to her family before they escaped Iraq?

Their stories begin in 1937, when Mona’s mother Diane, a lively Englishwoman newly married to Ibrahim, an ambitious Iraqi doctor, meets Duncan by chance. Diane is working as a nanny for the Iraqi royal family. Duncan is a young British Embassy officer in Baghdad. When the king dies in a mysterious accident, Ibrahim and his family suspect Diane of colluding with Duncan and the British.

Summoning up the vanished world of mid-twentieth-century Baghdad, Elizabeth Loudon’s richly evocative story of one family calls into question British attitudes and policies in Iraq and offers up a penetrating reflection on cross-cultural marriage and the lives of women caught between different worlds.

Dear Edna Sloane is a funny, fast-paced epistolary novel about fame, writers, ambition, and the ups and downs of a creative life.

Edna Sloane was a promising author at the top of her game. Her debut novel was an instant classic and commercial success, vaulting her into the heady echelons of the 1980s New York City lit scene. Then she disappeared and was largely forgotten. Decades later, Seth Edwards is an aspiring writer and editor who feels he’s done all the right things to achieve literary success, but despairs that his dream will be forever out of reach. He becomes obsessed with the idea that if he can rediscover Sloane, it will make his career. His search for her leads to unexpected places and connections, and the epistolary correspondence that ensues makes up this book, a novel infused with insights and meditations about what our cultural obsession with the "next big thing" does to literature, and what it means to be a creative person in the world.

Observed in Mexico and parts of the United States, El Día de Muertos, or Day of the Dead, is a celebratory holiday. Los Muertos is the first anthology of fiction relating to or inspired by this bicultural tradition. Each of the two dozen Mexican and Mexican American writers featured here has a unique affinity for the myriad ideas connected closely to the El Día de Muertos—some in less obvious ways. The stories connect to the metaphors and connotations related to memorializing the dead, some reflecting on the ritualized and religious aspects of what has become a commercialized holiday and others reacting to such cultural appropriations.

Weird fiction icon and award-winning author Michael Cisco's Black Brane, begins with the physical pain of a bad foot and later voyages into absurdity, mad science, occultism, and existential dread.

A man lying in a bed of pain flees from physical torment into his own memories, and into speculations about life and reality. He was, once, employed by the Temporary Institute for the Study of Holes, a think tank pursuing research that ranges from occult studies to advanced physics, including black holes—or, as they are known in string theory, black branes.

He meets and interacts with the various other members of the institute. Its founder, Dr. Marilyn Shitansky, a formerly homeless woman who claims to have a thinking hole in her brain; its resident occultist, the chain-smoking Daladara with his magic abacus; Ernie Allegre the engineer, who designed and built a decoherence reactor to power the institute; Dr. Liu, the string theorist; the linguist Dr. Corngholm, who can't sit still; and Dr. Shitansky's secretary, Renbrui, who seems to carry a mystery with her wherever she goes.

In memory, the speaker finds them again, in a story of physical and emotional pain, of social and quantum entanglement, that turns comic, speculative, and nightmarish. Echoing the work of Blake Crouch and Thomas Ligotti, Michael Cisco shows in Black Brane why he’s beloved by weird fiction and horror readers.

From Bram Stoker and British Fantasy Award-nominated author, Philip Fracassi, back by popular demand comes a new edition of his cult-classic, Gothic, in which a washed-up horror novelist is gifted an antique desk that channels an ancient darkness, one that flows onto the page and strangles his life.

Horror author Tyson Parks thinks his best days are behind him. He misses the heydays of the 1980s and 90s, when he was ruling the horror fiction charts, and now finds himself scrambling to remain a relevant author. He hasn’t had a hit in years, his agent won’t take his calls, and he’s never felt older.

Then, on his 59th birthday, his girlfriend gives him the gift of a lifetime: a monstrous antique desk. Rejuvenated by the desk’s mysterious energy, he begins writing with an all-consuming passion—and a savage darkness—he hasn’t felt in decades, and is eager to get his career back on track. Unfortunately, the desk, and the evil spirit that harbors within, has other plans. It won’t stop until it gets what it wants—even if it must destroy Tyson, and everyone he holds dear, in the process.

In this terrifying novel of art, obsession, and the horror of creation, Fracassi shows why he’s become a fan favorite among contemporary horror authors. Now in a brand-new edition, which includes a never-before-seen excerpt, Gothic is a dread-fueled dive into what a writer is willing to do to serve the muse, and his own desires.

Be the first to own the DELUXE LIMITED EDITION! This premium collectible is a MUST-HAVE for any book collector. Available ONLY during this limited print run in the U.S. and Canada—don’t miss your chance to own this exclusive edition!

Eden Aossi, heir to the Summer Court, has everything a fae princess is supposed to want—couture gowns, enchanted castles, and a destiny etched in starlight. What she doesn’t have? The freedom to actually live her own life.

Stuck in etiquette lessons and royal obligations, Eden feels less like a future queen and more like a collectible locked in a glass case. Luckily, she’s not alone. Her mentor and mischievous wizard Merlin—yes, that one—is more than happy to nudge her toward a little well-placed rebellion.

When a chance pops up to ditch the crown-polishing and sneak into the Winter Court gala, she’s gone faster than you can say fairy glam squad, trading duty for one night of dazzling lights, music, and the kind of freedom she’s only ever seen in mortal movies.

That’s when she collides with Daire Dannean: Winter’s heir, sworn enemy, and walking reminder that she’s in way over her head. The spark between them is undeniable, inconvenient, and maybe even dangerous. But for the first time, Eden feels seen—not as an heir, but as herself.

As the two navigate glittering courts, tangled loyalties, the complex pop culture of the human world, and shadows lurking at the edge, they discover a shared dream: breaking free of tradition and forging a new future. Trouble is, not everyone wants peace...and some will do anything to keep them apart.

Magic, betrayal, and a forbidden romance, Eden’s about to learn that happily ever after isn’t a fairy tale. It’s a glow-up.

Rivals of Sea and Sky is an adult romantasy with a youthful voice in a mix between our contemporary world and the fantastical world of the fae. Follow Eden and her cohorts as they navigate these differences as only young fae can!

“Among the stories collected in this omnibus, are some of the very first Joan Aiken stories that I ever fell in love with, starting with the title story ‘The People in the Castle,’ which is a variation on the classic tales of fairy wives.”—Kelly Link

“[A] haunting and wondrous book.”—Emily Nordling, Tor.com

“This short story collection, edited by Aiken’s daughter Lizza and the 2016 Pulitzer Prize for Fiction finalist Kelly Link, compiles tales of the surreal and supernatural suited for an adult audience.”—Ryan Porter, Toronto Star

“Sprightly but brooding, with well-defined plots, twists, and punch lines, these stories deserve a place on the shelf with the fantasies of Saki (H.H. Munro), Sylvia Townsend Warner, and Susanna Clarke.”—Kirkus Reviews (starred review)

Here is the whisper in the night, the creak upstairs, the sound that raises gooseflesh, the wish you’d checked the lock on the door before it got really, really dark. Here are tales of suspense and the supernatural that will chill, amuse, and exhilarate.

Best known for The Wolves of Willoughby Chase, Joan Aiken (1924–2004) wrote over a hundred books and won the Guardian and Edgar Allan Poe awards. She supported her family by copyediting at Argosy magazine and an advertising agency before turning to fiction and went on to write for Vogue, Good Housekeeping, Vanity Fair, Women’s Own, and many others. Visit her online at www.joanaiken.com.

An intelligent machine built to study methods of social warfare struggles to understand and communicate the lived experience of race

In a narrative full of social significance and poetically decorated with monks, vampires, and mythical statistics, Race in the Machine presents a world where the stories we use to explain race all simultaneously exist, within and around us, dictating our interactions and innermost beliefs.

The nameless protagonist, an enigmatic social mechanic at Nearbay Institute, living in a population of socially connected intelligent machines, encounters a simple query in the context of an introductory lecture: "What exactly is race? And what is it in the context of the social machine?" This prompt guides the protagonist along a twisting intellectual tale surrounding a series of experiments which explore: How many racists does it take to create systems of inequality? What role do non-racists actors play in upholding them? How is bias learned? How does it spread?

The narrator develops a distinct understanding of race through the figurative bending of time, dreams of a "race code" and by confronting a series of mysterious communications that remain just outside comprehension. Over the course of this journey, the answers to important questions about racial inequality quietly emerge for the protagonist. Scholarly encounters with both antagonistic colleagues and unexpected allies, culminate when the hero is forced to reach a devastating conclusion about themself and the world.

Stirring and luminous, Race in the Machine deftly oscillates between the allegorically simplified and the impossibly complex to weave an utterly unique and nuanced portrait of race in the modern world.

What if the fairytale was always a lie?

Seven years after her family’s murders, Eva is attacked by a magical creature and abducted to the faerie realm. When a handsome fae saves her, he reveals that he must bring Eva to her faerie soulmate to stop a world-ending Curse. She relents, but only for the opportunity to find answers about her parents’ deaths.

As their journey progresses, Eva delves into her previously hidden magic—and grows steadily closer to her fae savior. But when she meets her prince, she soon learns that all is not what it seems. While mystery and intrigue surround her, Eva takes it into her own hands to uncover the truth. But what she discovers is beyond her imagination, as she unravels the fae’s web of lies.

Don’t miss this romantasy into the fae realm with hidden secrets, enemies to lovers romance, and true fantasy adventure.

Sirena Diamond is the child of Mexican immigrants who has grown up on the cusp of two cultures. When she isn't consoling her traumatized war veteran brother or entertaining her eccentric abuela with her pet duck, she is caught between a boyfriend trying to erase his past and a man whose past is an ever-changing story and her best friend without boundaries.

Why Stars Burn, a novel-in-stories, introduces us to Sirena’s world and the mysteries that lie just below the glittering surface of life in Los Angeles.

Kathleen Alcalá is the author of The Deepest Roots, a work of speculative nonfiction on sustainability and island living. Her work has received the Governor’s Writers Award, the Western States Book Award, and the Pacific Northwest Booksellers Award, among others. A graduate of the MFA Program at the University of New Orleans and the Clarion West Science Fiction and Fantasy Workshop, Kathleen is editing an anthology on La Llorona, the Crying Woman of Mexican mythology, with Norma Elias Cantú. Her novels Spirits of the Ordinary and The Flower in the Skull have recently been republished by Raven Chronicles Press.

A deluxe cloth hardcover with sprayed edges and colored end papers illustrating the Bay of Naples.

#1 BEST BOOK OF THE CENTURY —NEW YORK TIMES

“An unconditional masterpiece.” —Jhumpa Lahiri 

When Elena Ferrante set out to write the story of Elena and Lila, she conceived it as one single work of fiction, one expansive novel that would capture the reality and ambivalence of female friendship, motherhood, marriage, class and adolescence.  

2025 marks 10 years since publication of the quartet was completed. To celebrate this anniversary, as well as honor and acknowledge the author’s original conception, we are releasing the four novels in one volume.    

Described by the New Yorker’s James Wood as “large, captivating, amiably peopled...a beautiful and delicate tale of confluence and reversal,” the Neapolitan Quartet tells a poignant, universal story about friendship and belonging.   

“The capacity of stories to speak to anyone and in any time is the fruit of a mysterious mixture of sensibility, ability, and luck, and no writer really knows how that fruit ripens and if it has fully matured.” —Elena Ferrante 

Contains the four Neapolitan Novels: My Brilliant Friend; The Story of a New Name; Those Who Leave and Those Who Stay; The Story of the Lost Child

Eden Aossi, heir to the Summer Court, has everything a fae princess is supposed to want—couture gowns, enchanted castles, and a destiny etched in starlight. What she doesn’t have? The freedom to actually live her own life.

Stuck in etiquette lessons and royal obligations, Eden feels less like a future queen and more like a collectible locked in a glass case. Luckily, she’s not alone. Her mentor and mischievous wizard Merlin—yes, that one—is more than happy to nudge her toward a little well-placed rebellion.

When a chance pops up to ditch the crown-polishing and sneak into the Winter Court gala, she’s gone faster than you can say fairy glam squad, trading duty for one night of dazzling lights, music, and the kind of freedom she’s only ever seen in mortal movies.

That’s when she collides with Daire Dannean: Winter’s heir, sworn enemy, and walking reminder that she’s in way over her head. The spark between them is undeniable, inconvenient, and maybe even dangerous. But for the first time, Eden feels seen—not as an heir, but as herself.

As the two navigate glittering courts, tangled loyalties, the complex pop culture of the human world, and shadows lurking at the edge, they discover a shared dream: breaking free of tradition and forging a new future. Trouble is, not everyone wants peace...and some will do anything to keep them apart.

Magic, betrayal, and a forbidden romance, Eden’s about to learn that happily ever after isn’t a fairy tale. It’s a glow-up.

Rivals of Sea and Sky is an adult romantasy with a youthful voice in a mix between our contemporary world and the fantastical world of the fae. Follow Eden and her cohorts as they navigate these differences as only young fae can!

All things come to an end.

Adelaide has always dreamed of one thing: freedom. Now, deeper in the West Rim than ever before, her second shadow—the mysterious Stranger—grows more restless, bloodthirsty, and dangerously real.

Tesla’s fight to carve a future for herself and other women like her reaches a turning point. Will her vision of a new world for women succeed, or will it crumble beneath the weight of ruthless progress, just like the Tov Shadow Nation before them?

But the dangers don’t stop there. An evil hunger haunts the storm-ravaged canyons of the West Rim, and the man who almost destroyed them two Seasons ago is still a looming threat. Alongside the deadly pestilence, the Revere women must rely on one another if they want to survive.

Solace by Fire is the heart-pounding, action-packed conclusion to the Revere Trilogy—a feminist fantasy epic filled with bloodshed, betrayal, and unbreakable bonds. If you love fierce heroines, high stakes, and gripping world-building, this is the thrilling finale you’ve been waiting for.

A Black nerd coming-of-age novel set in 1970s Boston about a boy who struggles to learn the truth behind his mother’s claims of otherworldly origins in the smoldering aftermath of the Civil Rights era and COINTELPRO's dying breaths.

Sean’s mother, Sojourner, consistently claims otherworldly origins—Saturn, specifically. A story he’s heard his entire life and never considered that it might be true until strange men intrude on his family’s lives. Complicating matters, his father, David, and his mother, were part of a Civil Rights era Black power group that captured the attention of the FBI.

A literal bombing put an exclamation point to the end of the organization. But as soon as Sean could read on his own, he immersed himself in science fiction, fantasy, and comic books, while largely ignoring the history of his people. That ignorance morphs into a disturbing proposition and learning the truth of his parents’ pasts could prove deadly.

Sean’s exploration introduces him to music, girls, delusions of privilege, and the thrills of revolution, all while becoming an adult. The Queen of Saturn and the Prince in Exile marries golden age sci-fi with the nostalgia of roller skates, funk, and first love.

Firecrackers: A Realistic Novel (1925) is a novel by Carl Van Vechten. Published in the same year as F. Scott Fitzgerald’s The Great Gatsby and Anita Loos’ Gentlemen Prefer Blondes, Van Vechten’s novel has been recognized as an important document of the Jazz Age, a decade of bohemian excess and artistic experimentation that changed the shape of American and European culture. “You must think of a group of people in terms of a packet of firecrackers. You ignite the first cracker and the flash fires the fuse of the second, and so on, until, after a series of crackling detonations, the whole bunch has exploded, and nothing survives but a few torn and scattered bits of paper, blackened with powder.” In Van Vechten’s novel, an explosive group of friends welcomes a handsome young man into their midst. Gunnar O’Grady, an athlete and a jack of all trades, soon becomes an object of obsession for men and women alike. As he tries to satisfy their needs and desires while working to support himself, he begins to question the meaning of friendship itself. Firecrackers: A Realistic Novel, Van Vechten’s fourth novel, is a fascinating work of fiction from a man who was always one step ahead of the rest. This edition of Carl Van Vechten’s Firecrackers: A Realistic Novel is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

After a family member tragically falls ill, Una Golden was forced to move from Pennsylvania to New York in order to get a job to help support her family.

Set in the early 1900s, going to the big city as a single woman was daunting and unconventional, but Una is dedicated to helping her family. After diligently job searching and excelling in additional training and education, Una discovers that she has the skills to be a talented commercial real estate agent. Though Una is very good at her job, and the company value her, the male-dominant real estate field suggests that it is a job exclusive to men. Because of this, Una is forced to work twice as hard to earn the same respect and equity that her male coworkers are freely given. Meanwhile, Una tries to manage her love life, because it is expected for a woman to get married and Una desires a partnership. However, the sexist social standard for women expects women to work a meaningless job before marriage, and since Una is so skilled in her field, many men are too intimidated or insecure to consider her as a potential wife. Frustrated and overworked, Una is about to give up hope when she meets Edward, a charming salesman. As their romance begins to develop and Una remains dedicated to her career, she learns more about herself, encouraging her to defy convention to achieve her dreams.

The Job is praised as an early advocate for the rights of working women, a cause that author Sinclair Lewis was very dedicated to. With unforgettable and authentic prose and characters, The Job is an intriguing depiction of the 20th century workplace in America, accompanying the compelling perspective with themes of equality, gender roles, and class divides.

This edition of The Job by Sinclair Lewis features a new, eye-catching cover design and is printed in a stylish font, making it both readable and modern.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Elemental Logic series continues with its third novel in the series, Water Logic, where the patterns of history are made and unmade.

Laurie Marks’ Elemental Logic series introduced readers in Fire Logic to the realm of Shaftal, an intricately imagined land whose people operate within the boundaries of their basic natures—here defined as logics—which sometimes bequeath them with access to magical, elemental powers and sometimes embroil them in unsolvable internal conflicts. 

Readers will discover inside Water Logic that amid assassinations, rebellions, and the pyres of too many dead, a new government has formed in Shaftal—a government of soldiers and farmers, scholars and elemental talents, all weary of war and longing for peace. But some cannot forget their losses, and some cannot imagine a place for themselves in an enemy land. Before memory, before recorded history, something happened that now must be remembered. Zanja na’Tarwein, the crosser of boundaries, born in fire and wedded to earth, has fallen under the ice. Now, by water logic, the logic of patterns repeated, of laughter and music, the lost must be found—or the found may forever be lost.

"A Dante/Beckett reduction of human struggle to its lowest common denominator."—Michael Mirolla, author of The Formal Logic of Emotion and Berlin

"One of the most original and thought-provoking stories I have ever read...true literary art...Not a word is wasted in this masterpiece. Yes, I call it that. I have read many classics, and I can tell you that The Divine Farce should be counted among them; the finest in American literature."—Geekscribe

Three strangers are condemned to live together in darkness, crushed together in a concrete stall so small that they can never sit down. Liquid food drips down from above. Waste drains through a grid on the floor. So begins one of the strangest, most surreal comments on the human experience, on love and hatred and the human ability to find good in any situation, no matter how difficult. Michael S. A. Graziano delights in the macabre and surreal, yet it is his optimism that lifts this little novel. Like The Love Song of Monkey, this book is deeply thought provoking, horrifying, and funny.

Praise for The Love Song of Monkey:

"Imaginative, intelligent narrative. Twin ideas of forgiveness and mercy twist through this strange, moving, patiently wrought novel."—Publishers Weekly

"Fabulously imagined, seriously considered, and very funny. A kind of fairytale antithesis on the meaning of existence. . . . Fantastic."—Spirituality and Health Books

"Strange but wonderful . . . like nothing I’ve read before. A very short book, but the scope is epic in detail. . . . I enjoyed the heck out of this book."—Geekscribe

"Should be required reading in the writing grad schools. . . . There’s nary a word wasted. What’s left is comedy, retrospection, betrayal, tenderness, meditations on loneliness, a love story that survives all attempts to suppress it . . . not bad within 149 pages."—Barnstable Patriot

A story of betrayal, desire, and family drama, written by a giant of Egyptian popular fiction who shocked readers in the 1950s when this Lolita-esque novel first appeared and whose work has never before been available in English

Sixteen-year-old Nadia had been raised by her father, after her parents divorced when she was only a baby. Indulged and petulant, she remained the only female in her father’s life. But when she returns from boarding school to find that he has remarried without her knowledge, she conspires to restore her rightful place, creating misery, confusion, and a flood of unexpected consequences in her wake.

Written as a letter, a confession, by now twenty-one-year old Nadia, Ihsan Abdel Kouddous’s classic novel of revenge and betrayal challenges patriarchal norms with its strong female characters and brazen sexuality, and continues to speak to the complex human condition. It dives into middle-class life, and lays bare the repressed desires, seething jealousies, and complicated dramas of family.

Abdel Kouddous’s masterpiece I Do Not Sleep was adapted into a classic of Egyptian cinema in 1957, and its publication for the first time in English is an international publishing event.

NATIONAL BESTSELLER and BOOK CLUB FAVORITE * Over 1 million copies sold worldwide!

* 2024 High Plains Book Award Winner * 2023 Reading the West Book Award Winner * Finalist for Goodreads Choice Award * Colorado Public Radio 2023 Books We Love * 2025 Prix de l'Union Interalliée *

Set amid Colorado’s wild beauty, the heartbreaking coming-of-age story of a resilient young woman whose life is changed forever by one chance encounter. A tragic and uplifting novel of love and loss, family and survival—and hope—for readers of Great Circle, The Four Winds, and Where the Crawdads Sing.

“Beautiful . . . A striking first novel of love and strength and growth, set against the forests and rivers of Colorado’s high country. Read is a gifted writer, and the book is a literary triumph.”—Denver Post

“With gorgeous descriptions of the great outdoors, an illicit love story, and an unforgettable protagonist, Go as a River offers something for everyone.”—Real Simple

“I couldn’t stop thinking about it . . . it’s stunning.”—Jen Hatmaker

Seventeen-year-old Victoria Nash runs the household on her family’s peach farm in the small ranch town of Iola, Colorado—the sole surviving female in a family of troubled men. Wilson Moon is a young drifter with a mysterious past, displaced from his tribal land and determined to live as he chooses.

Victoria encounters Wil by chance on a street corner, a meeting that profoundly alters both of their young lives, igniting as much passion as danger. When tragedy strikes, Victoria leaves the only life she has ever known, fleeing into the surrounding mountains, where she struggles to survive in the wilderness with no clear notion of what her future will bring. As the seasons change, she also charts the changes in herself, finding in the beautiful but harsh landscape the meaning and strength to move forward and rebuild all that she has lost, even as the Gunnison River threatens to submerge her homeland—its ranches, farms, and the beloved peach orchard that has been in her family for generations.

Inspired by true events surrounding the destruction of the town of Iola in the 1960s, Go as a River is a story of deeply held love in the face of hardship and loss, but also of finding courage, resilience, friendship, and, finally, home—where least expected. This stunning debut explores what it means to lead your life as if it were a river—gathering and flowing, finding a way forward even when a river is dammed.

Winner of the Sakutaro Hagiwara Prize and the Murasaki Shikibu Prize

Caught between two cultures, award-winning author Hiromi Ito tackles subjects like aging, death, and suffering with dark humor, illuminating the bittersweet joys of being alive.

The first novel to appear in English by award-winning author Hiromi Ito explores the absurdities, complexities, and challenges experienced by a woman caring for her two families: her husband and daughters in California and her aging parents in Japan. As the narrator shuttles back and forth between these two starkly different cultures, she creates a powerful and entertaining narrative about what it means to live and die in a globalized society.

Ito has been described as a “shaman of poetry” because of her skill in allowing the voices of others to flow through her. Here she enriches her semi-autobiographical novel by channeling myriad voices drawn from Japanese folklore, poetry, literature, and pop culture. The result is a generic chimera—part poetry, part prose, part epic—a unique, transnational, polyvocal mode of storytelling. One throughline is a series of memories associated with the Buddhist bodhisattva Jizo, who helps to remove the “thorns” of human suffering.

FINALIST FOR THE NEXT GENERATION INDIE BOOK AWARD
BEST SCIENCE FICTION & FANTASY: AN AMAZON EDITORS' PICK

A stunning debut novel and an impressive feat of storytelling that pulls together mythology, magic, and ancient legend in the gripping story of a mother's struggle to save her only daughter

Nadine is a jinn tasked with one job: telling the stories of the dead. She rises every morning to gather pomegranate seeds—the souls of the dead—that have fallen during the night. With her daughter Layala at her side, she eats the seeds and tells their stories. Only then can the departed pass through the final gate of death.

But when the seeds stop falling, Nadine knows something is terribly wrong. All her worst fears are confirmed when she is visited by Kamuna, Death herself and ruler of the underworld, who reveals her desire for someone to replace her: it is Layala she wants.

Nadine will do whatever it takes to keep her daughter safe, but Kamuna has little patience and a ruthless drive to get what she has come for. Layala’s fate, meanwhile, hangs in the balance.

Rooted in Middle Eastern mythology, Rania Hanna deftly weaves subtle, yet breathtaking, magic through this vivid and compelling story that has at its heart the universal human desire to, somehow, outmaneuver death.

“Skip Yellowstone for this rawer version of the West.”—The New York Times Book Review

“This taut, compelling novel explores the great outdoors—and a realm of moral uncertainty. . . A ferociously gripping book.”—The Economist 

Two brothers in dire straits, living on the edge of Yellowstone, agree to a desperate act of survival in this taut, propulsive novel reminiscent of the works of C.J. Box, Donald Ray Pollock, and Larry McMurtry.

“Part mystery, part magical, and completely captivating."—Karen Winn, author of Our Little World

Queenie Rivers was raised by her grandparents in coastal Los Angeles. As she approaches thirty, her erratic lifestyle is forced back on course by a car accident and her grandmother’s intervention.

But her recovery is interrupted by a break-in and Gran’s death. Gran’s last act was to set Queenie up with a job at an upscale seaside bistro with a shady reputation—the owner of which, it turns out, was once a close friend. As Queenie digs into Gran’s past for answers about the break-in, the murder, and the unnerving circumstances surrounding the restaurant and her new boss, she discovers that her grandmother, a Romani Holocaust survivor, kept many secrets, some of them otherworldly—secrets that become hers to unravel when she becomes a suspect in Gran’s murder case.

Winner of the Naguib Mahfouz Medal for Literature, Empty Cages is an urgent and raw confessional of memory and family and all that is lost and won in one woman's lifetime

The discovery of an old tin of chocolates, its contents long ago devoured, marks the entry into this intimate story that reaches back through a lifetime of memories in search of self and home.

In celebration and suffering, triumph and disappointment, Qandil’s voice is unflinching, revealing both a determination to speak the truth and a poetic sensitivity that is disarming. Reflecting on a family disintegrating—and with it, perhaps, a whole way of life—memories of a happy childhood melt away to reveal the fecklessness of selfish older brothers, a father’s addiction, a mother’s illness, and the violence and death—both literal and figurative—of those nearby.

Recipient of the Naguib Mahfouz Medal for Literature, this fictional debut marks the arrival of a stunning new voice.

Ten Lands Divided. One Shattered Past. A Forbidden Magic on the Brink of Awakening.

In a world torn apart by the catastrophic Quake, Evella Trapper has lived a life of isolation on the northern banks of Corallon. For generations, her family has struggled to survive, relying on hunting and trapping to sustain them—but no matter how much time passes, the sins of her past still haunt her.

Everything changes when Evella meets Arek, a stranger displaced by the quakes, who reveals a shocking truth: the king has sent him to recruit her for a secret army, one that wields a powerful, forbidden magic—Soulmagic.

As the quakes grow stronger and threaten to tear the world apart, Evella embarks on a journey to master her powers. But her Soulmagic only emerges in her sleep, leaving her unable to fight back in the waking world. With the fate of her family, her homeland, and her own future at stake, she must confront her darkest fears—both the ones buried in her past and those that threaten the fragile peace of the present.

Joined by a team of Soulmagi, Evella faces the ghosts of her past, uncovers the deadly truth behind the quakes, and must make an impossible choice. Will she harness her power in time to protect the people she loves and secure the future she desperately wants?

Weird fiction icon and award-winning author Michael Cisco's Black Brane, begins with the physical pain of a bad foot and later voyages into absurdity, mad science, occultism, and existential dread.

A man lying in a bed of pain flees from physical torment into his own memories, and into speculations about life and reality. He was, once, employed by the Temporary Institute for the Study of Holes, a think tank pursuing research that ranges from occult studies to advanced physics, including black holes—or, as they are known in string theory, black branes.

He meets and interacts with the various other members of the institute. Its founder, Dr. Marilyn Shitansky, a formerly homeless woman who claims to have a thinking hole in her brain; its resident occultist, the chain-smoking Daladara with his magic abacus; Ernie Allegre the engineer, who designed and built a decoherence reactor to power the institute; Dr. Liu, the string theorist; the linguist Dr. Corngholm, who can't sit still; and Dr. Shitansky's secretary, Renbrui, who seems to carry a mystery with her wherever she goes.

In memory, the speaker finds them again, in a story of physical and emotional pain, of social and quantum entanglement, that turns comic, speculative, and nightmarish. Echoing the work of Blake Crouch and Thomas Ligotti, Michael Cisco shows in Black Brane why he’s beloved by weird fiction and horror readers.

Kyle Seibel's debut short story collection is a bracing look into the lives of society's misfits.

From a junkyard worker haunted by the death of a special cat to dinosaurs that materialize to dispense life advice—these stories explore the thin line between the mundane and the surreal.

Hilarious, poignant, gritty and bizarre, Hey You Assholes heralds the arrival of a bold new voice in American fiction.

In her electric debut, Madeline Cash synthesizes the godlessness of a digital age into a glimmering, sublime, life-affirming collage of stories.

Earth Angel is a book like no other, the paperback that swallowed the smartphone. An Isis recruit, an adolescent beauty queen, and a childless millennial walk into a bar. A Biblical plague rains down head lice, aerial drone strikes, gender non-conforming frogs. An app throws a slumber party for a friendless office worker. Texans in the winter, the Taliban in Springtime, Teslas with ℮☥ bumper stickers, Frozen 5 in Arabic, architectural consistency laws in Laurel Canyon, the longest recorded nosebleed in history.

An unhinged jet stream that is ultramodern and poignantly timeless, capturing the angst of the post-millennial generation.

AUTHOR OF LIVID • SHORTLISTED FOR THE MISSOURI REVIEW EDITORS PRIZE, THE SARTON AWARD, AND THE NAUTILUS AWARD

Cai Emmons awes readers with the release of  THE BELLS

"An immersive psychological portrait of one man’s battle with lifelong anger and guilt."–Kirkus Reviews

“A book Cai finished on the day she died, is a story of life: how to live fully, embrace our messy complications, and swim toward love.”–Miriam Gershow, author of Closer and Survival Tips: Stories

Thirty-three-year-old Niall O’Malley has failed a five-year mission to live as a monk and is attempting to redefine himself as a high school teacher in New Jersey.

As The Bells opens, thirty-three-year-old Niall O’Malley has failed a five-year mission to live as a monk and is attempting to redefine himself as a high school teacher in New Jersey. The transition has been bumpy. He loves teaching history to inner city teens, but he hits a roadblock when a belligerent student, Colton, possibly a white-supremacist, behaves in ways that threaten Niall. As troubles mount at school, Niall’s girlfriend Lluvia pressures him into making a deeper commitment to their relationship. She wants them to move in together with Lluvia’s pre-teen daughter and elderly mother.

Haunted by his failure as a Cistercian monk and his troubles with one man in particular, the abusive Brother Thomas, Niall abandons Lluvia and heads back to his old monastery in Massachusetts for a final showdown with Thomas, now dying of ALS. Redemption for Niall is elusive as he strives to mend his faith.

Adolf Verloc is working as a spy in London, when he’s recruited to commit a terrorist act that could endanger the lives of countless citizens. It’s a professional decision that has an unexpected impact on his personal life.

Adolf Verloc lives in London and runs a shop where he sells underground books and materials. He’s considered a member of a local anarchist group but is also a spy for a foreign government. His handler, Mr. Vladimir, instructs him to plant a bomb in the Greenwich Observatory. Verloc initially resists but cowers to Mr. Vladimir’s threats. Using a time jump and different perspectives, the novel examines the impact of Verloc’s fateful actions.

The Secret Agent is a standout among Joseph Conrad’s stellar bibliography. With its descriptive setting and political themes, the author creates a truly captivating tale. It’s a thrilling account of espionage, betrayal and homegrown terrorism.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Secret Agent is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A dynamic translation of the timeless African epic.

The feats of the hero Mwindo are glorified in this epic work, sung and narrated in a Bantu language and acted out by a member of the Nyanga tribe in the remote forest regions of what is now the Democratic Republic of the Congo. Beautifully structured and richly poetic, the epic is in prose form, interspersed with song and proverbs in verse. As an example of the classic tradition of oral folk literature, the tale provides profound insights into the social structure, values, and cosmology of this African people.

“Imagine Cormac McCarthy's savage lyricism in a Paul Bowles desert landscape and you begin to enter the bleakly beautiful world of this mesmerizing, fable-like novel.”—The Independent

Gold Dust is a classic story of the brotherhood between man and beast, the thread of companionship that is all the difference between life and death in the desert. It is a story of the fight to endure in a world of limitless and waterless wastes, and a parable of the struggle to survive in the most dangerous landscape of all: human society.

Rejected by his tribe and hunted by the kin of the man he killed, Ukhayyad and his thoroughbred camel flee across the desolate Tuareg deserts of the Libyan Sahara. Between bloody wars against the Italians in the north and famine raging in the south, Ukhayyad rides for the remote rock caves of Jebel Hasawna. There, he says farewell to the mount who has been his companion through thirst, disease, lust, and loneliness. Alone in the desert, haunted by the prophetic cave paintings of ancient hunting scenes and the cries of jinn in the night, Ukhayyad awaits the arrival of his pursuers and their insatiable hunger for blood and gold.

A rich, sweeping novel of Palestine with the Nakba at its heart, by an acclaimed author

Ruqayya was only thirteen when the Nakba came to her village in Palestine in 1948. The massacre in Tantoura drove her from her home and from everything she had ever known. She had not left her village before, but she would never return. Now an old woman, Ruqayya looks back on a long life in exile, one that has taken her to Syria, Lebanon, the Gulf, and given her children and grandchildren. Through her depth of experience and her indomitable spirit, we live her love of her land, her family, and her people, and we feel the repeated pain of loss and of diaspora.

Since it was first published in 1975, Ecotopia has inspired readers throughout the world with its vision of an ecologically and socially sustainable future. This fortieth-anniversary edition includes Ernest Callenbach's final essay, “An Epistle to the Ecotopians,” and a new foreword by Callenbach's close friend and publisher, Malcolm Margolin.

2024 International Rubery Book Awards Winner | 2023 American Writing Awards Finalist | 2023 Foreword Indies Awards Finalist | 2023 Next Generation Indie Book Awards Finalist

Joiner's second novel set in the fabled Kanazawa area is an intimate yet understated look at an American who seeks recovery after his marriage to a Japanese woman has failed.

After Nozomi abandons Sedge and their marriage, taking all their money and leaving him with a ceramics shop he can’t manage alone, her brother and his wife offer him a lifeline at their Japanese hot spring inn until he can get back on his feet. As he proceeds forward from this devastation in his life, he becomes involved with the wife of the man Nozomi ran off with as well as her stepson, a troubled 16-year-old whose jealousy and potential for violence contrasts with his interest in birds, origami, and the haiku of Matsuo Basho. What unfolds in the shadow of “the immortal mountain of cranes” will change their lives forever.

Set in Kanazawa and Yamanaka Onsen near the Sea of Japan, The Heron Catchers explores the importance of recognizing suffering both in others and in oneself, of being compassionate, and of trusting those who offer love in the shattering wake of loss.

The Heron Catchers is the second in a series of novels set in and around the Japanese city of Kanazawa.

Featured #1 on Kirkus Reviews’ “20 Science Fiction Fantasy Novels That Will Blow Your Mind.” 

Adrien Desfourneaux must survive his own failing mental health and a tenuous partnership with a dangerous ally in order to save the city of Astrum from a spreading curse.

Adrien Desfourneaux, magic professor and disgraced ex-physician, has discovered a conspiracy. Someone is inflicting magical comas on the inhabitants of the massive city of Astrum, and no one knows how or why. Caught between a faction of scheming magical academics and an explosive schism in the ranks of the Astrum’s power-hungry military, Adrien is swallowed by the growing chaos. Alongside Gennady, an unruly, damaged young soldier, and Malise, a brilliant healer and Adrien’s best friend, Adrien searches for a way to stop the spreading curse before the city implodes. He must survive his own bipolar disorder, his self-destructive tendencies, and his entanglement with the man who doesn’t love him back.

Combining a magical fast-paced plot with queer and mental health representation, Cursebreakers is a new force in the Fantasy genre. 

Playful, kinetic, and devastating in turn, You Were Watching from the Sand is a collection in which Haitian men, women, and children who find their lives cleaved by the interminably strange bite back at the bizarre with their own oddities. In “belly,” a young woman abandoned by her only living relative makes a person from the mud beside her backyard creek. In “We Feel it in Punta Cana,” a domestic child servant in the Dominican Republic tours through his own lush imagination to make his material conditions more bearable. In “The Oldest Sensation is Anger,” a teenager invites a same-aged family friend into her apartment and uncovers a spate of disturbing secrets about her. Written in a mixture of high lyricism, absurdist comedy, and Haitian cultural witticisms, this is a collection whose dynamism matches that of its characters at every beat and turn.

2025 CLMP Firecracker Awards Fiction Finalist

A debut collection of stories from author Daisuke Shen, wherein divine beings and humans alike must rely on omens to navigate the unpredictable lives they find themselves inhabiting.

A couple employs exact clones of their partners, but then slowly begin losing their memories. Four boys with cruel intentions come across a field of statuesque women, unaware of the vengeance that awaits them. Paranoia leads a brilliant engineer into creating a language-processing machine that will tell her the truth of others' emotions.

Vague Predictions and Prophecies explores the myriad ways in which desire structures (and destroys) the self, language, and love, questioning the very nature of human connection. Through beautifully written prose, Shen invokes the surreal to create gigantic worlds packed inside deceptively small packages, emphasizing a resounding truth: that our fractured understandings of each other may yet be enough.

“Reads like a warm hug.” —Rebecca Thorne, bestselling author of Can’t Spell Treason Without Tea

“A stunning tale of learning to let go.” —Shelf Awareness

A warm and hopeful story of a lonely witch consumed by grief who discovers a whimsical cast of characters in a magical arboretum—and the healing power of found family. 

Powerless witch Saika is ready to enact her sister’s final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate’s caretakers.

Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika’s been disconnected from her magic since her sister’s death two years prior. Saika gets by at the sanctuary using a fragment of a fallen star to cast enchantments—while hiding the embarrassing truth about herself.

As Saika works harder in avoidance of her pain, she learns more about Frank, the decaying house at Ash Gardens, and the lives of the motley staff, including bickering twin cherubs, a mute ghost, a cantankerous elf, and an irritating half witch, among others. Over time, she rediscovers what it means to love and be wholly loved and how to allow her joy and grief to coexist. Warm and inventive, House of Frank is a stirring portrait of the ache of loss and the healing embrace of love.