Anthem Press

Transnational Coupling in the Age of Nation Making during the 19th and 20th Centuries deals with courtships and marriages that transcended national, cultural and linguistic boundaries. It deals with the formation of transnational families and transnational spaces. And, finally, because the historical concept of transnational marriage provides a unique prism through which to view the interconnectedness of societies at their most intimate cultural intersections, it deals with the longstanding, complex cultural relations between France and the United States during the 19th and 20th centuries.

In an effort to address not only why Franco-American marriages occurred but also how and why the dynamics that produced them changed over time, this work examines and compares two transnational marriage patterns in different historical contexts: the first, when wealthy American heiresses married French aristocrats during the second half of the 19th century—a period marked by relatively free transatlantic circulation and mobility—and the second, when borders were far more solidified—during the world wars when French women entered into matrimonial contracts with American soldiers.

The purpose of this work is twofold. In an effort to provide new categories of analysis that place the human experience into broader, more global perspectives, the first is to show how concepts of transnational marriage and courtship allow the historian to move further beyond the analytical frameworks of national histories by forcing the researcher to reconsider the ways in which one thinks about family formation and the permeability of national borders during these different stages of the national project. The second is to challenge underlying assumptions in existing historiographical explanations that those who crossed national borders to couple or to marry did so for purely socio-economic reasons. Nicole Leopoldie contends that such rationalizations are simply too narrow and that at the intersection of cross-cultural encounter and transnational coupling stood a profoundly emotional experience. Therefore, greater analytical considerations need to include both cultural and emotional motivations that were always in the background.

Because the social practices of courtship and marriage became mechanisms through which borders were crossed and new cultural spaces were created, they represent important elements of transnational entanglements. Therefore, rather than examining marriage motivation from the perspective of one society or another, this work seeks to examine instead the ways in which patterns of transnational marriage emerged out of social spaces of cross-cultural encounter between the two societies. In order to identify, map and analyze the transnational spaces that produced marriage during the 19th and 20th centuries, this work draws on descriptions of social events found in the French and American press, travel literature, personal accounts and guest lists. By examining where and how couples met and courted one another, these sources provide an important glimpse into not only transnational social networks and cultural rituals but also the ways in which marriage participants perceived, experienced and interpreted these spaces. In this spatial examination, emotions are employed as a category of analysis rather than a narrative device in order to show how complex cultural meanings within transnational spaces were experienced on personal levels among transnational-marriage participants. Because a variety of emotions manifested in both encounter and representations of the “other,” Leopoldie proposes that othering be further considered as not simply a cultural process, but an emotional one. By drawing on French and American literary works, travel literature and personal accounts found in unpublished and published memoirs, letters and interviews collected by contemporary journalists and oral historians, she argues that even though marriage participants from each of the two patterns conceived of the national and cultural boundaries that separated them in very different ways, attraction to notions of difference provoked important emotional responses and largely remained the driving force of marriage and coupling processes in both historical contexts. By participating in a transnational marriage, participants bound themselves not only to their spouse but also to the culture of that spouse. Motivations for transnational marriage were, therefore, still strategic but were largely based on preconceived notions of what they believed the other culture to be.

The Critical Situation: Vexed Perspectives in Postmodern Literary Studies comprises a diverse selection of essays that register the situated ness of critical theory and practice amid various intellectual, institutional, and cultural contexts. In recent polemics, postmortems or even celebrations, a number of prominent critics have suggested that “theory” is dead, that the heyday of literary or critical theory is past and its insights passé, and that other less speculative or abstract approaches to literature and literary criticism be embraced. At the same time, however, resistance to these trends in criticism has emphasized the degree to which modern critical theory remains essential for any proper analysis of the present condition. Today’s dynamic world-system, with its ever-shifting components in the age of globalization, presents new challenges to literary and cultural studies for which criticism and theory are ideally suited. That is because a fundamental virtue of critical and theoretical practice lies in its speculative vocation, as theory may offer novel vantages from which to view the past, present and future configurations, while disclosing fresh vistas of the world in which we are situated.

The Critical Situation emphasizes the need for, and the vibrancy of, theory today. The essays in this volume each address situations of critical theory and practice in various ways. Some are more methodological or analytical, others more historical, and still others more speculative, but all contribute to the argument in favor of theory as an essential part of literary studies in the present time. In the United States, the renewed resistance to theory has become somewhat tied to this or that conception of what have been labeled “method wars,” the battlelines of which indicate distinctive factions: those emphasizing historical investigations are then opposed by those insisting on the precedence of form or formalism, while others contest variations of both types of criticism in favor of some sense of unmediated or “surface” reading. These mostly parochial or academic debates have their counterparts in the broader culture, in which powerful forces determine the sense of what is worthy or not, what is real or what is fake or what is suitable for critical study or even attention. The reversal of the situation is, in a sense, built into the nature of the situation itself. At this point, theory enables the recognition that comes with the experience of peripety, an uncertain reversal of fortune which makes possible the suddenly novel perspective. 

The Critical Situation offers examples of situated criticism, which in turn are concerned with the ways in which literary and cultural criticism are and have been situated in relation to a variety of ideological and institutional structures, including those of world literature, American studies, spatial literary studies, cultural critique, globalization and postmodernity. These structures continue to influence the ways that criticism is practiced, and due recognition of their continuing effects seems to me to be crucial to the success of any meaningful critical practice in the twenty-first century.

The considerably large critical literature on Bollywood cinema is marked by an absence as it has not engaged fully with the ways in which songs lead to the memorial construction of films and how a spectator connects with films through their songs. The studies tended to deflect the emotional dimension of songs, their internal lyrical structure and their intertextual connections in favour of readings that treat songs as subsidiary to other formal elements. Consequently, there was little understanding of songs and their complex relationship with the narrative of the film. To address this absence, this book begins by taking a look at the prior history of Bollywood songs since the arrival of talkies with the film Alam Ara (1931). The chapter takes the reader through the journey of film songs from synchronous singing and music during production to non-diegetic music and the playback singer. In addition, the somewhat disparate filmic milieu of history, emotion and ethics, much of which are drawn from traditional texts, served to affirm the values of a secular India. Melodrama, mediated via Indian theories of sentimentality, became one of the key colonial discourses through which the politico-social order was critiqued and Indianness celebrated.
The book then raises the question, ‘Can one speak about periods?’ After defending periodisation in this instance because it does have heuristic value, the argument is given added support by positing melodrama as the dominant dramatic mode of Indian Hindi (Bollywood) cinema of the Golden Age. The term ‘melodrama’ is used to designate a film genre marked by sentimental songs that appeal to the heightened emotions of the spectator. Because emotionality is central to the concept of melodrama, a consideration of how emotions may be theorised is also given. The Indian classical concept of rasa is examined to provide a theoretical frame that is both historical and indigenous. Sentimental and melodramatic emotion ultimately enhanced cinema’s ethical role in building a post-colonial nation – a nation that was emerging from the trauma of partition as well as the excesses of colonisation. However, by focusing with holistic lens on the period in question – the ‘Golden Age’ – the book finesses the value of periodisation in this instance. Frame analyses of a sample of song sequences from a variety of films are used to demonstrate the roles of various song registers and the way these different registers (as identified in the appendices) work within the narrative. The argument for a connection between songs and narrative in the period is strengthened by an examination of the elements of song picturisation, most notably body movement, mise-en-scènes, lyrics, vocal expression, lighting, shots and music. A close examination of these elements reinforced the links between felt emotion and the melodramatic form in the Golden Age. Furthermore, it is argued that while Indian theories of emotional responses – notably rasa theory – recognised the place of cathartic outpouring in any dramatic presentation, the shape and structure of Bollywood cinema was indebted to the melodramatic imaginary that came to India with British colonisation. The archival material on English novels read in colonial times indicated that novels dealing with the ‘man of feeling’, novels such as Henry Mackenzie’s The Man of Feeling (1771) and Oliver Goldsmith’s The Vicar of Wakefield (1766), provided the melodramatic structures within which native structures of feeling (as in the varied rasas) may be given felt presence. That structure and its emotional pulling power dictated cinema and especially the cinema of the Golden Age. There are direct links between Devdas (1935), a seminal film based on a sentimental Bengali novel, and Pyaasa (1957), and these links speak to the presence of English discourses of sentimentality. Such was their pervasive power, indeed their affective intensities and strength, that no film of the ‘Golden Age of Bollywood’ escaped from their enervating and ineluctable presence.
The argument of the book – as indicated above – is followed through with references to many films. The instance of the ‘Islamicate’ film Mughal-e-Azam (1960) is taken up as an example of the power and pervasiveness of the melodramatic temper and the role of songs even when the cinematic genre is that of an epic. A close, paradigmatic reading of this film shows how the evocative power of sentimentality, emotional capital and the genre of melodrama invades an historical narrative and transforms history. To give greater depth to the place of songs, sentimentality and melodrama, the book turns to the two exceptional auteurs of the Golden Age, Raj Kapoor and Guru Dutt. Between them, these two auteurs demonstrate a range of filmic articulations of songs in Hindi cinema, and their films illustrate, in an exemplary fashion, the role of songs in carrying the melodramatic and sentimental narrative of a film. The Hindi film auteur, as producer, director and actor, not only imposes his special style on his films but is visible on the screen itself.
This book is primarily concerned with songs from the Golden Age of Hindi cinema – 1951–1963 – a period in Hindi film history when emotion, sentiment and melodrama were regularly combined to create ‘affective intensities’. The registers, moods and, in some cases, ragas of songs have been examined over a broad corpus of examples to identify their effect on the spectator, their role in the narrative of the film and their thematisation associated with specific emotional states. In so doing, the book theorises sentimentality and melodrama in the context of Hindi film songs to more fully identify the nature of sentimentality and to more fully understand the way songs play a role in the melodramatic form.

This book explains how Louis XIV survived his bid for European hegemony unscathed while other aspiring hegemons in modern history suffered catastrophic defeats. It argues that Louis employed a powerful coalition-breaking strategy unique to him and lays out the implications of Louis XIV’s unique case for today’s security competitions.

This book explores the strategic role of Liberty University, church planting networks, and grassroots mobilization in shaping U.S. policy toward Israel. It examines how Dr. Jerry Falwell, through his leadership at Liberty University and the Moral Majority, built a powerful evangelical coalition that effectively influenced Congress and the White House. By analyzing the intersection of faith, politics, and diplomacy, the book uncovers how Christian Zionism became a central force in conservative American politics, fostering a deep alliance between evangelicals and the Israeli government. Falwell’s relationship with Israeli leaders, particularly Prime Minister Menachem Begin, marked a turning point in evangelical engagement with U.S.-Israel relations.
Drawing on archival research, policy analysis, and historical case studies, this study reveals how church planting initiatives were not just religious efforts but also political mobilization tools. Through Liberty University’s extensive alumni network, pastors and church leaders across the United States incorporated pro-Israel advocacy into their congregations, fostering a committed base that actively lobbied for policies such as the relocation of the U.S. embassy to Jerusalem, foreign aid to Israel, and support for settlement expansion. The book highlights how evangelical activism extended beyond sermons and theological discourse, transforming into a well-organized political force with direct influence on U.S. foreign policy.
By tracing the historical evolution of evangelical political engagement, this book provides critical insights into the mechanisms by which grassroots activism, theological imperatives, and institutional influence shaped American diplomacy in the late 20th and early 21st centuries. It situates evangelical support for Israel within the broader conservative movement, illustrating how religious convictions translated into political action. As debates over faith-based politics and foreign policy continue to shape America’s global role, this book offers a timely and essential contribution to understanding the enduring impact of Christian Zionism on U.S.-Israel relations.

Northeast Asia, a major region in Asia covering China, Korea (South and North Korea), Japan, Mongolia, and the Southeast corner of Russia, is economically one of the most vibrant areas in the world, with a rich array of economic opportunities. Yet, it is simultaneously one of the world’s most politically and militarily unstable regions, creating a global security risk. This risk was made apparent by North Korea’s nuclear crisis, which was followed by a series of its nuclear tests and ballistic missile launches from 2016 to 2017. Although the worst-case scenario may have been avoided by a summit meeting between the heads of South and North Korea on April 27, 2018, and another summit between the United States and North Korea on June 12, 2018, substantial uncertainty and the risk of a major military conflict remains.

Although less dramatic and visible to the outside world, other political and military tensions among constituent countries in Northeast Asia, with their deep historical origins dating back centuries, are also significant. These tensions have been demonstrated by persistent territorial disputes, lack of reconciliation on the question of war crimes during World War II, increasing disparities in political influence and military power among Northeast Asian countries as a result of China's ascension, and increasing uncertainty in the region due to the potential instability of North Korea. These problems create a risk of destabilizing Northeast Asia with a substantial global impact.

Sustainable Peace in Northeast Asia examines the causes of these complex tensions in Northeast Asia and their underlying political, historic, military, and economic developments. It further discusses their political-economic implications for the world and explores possible solutions to build lasting peace in the region. This book offers a unique approach to these important issues by examining the perspectives of each constituent country in Northeast Asia: China, South and North Korea, Japan, and Mongolia, and their respective roles in the region. Major global powers, such as the United States and Russia, have also closely engaged in the political and economic affairs of the region through a network of alliances, diplomacy, trade, and investment. The book discusses the influence of these external powers, their political and economic objectives in the region, their strategies, and the dynamics that their engagement has brought to the region. Both South Korea and North Korea have sought reunification of the Korean peninsula, which will have a substantial impact on the region. The book examines its justification, feasibility and effects for the region. The book also discusses the role of Mongolia in the context of the power dynamics in Northeast Asia. A relatively small country, in terms of its population, Mongolia has rarely been examined in this context; Sustainable Peace in Northeast Asia makes a fresh assessment on its potential role.

Leading a sustainable organization requires more than marketing slogans and good reporting. It requires identifying the value of sustainability for all stakeholders and the development of specific transition and change plans that deliver a different type of organization. Noble aspirations in treaties and policies are a necessary part of the picture, but leaders must create organizations that enable daily actions. Making sustainability happen is a series of leadership choices:
o Creating strategic differentiation to compete on sustainability business opportunities
o Crafting a purpose that inspires employees to give their best
o Building and sharing a knowledge model about why, what, and how to do sustainability
o Ensuring that sustainability efforts are woven into values and ethics
o Deploying a transition plan with clear action steps that move from compliance to alignment
o Making sustainability part of the culture and identity of an organization
o Weaving personal commitment to sustainability into team performance
o Telling the story of sustainable results in all business communication
o Maintaining commitment in the face of inevitable derailment factors
o Future proofing the organization to stay on the sustainability journey with a sense of long-term value creation
● The current generation of leaders has failed to make the progress needed to delay the worst effects of climate change and biodiversity loss, so the challenges become harder. The book offers a chapter-by-chapter blueprint of key actions that can be learned and shared. The goal is to enable business leaders to accelerate action, make better decisions, and ensure that sustainability becomes part of the DNA of any organization.
Key Selling Points:
● Timely: We are behind on all sustainable goals and need a new generation of leaders to embrace the task of business transformation.
● Accessible: The book is clearly organized around key practices and questions and prescriptive in nature. Each chapter has summary sections and an end of chapter quiz.
● Visual: The book includes more than 60 tables, charts, and graphs that visually illustrate how to turn ideas into actions.
● Global: The stories in the book are global in nature, providing greater engagement opportunities for the reader.
Why buy the book?
● Eleven chapters that offer a step-by-step learning path of key themes and capabilities necessary for sustainable business success.
● Sixty-seven tables and charts that visualize key topics.
● Chapter summaries that offer key points for reflection and group discussion.
● End of chapter reflection checklists to quickly assess your understanding of chapter themes.
● Eight longer reflection exercises framed around key questions. Each is based on real world examples including links for additional original source reading.
● An appendix listing eleven databases that can be used for independent research.
● A summary list of sixty-six terms with definitions that are key to understanding sustainability thinking.

This book explores the strategic role of Liberty University, church planting networks, and grassroots mobilization in shaping U.S. policy toward Israel. It examines how Dr. Jerry Falwell, through his leadership at Liberty University and the Moral Majority, built a powerful evangelical coalition that effectively influenced Congress and the White House. By analyzing the intersection of faith, politics, and diplomacy, the book uncovers how Christian Zionism became a central force in conservative American politics, fostering a deep alliance between evangelicals and the Israeli government. Falwell’s relationship with Israeli leaders, particularly Prime Minister Menachem Begin, marked a turning point in evangelical engagement with U.S.-Israel relations.
Drawing on archival research, policy analysis, and historical case studies, this study reveals how church planting initiatives were not just religious efforts but also political mobilization tools. Through Liberty University’s extensive alumni network, pastors and church leaders across the United States incorporated pro-Israel advocacy into their congregations, fostering a committed base that actively lobbied for policies such as the relocation of the U.S. embassy to Jerusalem, foreign aid to Israel, and support for settlement expansion. The book highlights how evangelical activism extended beyond sermons and theological discourse, transforming into a well-organized political force with direct influence on U.S. foreign policy.
By tracing the historical evolution of evangelical political engagement, this book provides critical insights into the mechanisms by which grassroots activism, theological imperatives, and institutional influence shaped American diplomacy in the late 20th and early 21st centuries. It situates evangelical support for Israel within the broader conservative movement, illustrating how religious convictions translated into political action. As debates over faith-based politics and foreign policy continue to shape America’s global role, this book offers a timely and essential contribution to understanding the enduring impact of Christian Zionism on U.S.-Israel relations.

Drawing on archival sources, this book provides an anthropological exploration of the National College of Arts (NCA) in Lahore, tracing its evolution from the Mayo School of Arts established in 1875. As a counterpart to London’s South Kensington School of Design (now the Royal College of Art), the Mayo School emerged as a crucial site for the dissemination of colonial art education in British India, alongside similar institutions in Calcutta, Bombay, and Madras. Named to honor Lord Earl of Mayo, the only Viceroy of India assassinated in office, it was founded by Lockwood Kipling and featured a distinguished roster of educators including Ram Singh, Percy Brown, Lionel Heath, S.N. Gupta, B.C. Sanyal, and A.R. Chughtai. The Mayo School also initiated the Journal of Indian Art and Industry, a seminal publication utilizing cutting-edge chromolithography techniques.

The book employs theoretical analysis to understand how the NCA, functioning as a bureaucratic entity, has shaped the landscape of design education, museums, and artistic practices in both colonial and postcolonial contexts. From its roots in British art education, derived from South Kensington, the institution's trajectory reflects its adaptation through American reforms in the early years of Pakistani independence. This analysis critically examines how frameworks of art history and anthropology have been mobilized to construct and objectify Pakistani art and artists.

Furthermore, the book explores the contributions of colonial anthropologists such as Richard Temple, Denzil Ibbetson, and Baden Powell, who were instrumental in the establishment and administration of the Mayo School. Their work in ethnographic reconstruction provided a cultural framework that influenced the education of artisan castes, situating them within a “primitive” Punjabi context. This colonial subtext profoundly impacted the pedagogical approaches of the Mayo School, which also nurtured the emergence of the Indo-Saracenic architectural style and supported traditional Punjabi painting.

Despite its industrial art orientation, the Mayo School was pivotal in the development of a modern Punjab painting tradition recognized at the British Indian Empire Exhibition of 1924. Under the guidance of Lionel Heath, the school began to embrace modern art, with printmaking, graphic design, and sculpture taking root in the 1930s through the efforts of B.C. Sanyal and M.M. Hussain. The Mayo School’s printing press produced a diverse array of materials, reflecting major Western art movements from Arts and Crafts to Art Deco and Bauhaus.

In the formative years of Pakistan, the Mayo School transitioned into the National College of Arts in 1958, modeled after the Bauhaus with departments in Fine Art, Design, and Architecture. Influential figures such as poet Faiz Ahmed Faiz, painter Shakir Ali, art patron Ghulam Mueenuddin, and American sculptor Mark Sponenburgh were pivotal in shaping the NCA as Pakistan’s premier institution for art and design. Through a critical examination of art history and anthropological frameworks, this book elucidates how imperial and nationalist discourses have intersected to shape and redefine artistic and cultural identities within Pakistan.

Drawing on archival sources, this book provides an anthropological exploration of the National College of Arts (NCA) in Lahore, tracing its evolution from the Mayo School of Arts established in 1875. As a counterpart to London’s South Kensington School of Design (now the Royal College of Art), the Mayo School emerged as a crucial site for the dissemination of colonial art education in British India, alongside similar institutions in Calcutta, Bombay, and Madras. Named to honor Lord Earl of Mayo, the only Viceroy of India assassinated in office, it was founded by Lockwood Kipling and featured a distinguished roster of educators including Ram Singh, Percy Brown, Lionel Heath, S.N. Gupta, B.C. Sanyal, and A.R. Chughtai. The Mayo School also initiated the Journal of Indian Art and Industry, a seminal publication utilizing cutting-edge chromolithography techniques.

The book employs theoretical analysis to understand how the NCA, functioning as a bureaucratic entity, has shaped the landscape of design education, museums, and artistic practices in both colonial and postcolonial contexts. From its roots in British art education, derived from South Kensington, the institution's trajectory reflects its adaptation through American reforms in the early years of Pakistani independence. This analysis critically examines how frameworks of art history and anthropology have been mobilized to construct and objectify Pakistani art and artists.

Furthermore, the book explores the contributions of colonial anthropologists such as Richard Temple, Denzil Ibbetson, and Baden Powell, who were instrumental in the establishment and administration of the Mayo School. Their work in ethnographic reconstruction provided a cultural framework that influenced the education of artisan castes, situating them within a “primitive” Punjabi context. This colonial subtext profoundly impacted the pedagogical approaches of the Mayo School, which also nurtured the emergence of the Indo-Saracenic architectural style and supported traditional Punjabi painting.

Despite its industrial art orientation, the Mayo School was pivotal in the development of a modern Punjab painting tradition recognized at the British Indian Empire Exhibition of 1924. Under the guidance of Lionel Heath, the school began to embrace modern art, with printmaking, graphic design, and sculpture taking root in the 1930s through the efforts of B.C. Sanyal and M.M. Hussain. The Mayo School’s printing press produced a diverse array of materials, reflecting major Western art movements from Arts and Crafts to Art Deco and Bauhaus.

In the formative years of Pakistan, the Mayo School transitioned into the National College of Arts in 1958, modeled after the Bauhaus with departments in Fine Art, Design, and Architecture. Influential figures such as poet Faiz Ahmed Faiz, painter Shakir Ali, art patron Ghulam Mueenuddin, and American sculptor Mark Sponenburgh were pivotal in shaping the NCA as Pakistan’s premier institution for art and design. Through a critical examination of art history and anthropological frameworks, this book elucidates how imperial and nationalist discourses have intersected to shape and redefine artistic and cultural identities within Pakistan.

Disappearing Cities is a collection of over fifty short stories of invented cities, set in the not too distant future, destroyed by varied climate change impacts and linked natural disasters. The stories bring into question the relation between the natural and unnatural forces of change and expose responses to, and lessons learnt, from different disaster crises situations. Stories also focus on how means to adapt are sought. The projected fictions are created from projected current climate facts; trends; and the author’s experience of population displacement, relocation and design-based climate change responsive action. Central to the book is the recognition that to be able to respond and adapt to the scale of coming changes in the climate requires going beyond existing practical action and embracing a new way of imagining futures. Disappearing Cities aims to stimulate ways of meeting this need.
The book opens with a Prologue that establishes the contextual frame of empirical foundation out of which the fictions are created. It recognises that we all live in a world in which the conditions that will result in huge numbers of cities disappearing are underway. From the human perspective, the process appears to be very slow, whereas in historico-geological time, it is happening exceptionally quickly. The number of the loss of cities is going to be huge, yet the recognition that this will occur is not arriving, In part, this is because of a lack of knowledge, but equally, it reflects a lack of imagination. Transposing what is known about climate change by a significant percentage of the societies of many nations to actual environments in which they live is just not arriving. What appears so solid and established fails to be seen and imagined as a risk and vulnerable. From establishing this opening perspective, the first part of the book presents stories of cities already disappearing as a result of the forces of nature changed by anthropogenically created global warming. Part two discusses the impacts of natural disasters being made unnaturally. For example, by the way industrial societies are damaging and changing natural systems, including the climatic. The final part goes to cities destroyed by completely un-natural means, including war.
Disappearing Cities aims to contribute to meeting the need for a better understanding of, and ability to imagine, the risks to which vast numbers of cities are, and will be, exposed to forces of disappearance. To do this, the narratives are a hybrid of fact and fiction. The work was inspired by Italo Calvino’s book Invisible Cities and is intended to be a salient contemporary companion to this text. It mirrors its form but differs in style and content. Invisible Cities attained diverse readership, Disappearing Cities aspires to do likewise.

Before Alessandro Michele took the creative helm at Gucci in 2015, the brand was mostly known for its sleek sophistication and sexy hedonism. Despite having worked at the Italian fashion house for over twelve years as the accessories and jewellery designer, Michele was relatively unknown in the fashion industry and the public sphere. All of that was to change when he sent his models down the runway for the 2015 Fall ready-to-wear collection in an eclectic mix of pussy-bow blouses, chiffon dresses, wallpaper prints and a motley collection of accessories, including fur-lined loafers, berets and granny-style horn-rimmed glasses. Michele’s stylistic design approach created an aesthetic reminiscent of the fashion eccentric who wears flea market finds with high-end designer and heirloom pieces – imperfect, nostalgic and maximalist. The new Gucci woman (and man) were intellectual and sensual misfits who are perfectly at home in the glamourous rag-tag aesthetic of a Wes Anderson film.
With his inaugurate collection, Michele tapped into the zeitgeist that was yearning for a more colourful and playful design, and a disregard of traditional gender divisions: while Gucci has hitherto showcased its men’s and women’s collections separately, as well as favoured traditional masculine and feminine looks respectively, Michele broke with the idea of a gender binary, ushering in gender fluidity and a new fantastical vision of masculinity.
Although his collections were spectacular in their scope (the Fall/Winter 2017 consists of roughly 120 looks), the designs are also a testimony to his ability to scramble signifiers of gender, pop culture, history and time. Referencing and borrowing from philosophical concepts and ideas, such as the infamous Cyborg collection (Gucci Fall/Winter 2019) that envisioned subjectivities beyond the confines of the human body with replica heads or extra eyes on their hands; the Fall/Winter 2016 collection titled ‘Rhizomatic Scores’, referencing Deleuze and Guattari’s influential concept; or the Fall/Winter 2020 menswear collection titled ‘Masculine, Plural’ that referenced Butler’s notion of gender performativity, Michele exemplifies a fashion auteur who knows how to play not only with gender signifiers but also with signifiers of time, culture and species.

Before Alessandro Michele took the creative helm at Gucci in 2015, the brand was mostly known for its sleek sophistication and sexy hedonism. Despite having worked at the Italian fashion house for over twelve years as the accessories and jewellery designer, Michele was relatively unknown in the fashion industry and the public sphere. All of that was to change when he sent his models down the runway for the 2015 Fall ready-to-wear collection in an eclectic mix of pussy-bow blouses, chiffon dresses, wallpaper prints and a motley collection of accessories, including fur-lined loafers, berets and granny-style horn-rimmed glasses. Michele’s stylistic design approach created an aesthetic reminiscent of the fashion eccentric who wears flea market finds with high-end designer and heirloom pieces – imperfect, nostalgic and maximalist. The new Gucci woman (and man) were intellectual and sensual misfits who are perfectly at home in the glamourous rag-tag aesthetic of a Wes Anderson film.
With his inaugurate collection, Michele tapped into the zeitgeist that was yearning for a more colourful and playful design, and a disregard of traditional gender divisions: while Gucci has hitherto showcased its men’s and women’s collections separately, as well as favoured traditional masculine and feminine looks respectively, Michele broke with the idea of a gender binary, ushering in gender fluidity and a new fantastical vision of masculinity.
Although his collections were spectacular in their scope (the Fall/Winter 2017 consists of roughly 120 looks), the designs are also a testimony to his ability to scramble signifiers of gender, pop culture, history and time. Referencing and borrowing from philosophical concepts and ideas, such as the infamous Cyborg collection (Gucci Fall/Winter 2019) that envisioned subjectivities beyond the confines of the human body with replica heads or extra eyes on their hands; the Fall/Winter 2016 collection titled ‘Rhizomatic Scores’, referencing Deleuze and Guattari’s influential concept; or the Fall/Winter 2020 menswear collection titled ‘Masculine, Plural’ that referenced Butler’s notion of gender performativity, Michele exemplifies a fashion auteur who knows how to play not only with gender signifiers but also with signifiers of time, culture and species.

Musicians on Twitch: Creativity, Challenges, and the Reality Behind Live Streaming unpacks the untold stories of musicians who have turned to Twitch as a platform to share their art, engage with audiences and seek financial stability. While on the surface Twitch appears as a hub for creativity and innovation, this book reveals a dichotomous reality where opportunities and challenges are in constant tension.
Through interviews with this new breed of ‘musician-streamers’ and extensive observation of their mediated, online lives, this book explores what it takes to succeed – or simply survive – on a platform originally built for gaming but now home to a vibrant music community.
The journey begins by examining Twitch’s evolution from a gaming-centric site to a space where live music performances have gained traction. Whether driven by creative freedom, financial aspirations or a desire to connect with global audiences, this book examines who these musicians are and what draws them to the platform. Throughout this chapter, key concepts and terms are introduced to provide readers with a clear and accessible framework for understanding and analysing the evolving landscape of online live music.
Building on the exploration of Twitch as a platform for creativity and opportunity, this book also sheds light on the difficult realities faced by musicians on the platform. Beneath Twitch’s innovative and appealing surface lies a stark and often challenging environment. From the ‘happy-few-take-all’ dynamic, where only a small elite garners the majority of audience attention and earnings, to the gamified, attention-driven ecosystem that creates relentless pressure to remain ‘always on’, many musicians are flirting with their breaking point. These challenges are even more pronounced for female streamers and those from minority groups, who often contend with persistent harassment, amplifying the psychological toll in an already demanding, high-pressure environment.
Musicians on Twitch provides a nuanced, unfiltered, at times brutal, exploration of Twitch’s promises and pitfalls for musicians. It is an important read for anyone curious about the intersection of music, technology and creative labour, and what it really means to be a musician today.

Examines Gothic realism in documentary and horror cinema, highlighting how films evoke archival anxiety and unsettling realities, from gothumentaries exploring ineffable subjects to mockumentaries and found-footage films addressing modernity’s overwhelming and mediated nature.

This study concerns Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema, the films examined here express a generalized millennial and 21st-century archival anxiety around an unsettled and unsettling hypermediated reality. Part I focuses on gothumentaries, nonfiction works evoking the Gothic unreadable subjects and undetected realities. Case studies show key documentary films such as Capturing the Friedmans, Cropsey, and The Hellstrom Chronicle bring Gothic-horror tropes and conventions to bear upon documentary subject matter to produce skepticism of American environmental, social, and national stability from the 1970s onward. Part II explores mockumentary, fake found-footage, and screenlife horror cinema that turns to strategies of documentary and factual discourse to express an archival anxiety around human interaction with recording technologies. Case studies of pivotal films such as The Blair Witch Project, Diary of the Dead, Lake Mungo, Unfriended, Sickhouse, and We Are All Going to the World’s Fair turn to Gothic reflexivity as a way of expressing the subject’s relationship to, and experience of, a modernity that overwhelms in terms of its immensity, speed, and recordability.
These fiction and nonfiction moving-image manifestations of archival anxiety adopt the mood, themes, and rhetorical strategies of horror and documentary to form a critical discourse that troubles the real—focusing spectatorial attention on the limits of representation and teleological forms, shifting viewers to questions of embodiment and sensation. The primary focus is on Anglophone cinema from the United States, the United Kingdom, and Australia, with reference to other works produced in Spain, Germany, and France.

Examines the daily struggles of migrantized divorced mothers in Germany in a framework of everyday violence and its (in)visibilities, focusing on their resistances and vulnerabilities within unequal relations of support

This book approaches the daily struggles of migrantized divorced motherhood through theories, discourses, and (in)visibilities of everyday violence. Building on ethnographically informed everyday violence theories, it offers a framework in which violence becomes everyday violence when it engages with the boundaries of ordinary lives by means of being disruptive, reproduced, absorbed, and expected. Taking neither the visibility nor the invisibility of violence for granted, it discusses how the same discourses of violence can visibly victimize certain daily struggles of migrantized divorced motherhood while obscuring certain others.
Analyzing the individual narratives of divorced mothers living in Germany with immigration biographies from Turkey, the book tackles their struggles with poverty, dequalification, maternal guilt, time constraints, care, everyday racism and sexism, as well as the conceptualizations of violence itself. If there is a certain form of “loneness” implied in the term lone parenting, these narratives reveal how such “loneness” is structurally and discursively constructed within a relationality of the self to resources. With attention to various forms of victimizations, vulnerabilities, and resistances, the book delves into what it means to “stand on one’s own two feet” in the face of paternalistic conditions of intimate and structural support.
Thus, the author makes various strong arguments around the work of tackling everyday violence and the immunities secured against the attribution of violence within power relations. Underlining the ambivalent consequences of our everyday and scholarly discourses on violence, she carefully situates the concept in a context of migrantization and culturalization of gendered experiences. Overall, the research participants offer narratives of not only everyday violence but also everyday protests, which refuse the forced (in)visibilities of their daily struggles and analyze the labor they invest into their relations to resources. And it is the acknowledgment of these protests that is at stake when they narrate their daily struggles, name violence, and reject a passive victimhood.

This book explores the transformative role of open-source technologies and digital commons in fostering a cooperative and sustainable economy. Built upon the research project “Techno-Social Innovation in the Collaborative Economy,” the study investigates innovative, grassroots economic models that leverage digital technologies for community-driven governance and decentralized value creation.
The book presents a multi-case study approach, featuring organizations such as Tzoumakers, Open Food Network, CoopCycle, and Circles UBI. These cases exemplify how platform cooperativism, cosmolocalism, and open cooperativism redefine traditional business structures, emphasizing sustainability, fairness, and democratic ownership. The discussion extends to blockchain-enabled DAOs and their impact on labor, governance, and wealth distribution.
Through theoretical and empirical insights, The Model of Open Cooperativism bridges political economy and digital innovation, providing practical strategies for policymakers, activists, and scholars. It highlights the success and challenges of grassroots-driven initiatives, offering a roadmap for transitioning toward a commons-based, post-capitalist economy.

Disappearing Cities is a collection of over fifty short stories of invented cities, set in the not too distant future, destroyed by varied climate change impacts and linked natural disasters. The stories bring into question the relation between the natural and unnatural forces of change and expose responses to, and lessons learnt, from different disaster crises situations. Stories also focus on how means to adapt are sought. The projected fictions are created from projected current climate facts; trends; and the author’s experience of population displacement, relocation and design-based climate change responsive action. Central to the book is the recognition that to be able to respond and adapt to the scale of coming changes in the climate requires going beyond existing practical action and embracing a new way of imagining futures. Disappearing Cities aims to stimulate ways of meeting this need.
The book opens with a Prologue that establishes the contextual frame of empirical foundation out of which the fictions are created. It recognises that we all live in a world in which the conditions that will result in huge numbers of cities disappearing are underway. From the human perspective, the process appears to be very slow, whereas in historico-geological time, it is happening exceptionally quickly. The number of the loss of cities is going to be huge, yet the recognition that this will occur is not arriving, In part, this is because of a lack of knowledge, but equally, it reflects a lack of imagination. Transposing what is known about climate change by a significant percentage of the societies of many nations to actual environments in which they live is just not arriving. What appears so solid and established fails to be seen and imagined as a risk and vulnerable. From establishing this opening perspective, the first part of the book presents stories of cities already disappearing as a result of the forces of nature changed by anthropogenically created global warming. Part two discusses the impacts of natural disasters being made unnaturally. For example, by the way industrial societies are damaging and changing natural systems, including the climatic. The final part goes to cities destroyed by completely un-natural means, including war.
Disappearing Cities aims to contribute to meeting the need for a better understanding of, and ability to imagine, the risks to which vast numbers of cities are, and will be, exposed to forces of disappearance. To do this, the narratives are a hybrid of fact and fiction. The work was inspired by Italo Calvino’s book Invisible Cities and is intended to be a salient contemporary companion to this text. It mirrors its form but differs in style and content. Invisible Cities attained diverse readership, Disappearing Cities aspires to do likewise.

The gramophone was thought to be perverse because it allowed people to listen to music on their own. Rock ‘n’ Roll was the devil’s music. Home taping supposedly killed music. Copyright piracy is not a victimless crime. Downloading music is stealing. Spotify doesn’t adequately pay artists. YouTube remuneration creates a value gap for artists. Mp3s make music sound flat. TikTok shortens songs. AI steals ideas.
With each new music distribution technology, the powerful corporate interests of the moment try to make people afraid to use it. In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok, Dr. David Arditi examines how the major record labels single-out new technologies as if they will bring an end to recorded music. They use what he calls the “piracy panic narrative”—a narrative in which new technologies threaten the very existence of recorded music. The piracy panic narrative is a rhetorical construct that helps to hide the material reality of the recording industry by positioning major record labels and their recording artists as the victims of widespread crime in the form of piracy.
Now, divorced from piracy, the recording industry continues to use the panic narrative to dissuade fans from specific practices and to lobby the government for particular policies. Each time, they use the narrative to change public sentiment, the law, and policy to strengthen their profits. It works because fans feel a connection with their favorite artists. Fans want their artists to be paid a fair wage. But at every moment what gets ignored is labels are the primary exploiter of musicians. Asking why YouTube underpays artists is the wrong question because streaming platforms pay labels. The question that never gets asked: why don’t labels pay artists a livable wage?

For decades, museums have been recognized as spaces for public debate and civic education, where discourses produced through exhibitions and other activities contribute to the construction and legitimation of particular views of society and the world. The research presented in this book stems from a desire to engage in the ongoing debate aimed at rethinking ethnographic museums and their ways of producing representations of others. It seeks to explore new ways and possible solutions, alongside existing ones, to transform these spaces into inclusive environments for the production of knowledge that is as shared, plural, and decolonized as possible.
The focus is on some artifacts belonging to two Brazilian Indigenous populations, but kept and exhibited in two ethnographic museums in Lisbon and Vienna. Specifically, a Kambeba bamboo board for flattening the head of newborn babies, collected by Alexandre Rodrigues Ferreira during the Philosophical Journey of 1783–1792 and kept at the Academy of Sciences in Lisbon, and a set of Munduruku feather works collected by the Austrian naturalist Johann Natterer between 1817 and 1835 and kept at the Völkerkundemuseum in Vienna.
By combining historical and ethnographic approaches, the aim is, on one hand, to show the role of objects in producing a specific stereotypical image of Brazilian natives, and, on the other hand, to discuss the presence of Indigenous objects in European museums to bring out different discourses, histories, and categories that have been silenced by colonial power and through which material culture is perceived and contextualized across time and space.

This book is a pioneering work that examines cultural diversity policies in Argentina, Brazil, and Peru over the past 15 years. The book offers a critical analysis of the rationalities and concepts underpinning these policies, exposing their inherent contradictions and the social forces that have both supported and resisted their implementation. By highlighting the struggles of marginalized groups in their pursuit of social, economic, and political equality, it reveals the deep intersections between culture, identity, and power.
The book situates these discussions within the broader context of Latin America’s colonial legacy and ongoing decolonization efforts. It demonstrates how the region’s nation-states, often founded on myths of cultural homogeneity, have grappled with the complex realities of diverse populations. Through detailed case studies, the book showcases how cultural diversity has become a powerful tool for social empowerment, particularly among racialized groups and other marginalized communities. It also offers insights into the evolution of these policies, tracing the ways in which they have responded to grassroots movements and the global discourse on cultural citizenship.
Furthermore, this work contributes to global debates by positioning Latin America as a key player in rethinking cultural policies that promote diversity, justice, and inclusion. It reflects on the lessons learned from observing these policies, urging readers to consider the broader implications for social cohesion and inclusive development. This work not only provides a thorough analysis of Latin America’s unique contributions to cultural policy but also underscores the urgent need for more dynamic, intercultural approaches to address the challenges of the 21st century.

This textbook is designed to introduce the reader to important and emerging issues in contemporary environmental law, policy, economics, and science. It explains the roles and interactions of Congress, federal agencies, state governments, and the courts in protecting the environment and public health from pollution. Topics include common law; administrative law; the role of environmental impact assessments and endangered species protection; and the principal legislation and court decisions dealing with greenhouse gas emissions, conventional and toxic air pollution, water pollution, the control of toxic chemicals and hazardous waste, pollution prevention and primary accident prevention, and community right-to-know. The text also explores various alternatives to regulation and concludes with a brief treatise on sustainability.
The evolving role of science and economics in legislative, regulatory, and judicial decision making is explored. The text analyzes pollution as an economic problem and a failure of markets, discusses the role of technological innovation and the concept of “dynamic” economic equilibrium, and evaluates economic incentives as an alternative or supplement to regulation. The book also provides an introduction to basic legal skills: how to read and understand judicial opinions, regulations, and statutes; how to discover the current state of the law in a specific area; and how to take action toward resolution of environmental problems. Throughout, the role of national and local politics in shaping and implementing environmental policy is acknowledged and evaluated.

Analyzes the international drug control regime, examining its legal foundations, emerging tensions, and the existing calls for reform in response to evolving challenges like synthetic drugs, cannabis legalization, and new trafficking methods

The international drug control regime, anchored in three international conventions (1961, 1971, and 1988), bans non-medical drug production and use while ensuring access for medical purposes. Despite near-universal ratification and political commitments focusing on demand and supply reduction as well as judicial cooperation, the illegal drug market has expanded significantly. Over the past decade, drug use rose by 20%, problematic use by 45%, and seizures of drugs like cocaine and amphetamines by more than 40%. These trends expose the regime’s inability to fulfil its objectives, alongside escalating challenges like drug-related violence, overdose crises, and human rights abuses.
This book critically examines the international drug control framework, analyzing its legal instruments, historical context, and implementation mechanisms. It explores emerging tensions, such as the limited access to pain medicines, the legalization of non-medical cannabis in some regions, and synthetic drug crises affecting public health and law enforcement. By addressing these issues, the book sheds light on how countries navigate the conflicts between their international obligations and pressing domestic challenges, particularly in adapting to new trafficking modes.
Building on these analyses, the book discusses whether the current regime is fit for purpose or requires reform. It explores potential pathways for change and evaluates the risks and benefits of maintaining the status quo and of reforming. Ultimately, the work aims to inform policymakers, students, and communities about the complexities of drug control laws and the existing paths to modernization to address contemporary challenges effectively.

Explores the rise of resurgent Philippine liberalism, its ties to neoliberalism and U.S. influence, and its role in exacerbating inequality and geopolitical tensions, rooted in both contemporary and historical contexts

A resurgent liberalism has become hegemonic in Philippine media and academic discourses, which were for many years characterized by progressive and nationalist perspectives. Resurgent Philippine liberalism (RPL) is defined by its relationships with neoliberalism’s instantiation in the Philippine economy and society and the neoliberal wing of the contemporary Philippine political elite. The transnational positionality of many of its exponents has allowed RPL to converge with and support the priorities of U.S. military, economic, and cultural power, especially since the projection of this power has been cloaked in the progressive rhetoric of “human rights,” “freedom of speech,” “anti-populism,” “anti-disinformation,” and so on. Moreover, RPL intersects with new technologies, forms of social capital, and iterations of dynastic politics, while playing a deleterious role in domestic and global crises that are intensifying inequality and geopolitical conflict. While RPL has arguably been precipitated by current affairs and concomitant anxieties (such as about U.S.–Philippine elite relations in a new multipolar geopolitics), it also has long-term historical roots in the post-Marcos era of elite democracy and further back to the origins of ilustrado liberalism and reformist nationalism in the nineteenth century.
This book makes certain novel theoretical interventions by interrogating the defining assumptions of the liberal critique of Philippine autocracy, which all too often exculpates U.S. imperial power (in both its “hard” and “soft” forms) in sustaining such regimes, rejects more holistic and materialist theories of socio-political change as precipitated by mass-movements of the working-class, and naively proposes Philippine elite liberal politics and/or the Western model of “liberal democracy” as viable alternatives to Philippine authoritarian populism.
In addition to this empirical, real-world analysis, the book is concerned with the ontological, epistemological, and more broadly theoretical dimensions of RPL, as manifested in Philippine academia, journalism, politics, activism, and culture. In its rejection – covert or overt – of formerly pre-eminent materialist theories of social change precipitated by mass movements of working-class people, RPL risks either resuscitating classical liberal methodologies such as the Great Man Theory of History or offering some new techniques for gaining knowledge about culture, politics, and economics. Concomitant problems include RPL’s historiography seeking to rehabilitate controversial historical subjects such as the Spanish and American colonial eras and how modern-day academic RPL has sought to obscure its more illiberal affiliations with U.S. imperialism and its tacit endorsement of the Philippine political status quo by drawing on the intellectual paradigms of “the global theory industry” (Brickhill, 2022) and a dematerialized conception of identity politics that reduces racism and other instruments of oppression to matters of interpersonal misunderstanding, rather than as the structural and material sine qua non of precisely the global liberal capitalism such scholars largely subscribe to. Finally, the authors seek to answer the question, how is RPL enabled and supported by non-Filipino foreign-based intellectuals and media commentators based largely in the United States and Western Europe? And how, further to Caroline Hau’s (2019) reflections, the RPL’s agenda has come to shape the academic study and comprehension of the Philippines in overseas university curricula?

This scholarly monograph looks at a little-researched diaspora, originating on the Greek Aegean Island of Ikaria. Ikaria itself is a small, isolated island, close to the Turkish coast. It has had a long and independent history, with periods of autonomy and self-rule, including the short-lived Free State of Ikaria in 1912, which was the outcome of the Ikarian Revolution against the Ottoman Empire. Ikarians themselves remained quite insular until the nineteenth century, when they began emigrating. Ottoman port-cities and urban centres, as well as nearby Aegean islands, received the first Ikarian emigrants.
Eventually, Ikarians found themselves in growing hubs of migration such as Egypt and the United States. By 1910, the first Ikarians had arrived in Port Pirie, South Australia, beginning a long tradition of Ikarian migration and settlement in the state. This book explores the Ikarians in South Australia between 1900 and 1945 – an under-researched period, and a contrast from most studies on Greeks in Australia, which have focused heavily on the mass migration post-World War II and post-Greek Civil War. This also leaves a gap for a later study on Ikarians in South Australia beyond 1945. The book positions itself around four key themes: emigration, settlement, community building and integration, with ideas such as localism and identity being explored as facets within those themes.

There is little doubt that urban planning has historically failed women. To liberate the profession from patriarchal influences, it is necessary to revisit the preconceptions that shaped early efforts to design new cities or improve existing ones. This book critiques the work of twenty male planning luminaries who proposed urban models, interventions, and approaches on both sides of the North Atlantic during the Second Industrial Revolution. These early visions, often presented as emancipatory or utopian, set European and North American cities (as well as their colonial counterparts) on an inexorable masculinist path. The grand urban plans and projects of the late 19th and early 20th centuries were largely bankrolled by wealth extracted from colonial enterprises in Africa, Asia, and Latin America.
A reverence for geometry, order, and standardization, alongside a monumental scale, reflected a hegemonic and monolithic vision of the city, with little tolerance for cultural or physical difference. Limitless urban growth and the rapid, effortless movement of people were valorised, and for the first time in history, roads became more important than homes. Many of these same planners, indifferent to cultural and physical differences, readily accepted the continuation of class divisions in cities. Comprehensive plans for both small and large settlements were hierarchical, with the wealthiest or most powerful occupying central positions of power. Functional segregation, later institutionalized as “zoning,” enforced spatial divisions between the public (male) and private (female) spheres. Even as the planning agenda prioritized “men’s issues” related to industry and commerce, domestic ideology was promoted during this period.
The book also highlights the work of several female activists and reformers from the same era. Although these women rarely envisioned full-blown urban utopias or produced extensive writings on planning, they worked to improve built environments for all. Female reformers were more attuned to the lived experiences of city dwellers than male planners, architects, and engineers. While men focused on structures and infrastructure, women were concerned with the human condition. Rather than expanding or clearing out the existing urban fabric, women sought to restore it. Practically, women extended their reproductive duties from the home to the entire city, envisioning it as a collective living space where everyone shared responsibility for one another’s daily welfare. This book calls for a return to that planning philosophy, at a time when numerous techno utopias are being imagined and built, often backed by major private corporations or individual male billionaires.

Opportunities to write our memoirs are many and varied. To meet emerging demands, the memoir genre continually is evolving, and it is possible for the memoirist to shape the memoirs, with varying themes, time and settings, to be brought to bear on school education at a senior level and for a range of teacher-development programs. Thus, the developing importance of an accompanying exegesis.
For better or for worse, childhoods shape adult relationships and attachment styles, profoundly shaping who we are as teachers, teaching styles and generally the things we consider important and not so important. The shape of our childhood and adolescence has a profound impact on how relationships are formed in adulthood. It can affect our ability to trust, be vulnerable and create productive bonds, both at school and college and professionally, and also our general levels of motivation.
Through the aforementioned theme and subthemes, my memoirs here reveal how childhood struggle has shaped my approach to teaching and my academic career – from an unskilled labourer from the country working class in the timber industry, deprived of a high school education and recruited into the workforce at 15 years of age, to a senior academic in one of Australia’s G8 universities, holding five PhDs.
With strong historical backgrounding, a special appeal of this book is its drive to place childhood and adolescent events contained in the memoirs in a wider historical context, looking to transnational movements such as discussions on anachronisms and eugenics. In so doing, the exegesis – a fresh and exciting innovation – is in harmony with the memoirs. The memoir is so refashioned as a pedagogical tool.

To show the non-linear nature of social evolution, it is crucially important to discuss cases from different cultural areas and different historical periods, including our time, as well as different levels of overall sociocultural complexity. This anthology includes chapters that explore case studies covering a wide range of societies of the Old and the New World ranging from ancient to modern contexts. Respectively, the chapters are based on different kinds of sources – archaeological, historical, anthropological (ethnographic), and sociological. This analysis of pre-modern and modern societies sheds valuable light on the variety of ways in which social institutions were developing through time and space and of how these institutions may have fostered social evolution. Therefore, this publication may enhance our understanding of social evolution at the world-system, regional, and local-culture levels via the integration of various kinds of evidence within a unified conceptual framework.
Societies are systems composed of a great number of various social institutions. Societies change as a result of emergence, transformation, and interaction of institutions. As systems of social institutions, societies have a fundamental characteristic that can be called a “basic principle of societal organization.” The principle of organization a society embodies depends on the way its institutions are arranged with respect to one another. Two basic principles can be distinguished: heterarchical, at which institutions interact being unranked with respect to one another or can be ranked in different ways, and the opposite principle, homoarchical, at which institutions interact being rigidly ranked in the only way and have no or very limited potential for being unranked or ranked in other ways. Societies of the same level of overall cultural complexity and with the same basic principle of organization can take different specific forms, as alternativeness exists not only between but also within the heterarchical and homoarchical macrogroups of societies. The division of societies into predominantly heterarchical and homoarchical is a constant fact of human sociocultural history. The dichotomy of heterarchy and homoarchy has considerably determined the non-linear and alternative nature of the global sociocultural process.
Transformations in the ways social institutions and their sets, societal subsystems, are ranked (homoarchically or heterarchically) on one hand and changes in the overall sociocultural complexity on the other are two different, largely unrelated processes. Homoarchy and heterarchy are not evolutionary lines: a society can pass from a predominantly heterarchical way of ranking institutions to predominantly homoarchical or vice versa, and can do it both with and without a change in level of complexity. At any level of overall cultural complexity, one can observe both heterarchical and homoarchical societies, because an equal level of complexity (which makes it possible to solve equally difficult problems societies face) can be achieved in various forms on essentially different (though intersecting in the history of many societies and regions) principles of societal organization.

This volume consists of four parts, comprising 15 chapters. It highlights the roles of culture and institutions on economic and social changes. The West is illustrated by the United States, Britain or Canada and the East, by chopstick economies such as China, Taiwan and Hong Kong. Part I is the theoretical framework. It contains five chapters. Chapter 1 (Searching for the New Paradigm: Uncertainty and Learning in the Evolutionary Approach) employs the evolutionary perspective to interpret economic and social transformations. Chapter 2 (Culture and Institutions on Economic Transformation) explains the relationship between traditional belief/ideology/religion and culture. The West adopts rule of law while the East, rule by law. In chapter 3 (Quilt and Shame Cultures: Anglosphere versus Chopstick Economies), a Christian nation in Western economies, such as the United States, is identified as a society of guilt while chopstick economies in the East, such as China, are embedded with Confucianism, a society of shame. Cultural difference has implications on social control and educational reform. In chapter 4 (Chinese Legalism and European Mercantilism), contemporary China utilises Confucianism supplemented by Legalism to strengthen the state power. Legalism is akin to European Mercantilism. Chapter 5 (An Imagined Social World in the West and East) highlights the imagined world in the West and East.
Part II presents different cases in entrepreneurship and everyday life creativity. Chapter 6 (Entrepreneurship: Transformative and Adaptive) argues that the United States, due to individualism and self-assertion, brings technological breakthroughs in the world while Asian economies such as China receive training in Confucianism, and provide the world with mainly adaptive entrepreneurs and imitative products. Culture makes a difference in entrepreneurship and hence economic transformation. Chapter 7 (Intellectual Property Protection: The Case of Smartphone) explains the origin of the disputes in U.S.–China intellectual property protection. It is illustrated by Huawei, a learner in technological transfer. Chapter 8 (The ‘New Opium War’: On Supplying Fentanyl) argues that China’s ways of handling the production and consumption of fentanyl contrast sharply with the Western powers. Fentanyl crisis is the New Opium War! Chapter 9 (Electoral versus Authoritarian States: Combating Coronavirus Disease Pandemic) compares pandemic-associated measures in the United States and China. It reveals that culture counts in tackling global responses to infectious diseases. Chapter 10 (If Shakespeare Is the West, then Jin Yong is the East) compares the works of Shakespeare and Jin Yong. Shakespeare works focus on individualism and self-reliance while Yin Yong works stress on familism and patriotism.
Part III highlights the impacts of culture on Chinese economies. Chapter 11 (A Winning Tactic? Social Construction of Peasanty in Socialist China) explains how Mao Zedong turned Chinese peasanty, if not serfs, into a winning game for his party. Peasanty were ‘oppressed’ by their landlords. After painbearers cried out their suffering and killed the landlords, they could stand up again. They supported the Chinese Communist Party instead of the Nationalist Party (Kuomintang). Chapter 12 (Culture, Nationalism and Wolf Warrior Diplomacy) argues that foreign policy reflects culture and history. China’s wolf warrior diplomacy traces its roots back to culture. Chapter 13 (Impacts on Taiwan: Sharing the Same Culture versus Different Social Identity) examines whether the same culture will entail different impacts on Taiwan’s politics. It also explores whether different social identities affect Taiwan’s political affairs and economic transformation. To further reveal the impacts of cultural differences on policy change, the authors use Hong Kong as a case study (Chapter 14: British Hong Kong versus post-1997 Hong Kong). They examine if British ruling (representing Western culture) entails any impact on the economy and society in Hong Kong (now a Chinese city). Chapter 15 (Western Culture in Hong Kong: Hong Rengan and Ho Tung) explains and illustrates how Hong Rengan (Taiping Heavenly Kingdom) and Ho Tung (a member of Hong Kong Legislative Council) absorb Western knowledge in Hong Kong. Deeply embedded with Chinese culture, Hong could not help the Taiping Heavenly Kingdom to establish a real republic in China. Ho’s flexibility and dual identities helped him work comfortably in Hong Kong, thus setting up a pre-condition for Hong Kong to move into a global financial centre.

The enduring influence of Saint Laurent’s designs in modern fashion is undeniable. Concepts introduced by Saint Laurent, like the tuxedo jacket for women and the sheer blouse and dress, have become staples in contemporary fashion, transcending their origins to become symbols of power, elegance and sexuality. His ability to anticipate and articulate the needs and desires of the modern woman has left a lasting blueprint for how fashion interacts with social change and individual identity. Moreover, even after his death at 71 in 2008, Saint Laurent’s integration of art and fashion continues to inspire current designers, seen in the ongoing collaborations between high fashion and contemporary artists.
Saint Laurent was above all an artist of synthesis, of agglomeration and reshaping, of conglomeration and adaptation. His work is a fusion of the tactile and aesthetic with fancy and supposition – for his interiors are not what were but could have been, a projection of imagination and personality. It is a straddling of two separate worlds, which is crucial to fashion. His significance is in making this explicit.

Hands, Wrists, Fingers invites musicians to explore a new way of thinking about good health. The physical dimensions of hands are certainly important and merit close study, encompassing coordination, relaxation, dexterity, speed, accuracy, and freedom from pain. While acknowledging these dimensions, Hands, Wrists, Fingers focuses on a broader perspective that includes cultural dimensions both conscious and unconscious, involving language, symbol, ritual, curiosity, playfulness, and mindfulness. Through a wealth of original insights, anecdotes, exercises, and games, musicians will be able to transform their hands into sensitive and intelligent agents of joyful creativity, in which the linguistic and symbolic dimensions of hands become inseparable from their physical and material existence.
Hands, Wrists, Fingers is organized in four parts: Culture, The Language of Hands, Sensitivity and Creativity, and Knowledge and Mystery. Behind the physical gestures and movements of your daily life and your music-making, there are the stories that you tell about your own hands—thoughts and feelings, memories, experiences, judgments, hopes, and fears. Hands, Wrists, Fingers argues that the way you use your hands is inseparable from these stories, in which you tell yourself “what you can and cannot do, what you should and should not do, what you’re allowed to do and what you’re prevented from doing.” If your inner stories aren’t healthy in themselves, it’s very difficult for your hands to behave in a healthy manner.
Hands, Wrists, Fingers is a practical book brimming with exercises and suggestions. Every chapter is supported by video clips illustrating and demonstrating its exercises. Among other things, you’ll explore the skills of rotation and of spiral movements, the mastery of textures and gradations, the playful manipulation of objects, and the use of your hands as agents of expressive language. Your hands will become creative, intelligent, and sensitive, and you’ll develop a new understanding of the true meaning of good health.

The long-awaited convergence of climate, economic, political, intellectual, faith and social failures gives many reasons for despair. The authors of this volume have spent their lives around the trauma of race and poverty in South Africa and the United States working with Nobel prize winners and those in townships and tenements. We have learned that hope is not delusional and accountability not naïve. But one must think clearly and deeply, untethered from the inadequate simplicities and false choices. We must be here now, with eyes wide open for when systems break down, as so many are today, knowing that they also break open new space for creative action.
The authors lead the global web of thinker-doers through the Leading Causes of Life Initiative and national networks in Africa, Europe and the United States. They find coherence among profound thinking from fields never brought into alignment before drawn from by economists, mycelial researchers, anthropologists and health sciences working in the Artic to South Africa, and the tough neighbourhoods in between. This includes a consideration of the human capacities that allow us to act in and transform the world we inhabit, of the radical nature of joy in the face of despair, of the judgement of Nemesis on hubris and privilege, of the ‘value of everything’ contra price as definitive, of the idea of involution as distinguished from evolution, of the concept of ‘meshworks’ in our entanglement with others, and, finally, of the ‘theatre of the soul’ as the unity of the physical, the psychological, the political and the spiritual.
Sharply sensitive to the urgency of careful thought and wise action, the authors help us see that life does find a way towards deep accountability for the life of complex human ecosystems. They ask us to take responsibility for this as a key to human flourishing and well-being.

This book is the first biographical account of Sebastian Masuda written in English. Sebastian Masuda is a Japanese creator and artist who is globally known as the king of Japanese “Kawaii” (cute) subculture which originated in Harajuku. His continuous pursuit of the concept of kawaii is his lifetime passion and mission, and his work is always characterized by bright neon colors that led to the emergence of Decora fashion. He wears several hats in the field of fashion, art, and entertainment and uses colorful and kawaii elements as his creative foundation. He treats kawaii styles as explicit, non-violent forms of rebellion and resistance like many other youth subcultures in Japan that express themselves in unconventional fashion. One needs courage to walk down the street wearing bright, flashy clothes and accessories from head to toe.
As an artist, Masuda has created prominent art pieces, such as a giant Hello Kitty sculpture in New York and a giant Doraemon statue made out of fluffy yarn in Singapore. As a designer, he has designed the décor of Kawaii Monster Café in Harajuku and Sushidelic, a sushi restaurant, in New York. He also runs a store, 6%DokiDoki, which has its own clothing line. As an entertainment producer, he has collaborated with Kyary Pamyu Pamyu, a Japanese singer and pop culture icon, and produced her first music video.
This book traces a strong impact of Masudaʼs difficult and lonely childhood and upbringing and complex family background on his creative endeavors that attract millions of youngsters that are also going through personal hardships. Masuda went through his teenage years spending time alone in the library reading books which made him observant and perceptive. This book also delves into his deep understanding of kawaii with intricate layers of interpretations which are often misunderstood and misconstrued as simply being cute, girlie, and infantile. Kawaii is not just an adjective but a lifestyle, philosophy, and ideology.

The long-awaited convergence of climate, economic, political, intellectual, faith and social failures gives many reasons for despair. The authors of this volume have spent their lives around the trauma of race and poverty in South Africa and the United States working with Nobel prize winners and those in townships and tenements. We have learned that hope is not delusional and accountability not naïve. But one must think clearly and deeply, untethered from the inadequate simplicities and false choices. We must be here now, with eyes wide open for when systems break down, as so many are today, knowing that they also break open new space for creative action.
The authors lead the global web of thinker-doers through the Leading Causes of Life Initiative and national networks in Africa, Europe and the United States. They find coherence among profound thinking from fields never brought into alignment before drawn from by economists, mycelial researchers, anthropologists and health sciences working in the Artic to South Africa, and the tough neighbourhoods in between. This includes a consideration of the human capacities that allow us to act in and transform the world we inhabit, of the radical nature of joy in the face of despair, of the judgement of Nemesis on hubris and privilege, of the ‘value of everything’ contra price as definitive, of the idea of involution as distinguished from evolution, of the concept of ‘meshworks’ in our entanglement with others, and, finally, of the ‘theatre of the soul’ as the unity of the physical, the psychological, the political and the spiritual.
Sharply sensitive to the urgency of careful thought and wise action, the authors help us see that life does find a way towards deep accountability for the life of complex human ecosystems. They ask us to take responsibility for this as a key to human flourishing and well-being.

Hands, Wrists, Fingers invites musicians to explore a new way of thinking about good health. The physical dimensions of hands are certainly important and merit close study, encompassing coordination, relaxation, dexterity, speed, accuracy, and freedom from pain. While acknowledging these dimensions, Hands, Wrists, Fingers focuses on a broader perspective that includes cultural dimensions both conscious and unconscious, involving language, symbol, ritual, curiosity, playfulness, and mindfulness. Through a wealth of original insights, anecdotes, exercises, and games, musicians will be able to transform their hands into sensitive and intelligent agents of joyful creativity, in which the linguistic and symbolic dimensions of hands become inseparable from their physical and material existence.
Hands, Wrists, Fingers is organized in four parts: Culture, The Language of Hands, Sensitivity and Creativity, and Knowledge and Mystery. Behind the physical gestures and movements of your daily life and your music-making, there are the stories that you tell about your own hands—thoughts and feelings, memories, experiences, judgments, hopes, and fears. Hands, Wrists, Fingers argues that the way you use your hands is inseparable from these stories, in which you tell yourself “what you can and cannot do, what you should and should not do, what you’re allowed to do and what you’re prevented from doing.” If your inner stories aren’t healthy in themselves, it’s very difficult for your hands to behave in a healthy manner.
Hands, Wrists, Fingers is a practical book brimming with exercises and suggestions. Every chapter is supported by video clips illustrating and demonstrating its exercises. Among other things, you’ll explore the skills of rotation and of spiral movements, the mastery of textures and gradations, the playful manipulation of objects, and the use of your hands as agents of expressive language. Your hands will become creative, intelligent, and sensitive, and you’ll develop a new understanding of the true meaning of good health.

Gabrielle Appleby is a professor of constitutional law at the UNSW Faculty of Law & Justice and is currently a Professorial Research Fellow at the Pro Vice Chancellor Society at UNSW (Sydney). She researches and teaches in public law, with her areas of expertise including the role, powers and accountability of the Executive; parliamentary law and practice; the role of government lawyers; the integrity of the judicial branch; and First Nations constitutional recognition. She is the Director of The Judiciary Project at the Gilbert + Tobin Centre of Public Law, the constitutional consultant to the Clerk of the Australian House of Representatives and a member of the Indigenous Law Centre. Gabrielle was the founding editor of Australia’s national public law blog, AUSPUBLAW (www.auspublaw.org). In 2015–2018, Gabrielle was a Chief Investigator on the ARC Discovery Project, Law, Order and Federalism, looking at the effects of the High Court’s chapter III jurisprudence on State government law and order policy development. In 2016–2017, she worked as a pro bono constitutional adviser to the Regional Dialogues and the First Nations Constitutional Convention that led to the Uluru Statement from the Heart. Her books include Australian Public Law (4th ed., 2024); The Judge, The Judiciary and the Court: Individual, Collegial and Institutional Judicial Dynamics in Australia (2021); Judicial Federalism in Australia (2021); The Role of the Solicitor-General: Negotiating Law, Politics and the Public Interest (2016); The Critical Judgments Project: Re-reading Monis v The Queen (2016); and The Tim Carmody Affair (2016). Gabrielle has also spent time working for the Queensland Crown Solicitor and the Victorian Government Solicitor’s Office.
Megan Davis is the Pro Vice-Chancellor Society (PVCS) at UNSW Sydney and a UNSW Scientia Professor. She holds the Balnaves Chair in Constitutional Law and the Whitlam Fraser Harvard Chair in Australian Studies at Harvard University and is a Visiting Professor at Harvard Law School. She has also been appointed a Penn Carey Law Bok Visiting International Professor, University of Pennsylvania Carey Law School (Penn Carey Law). Professor Davis is a renowned constitutional lawyer and public law expert, specialising on Indigenous peoples and the law, the constitutional recognition of First Nations and democracy. Professor Davis is a Fellow of the Australian Academy of Law, a Fellow of the Australian Academy of Social Sciences, and a Fellow of the Australian Academy of the Humanities. She is an Acting Commissioner of the NSW Land and Environment Court. She has been the leading Australian lawyer on constitutional recognition of First Nations peoples for two decades and designed the Referendum Council’s deliberative process that led to the Uluru Statement from the Heart. From 2022 to 2023, she served on the Referendum Working Group, the Referendum Engagement Group and the Attorney General’s Constitutional Expert Group. She was a member of the Prime Minister’s Referendum Council (2015–2017) and the Prime Minister’s Expert Panel on the Recognition of Aboriginal and Torres Strait Islander Peoples in the Constitution (2011–2012). She is the Co-Chair of the Uluru Dialogue – the group of First Nations leaders who led the Uluru Statement from the Heart work. Professor Davis was a Commissioner on the QLD Commission of Inquiry into Youth Detention Centres in 2016, and was the Chair and author of ‘Family is Culture’, an inquiry into NSW Aboriginal Children in Out of Home care (2017–2019). She is a globally recognised expert in Indigenous peoples legal rights and was elected by the UN Economic and Social Council as an expert member of the United Nations Permanent Forum on Indigenous Issues (2011–2016). Professor Davis was also appointed by the United Nations Human Rights Council to the Expert Mechanism on the Rights of Indigenous peoples twice (2017–2022). Professor Davis is a Sydney Peace Prize Laureate for the Uluṟu Statement from the Heart and was awarded a 2024 PeaceWomen Award by the Women’s International League for Peace & Freedom (WILPF). In 2023, Professor Davis was named on TIME Magazine’s TIME NEXT100 list of the Next Generation of Global leaders. She was also named Marie Claire ‘Powerhouse of the Year’ in 2023. She is a previous Overall Winner of the AFR Women of Influence (now AFR Women of Leadership) awards in 2018 and was previously named on the AFR Annual Cultural Power list and AFR’s Australia’s top 5 Legal Powerbrokers list.

This book is the first biographical account of Sebastian Masuda written in English. Sebastian Masuda is a Japanese creator and artist who is globally known as the king of Japanese “Kawaii” (cute) subculture which originated in Harajuku. His continuous pursuit of the concept of kawaii is his lifetime passion and mission, and his work is always characterized by bright neon colors that led to the emergence of Decora fashion. He wears several hats in the field of fashion, art, and entertainment and uses colorful and kawaii elements as his creative foundation. He treats kawaii styles as explicit, non-violent forms of rebellion and resistance like many other youth subcultures in Japan that express themselves in unconventional fashion. One needs courage to walk down the street wearing bright, flashy clothes and accessories from head to toe.
As an artist, Masuda has created prominent art pieces, such as a giant Hello Kitty sculpture in New York and a giant Doraemon statue made out of fluffy yarn in Singapore. As a designer, he has designed the décor of Kawaii Monster Café in Harajuku and Sushidelic, a sushi restaurant, in New York. He also runs a store, 6%DokiDoki, which has its own clothing line. As an entertainment producer, he has collaborated with Kyary Pamyu Pamyu, a Japanese singer and pop culture icon, and produced her first music video.
This book traces a strong impact of Masudaʼs difficult and lonely childhood and upbringing and complex family background on his creative endeavors that attract millions of youngsters that are also going through personal hardships. Masuda went through his teenage years spending time alone in the library reading books which made him observant and perceptive. This book also delves into his deep understanding of kawaii with intricate layers of interpretations which are often misunderstood and misconstrued as simply being cute, girlie, and infantile. Kawaii is not just an adjective but a lifestyle, philosophy, and ideology.

Neoliberalism has transformed work, welfare and democracy. However, its impacts, and its future, are more complex than we often imagine. Alongside growing inequality, social spending has been rising. Politics, Inequality and the Australian Welfare State After Liberalisation asks how we understand this contradictory politics and what opportunities exist to create a more equal society. It argues an older welfare state politics, driven by the power of industrial labour, is giving way to political contests led by workers within the welfare state itself. Advancing more equal social policy, though, requires new forms of statecraft, or ways of doing policy, as well as new models of organising.

 Drawing on examples of social policy change since the 1980s, the book explores how seemingly similar reforms reflect distinct political dynamics and facilitate different social outcomes. The examples reflect the main aspects of liberalisation – conditionality of benefits, marketisation of services and financialisation of the life course. Across each domain, it identifies examples that fit the ‘neoliberal’ frame and alternatives that appear to subvert it. From family payments to Medicare, social protection advanced using remarkably similar policy tools to those associated with liberalisation. The book identifies two competing welfare state projects. A ‘dual welfare state’ of hidden subsidies to privatised welfare alongside increasingly residualised public systems that stigmatise recipients, and a 'hybrid’ model of marketised universalism that uses novel forms of statecraft to socialise risk while advancing competition.

 Rather than explaining how Australia fell prey to neoliberalism, the book identifies an ongoing struggle between competing visions of liberalisation. Dual welfare deepens inequality by concealing the distributional effects of state policy, building a sizeable coalition of largely older voters, insulated from the insecurities of precarious work and benefiting from rising house prices. Hybrid policies, it argues, emerged at the intersection of sympathetic bureaucracies and strong social pressure. Central to both are workers within the welfare state and the unions that represent them. The analysis recasts divides based on generation and education as reflecting the increasingly central role of social reproduction within the paid economy, and the strategies of care workers to have their skills and value recognised. The analysis opens opportunities for new models of solidarity based on an ethic of care.

Explores the possibilities and ethical dilemmas of radical life extension through biotechnology, examining the impact of potentially treating aging and living indefinitely on humanity, society, and individual identity

What if you could live not just longer, but healthier—and possibly forever? In his groundbreaking exploration of biotechnology, ethics, and the philosophy of very long lives, Thomas Ramge takes readers on a thought-provoking journey through the possibilities and consequences of radical life extension. Drawing on cutting-edge research in molecular biology, genetics, and AI-driven medicine, the book examines how humanity is on the brink of a revolution—one where aging may soon become a treatable condition. Through engaging thought experiments, such as choosing between three pills that extend life to 100, 200, or eternity, the book challenges our assumptions about mortality, identity, and purpose. Would centuries of life bring wisdom or existential despair? Could societies sustain themselves in a world where death is optional? And who would have access to these medical breakthroughs—everyone, or only the wealthy elite? Combining scientific rigor with philosophical depth, this book is a must-read for those fascinated by the intersection of technology, ethics, and the human condition. If the future of life itself is at stake, what will we choose?

The enduring influence of Saint Laurent’s designs in modern fashion is undeniable. Concepts introduced by Saint Laurent, like the tuxedo jacket for women and the sheer blouse and dress, have become staples in contemporary fashion, transcending their origins to become symbols of power, elegance and sexuality. His ability to anticipate and articulate the needs and desires of the modern woman has left a lasting blueprint for how fashion interacts with social change and individual identity. Moreover, even after his death at 71 in 2008, Saint Laurent’s integration of art and fashion continues to inspire current designers, seen in the ongoing collaborations between high fashion and contemporary artists.
Saint Laurent was above all an artist of synthesis, of agglomeration and reshaping, of conglomeration and adaptation. His work is a fusion of the tactile and aesthetic with fancy and supposition – for his interiors are not what were but could have been, a projection of imagination and personality. It is a straddling of two separate worlds, which is crucial to fashion. His significance is in making this explicit.

Cultural Processes of Inequality: A Sociological Perspective shows how systematic inequality is produced and reproduced through mundane, often taken-for-granted practices of offering someone the benefit of the doubt and treating them in good faith or, alternatively, of withholding the benefit of the doubt and treating them in bad faith. This straightforward way of thinking about value and devaluation, privilege and discrimination, works across multiple forms of inequality and at social levels ranging from interpersonal interactions to large-scale institutions, while showcasing the importance of different levels and types of social power (decision-making power, cultural power and individual power).

Good-faith and bad-faith assumptions and practices intersect with moral inclusion and exclusion, processes by which certain people or groups of people are defined as deserving or undeserving of moral treatment, often with tragic consequences. Cultural Processes of Inequality covers ways in which good-faith and bad-faith assumptions and practices play out through moral alchemy, false equivalencies, self-fulfilling prophecies, positive and negative visibility and invisibility and the linking of social groups to definitions of social problems, providing contemporary U.S. examples of how these often-underutilized sociological concepts make sense of racism, sexism and heterosexism. The role of members of devalued groups in reproducing or struggling against their devaluation is also considered.

Cultural Processes of Inequality concludes with concrete actions individuals and groups can take to build a good-faith society and includes an appendix discussing key sociological concepts to make the book more useful to undergraduate students who have not previously taken a sociology course as well as discussion questions for students. Written for students in sociology classes and accessible to generally educated readers, Cultural Processes of Inequality sheds light on components of systematic inequality that too often go undiscussed even as they play a daily role in the injustice and the many harms of racism, sexism, heterosexism, and other forms of inequality.

The twentieth century holds many titles that emphasize the extraordinary. It was a century of totalitarianism, but also one of betrayal, an age of extremes and the incomprehensible. Betrayed, that is, at the mercy of unrestrained violence, were not only the people themselves, but also, as it were, the idea of the human being. For up to a certain point, one could weigh oneself in an unfounded security of an inner connection between people. As is well known, such certainties were knocked out of hand in that century. Many situations, many images, motifs and sources can be named for this experience of unbounded violence, which now, at the beginning of the twenty-first century, requires new forms of transmission. In an era flooded with images, however, attention is more difficult. One has to embark on a search for traces; not because the sources are lacking, but because the form of inscription in history is problematic. This search for clues leads directly to the present monograph.

This is the first republication of Rheta Childe Dorr’s book Inside the Russian Revolution (1917), accompanied by the editor’s research introduction and comments. Dorr (1866–1948) was a leading suffragette from Nebraska, studied at the University of Nebraska, before moving to New York as a journalist and first editor of The Suffragette. Living on the lower East Side, she became a socialist. She visited Russia during the first Russian revolution (1905–1907) and later covered the February Revolution of 1917 for the New York Evening Mail.
Her book Inside the Russian Revolution (1917) depicts the overthrow of the tsar as a positive, democratic move with hope of a Russia following the American path to constitutional democracy. The evolution of revolutionary Russia from February to October changed not only Dorr’s perception of the Russian revolution as a phenomenon but her vision of socialism as well. In this sense, she was among the American radicals who contributed to American phenomenology of the 1917 Russian revolution but were not satisfied with its results. Being a prominent figure in the U.S. political and social life of her time, Rheta Dorr expanded the horizons of the Americans’ identity.
Dorr is also known for other publications. In 1922, she assisted Anna Vyrubova, a lady-in-waiting, the best friend and the confidante of Empress Alexandra Feodorovna, with the writing of Vyrubova’s memoir, My Memories of the Russian Court. Thereafter, Dorr wrote her own memoir, A Woman of Fifty, published in 1924. Dorr moved from her autobiography to a biography of Susan B. Anthony, published in 1928, and completed her publishing activity in 1929 with a tome on the question of prohibition.

All is not well with the law on rape. It is rarely reported and even when it is, it is rarely prosecuted. Victims are deterred for a range of reasons, but these include a fear that it will never be possible to prove the rape has occurred and that the trial will be traumatic. Even when the case proceeds to trial, victims perceive that it is they, rather than the perpetrator, who is the one on trial. The past sexual behaviour of the victim,; the clothes she was wearing,; the people she socialised with and the places she visited are all used as tools to claim that in fact the victim consented to the rape. Reforms are needed.
In this book, we explore how changing the definition of rape will help tackle some of these problems. We argue there needs to be a shift in the focus of the rape trial: away from asking whether the victim consented, to focus on whether the defendant. Rather than focusing on the way the victim dresses, behaviour in response to the rape, the focus will be on what the defendant believed justified him engaging in a sexual behaviour.
At the heart of our proposal is the claim that having sex comes with responsibilities. In particular, a responsibility to ensure you have reasonable grounds to believe the other consents. Without that consent, a very serious wrong is being done. The central legal focus should therefore be on whether the defendant had sufficiently good reasons to proceed with having sex.

Explores the rise of the “gig public” in the age of performative publicness, highlighting challenges in sustaining meaningful discourse, the impact of new technologies and AI on public engagement, and the emergence of the will to visibility within the context of capitalism and algorithmic governmentality.

This monograph explores the evolving nature of publicness in the era of digital communication and social media saturation, arguing that the rise of the “gig public” represents a new paradigm that challenges the traditional conceptualization of the public in shaping social and political change. The gig public departs from traditional notions of publicness and the public, characterized by individuals’ spontaneous and less-structured engagement in public discourse. This engagement is often hampered by challenges in fostering sustained interaction and depth of discussion, due to the ephemeral nature of online interactions.
In particular, this monograph highlights the importance of customs, negotiations, and contracts that complement the normatively privileged public reasoning in public domains. It examines the transformations in the multifaceted nature of the public and its interrelationship with other social structures amid the shifting boundaries between public and private domains. In addition, it explores the evolution of conceptualizations of publicness and related concepts within critical theory, illustrating how contemporary shifts are redefining civic engagement and the essence of public life in a rapidly changing world. From these perspectives, the study is structured around three primary focal points: First, it analyzes how new information technologies and AI have altered human interactions within the public sphere. Second, it examines the impact of capitalist economic dynamics and governmentality strategies on reshaping the public realm, fundamentally altering the essence of the public and its democratic potential. Third, it explores how habitual and routine practices traditionally associated with the private sphere are now influencing the ongoing evolution of publicness.
The monograph aims to provide a comprehensive analysis of the challenges posed by the fragmentation of contemporary public discourse and the emergence of gig publics. It also considers strategies to invigorate publicness through AI technology that enables users to transform plain language into automated actions on their computers, potentially reshaping civic engagement in the digital age.

Explores the rise of the “gig public” in the age of performative publicness, highlighting challenges in sustaining meaningful discourse, the impact of new technologies and AI on public engagement, and the emergence of the will to visibility within the context of capitalism and algorithmic governmentality.

This monograph explores the evolving nature of publicness in the era of digital communication and social media saturation, arguing that the rise of the “gig public” represents a new paradigm that challenges the traditional conceptualization of the public in shaping social and political change. The gig public departs from traditional notions of publicness and the public, characterized by individuals’ spontaneous and less-structured engagement in public discourse. This engagement is often hampered by challenges in fostering sustained interaction and depth of discussion, due to the ephemeral nature of online interactions.
In particular, this monograph highlights the importance of customs, negotiations, and contracts that complement the normatively privileged public reasoning in public domains. It examines the transformations in the multifaceted nature of the public and its interrelationship with other social structures amid the shifting boundaries between public and private domains. In addition, it explores the evolution of conceptualizations of publicness and related concepts within critical theory, illustrating how contemporary shifts are redefining civic engagement and the essence of public life in a rapidly changing world. From these perspectives, the study is structured around three primary focal points: First, it analyzes how new information technologies and AI have altered human interactions within the public sphere. Second, it examines the impact of capitalist economic dynamics and governmentality strategies on reshaping the public realm, fundamentally altering the essence of the public and its democratic potential. Third, it explores how habitual and routine practices traditionally associated with the private sphere are now influencing the ongoing evolution of publicness.
The monograph aims to provide a comprehensive analysis of the challenges posed by the fragmentation of contemporary public discourse and the emergence of gig publics. It also considers strategies to invigorate publicness through AI technology that enables users to transform plain language into automated actions on their computers, potentially reshaping civic engagement in the digital age.

This is the first republication of Rheta Childe Dorr’s book Inside the Russian Revolution (1917), accompanied by the editor’s research introduction and comments. Dorr (1866–1948) was a leading suffragette from Nebraska, studied at the University of Nebraska, before moving to New York as a journalist and first editor of The Suffragette. Living on the lower East Side, she became a socialist. She visited Russia during the first Russian revolution (1905–1907) and later covered the February Revolution of 1917 for the New York Evening Mail.
Her book Inside the Russian Revolution (1917) depicts the overthrow of the tsar as a positive, democratic move with hope of a Russia following the American path to constitutional democracy. The evolution of revolutionary Russia from February to October changed not only Dorr’s perception of the Russian revolution as a phenomenon but her vision of socialism as well. In this sense, she was among the American radicals who contributed to American phenomenology of the 1917 Russian revolution but were not satisfied with its results. Being a prominent figure in the U.S. political and social life of her time, Rheta Dorr expanded the horizons of the Americans’ identity.
Dorr is also known for other publications. In 1922, she assisted Anna Vyrubova, a lady-in-waiting, the best friend and the confidante of Empress Alexandra Feodorovna, with the writing of Vyrubova’s memoir, My Memories of the Russian Court. Thereafter, Dorr wrote her own memoir, A Woman of Fifty, published in 1924. Dorr moved from her autobiography to a biography of Susan B. Anthony, published in 1928, and completed her publishing activity in 1929 with a tome on the question of prohibition.

In a little over twenty years, New York–-based fashion designer Thome Browne has decisively and permanently changed the fashion industry. Through his clothes that are rooted in America’s distinctive preppie style, he has challenged age-old conventions of tailoring by altering proportions and blurring gender boundaries. The cropped trouser, which has become a staple of people’s wardrobes around the world, owes much to Browne’s pioneering reinterpretation of the suit. Through highly choreographed catwalk shows, he has enlivened the presentation of fashion, creating soulful spectacles that variously critique and cherish common themes in human lives.
Browne’s influence within the fashion industry has been recognised through various awards. The Council of Fashion Designers of America (CFDA) has named him ‘Menswear Designer of the Year’ on three occasions, in 2006, 2013, and 2016. Since 2023, Browne has served as the CFDA’s Chair. In May 2023, Browne dressed nine celebrities to honour Karl Lagerfeld at the annual gala hosted by the Metropolitan Museum of Art, New York.
This book considers Browne’s position as a fashion auteur by focusing on four collections that enable detailed consideration of his innovative clothing designs and catwalk presentations, situating them within their historical and social context and drawing out what makes them distinctive and influential.

In a little over twenty years, New York–-based fashion designer Thome Browne has decisively and permanently changed the fashion industry. Through his clothes that are rooted in America’s distinctive preppie style, he has challenged age-old conventions of tailoring by altering proportions and blurring gender boundaries. The cropped trouser, which has become a staple of people’s wardrobes around the world, owes much to Browne’s pioneering reinterpretation of the suit. Through highly choreographed catwalk shows, he has enlivened the presentation of fashion, creating soulful spectacles that variously critique and cherish common themes in human lives.
Browne’s influence within the fashion industry has been recognised through various awards. The Council of Fashion Designers of America (CFDA) has named him ‘Menswear Designer of the Year’ on three occasions, in 2006, 2013, and 2016. Since 2023, Browne has served as the CFDA’s Chair. In May 2023, Browne dressed nine celebrities to honour Karl Lagerfeld at the annual gala hosted by the Metropolitan Museum of Art, New York.
This book considers Browne’s position as a fashion auteur by focusing on four collections that enable detailed consideration of his innovative clothing designs and catwalk presentations, situating them within their historical and social context and drawing out what makes them distinctive and influential.

What did Australians read? This book answers this question in terms of books rather than newspapers and considers the long nineteenth century, interpreted as running from 1788 to 1901. In the wake of this primary question, several others arise: how did Australians acquire the books they read, and how did readers in the outback overcome the handicaps of distance and remoteness? Did they read for pleasure, instruction, self-edification, or spiritual sustenance? More importantly, how did Australian readers respond to the books they read? The evidence is drawn from autobiographical sources, in which individual readers related their personal reading experiences and responses.
At the same time, the book pursues a second and related question: What did Australians write? Reference is made here not to the kind of writing we know as ‘literature’, but to the non-literary writing which cultural historians call ‘ordinary writings’. These are the writings of everyday life, represented in this book by diaries, journals, hand-written newspapers and correspondence. The focus is wide enough to include the everyday cultural practices of people of low social status and little education. The writing practices of the partially literate, including writing delegated to a third party, have their place here.
In this double investigation, the book draws on evidence from a cohort of 101 nineteenth-century readers and writers. They are a heterogeneous group of autobiographers, coming from Melbourne and Sydney to rural Queensland and Western Australia. They come from the city and the bush, from coastal towns and the interior, from sheep stations, gold diggings and city offices. They show us the perennial importance of Shakespeare and the Bible, the popularity of the English canon, the prestige of poetry and the importance of religious reading. Books held the Empire together but, as they travelled, their meanings changed according to the local cultural environment. This book registers such nuances in the Australian context. The writing of this group is represented by some prolific diarists and correspondents. In the late-nineteenth century, the eastern colonies became world leaders in sending letters. The postal environment which made this possible is also examined.

Grand-Gugignol Cinema and the Horror Genre traces important contributions of the Parisian Grand-Guignol theatre’s Golden Age as theoretical considerations of embodiment and affect in the development of horror cinema in the twentieth century. This study traces key components of the Grand-Guignol stage as a means to explore the immersive and corporeal aspects of horror cinema from the sound period to today. The book is a means to explore the Grand-Guignol not only as a historical place and genre, but theoretically, as a conceptual framework that opens up an affective mapping of Grand-Guignol attractions in cinema. 

In a broader theoretical sense, Mario DeGiglio-Bellemare positions Grand-Guignol cinema in corporeal and affective terms as a way to discuss central themes from the Golden Age of the Grand-Guignol theatre as they figure within the framework of post-representational analysis in cinema studies. Post-representational analysis draws meaning out of matter, or the material intensities of films; here, making sense (representation and meaning) and also sensing (in a more corporeal, sensorial way) have political relevance that cut across gender, class, race and sexuality. The author deploys the Grand-Guignol as a conceptual tool to reveal its important influence on the horror genre by focusing on the dominant themes of the Grand-Guignol theatre that cinematic horror has taken up in its own immersive theatrics of the corporeal and sensorial.

This study’s restoration of a long Grand-Guignol tradition in cinema makes it a significant contribution to new theorizations of horror. It brings seemingly disparate traditions into conversation, as American, Canadian, French, and Italian cinema are all important sites for thinking through cinematic embodiment. These four countries have developed their own important genres and movements of Grand-Guignol cinema: the slasher, the “French Films of Sensation,” Canadian “body horror,” and the giallo. The Grand-Guignol famously operated in a dead-end of Chaptal Street, in the Pigalle district of Paris; this study offers affective and corporeal readings that open up new byways beyond the dead-end of psychoanalytic readings that continue to be dominant in horror genre scholarship.

This book presents a new theater play, For Three Refrigerators and a Washing Machine, along with a thorough introduction that provides historical context and theoretical framing. The play with the enigmatic title tells the poignant and forgotten stories of international child adoptions from Greece in the 1950s and the 1960s. It offers an in-depth exploration of the first postwar mass international adoption movement, unveiling the emotional and even existential challenges faced by those involved. Based on an authentic playscript, the book creates awareness about what has not been said, should be said, but still cannot be said about the losses involved in the permanent uprooting of children and teenagers. It tackles the primal questions of “Where do I come from?” and “What happened to the child I relinquished for adoption abroad?” And why did nobody foresee that adopted children become adopted adults who ask critical questions about origins, procedures, and aftercare?
Thus, the book boldly reflects on the complexities and profound losses associated with displacing children and perpetuating taboos. Also, it reveals multiple connections to similar adoption movements worldwide, which include countries (and histories) of origin such as Ireland, South Korea, Vietnam, and several states in Central and South America. This thought-provoking book poses critical questions about identity and belonging that far exceed the Greek setting and continue to be relevant today.

The book argues that these plays show us a society haunted by the unquiet burials of Anglo-Saxon saints and kings and the destruction of shrines and churches during the English Reformation, and peopled by crossover figures who inhabit both the spiritual and the secular realms. [Author Query: The sentence beginning ‘The book argues that unquiet burials, particularly . . . ’ seems incomplete. Please check and edit as needed.]It begins with an introduction which sets out the distinction between spiritual and temporal overlordship of lands, glances at the ways in which sacred and secular spheres of influence could be brought into conflict in plays from the late-sixteenth and early seventeenth centuries, and explains that the book is interested not only in the extent to which those spheres of influence map onto actual territory but also in the ways in which land is perceived as retaining memories of uses to which it has been previously put. This was particularly the case when royal or saintly bodies had been buried in it, even if the actual burials had been disturbed or lost completely, but other kinds of spaces and places could also carry with them a sense of an ineradicable past (often a specifically pre-Reformation past). When plays claim to represent such richly suggestive sites as holy wells, abbeys built before the Norman Conquest, or places where martyrdoms or miracles have occurred, they simultaneously suggest the power and appeal of such memories and yet also acknowledge their loss and inaccessibility, not least because what the audience sees is not the place represented but bare boards of the stage standing in for it.
Four chapters then follow. The first is on the anonymous Thorney Abbey, which offers an origin story for the Anglo-Saxon foundation which preceded the Norman Westminster Abbey during the reign of an unnamed king of England who has a brother (and heir) called Edmund. The Anglo-Saxon St Edmund was well remembered in the early modern period and was particularly important to English Catholic exiles; the unnamed brother can be identified as Athelstan, grandson of Alfred the Great, who was king of England from 925 to 939 but never married (probably because he was illegitimate), making Thorney Abbey part of a group of early modern plays which found Athelstan a flexible, suggestive and culturally resonant figure who could be used to discuss a range of important issues, including succession, the status of the monarch, and the benefits and logic of celibacy. Thorney Abbey presents the foundation of the abbey as a neat and simple process, but the subsequent history of Westminster Abbey was not in fact quite so trouble-free and that leaches into the play, which also has strong similarities to Macbeth in ways which put pressure on Shakespeare’s play, particularly on its use of Edward the Confessor, helping us to see that Macbeth treads a nervous line between implying the superiority of a king who collapses the distinction between spiritual and temporal and refusing to actually show him. The second chapter is on another anonymous play, A Knack to Know a Knave, which features Edgar, king of Mercia and Northumbria (c. 944–975), and Saint Dunstan, two figures who carried considerable cultural heft. Dunstan was a complex and controversial figure whose association with miracles that savoured of trickery meant that to early Reformers, he was even more suspect than most saints. Edgar’s main achievement was the revival of Benedictine monasticism, which he funded by large grants of land and by enforcing the payment of the ecclesiastical tax known as Peter’s Pence, making him almost the perfect test case for considering the relationship between temporal and spiritual power. The third chapter focuses on William Rowley’s A Shoemaker a Gentleman, which tells the story of the shoemaker saint Crispin and his brother Crispian and the early English and Welsh martyrs St Hugh, St Winifred, St Alban and St Amphiabel in ways which evoke the long and difficult history of debates about the extent of British Catholics’ allegiance to the Pope. Last comes a chapter on Anthony Brewer’s The Lovesick King, which uses the memory of a local benefactor to comment on the relationship between civic and ecclesiastical constructions.
The final section of the book is a coda which argues that if some of these plays engage with Hamlet and Macbeth, then King Lear in turn engages with some of them. Although the supposedly historical figure of King Lear belonged to a time before the Romans, the play points at the Anglo-Saxon past in a number of respects: its use of the names Edmund, Oswald and Edgar (who apparently succeeds as King Edgar); its representation of an England being divided into different constituent realms; and its interest in female succession and in the question of whether illegitimacy was a bar to inheriting the throne. The blinding of Gloucester might recall the use of mutilation to disqualify possible successors, as when Edward the Confessor’s elder brother Alfred Aetheling was blinded by Earl Godwin, and Lear’s discovery that he cannot stop rain perhaps recalls Canute’s supposed failure to turn back the tide. Lost battles too were a feature of Anglo-Saxon England, both Essendon and Hastings being perceived as disastrous and era-ending. Above all, the play seems to show us a world which is both pre-Christian yet at the same time post-Catholic, being troubled by the memory of Rome in something of the same way as the great Anglo-Saxon poem The Ruin; but although there may be ruins, there are no sacred spaces in King Lear. The play can thus be read as a warning of what happens if there are no abbeys; on its desolate heath, we find the ultimate expression of the nightmare landscape feared in all these plays.

This book illustrates how different forces shape ideas, knowledge traditions, policies, processes, institutions and everyday lives to domesticate both people and the planet in pursuit of profit. It examines the myriad ways in which contemporary ruling and non-ruling elites influence politics, culture, economy and religion and shape our daily interactions, emphasising their impact on individuals, families, communities, democratic praxis, societal structures and nature. The book portrays power structures that are skewed in a manner that marginalises many while upholding the interests of a few. It depicts numerous contradictions inherent in capitalism and the state, while also presenting alternative ideas drawn from the everyday experiences of working people.
State and capitalism territorialise and deterritorialise lives and livelihoods. It destabilises social, cultural and economic relationships. Everyday crises are manufactured, and conflicts are designed to divert the masses from exploring alternatives to capitalism. This strategy aims to maintain the status quo by ensuring that attention and resources are consistently focused on the accumulation of wealth and prosperity for a few, thereby preventing widespread consideration of alternative and egalitarian systems and processes for mass welfare.

This book will provide an exploration of how popular songs have been analysed in the past, before detailing how an interdisciplinary approach is necessary to appreciate the multimodal format of the medium. Beginning by examining what we can gain from staying ‘inside’ the song, it will explore the role the listener has in determining meaning within a song, before moving on to how, through their lyrics, songwriters can persuade their audience to react in the desired ways. Lyrical storytelling will also be analysed, in terms of the narratives we find within individual songs, but also through ‘song sequences’ where the story spans multiple songs across different projects, and also the ‘concept album’ format. As we move ‘outside’ the song, we see what can be offered in terms of cultural significance, the difference between real events and their lyrical representations, how the format we listen to music in influences our readings, and to what extent visual materials affect our relationships with songs.

What remains of the idea of liquid modernity? Is Bauman’s thought still relevant? This volume aims to answer these questions, without forgetting the vastness and complexity of his work, where the idea of liquidity remains fundamental, before and after the central turning point of the year 2000, when he published Liquid Modernity.
Bauman’s legacy is multiform and complex, subdivided into partial legacies, not all of which are homogeneous and acceptable without benefit of inventory. The first difficulty consists in its complete lack of systematicity: Bauman-thought is by no means a single whole, nor can it be used as a key instrument to be applied to every condition, given that it explicitly concerns a precise fraction of our present. This is not to be understood as an oversight, but a conscious, strongly intended choice to eschew any systematic, systematising formulation of society. He prefers to understand the sociologist’s task as an acute observer, capable of enabling social agents – that is, all human beings – to make the right choices with awareness of its risks, as well as its effects.
Bauman’s legacy leaves a bitter taste in the mouth, because in its very concluding phase it reveals pessimistic implications that seem to contradict his previous positions, so full of hope and confidence in the opportunities for improvement of the humans. The very theorisation of liquidity itself seemed to suggest, in the peaceful understanding of a phase of disorientation, the possibility of rediscovering momentarily forgotten human values, first and foremost social solidarity.

When Robert Rauschenberg reminisced about Josef Albers teaching students that their art had to do with “the entire visual world,” he was suggesting an inclusive realm of visual expression from which Albers intended his students to draw. Beyond finding inspiration only in fine art objects, Albers pushed them to look outside the confines of their studios and classrooms and onto the streets where they would be confronted with the visuality of mass culture; Albers therefore developed assignments using examples of typographic design and printed imagery drawn from popular publications of the day. In looking closely at these printed images, though, artists like Rauschenberg learned not only that visual inspiration could be found in quotidian objects, but that those objects were also the products of aesthetic decision making, that they were designed. Although the visual workings of mass imagery have sometimes been met with discomfort by art historians and critics, culture’s simultaneous engagement with design and art objects has a long and significant history. My book would be among the first to examine a moment of that history through an exploration of the critical intersection between art and graphic design in New York in the years between 1959 and 1972.

It may seem most expedient to discuss the connection between art and design through formal congruences, but this strategy can limit the deeper investigation of the mutual influence shared by these two areas of production. Indeed, the presumption that there exists simply – and only – a visual connection between design and art has driven most of the art history that has taken up the subject. This methodology, however, assumes that the influence of popular imagery on fine art works only in one direction, and that movements such as Pop art borrow motifs from mass culture and then “elevate” them into high art. This ignores any influence that art might have on design and designers, an influence that has considerable impact on our visual world. In addition, it serves to place mass imagery consistently in the lesser, negative position because it always presupposes design’s complicity in the culture industry. Yet I show that not all design is made for commercial purposes. Design with civic intentions – that developed for signage, street furniture, and subway maps – has had no place in such a formulation, and therefore has never been seriously included in art historical discussions, even those that take design into account.

Given the limitations of a formalist approach, I go beyond the visual similarities of art and design to uncover the logic systems shared between artists and designers as well as their processes. I assume a family resemblance between design

and art and therefore use such resemblances to expose the syntax they hold in common. I employ, therefore, a more inclusive look at the “visual world” of 1960s New York and examine design and art side-by-side to explore how their relationship manifested itself in deeper ways than have been previously realized. The isolated, frontal, mechanically-reproduced image, for example, is shared by both Doyle Dane Bernbach’s late-1950s advertising campaign for Volkswagen as well as Andy Warhol’s screen print imagery. The mid-century anti-billboard movement provides an opportunity to investigate Robert Rauschenberg’s awareness of the visual culture that existed outside his downtown New York studio by way of his use of street signs in his urban combines, but also opens a path to exploring designers such as Peter Chermayeff and Milton Glaser’s own discomfort with outdoor advertising. The logic behind the placement of signage – in which designers follow unwitting pedestrians to see where signs fail them – is echoed in Vito Acconci’s performance Following Piece, in which the artist followed his targets until they entered a private place. The design firm Unimark International carried out such following in the New York City subway system at the very same moment that Acconci’s performance occurred. In each of these examples, I reveal the correspondence between artists and designers to be their practices and their decision making; the objects that result permit us to examine these relationships in fresh ways.

This book looks at Australian newspapers over the half century following the introduction of television in 1956. Through a quantitative study, it illuminates how the nature of news has changed and how central journalistic practices have developed. It examines newspapers’ changing size and structure, their story priorities, their use of visual aids and interpretive frames, their changing range and treatment of sources, and how these changes affected their political and international coverage.
The content analysis shows a dominant theme of growth and improvement. Newspapers offered their readers much more at the end of the half century than at the beginning. The much larger volume of news was presented in more visually attractive and reader-friendly ways than before. News agendas expanded in response both to changing reader interests and a changing political environment. Newspapers had a more active orientation towards using a wider range of sources. All papers shared in the major trends but to varying degrees so that by the end of the period there were sharper differences between the papers than at the beginning.
Mapping the multi-dimensional nature of change in this pivotal period lays a groundwork for analysing the changing nature of journalism during the existential crisis that news organisations are now facing during the digital age.

  The figurative “body” of public opinion presents challenges to readers of the nineteenth-century British fiction insofar as it lacks the markers of an autonomous subject. It replaces direct address with intimations of surveillance and interpellation, reading characters and their actions as we read it for our situationally within it. In the novels of Anthony Trollope who continually refers to a vox populi, public opinion has an economy, as a kind of “currency” in which reputation is priced and marketed while itself seeming inconclusive and undeveloped, even among its self-appointed spokesmen.

It takes its place among a number of institutions that knit the country together as a network of conveyances with different points of entry: roads, railroads, ports and canals and the post office in which Trollope served as a civil servant for over 30 years. One such institution is the expanding bureaucracy which mediates between the people and those who regulate human activity and its exposure to government regulation. The ex-posure (literally to be placed outside oneself) is one of the ways in which public opinion, lacking a responsible subjectivity that can be held to account, removes individual subjectivity, threatening (or enabling) a rebirth in accountability. Yet, for all of its potentially subversive qualities, public opinion is a collective narrative—disguising itself as a unitary voice—that often misreads character and, in the Parliamentary Novels, ideology. As it is vulnerable to being misread by politicians, public opinion also misreads, especially the arrivistes attempting to enter the social and economic life of the country. Because of its resistance to inscriptive genres, the vox populi may well represent the lost orality of the epic to which critics like Georg Lukaks have called our attention. 

According to Vālmīki’s Sanskrit Rāmāyaṇa, Śambūka was practicing severe acts of austerity to enter heaven. In engaging in these acts as a Śūdra, Śambūka was in violation of class- and caste-based societal norms prescribed exclusively by the ruling and religious elite. Rāma, the hero of the Rāmāyaṇa epic, is dispatched to kill Śambūka, whose transgression is said to be the cause of a young Brahmin’s death. The gods rejoice upon the Śūdra’s execution and they restore the life of the Brahmin. The developmental history of the Śambūka narrative begins with the appearance of this story as a late addition to the core of Vālmīki’s Rāmāyaṇa in the first few centuries of the common era, a period of immense revision to and consolidation of an idealistic political Brahminism. The Śambūka story, with its hardline depiction of varṇa-dharma, fit quite well within this project of widely asserting Brahmanical dominance. Subsequent Rāmāyaṇa poets almost instantly recognized the incident of Śambūka’s execution as a blemish on Rāma’s character and they began problematizing this earliest version of the story by adjusting the story to suit the expectations of their audiences. Such adjustments included a more sympathetic view of Śambūka that exhibited a concern for his afterlife in the form of Rāma granting Śambūka salvation, albeit through their deadly contact. This particular narrative took hold especially in medieval India when Rāma became the object of fervent religious devotion. More pointed departures from Vālmīki’s Śambūka narrative developed within Jain Rāma texts and involved a complete overhaul in its exposition whereby Śambūka’s death occurs accidentally and at the hands of Rāma’s brother, Lakṣmaṇa. As a figure who embodies Jain ideals, Rāma could not participate in any act of violence, so Jain poets removed him from any involvement in Śambūka’s execution. In a display of intercommunal exchange, this motif of Śambūka’s accidental death is also found in some Hindu Rāmāyaṇas of the medieval period. 

In the modern era, author-activists find that the story of Śambūka as known in Vālmīki’s Rāmāyaṇa leaves out some critical details—that Śambūka was a revolutionary leader who peacefully advocated for equal access to education for India’s oppressed populations and the abolishment of the caste system. Creators of new works on Śambūka seek to enter these details into the record of the Rāmāyaṇa tradition, thus correcting what they see as centuries of misrepresentation.

This book illustrates how different forces shape ideas, knowledge traditions, policies, processes, institutions and everyday lives to domesticate both people and the planet in pursuit of profit. It examines the myriad ways in which contemporary ruling and non-ruling elites influence politics, culture, economy and religion and shape our daily interactions, emphasising their impact on individuals, families, communities, democratic praxis, societal structures and nature. The book portrays power structures that are skewed in a manner that marginalises many while upholding the interests of a few. It depicts numerous contradictions inherent in capitalism and the state, while also presenting alternative ideas drawn from the everyday experiences of working people.
State and capitalism territorialise and deterritorialise lives and livelihoods. It destabilises social, cultural and economic relationships. Everyday crises are manufactured, and conflicts are designed to divert the masses from exploring alternatives to capitalism. This strategy aims to maintain the status quo by ensuring that attention and resources are consistently focused on the accumulation of wealth and prosperity for a few, thereby preventing widespread consideration of alternative and egalitarian systems and processes for mass welfare.

Practicing journalism is dangerous. Until the wars in Ukraine and Gaza broke out, Mexico continued to rank as the deadliest locale for reporters, with too many other countries close behind, including Afghanistan, Syria, India, and the Philippines. More journalists have been killed in Gaza since October 2023 than during the entirety of World War II and the numbers of journalists killed, injured, or exiled from both Russia and Ukraine since the Russian invasion in 2021 continues to grow.
The University of Oregon staged the “Extra! Extra! Refugee Journalists become the Story—Migrating to Stay Alive” conference in April 2024 with expert guest speakers: refugee journalists, academic experts, and others who specialize in exiled journalist issues and threats to journalists and free expression.
The symposium brought Mexican refugee journalists in exile to the University of Oregon campus for keynote speeches followed by workshops with other experts in the fields of freedom of expression and threats to journalists. These workshops led to student field work during the conference dates, work regarding how the crises examined during the conference impact tools used by immigrants to obtain news from their countries of origin.
The material generated during the symposium plus ancillary reportage fuels the critical stories and conclusions told in the book Don’t Shoot the Journalists.

‘Turkey’s Water Diplomacy’ first delineates the institutional and legal foundations of transboundary water policy-making in Turkey. In doing so, major actors of water diplomacy at national, regional and international levels are identified and scrutinized. Specific attention is paid to the evolution of transboundary water politics in the Euphrates–Tigris river basin since Turkish water diplomacy and its basic principles have been largely shaped through practices in this strategically important river basin. Situated at the crossroads of the Middle East, the Caucasus and Europe as the country is, Turkey’s transboundary water policy has also been shaped by geographical determinants. Interestingly, Turkey has reflected her experience in one region (i.e., Europe) on practices in other regions. ‘Turkey’s Water Diplomacy’ analyses how Turkey’s harmonization with the European Union has impacted the transboundary water policy discourses and practices, and how these changes have been reflected in its relations with its Middle Eastern neighbours. A historical account of transboundary water relations in the ET basin is enriched with the analysis of the current state of affairs in the region, such as the Syrian civil war and its repercussions on water issues.

It is striking that Turkey was one of the three countries that rejected the UN Watercourses Convention in 1997. The book elaborates on the reasons why Turkey voted against the UN Watercourses Convention. Yet, since the voting of the convention in 1997, there have been changes in Turkey’s stance vis-à-vis international water law, which the book examines and focuses on.

Turkey’s water diplomacy embodies complex water management problems, which can be best understood as a product of competition, feedback and interconnection among natural and societal variables in a political context. Hence, the book adopts the Water Diplomacy Framework with its key elements in making policy-relevant recommendations specifically for Turkey’s water diplomacy.

When one organizes events over periods of years and gives them an appellation such as “Modernism,” the organization of facts is guided by concepts and values discerned throughout these periods, comparable facts sufficient to call it an “era,” or an “epoch,” or other terms that insist on the shared aspects of those years, regardless of differences seen as well over the span considered. One can call such an effort a “metahistory,” in that what is tracked is not merely human events that are political, economic, ideological, sociological, or other disciplinary descriptors, but an overview that critically links all the years under consideration. Even more, to have a “metahistory” is to discern how the people of eras, epochs, or the other organizational labels, thought. Human history is generated by choices, choices informed by intuitions and more intentional understandings. One of the aspects the book dwells upon in this “metahistory” of Modernism is the presence of “perspective,” how one sees in a time what is there to be addressed and dealt with. Perspectives can be poorly informed or in their very nature not adequate for a sufficient knowledge of what is addressed, even as one must as a human judge what faces one. To discern from evidence how one’s perspective configures an event is the “meta” of “metahistory”. Modernism, the epoch from 1648 to the Present, can be described among its tenets as a period where the notion of “objectivity” has been developed. This has occurred in every field of the emergent arts and sciences in these years. Post-modernism, as will be addressed, is a more critical modernism that has brought to light the idea of multiple perspectives of objectivity as a univocal perspective of ‘objectivity’. Other modernist ideas have expanded in all fields and the ideas of what is human consciousness, epistemologies of both a reflective and a pre-reflective consciousness (called by some the ‘unconscious’) have emerged in art, aesthetics, psychology, philosophy, the social sciences, as well as the neurosciences To have “meta” knowledge is this comprehension of the scope and benefits, yet limitations, of one’s “perspective” and that of others of a time. Only a historian interested in such perspectives can be called a “metahistorian.”

The book uses the concept of the “metaparadigm,” taken from Thomas Kuhn, to track the evolution of how in a period of time the problems of the existing disciplines of knowledge are articulated, and how inquiry methods are used to flesh out a solvable problem and effectively resolve it. The book details four phases that constitute the period of time in which a metaparadigm develops. The first phase is a new set of concepts that challenge the existing approach to knowledge in each discipline. The second phase is a systematic theory that will guide inquiry. The third phase is the actual practice of the discipline in solving problems, a phase that can conflict with the older approach or be congruent with it. The fourth phase integrates the older approaches in the new one, and thus expands in an augmented manner the discipline.

The four phases of each metaparadigm have certain durations. The initial three phases usually endure for about 30–40 years, and the fourth phase for over 50 years. These phases each recur in the next period of time; that is the next metaparadigmatic period. Four evolving metaparadigms are shown in Western thought in this book, tracking one or more disciplines in the social sciences, the humanities, and the natural sciences through each of the four phases of a metaparadigm, and the four metaparadigms that occur between 1648 and the present. 

Wittgenstein’s May–June 1913 critique of Russell’s multiple-relation theory of judgement (or MRTJ) marked a crucial turning point in the lives of two great twentieth-century thinkers. But it was also a watershed moment within the history of analytic philosophy itself. The critique led Russell to abandon his 1913 Theory of Knowledge manuscript and left a significant breach within his epistemology. It represented an important milestone within Wittgenstein’s philosophical development and marked the point at which he emerged on the scene as an independent philosophical force. It inaugurated the linguistic turn in twentieth-century philosophy which would dominate the course of analytic philosophy throughout the early and middle part of that century. For these and other reasons, it is worthy of careful study and deep understanding.

Yet scholarly consensus around a satisfactory interpretation of the nature of the critique, the extent of and reasons for its impact on Russell, along with the role it played within Wittgenstein’s developmental trajectory have remained elusive. This partly reflects the fact that a correct interpretation of Wittgenstein’s critique depends upon a satisfactory resolution of several other, related exegetical controversies within the interpretation of Russell’s and Wittgenstein’s respective philosophies.

With these facts in mind, this book aims to accomplish four interrelated goals. The first is to develop a compelling reading of Wittgenstein’s May–June 1913 critique of Russell’s MRTJ. For reasons which will become clear over the course of the book, this reading is called the ‘logical interpretation’ (or LI). The second main objective of the book is to defend LI against its most prominent competitors in the scholarly literature. These include interpretations of Wittgenstein’s objection offered by Nicholas Griffin and Steven Sommerville, Gregory Landini, Graham Stevens, Peter Hanks, Christopher Pincock, Rosalind Carey, Fraser MacBride and Samuel Lebens. Third, the book aims to situate Wittgenstein’s critique of the MRTJ and Russell’s reaction to it, within the broader context of each of Wittgenstein’s and Russell’s respective philosophical developments. While much scholarship has focused on probing the role played by the objection within the evolution of Russell’s thought, much less has been done to explore the impact on Wittgenstein’s development. Still less, if any scholarship has been devoted to highlighting the significant traces of Wittgenstein’s critique which can be found latent within his later philosophical viewpoint. This book seeks to fill these lacunae in the scholarship on Wittgenstein while also adding to the high-quality work on Russell which has already been done in this area. Fourth and finally, the book aims to introduce students and scholars of early analytic philosophy to and familiarize them with the historical events, textual evidence, scholarly controversies, letters, notes and diagrams, consideration of which is integral to constructing a plausible reading of Wittgenstein’s objection. To that end, it brings together a broad selection of relevant materials and information in a clear, accessible and organized way into one, relatively concise source.

‘The Rise and Fall of the Privatized Pension System in Chile’ presents the rationale for the existence of social security systems and provides a historical discussion of its origins and evolution before turning to the four-decade-old Chilean experience with a privatised pension system. This experience is examined in historical and comparative perspective from the twentieth century up to the present.

The book presents various hypotheses on the resilience of the privatised system in spite of the low level of pensions delivered to the population at large, underscoring the ability of the powerful fund managing companies lobby to veto reform proposals geared towards a return to a public-private system. The book also underscores the fiscal costs of the system, the high earnings of private pension managing companies and the macroeconomic role of the system in providing financial resources for investment and growth in a pattern driven by the large corporate sector.

The book discusses the experience of Chile as a counter-current to the reversal of pension privatisation in Latin America and Central-Eastern Europe as also the scope for de-privatisation of social security in the country.

Although single fathers as primary carers are on the rise, most single-parent households in the United States are headed by women. These women are a lucrative market for parenting books and most of such books are aimed at single mothers raising sons. This intersectional study analyses a broad range of material: books written by female and male authors, African-American and white, health professionals as well as lay people, outspokenly feminist or traditionally conservative, addressing a middle-class or a working-class readership. This allows for a comprehensive analysis of normative attitudes towards parenting, showing how class and ethnicity interact with traditional assumptions of gender and biology to produce a genre of literature that is quite restrictive, perpetuating ideas of ‘intensive mothering’.

Situating these advice books within the context of parenting experts, the US fatherhood movement, the so-called ‘boy crisis’, cultural prejudice towards single mothers and what has been termed ‘neurosexism’ and ‘neuroparenting’, this study analyses the way in which the books draw on mother-blame language, misconceptions of neuropsychological research and traditional conceptualisations of masculinity and femininity to convince the mother readers that they are unable to raise a son to be a man. Using prescriptive and often alarmist language, the authors privilege traditional assumptions of gender, hegemonic masculinity and heteronormative family structures over single parent families, same-sex parenting and single mothers by choice (via adoption or ART). In doing so, the books afford very narrow parenting roles, for fathers as well as mothers, as well as a very limited range of masculine identities for young boys. Presented as common sense advice, these books are widely read by women seeking support and it is thus vital that they be interrogated for the way they continue to construct, shape and influence expectations on parenting, as well as the identities of young boys.

Portuguese and Amsterdam Sephardic Merchants in the Tobacco Trade is a history of the role of Portuguese and Sephardic merchants in the tobacco industry and trade of Amsterdam. It focuses on the contraband trade with Tierra Firme and Hispaniola in the early seventeenth century as documented in the Engel Sluiter Historical Documents Collection. 

The Engel Sluiter Historical Documents Collection is a unique archival collection for the purpose of research on the territorial conflict between the Spanish Habsburg Empire and the Dutch Republic in the context of the Eighty Years' War (1568–1648). Sluiter collected documents from archives around the world with a focus on trade and fiscal records which document the rise to commercial prominence of the Dutch Republic, the intricacies of Spanish and Portuguese trade and navigation, and the Contaduria which report revenues and expenditures of the Spanish Crown along with import and export duties. The documents in the collection relate mainly to Dutch, Spanish and Portuguese trade affairs in Europe and Spanish and Portuguese overseas territories but include references to English and French accounts of payments to Spain as well. The majority of the documents are in Spanish, transcribed, translated in English, and provided with notes by Engel Sluiter himself. The Caribbean Collection, including Tierra Firme and Hispaniola, contains documents on Dutch mercantile trade practices – mostly smuggling as Spain and the Dutch Republic were at war with each other – and Spanish trade regulations and efforts to block foreign access to trade goods. We thus learn a great deal about foreigners involved in illegal trade in which capture, corruption and bribery played an important role in particular with respect to the tobacco trade which was highly regulated under Spanish rule. 

Sometimes, when foreign vessels were captured and hauled into port, mariners or merchant smugglers were reported by name and port of origin and voyage details were recorded. We thus gain insight into the specifics of the merchants and their trading networks as well as the goods being smuggled. Concern about tobacco smuggling is referred to in several of the reports and resulted in plans to prohibit tobacco cultivation or allow cultivation with royal permission only. In several instances recommendations were made to undermine smuggling activities in specific coastal regions where tobacco cultivation occurred and where frequent contacts were made between Dutch mariners and merchants and coastal populations including Amerindians, Creoles, runaway Blacks and "Portuguese" present in coastal areas. Spanish documents display a concern about "Portuguese" in coastal areas as they were associated with Conversos, New Christians who often served as go-between in trade and finance in the Spanish Habsburg Empire. The same group was often thought to be in contact with English, French and Dutch smugglers, and the records suggest that Portuguese merchants were engaged in trade with Bayonne, London and Amsterdam through merchant networks that had been expanded and extended throughout the Atlantic world. 

In the past four or so decades, a significant amount of research efforts has been made to examine the rapid and constant social changes taking place in China and the dynamics behind the process, resulting in a rich research literature on a wide range of issues and aspects of China’s recent social transformations. However, most of the literature has largely focused on either the political, ideological and policy issues at the macro level or the various forms of spontaneous resistance and protest at the micro level. What has not been adequately analysed is how the majority of ordinary Chinese people has reacted to and influenced the many changes in society over a long time period. This analytical partiality has given an impression that China consists of only two opposing types of people: the oppressing ruling class and the angry oppressed adversaries, restricting our thinking and understanding of Chinese society, its dynamics and its changing trends to the perspectives of elites and their adversaries.

Drawing upon a new perspective of competitive social repositioning, and based on the evidence recorded in numerous recently published personal memories and other published accounts, as well as the evidence collected through in-depth interviews, this book seeks to re-analyse the ever-changing, but still under-researched, societal dynamics driving social transformations in China from 1964, when Mao Zedong publicly put forward and propagated his ‘Five-Requirements’ for selecting heirs to the Chinese communist cause, to 2000 when Jiang Zemin formulated his ‘Three-Represents’ theory to modify the ideological political thinking and practices of China’s ruling elites. Of course, Chinese society has not been evolving exactly in the way that Mao and Jiang anticipated. Instead, China has been driven by a high proportion of its aspirational citizens who have kept repositioning themselves in China’s shifting distribution patterns of social resources and changing social structure. This book analyses what had been driving the changes in the attitudes and behaviours of many everyday Chinese over time in recent decades, what characteristics of their preferences and choices were at different stages, and how their choices had resulted in the zig-zag patterns of China’s recent social change.

Oral traditions and creative oratures have been celebrated in African studies over the years, specifically from the 1950s, as the most important and viable correspondence, aside from material artifacts, between social “archeologists” attempting to penetrate the African preliterate past and the social-political and economic productions of that same past.

In the memoirs chosen for this book, oral traditions are braided with personal experiences in the formation of the self, providing the basis of some African literary outputs and championed as having the ability to engineer the African knowledge system in global academe. In this regard, this work stressesthe concept that most memoir writing scholars feel that the production and presentation of the autobiographical self aredependent on the categories of individualism and relationality.

The memoirists depict their own identities in their tales as not simply a part of their society but also one strongly impacted by prominent persons in their many lived settings. The bookdiscusses an approach that enables West African memoirists to review their cultural backgrounds in the light of living in other spaces and acquiring different experiences.

Africa: Envisioning Tomorrow explores the major trends that will define the face of the sub-Saharan continent in the next three decades. The near doubling of Africa’s population by 2050 will lead to more than twenty million new job seekers entering the African labour market every year until then. Right now, Africa doesn’t seem armed to offer jobs to this many people, resulting in possible unrest and intra-African or intercontinental migration flows, including to Europe. Climate change creates additional migratory pressure as it threatens the future of agriculture and livestock.
The author explores the opportunities for increased job creation in Africa. Work provides income, and decent and meaningful jobs contribute to prospects and social stability. The evolution of the labour market is essential for the continent’s future. Fortunately, Africa has some major strengths. The continent has the youngest population in the world and represents a wealth of creativity and innovation. Moreover, Africans excel in ‘market-creating innovation’: the ability to see market opportunities and innovations that others do not. Africans create their own jobs through micro and small enterprises. A young well-trained middle class, familiar with digital technologies, is emerging. Africa’s abundant natural resources also attract global regional powers aspiring to secure access to critical raw materials, something the continent can use to its own advantage.
Special attention goes to the European Union’s Africa policy: the book takes a critical look at the European Union’s intentions and approach and formulates recommendations to the European Commission. The author combines economic analysis with stories from twenty-five years of experience with impact investments in Africa. He challenges the typical pessimistic stereotypes about the continent and provides an optimistic vision of Africa’s future.

This collection of essays delves into the central human problem of interpersonal violence, proposing nonviolence as a powerful antidote. Drawing from the author’s personal experiences, philosophical reflections, and scholarly work over the past two decades, the book offers a multifaceted exploration of nonviolence through ethical, spiritual, and practical lenses. Beginning with the author’s early pacifism shaped by the violence of the 1980s and the post-9/11 world, the essays provide insights into the complexities of practicing nonviolence in a violent society.

The book examines various aspects of nonviolence, including the ethical foundations rooted in love and morality, the influence of spirituality and disciplined practice on peacemaking, and the practical challenges of nonviolent parenting. It engages with critical theories of violence, critiques deterministic views of human aggression, and explores the role of somaesthetics and body consciousness in cultivating a nonviolent ethos. The essays also tackle the philosophical underpinnings of political nonviolence, from pacifism and nonresistance to pragmatic approaches that challenge traditional definitions of success in conflict.

Through an interdisciplinary approach, the book weaves together historical analysis, philosophical discourse, and personal narrative to present nonviolence as more than an ideal but as a practical guide for living. It highlights the importance of virtues such as kindness, empathy, and respect, drawing on the works of influential figures such as Gandhi, King, and Nhat Hanh. Ultimately, this collection seeks to inspire readers to consider nonviolence not merely as an ethical stance but as a transformative way of being in the world, offering hope for a less violent future.

This monograph explores the relationship between philosophy and painting, showing how thinkers such as Hegel and Merleau-Ponty developed their key concepts through direct engagement with specific artworks. Unlike traditional surveys that often treat philosophical ideas as abstract, Colors of the Concepts: Philosophers on Paintings emphasises how these ideas were shaped by concrete encounters with visual art. Each chapter discusses how the philosophical frameworks of these thinkers were influenced by their experiences with paintings, uncovering the often-overlooked link between visual art and philosophical thought.

By examining the work of eight major philosophers, the book traces how visual experiences contributed to the development of their ideas, offering new insights into the history of philosophy. The approach taken in this monograph bridges aesthetics with other branches of philosophy, such as metaphysics, epistemology and ethics, demonstrating how visual art has influenced the course of intellectual history. This method not only highlights the importance of painting in philosophical discourse but also shows how visual art has shaped abstract reasoning.

Colors of the Concepts provides a fresh perspective on familiar philosophical ideas by revealing the significant role that painting has played in their development. The book offers both scholars and general readers a chance to explore the deep connection between visual art and philosophical thought, underscoring the ongoing relevance of these engagements with art in contemporary discussions of aesthetics and the broader history of ideas.

The book seeks to provide the general reader, student, and academic specialist a detailed examination of the Fascist and broader extreme right-wing community in Great Britain during the interwar years. Fascist groups began to form and grow during the 1920s, but became a more visible component of Britain’s political turmoil during the 1930s. The largest and most visible group was the British Union of Fascists (BUF; 1932–1940) led by Sir Oswald Mosley, called by some the “British Hitler.” The extreme right wing in Britain was, however, a larger political tendency than merely Mosley’s BUF. It included several explicitly Fascist groups, racial purity groups, a group of large press outlets, numerous high-profile individuals, and several sitting Conservative politicians. The BUF did not seriously run candidates in the 1935 elections and hence did not see any of its members elected to Parliament. But it was far from irrelevant. Members of the British far right led vocal campaigns in support of the continental dictatorships, for the extermination of Marxism, for the massive rearmament of the country, and for the modernizing and re-building of Britain as a Great Power. As such, the extreme right was a vocal and visible part of Britain’s political discourse of the time.

The book will operate on two levels, making it meaningful to multiple audiences. First, the book will provide a basic narrative description of the British Fascist movement and its various offshoots. This will include the principal organizations, key individuals, the essential components of its political ideology, and the events which saw the movement grow, decline, and then virtually disappear under government suppression and public outrage. Any interested general reader of modern history will be able to gain a basic understanding of the movement, its ideology, and its trajectory. It should thus be able to stand alone as a useful basic survey.

Second, the book puts forward an academic thesis and is based upon original, archival research. The chapters dissect the various components of the extreme right political program, and in each case identifies problematic contradictions. The far right routinely insisted that it alone had the modern, rational, and realistic answers for the new problems of the modern world. However, as will be explained in each case, the far-right program was riven with cross-purposes and ideological contradictions. Zander’s approach is to examine the extreme right by organizing its program into their three most urgent policy pre-occupations: Modernization, Empire, and War. By dissecting the extreme right agenda this way, each area of their political agenda reveals itself to have been seriously flawed with contradictory policies, means that did not match objectives, simple irrationality, and blatant immorality. In the final analysis, the principal academic thesis of the book concern the far right’s dream to return Britain to its earlier position of global economic, political, and cultural leadership, while employing a set of policies and means that would accomplish much the opposite – to, in fact, disengage it from the world and make Britain an insulated national fortress.

The last few years have seen a renewal of the extreme right wing as a political force, particularly in Europe and the United States. Several of the ideological components and policy priorities of Britain’s far right in the interwar years are quite similar to the extreme right movements of today. By examining the historical development of the far right of the time, perhaps some light may be shed on the resurgence of the far right today.

Chapter One, “Extracting the Essence: Toward Machine Translation of Literature,” rashly inquires whether artificial intelligence (AI) and machine translation (MT) may eventually be applied to literary translation. Such translation strives to somehow preserve the essence of a work while carrying it over to a different language and culture and giving it rebirth there. To recognize that essence, the translator must accurately capture the meaning of the original; appreciate its metaphors, connotations, register, references, and other abstract or associative factors; and choose among available target language expressions by exercising aesthetic judgments. Computers, however, presently remain incapable of such accuracy, abstraction, and judgment. We revisit these shortfalls in light of developments in MT and AI. We tease apart several separable aspects of literary translation – literal meaning, meter, rhyme, and the abovementioned associative elements – with reference to arguments about Vladimir Nabokov’s hyperliteral translation of Pushkin’s poem Eugene Onegin. We accordingly propose analysis of translation as an optimization problem: because it will often prove impossible to perfectly convey all aspects or essences of a text in a single translation, the translator must search for some optimal compromise. Then, we discuss several avenues for improvement in MT which may help to extract these aspects of a text’s essence – first, those which may enhance textually grounded MT (i.e., MT trained on text only), leading to delivery of high-quality literal translations; and second, those related to future perceptually grounded MT (i.e., MT trained on simulated perception, e.g. of audiovisual input, as well as text), which might extract more abstract or associative elements of a text. We suggest that recognition of perceptually grounded categories will prove central to the essence extraction sought by translators. As this categorization improves, MT should increasingly support literary, and thus cultural, preservation. However, artificial aesthetic judgments will await artificial emotion.
• Chapter Two, going beyond Chapter One’s lookahead toward artificial translation of literature, asks whether an AI might eventually gain the ability to actually create works of literary art. We again take as exemplar the hyperconscious art of Vladimir Nabokov. To be sure, the suggestion that artworks combining Nabokov’s superhuman intricacy and wholly human depth could be authored by a collection of switches would horrify this transcendent author and does seem to fly in the face of everything that is most human. But while we are concerned with what machines might do, our more fundamental concern is to understand the human thoughts and feelings to which machines might aspire, and this understanding, promising to bridge the gap between C.P. Snow’s two cultures, is finally coming within reach. In our literary context, Nabokov scholarship provides many specific examples – in Ada: Or Ardor, Pale Fire, and other works – of the author’s hyperconscious artistic techniques: glorying in memory; repetition to establish themes and motifs; allusion to wide-ranging works and facts; intricate puzzle posing; and relentlessly careful structuring at multiple levels of the text. Here, we consider several such techniques, speculating about the extent to which current or coming AI capabilities could approach them. In Section One, to clarify assumptions, I set forth my own current conceptions of computation, consciousness, feeling, language, and thinking, providing in the process a somewhat prejudiced AI primer for the computer-shy humanist. In Section Two, I apply to Nabokov’s prodigious work my understanding of these aspects of mind. Subsections focus on self-awareness, perception, memory, and puzzles.
• In Chapter Three, focus is upon the recent successes of generative AI – of large language models (LLMs) for text and diffusion models for images and videos. These are yielding an explosion in AI capabilities, many of them “emergent,” meaning “largely unexplained.” I speculate about the underlying knowledge and procedures acquired through the current methods and their likely successors, with focus on linguistic skills and the implications for artificial translation and literary composition. The chapter proposes original definitions of intelligence, language, and other crucial elements of cognition and culminates in an assortment of striking demos.

Good Trouble will show the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.
Award winning author Julieann Campbell (On Bloody Sunday) wrote the introduction for Good Trouble, looking back at her times growing up in Derry, in the heart of the Catholic Civil Rights Movement. Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, Once Upon A Time In Northern Ireland) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann (he took part in the Belfast to Derry march in 1969; he was the John Lewis of Northern Ireland).
Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.

Chapter One, “Extracting the Essence: Toward Machine Translation of Literature,” rashly inquires whether artificial intelligence (AI) and machine translation (MT) may eventually be applied to literary translation. Such translation strives to somehow preserve the essence of a work while carrying it over to a different language and culture and giving it rebirth there. To recognize that essence, the translator must accurately capture the meaning of the original; appreciate its metaphors, connotations, register, references, and other abstract or associative factors; and choose among available target language expressions by exercising aesthetic judgments. Computers, however, presently remain incapable of such accuracy, abstraction, and judgment. We revisit these shortfalls in light of developments in MT and AI. We tease apart several separable aspects of literary translation – literal meaning, meter, rhyme, and the abovementioned associative elements – with reference to arguments about Vladimir Nabokov’s hyperliteral translation of Pushkin’s poem Eugene Onegin. We accordingly propose analysis of translation as an optimization problem: because it will often prove impossible to perfectly convey all aspects or essences of a text in a single translation, the translator must search for some optimal compromise. Then, we discuss several avenues for improvement in MT which may help to extract these aspects of a text’s essence – first, those which may enhance textually grounded MT (i.e., MT trained on text only), leading to delivery of high-quality literal translations; and second, those related to future perceptually grounded MT (i.e., MT trained on simulated perception, e.g. of audiovisual input, as well as text), which might extract more abstract or associative elements of a text. We suggest that recognition of perceptually grounded categories will prove central to the essence extraction sought by translators. As this categorization improves, MT should increasingly support literary, and thus cultural, preservation. However, artificial aesthetic judgments will await artificial emotion.
• Chapter Two, going beyond Chapter One’s lookahead toward artificial translation of literature, asks whether an AI might eventually gain the ability to actually create works of literary art. We again take as exemplar the hyperconscious art of Vladimir Nabokov. To be sure, the suggestion that artworks combining Nabokov’s superhuman intricacy and wholly human depth could be authored by a collection of switches would horrify this transcendent author and does seem to fly in the face of everything that is most human. But while we are concerned with what machines might do, our more fundamental concern is to understand the human thoughts and feelings to which machines might aspire, and this understanding, promising to bridge the gap between C.P. Snow’s two cultures, is finally coming within reach. In our literary context, Nabokov scholarship provides many specific examples – in Ada: Or Ardor, Pale Fire, and other works – of the author’s hyperconscious artistic techniques: glorying in memory; repetition to establish themes and motifs; allusion to wide-ranging works and facts; intricate puzzle posing; and relentlessly careful structuring at multiple levels of the text. Here, we consider several such techniques, speculating about the extent to which current or coming AI capabilities could approach them. In Section One, to clarify assumptions, I set forth my own current conceptions of computation, consciousness, feeling, language, and thinking, providing in the process a somewhat prejudiced AI primer for the computer-shy humanist. In Section Two, I apply to Nabokov’s prodigious work my understanding of these aspects of mind. Subsections focus on self-awareness, perception, memory, and puzzles.
• In Chapter Three, focus is upon the recent successes of generative AI – of large language models (LLMs) for text and diffusion models for images and videos. These are yielding an explosion in AI capabilities, many of them “emergent,” meaning “largely unexplained.” I speculate about the underlying knowledge and procedures acquired through the current methods and their likely successors, with focus on linguistic skills and the implications for artificial translation and literary composition. The chapter proposes original definitions of intelligence, language, and other crucial elements of cognition and culminates in an assortment of striking demos.

Good Trouble will show the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.
Award winning author Julieann Campbell (On Bloody Sunday) wrote the introduction for Good Trouble, looking back at her times growing up in Derry, in the heart of the Catholic Civil Rights Movement. Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, Once Upon A Time In Northern Ireland) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann (he took part in the Belfast to Derry march in 1969; he was the John Lewis of Northern Ireland).
Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.

The Varieties of Joycean Experience is a collection of ten essays that display the wide range and diversity of perspectives and critical approaches that can be drawn upon to enrich our readings of James Joyce’s works. With special attention to Ulysses and Finnegans Wake, these essays explore an array of unorthodox problems that these notoriously demanding books pose for readers.

The first two essays offer new ways of tackling those persistent bugbear questions: “what kind of book is this?” and “what is this book about?” The first essay contemplates the relationship of Finnegans Wake to the avant-garde, both those experiments of its time and those that it has inspired since its first appearance. The second looks at the epistemological difficulties faced by anyone attempting to “summarize” Ulysses or the Wake. These essays are followed by two that turn to reconsidering how we understand Joyce’s methods of composition and revision.

The next five essays explore the Joycean ambiguities surrounding consciousness, death, scatology, and the weather to propose new understandings of these phenomena as key ways into Joyce’s works. The concluding essay examines what conceptual limits there might be to the variety of interpretations celebrated by this book: what makes a particular reading unreasonable – not simply debatable, as all readings are, but fundamentally unsound – and why do Joyce’s works seem to inspire far-fetched and even crackpot readings? The cautionary tales collected in this essay cue all readers to question the bases, logic, and agenda of their own experiences with Joyce.

Hidden Heroes offers a rare and intimate glimpse into the lives of ordinary North Koreans through a collection of short stories by renowned DPRK authors. Spanning from the 1980s to the present, these works explore the theme of the “hidden hero,” a popular moniker in the DPRK to describe the average citizen who navigates the complexities of daily life with quiet dedication for their work and country.
The anthology is divided into three thematic sections—Identities, Communities, and Power—showcasing a diverse array of characters and settings. Readers will encounter factory managers juggling work and family responsibilities, neighbors bonding during friendly outings, university deans resisting corruption, and diasporic Koreans in Japan grappling with questions of belonging. Through these relatable human experiences, the stories challenge simplistic notions of North Korean society and reveal a more nuanced reality.
While elements of propaganda and state ideology are present, as is typical in all officially sanctioned DPRK literature, the focus in the text is rather on the personal struggles, relationships, and aspirations of the characters. By highlighting these universal themes, Hidden Heroes invites readers to look beyond geopolitical tensions and connect with the shared humanity of North Koreans. For anyone seeking to expand their understanding of this often-misunderstood country, this anthology provides an engaging and thought-provoking literary journey into the everyday lives of North Korean citizens.

Hidden Heroes offers a rare and intimate glimpse into the lives of ordinary North Koreans through a collection of short stories by renowned DPRK authors. Spanning from the 1980s to the present, these works explore the theme of the “hidden hero,” a popular moniker in the DPRK to describe the average citizen who navigates the complexities of daily life with quiet dedication for their work and country.
The anthology is divided into three thematic sections—Identities, Communities, and Power—showcasing a diverse array of characters and settings. Readers will encounter factory managers juggling work and family responsibilities, neighbors bonding during friendly outings, university deans resisting corruption, and diasporic Koreans in Japan grappling with questions of belonging. Through these relatable human experiences, the stories challenge simplistic notions of North Korean society and reveal a more nuanced reality.
While elements of propaganda and state ideology are present, as is typical in all officially sanctioned DPRK literature, the focus in the text is rather on the personal struggles, relationships, and aspirations of the characters. By highlighting these universal themes, Hidden Heroes invites readers to look beyond geopolitical tensions and connect with the shared humanity of North Koreans. For anyone seeking to expand their understanding of this often-misunderstood country, this anthology provides an engaging and thought-provoking literary journey into the everyday lives of North Korean citizens.

If neo-Victorianism is, as Ann Heilmann and Mark Llewellyn remark, ‘more than historical fiction set in the nineteenth century’, then it is because it ‘must in some respect be self-consciously engaged with the act of (re)interpretation, (re)discovery and (re)vision concerning the Victorians’ while keeping in mind the ethical, metafictional and metacritical parameters in ‘acts of (readerly/writerly) appropriation’ in the metafictional mode. They acknowledge the initial definition had to be aware of ‘metafictional and metahistorical concern with the process of narrating/re-imagining/re-visioning histories, and had to be self-conscious about its own position as literary or filmic reconstruction’ but now they are alert to the global, ongoing ‘discourse around nostalgia, heritage and cultural memory’ in other parts of the long-nineteenth century world as portrayed in neo-Victorian narratives. Neo-Victorian Lesbians on Screen argues the portrayal on screen of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer’s own gaze changes the way the lesbian is represented. Texts, subtexts and intertextualities help elucidate the memories and sexualities of the various women. Men – in their silence, abuse, misunderstanding or love – relate to the women with a lack of social roadmap to govern their responses. Maier and Friars consider the adaptations’ awareness of the audience and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, films of novels as well as biofictions, and new narratives are challenged by the lesbian subject’s vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the ‘othered’ nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.

• This book reviews changes in attitudes towards immigrants in Britain and the language that was used to put these feelings into words between 1921 and 2021. It analyses in what context attitudes were articulated and where they came from. To determine what was specifically British, it makes international comparisons.
• It applies a historical and linguistic method for an analysis of so far relatively unused primary sources. It also explores secondary resources and, to provisde context, engages with the existing literature that deals with immigration but is not focused on attitudes or not always covers the entire period after 1921, and links post-1921 developments to what was set in motion before 1921 to sketch a long history that runs into the present.
• The linguistic historical approach applied in this book brings it all together for the first time. It discovers when and how attitudes to immigrants in Britain changed after 1921, where they originated and what language was used to voice these attitudes, in particular specific words, their meanings, the under- or overtones they bore, and what people meant or felt when they used them.

Series are everywhere, unfolding before our eyes like unseen, self-writing lines in all external and internal directions. Or as Clarice Lispector says, “What I’m writing to you is a ‘this’. It won’t stop: it goes on . . .” (Agua Viva). From the vast manifest universe to the invisible center of oneself and beyond, there is nothing that is not, in a whole series of senses, the series of itself. As every number is expressible as a series of numbers, so one sees that seriality, once defined by Pierre-Joseph Proudhon as “simultaneous unity and multiplicity,” belongs at every scale to the essence of everything.

Following this idea of the series as a fundamental feature of reality, The Seriality of the One investigates its metaphysical, ontological, and existential significance in dialogue with an open constellation of modern and premodern authors, giving special attention to the way seriality mediates and measures the relation between the individual and the universal, bridging by ellipsis the unbounded interpenetrating unities of the one and the One. Seen through the ongoing perspective of the series, beings, events, and facts are never discrete and definable identities that can ever be counted or discounted as having greater or lesser importance or status than others. Nothing is merely itself or a part of something else. In the infinity mirror of seriality, all are simultaneously equivalent to all or the totality itself.

The implications and parameters of this insight are here explored in five chapters focused on the categories of quality and quantity. First, through a counter-reading of a passage from Aristotle’s Metaphysics in which the primacy of substance is established in relation to the specter of a universe of mere succession, seriality is identified as the overflowing unity of one and many. Second, in light of the serial basis of counting and Nietzsche’s critique of enumeration, the nature of quantification is examined as a pervasive limitation of our times, the instrument of a “transparency” that works to obfuscate actuality. Third, paralleling Hegel’s prioritization of quality over quantity, the nature of quality is interrogated as the spiritual core of life’s spontaneous and infinitely evolving question of itself. Fourth, elaborating upon Meher Baba’s figuration of seriality as the interface of reality and illusion, the concept of seriality is examined in its simplicity as the way of moving beyond the opposition or dialectical oscillation between quality and quantity. Last, drawing on the geometric metaphor of divine vision in Dante’s Paradiso, the principle of measure is explicated in order to articulate the poetic and creative nature of seriality as process or activity, this immeasurable reality’s never-ending reckoning of its own indivisibility.

Gayle DeLong was a well-known activist in the autism community, the ‘Warrior Mom’ of two autistic daughters. She worked closely with Robert F. Kennedy, Jr. on vaccine injury issues. This book is a record (based largely on her diaries) of her happy marriage to Jonathan Rose, from their first date in 1994 to her untimely death from breast cancer in January 2022.

Love in the Age of Autism does not sugarcoat the stresses and heartbreak of raising autistic children: it is more honest about that than most other books on the subject. But it is also an inspiring love story, which can help autism parents find profound joys in spite of all the pains. It offers practical advice and models for sharing the burdens and pleasures of life, based on a strong sense of family values. Many autism moms give up their careers to care for their children, but Gayle was a determined professional woman, and her arrangements with Jonathan allowed her to continue working.

She also refused to give up one of her favourite sports – sex. This book frankly (and with an earthy sense of humour) illustrates how autism parents can continue to enjoy passionate, monogamous physical love – and it also explains how to provide sex education for autistic girls (who can easily be taken advantage of). In this book, the girl dies in the end, as she often does in love stories, but the tale is intensely romantic and life-affirming.

Asia’s legendary playwright- director Stan Lai has written one of the unique works of our time, explaining that the mysterious act of creativity is actually a traceable function of mind, and there is a path to learn creativity through un-learning many of our habits picked up in life. His special map, as well as tailor-made exercises, lays out an awe-inspiring yet practical guide from a lifetime of creative work, revered in Asia by artists and business leaders alike. Through his extensive experience, the greatest living Asian playwright shows us how to cultivate a ‘creative app’ that works within us.
Matthieu Ricard says: “Stan Lai teaches us, how to see and how to do.” Praised by Jack Ma, Ang Lee and other luminaries, this book is a rewrite by the author of his book that is the most prominent work on creativity in China, having sold over 700,000 copies. Robert Wilson calls the work “foundational support for arts and culture.” Stan Lai is uniquely qualified to write on creativity, because he not only has four decades of creative experience, widely acclaimed as the greatest playwright in the Chinese language, but is also a dedicated educator. Shannon Jackson calls the work “A must-read from an internationally renowned artist.”
Can creativity be taught? Most of the books and training in this area deal with skills for jumpstarting alternative thinking, brainstorming and other exercises, but do not deal with creativity itself. They don’t tackle the obvious question: What is creativity and how can I get it? As one of the world's leading artists, Lai explains that the reason we don’t think creativity can be taught is that we don’t really understand what happens in the mysterious process. By slowing down the moment of inspiration, Lai lets us see exactly the elements involved in this complex process that lasts only an instant. Then he shows you how to prepare for this moment, through his unique Map of Creativity. This is a whole path of training in creativity, which he explains clearly and humour and compassion, and tailor-made exercises. Travis Preston says “Stan Lai guides us to the center of the creative moment and the ultimate unity of the spiritual and physical worlds.”
Creativitry is a milestone in understanding and learning the creative act. Born in America, raised in Taiwan, with a career spanning the Chinese diaspora, Lai believes that we are all born creative, but the source to creativity has been blocked, by life. How to take down the barriers that are blocking the source from us is a task of un-learning many things that have become habits and put us into a so-called non-creative mode. Taking his cue from his Buddhist training that wisdom and method are both needed for success in any endeavour, he explains how ‘wisdom’ has mysteriously vanished from education systems all over. Most teaching in creativity focuses on method, which one learns in one’s art. But we need another type of training, more urgently, the training for wisdom, which can only happen in the domain of life. To do, you must first be. To discover your creativity, you must first discover yourself. Octavian Saiu says, “This book is not a manual, but a statement of belief, an enduring message about how each of us can go beyond our limits.”

William Hazlitt had concluded in 1815 that a Quaker poet would be ‘a literary phenomenon’ – how could a marginal sect renowned for their plain dress, sober ways and proscription of pleasures produce imaginative literature? To conceive such a writer would be a paradox. Yet the career of Bernard Barton, a prolific poet of the 1820s and 1830s, presented the Romantic era with just such a phenomenon. Instantly recognisable to his contemporaries as the Quaker poet, Barton drew on the styles of the eighteenth and early nineteenth century – Cowper, Wordsworth, Crabbe – to fashion verse under a Quaker muse. His diverse poetic output is unified by a tender emotional warmth, a picturesque love for the Suffolk countryside and a self-consciously modest but nevertheless sophisticated authorship. 

This is the first ever modern edition of Barton’s poetry, providing freshly edited texts from the original print sources and a comprehensive scholarly treatment encompassing critical commentary, detailed notes and textual variations. Capturing the full range of his career from the 1810s to 1840s, it includes generous selections of nature poetry, religious verse, texts of sociability and friendship, ekphrastic compositions, political writings and a long extract from his radically pacifist elegy to Napoleon. The book also includes a selection of invaluable contextual material, such as periodical reviews and Barton’s own prefaces, as well as a substantial essay introducing Barton and his times.

In a time when the nineteenth-century literary canon is in a continual process of expansion and revision, this unusual and striking poet, working from the position of a religious minority and yet fully engaging the mainstream poetic traditions of his day, deserves to be rediscovered, and this edition achieves precisely this.

Renu’s Recipes: Delicious and Diabetic-Friendly Dishes
Discover a culinary journey where health meets indulgence with Renu’s Recipes. This all-in-one cookbook is your gateway to diabetic-friendly cuisine that doesn’t compromise on flavour or simplicity. Perfect for home cooks of all levels, this book curates a diverse selection of easy-to-make dishes from various global cuisines.
Key Features:
Diabetic-Friendly: Savour delectable dishes designed to meet the dietary needs of persons with diabetes, packed with flavours they crave but thought they couldn’t have.
Comprehensive and Accessible: From breakfast to desserts, including mains, sides, salads, snacks and special categories such as recipes for grandchildren.
Learn and Explore: Master diverse cooking techniques such as baking, steaming and stir-frying. Discover a variety of herbs and enjoy wholesome salads that make every meal nutritious.
Benefits:
Unlock the joy of cooking with recipes that are both healthy and enticing. Renu’s Recipes empowers you to bring the richness of home-made meals to your table, ensuring every bite is as nourishing as it is delicious.
Why Choose Renu’s Recipes?
This cookbook is your go-to resource for achieving culinary excellence while prioritising health. Whether you are managing diabetes or simply embracing a healthier lifestyle, Renu Sood’s expertly crafted recipes promise to elevate your cooking experience.
Join Renu Sood on a journey of flavour and wellness. Embrace wholesome cuisine and enjoy the satisfaction of home-made goodness with every meal.

This book groups together three kinds of experience: the experience of the sublime, of 'epiphany' which is generally a profound experience of something ordinary, and the feeling of 'thrills' which can be a shiver down the spine or sudden tears. 

These 'strong experiences' have been extensively studied, but almost always separately from one another, and in a variety of disciplines, and so this is the first major attempt to bring them together under a relatively simple psychological account. The book reviews some of the work on the sublime and epiphanies, including life-changing epiphanies, in the literary critical, philosophical and psychological literature. It explores how we can feel that we know things which are deeply important without being able to put what we know into words, and it also offers an introduction to some basic psychological ideas about knowledge. The book focuses on the physical aspects of the experience, and their relation to emotions, and looks in detail at what the body actually does when we feel goosebumps and similar sensations. It continues to outline some of the simple psychological notions which support this account of strong experiences, including how surprise works, and other related notions such as curiosity, attention and empathy, and why ordinary things can sometimes be perceived as though they are sources of profound insight.

The final section briefly summarises various devices in literary texts which can be used to trigger strong experiences in a reader. It concludes by noting that our strong experiences of literary texts and other aesthetic objects are related to our more general aesthetic experience.

• Joint winner of The Literary Encyclopedia book prize 2024, category ‘Literatures written in languages other than English'
• Winner of the Nancy Staub Publications Award 2024
• Winner of the AATI Book Award 2024 for Literary, Critical Theory, and Cultural Studies

- Sicilian puppet theater is a unique nineteenth- and twentieth-century popular theatrical tradition based on the masterpieces of medieval and Renaissance chivalric literature. It flourished not only in southern Italy and Sicily, but also in the diasporic Italian urban communities of North and South America and North Africa, bringing immigrants together for nightly performances of the same deeply cherished chivalric stories. Even though this art form was designated by UNESCO as an “intangible cultural heritage of humanity” in 2001, it remains largely unknown today because by the late 1950s Sicilian puppet theater companies had ceased to perform the full Paladins of France cycle that used to extend nightly for well over a year. Thus, the only means we have left to explore the substance of this once widely enjoyed cultural phenomenon are the scripts dating from opera dei pupi’s heyday. Most of these invaluable documents, however, have been lost, while the few sets still in existence are either privately owned by the remaining puppeteer families and collectors or tucked away in the archives of Italian institutions. Thanks to the newly accessible scripts of the preeminent Catanese-American puppeteer Agrippino Manteo (1884–1947), whose career stretched from Sicily to Argentina to New York, students, scholars, and the general public can now explore the cycle of chivalric narratives staged during the golden age of Sicilian puppet theater.

- The many delicate hand-written notebooks containing Agrippino Manteo’s dramatic repertory are not only of interest for their historical and aesthetic value. These masterfully executed theatrical adaptations invite readers into a chivalric world featuring knights and damsels from across the globe – from Europe to Africa to East Asia – who share the stage with a host of wizards, fairies, giants, and monsters, in alternating episodes of love, enchantment, adventure, and warfare. The concerns with which they engage, such as justice, identity, duty, love, freedom, and virtue, transcend the categories of elite and folk, local and global, medieval and modern, interrogating what it means to be human.

- This book provides the most comprehensive history to date of the Manteo Family's Sicilian Marionette Theater across three generations and brings to light for the first time the contents of Agrippino Manteo’s extensive Sicilian puppet theater scripts, including translations of 8 selected plays and 270 extant play summaries of the famous Paladins of France cycle. Accompanying comparative analyses uncover the creative process of adaptation from Italian Renaissance masterpieces of chivalric poetry to nineteenth-century prose compilations to Agrippino’s opera dei pupi scripts.

Provides a critical and comprehensive account of the mediation of rural darkness, analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries.

With the rapid and ubiquitous spread of urban light pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night’s distinct qualities. However, while “night studies” brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.

This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a “preservation” ideology based on the Western myth of “wilderness.” Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.

Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding “pristine” darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege “natural” darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night’s protection.

Women poets of the late Victorian period created much fascinating verse from the standpoint of the independent and advanced New Woman, a profoundly important figure with her iconoclastic perceptions of public and private matters. The New Woman sought to improve women’s lives on a variety of fronts, bringing this individual both approbation and disdain. This anthology features a broad range of crucial subjects addressed by these poets, including marriage, motherhood, female desire, and social problems.
Although the iconoclastic New Women have garnered much interest in recent decades, relatively little attention has been devoted to the valuable poetry these authors produced. Many of the New Woman poets are barely known today, if at all, but their writings offer an exceptional lens onto contemporary conditions that provide inestimable value for Victorian studies. Although much of the work has languished in obscurity, this expansive anthology brings the fascinating poetry to the fore.
This volume provides an invaluable aid by uncovering poetry that has been long neglected or infrequently explored. Several of the poets developed extensive oeuvres investigating matters of special interest at the fin de siècle. It is not an easy task in the twenty-first century to identify, obtain, and review the nineteenth-century books containing these poems. This anthology provides a ready resource to access the poetry, which has had limited exposure in other modern collections.

Richard Washburn Child was an American author and diplomat who served as the U.S. ambassador to Italy between 1921 and 1924 during the rise of fascism in that country. Earlier, however, Child visited Russia on the eve of the revolution and was greatly impressed with what he saw. He praised the Russians for their spirit and independence. He optimistically believed that Russia was a dormant force ready to liberate itself from its feudal past and spring forward into modernity. He describes Russia’s resources, both natural and human, and attempts to explain the Russian mindset.
Child acknowledged rumours of a stirring revolutionary mood, but he did not believe they were accurate. Reading his observations, given what we know would soon happen, is both fascinating and poignant. Child would later go on to be a huge supporter of Mussolini and editor of the dictator’s autobiography.
Child urged the United States to establish partnerships with Russia and create opportunities with this powerful nation before other countries beat them to it. He believed that Great Britain was already taking steps to invest in Russia. Child also emphasised the importance of sending representatives to Russia who actually understood the customs and spoke the language.

Karl von Dalberg (1744–1817) was the scion of a prominent aristocratic family in the Holy Roman Empire. He served as the Empire’s last Reichskanzler (1802–1806) before its dissolution by Napoleon, and subsequently as Prince-Primate of the Confederation of the Rhine (1806–1813), implementing Napoleonic reforms in the Rhineland. In the 1790s, he had been active as a political theorist and a member of Friedrich Schiller’s intellectual circle in Jena. Dalberg’s early text of 1793, ‘Von den wahren Grenzen der Wirksamkeit des Staats’ [‘The True Limits of the Effectiveness of the State’], published anonymously but securely attributed, defends Christian Wolff’s perfectionist theory of the state against Kantian critiques, especially as these were formulated in 1792 by Wilhelm von Humboldt (1767–1835). The confrontation between Dalberg and Humboldt illustrates the early reception of Kant’s moral, political and juridical thought, and varying German responses to the French Revolution. Dalberg offers an insightful defence of the older perfectionism, while distinguishing it from new liberal and republican approaches.
Dalberg himself had encouraged Humboldt to publish his largely Kantian reflections on the role of the state. Humboldt’s text, Ideen zu einem Versuch, die Grenzen der Wirksamkeit des Staats zu bestimmen [An Attempt to Determine the Limits of the Effectiveness of the State], was published in part in 1792, truncated by Prussian censorship, and the complete work appeared posthumously only in 1851. Humboldt advocated a minimalist state, which he took to be consistent with Kant’s repudiation of Wolffian perfectionism in the Groundwork of the Metaphysics of Morals (1785) as inimical to the self-determination of persons. The state was to be the agent of freedom and not of happiness. Dalberg responded with a critique of the minimalist state. He defended Wolffian enlightened absolutism, bolstering Wolff’s position with anthropological arguments about indolence and co-ordination to support the view that without broad state intervention and guidance, society stagnates, and perfection, or happiness, becomes unattainable. Dalberg’s response retains a strongly reformist orientation, differentiating him from other contemporary offshoots of Wolffianism, such as the staunchly conservative Historical School of Law. Dalberg is thus a representative of Enlightened absolutism in the context of the French Revolution, and his subsequent political career exemplifies this position.

The World of Wu Zhao is a carefully curated set of more than 120 translated stories—all annotated and contextualized—on a range of topics from Zhang Zhuo’s 張鷟 eighth century collection of miscellany, Collected Records of Court and Country (Chaoye qianzai 朝野僉載). The book provides English readers with a sense and feel for the empire during the reign of Wu Zhao 武曌 (624–705, also known as Empress Wu and Wu Zetian), China’s first and only female emperor. 

The World of Wu Zhao moves outward from the female sovereign’s personal and intimate domain of the inner palace. The text includes chapters on a number of different themes and topics: the female emperor’s male favorites, the culture of the court , cruel officials, as well as sections on flora and fauna, the common folk, artisans and craftsmen, Buddhist and Daoist monks, the military, spirits and the supernatural, the borderlands, and local officials. Chapters are introduced through “speaking artifacts” such as saddles, swords, bronze tallies, porcelain figurines of camels and grooms, official tallies, Buddhist cave paintings and funerary monuments—contemporary to the reign of the female emperor. This lively and fresh perspective on medieval China will amuse and shock readers, prompting them to recalibrate everything they think they know about medieval China.

Self-Presentation and Self-Praise in Open Communication Digital Enterprises presents the findings of an interdisciplinary study of the ‘self-entrepreneurial self’ and, in particular, the rationale behind its need to self-present under the current socio-economic and business conditions. It addresses the complex landscape of the levels, typologies, categories, triggers, as well as both internal and external factors impacting self-praise in the context of a digital workplace (with the focus on enterprise social media) and professional networking platforms. 

In order to reflect the complexity of the topic at hand and interconnectivity of the constructs addressed, insights from such fields as socioeconomics, sociology, social psychology (specifically identity studies), software and services (IT sector), business intelligence and business analytics, digital media communication, organisational behaviour or corporate communication are thus combined with a mixed qualitative-quantitative methodological approach utilised to provide an in-depth exploration of the evolving constructs.

From the broader socio-economic perspective of hyper globalisation, the impact of the neoliberalism economy on workplace relations, and ultimately on employee behaviour, are considered first to lay the background and introduce the relevant concepts. 

Self-presentation and in particular self-praise are considered in their multiple forms against the backdrop of precarious work relations dictated by neoliberalism, leading, among other things, to self-exploitation, but also to putting self-interest above anything else.

The focus is placed on the triggers and manifestations of the social self (how a person thinks the others perceive them) and the situational self (a person’s self-image in a specific situation) in the digital workplace, where individual (cultural) values are frequently overridden by those dictated by a given corporate culture, as aligned with the prevailing market conditions. These in turn impact workplace or employee identity. 

This exploratory and explanatory study contributes to a rather limited number of research endeavours on self-praise, conducted within narrow disciplines and specific frameworks, with the particular research gap being a lack of studies on self-presentational and self-praise activities in the corporate environment, which can primarily be observed in the virtual context of enterprise social media (ESM) and such tools of remote communication as conference calls or collaboration software, but also on professional networking platforms. Here situational antecedents (broadly what occurred before) and the audience (with their reactions) to such self-promotional activities serve as main prerequisites, thus completing the frame of analysis.

Africa: Envisioning Tomorrow explores the major trends that will define the face of the sub-Saharan continent in the next three decades. The near doubling of Africa’s population by 2050 will lead to more than twenty million new job seekers entering the African labour market every year until then. Right now, Africa doesn’t seem armed to offer jobs to this many people, resulting in possible unrest and intra-African or intercontinental migration flows, including to Europe. Climate change creates additional migratory pressure as it threatens the future of agriculture and livestock.
The author explores the opportunities for increased job creation in Africa. Work provides income, and decent and meaningful jobs contribute to prospects and social stability. The evolution of the labour market is essential for the continent’s future. Fortunately, Africa has some major strengths. The continent has the youngest population in the world and represents a wealth of creativity and innovation. Moreover, Africans excel in ‘market-creating innovation’: the ability to see market opportunities and innovations that others do not. Africans create their own jobs through micro and small enterprises. A young well-trained middle class, familiar with digital technologies, is emerging. Africa’s abundant natural resources also attract global regional powers aspiring to secure access to critical raw materials, something the continent can use to its own advantage.
Special attention goes to the European Union’s Africa policy: the book takes a critical look at the European Union’s intentions and approach and formulates recommendations to the European Commission. The author combines economic analysis with stories from twenty-five years of experience with impact investments in Africa. He challenges the typical pessimistic stereotypes about the continent and provides an optimistic vision of Africa’s future.

The practice of architecture as a learned profession is a fairly recent invention in the history of architecture, one that was an uneasy fit with professional ideals from its inception in the nineteenth century, and the value of which is under assault today from globalizing economic forces. Unfortunately, the profession’s longstanding internal tensions have prevented it from articulating a durable ethical rationale for its protections that would help it stand up to those assaults. This book proposes crafting just such a durable ethical rationale through the public good the architecture profession serves. 

But the concept of the public is itself a recent historic phenomenon, one also experiencing both tremendous pressures and instability from many of the same sources destabilizing the architecture profession—globalization, neo-liberal economics, the rise of individualism, and the destruction of privacy. Therefore, to bring architecture and the public good together in any sustained way, both architecture’s instabilities and the public’s must be better understood. The book accomplishes this task by addressing the profession’s long-standing internal struggles that prevent it from articulating a strong ethical defense, the recent economic forces which are dispersing the profession’s center much as they have the world’s middle classes, the Enlightenment-derived concept of the bourgeois public and its more recent decline and reinvention, the importance of dissecting the shifting boundaries between the public and private realms, and finally a new approach to reassert the many ways in which architecture can not only serve the public good, but also become a protagonist in its renewal as a guiding ideal for our times.

The Lure of Economic Nationalism addresses an important topic, namely, the continued appeal of economic nationalism. It places economic nationalism in both historical and contemporary contexts. It begins with a historical consideration of mercantilism and the writings of Friedrich List, considering both from multiple perspectives in economic history and policy and international relations. It then turns to the political psychology of zero-sum thinking, its role as a heuristic device but also its significant limitations.

The book considers both the aggressive trade policy of the Trump Administration in the United States and the Brexit process in the United Kingdom. It also advocates for the alternative to economic nationalism in the form of a rules-based, multilateral trading system and the World Trade Organization. It argues that going beyond zero-sum outcomes is better suited to address current problems. It considers the rising tides of ethnonationalism and the alternative of civic nationalism. It even addresses economic nationalism in the recent COVID-19 pandemic and multilateral approaches to pandemic preparedness. 

The Lure of Economic Nationalism is written in an accessible manner and draws deeply from research in economics and political science. It will be of interest to policymakers, economists, political scientists and to the informed public.

This book has approached the question of natural resources in Africa from a different perspective. It makes the argument that natural resources in Africa can be utilised to reclaim its economic sovereignty which is central to the economic development and industrialisation of the continent. In making this argument, the book acknowledges that African countries have political control (de jure sovereignty) over natural resources in their respective territories, but most of them have little control over what happens to these resources (de facto sovereignty) once an extractive licence is issued. This is evident in the fact that the bulk of primary commodities in Africa are shipped out of the continent in raw or semi-processed form, with most African states having no say over what happens to these natural resources once they are extracted. This is mainly because most countries have low productive capabilities to transform the abundant natural resources into final consumer and capital goods. As a consequence of low productive capabilities, most African countries have no option (no margin of discretion or autonomy) but to sell their primary commodities in raw or semi-processed form, leading to the now famous situation of ‘commodity trap’.

The lack of freedom (autonomy) to choose what happens to natural resources extracted from the continent is an indication of the weak economic sovereignty. Although the primary commodity companies that operate across the continent obtain licences and pay royalties and other taxes levied for extracting natural resources, African states have no say after primary commodities are extracted partly because the bulk of primary resources extracted leave the continent and get processed into final and intermediate goods elsewhere. As long as the processes of adding value to primary commodities take place outside of the continent, African countries have no control and role to play in the process of adding value. This is the main cause of weak economic sovereignty because the most powerful process (transforming natural resources into final and intermediate goods and services) occurs outside, beyond the continent’s reach. As the book illustrates, it is the capacity to transform primary resources into goods and services needed in society that strengthens a country’s economic sovereignty and ultimately strengthens its political sovereignty and influence.

Drawing from a natural resource-based industrialisation perspective, the book offers suggestions on how African countries can use their rich natural resources to strengthen their economic sovereignty, arguing that natural resources constitute the foundation for building sustainable and inclusive economies on the continent. The book argues that the key to strengthening economic sovereignty (which includes financial and monetary sovereignty) is building strong and diversified productive capabilities, because this enables a country to enlarge its economic options and alternatives, which in turn increases its economic sovereignty. Building of regional value chains (RVCs) capitalising on the African Continental Free Trade Agreement offers a new opportunity for the continent to strengthen its economic sovereignty by building diverse productive capabilities.