Biography & Autobiography

In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Félix Guattari was a political militant and the director of an unusual psychiatric clinic at La Borde. Their meeting was quite unlikely, yet the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including Anti-Oedipus, What Is Philosophy? and A Thousand Plateaus.

François Dosse, a prominent French intellectual known for his work on the Annales School, structuralism, and biographies of the pivotal intellectuals Paul Ricoeur, Pierre Chaunu, and Michel de Certeau, examines the prolific if improbable relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history—particularly the turbulent time of May 1968—play in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and the impact of their thought on intellectual, academic, and professional circles.

In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Félix Guattari was a political militant and the director of an unusual psychiatric clinic at La Borde. Their meeting was quite unlikely, yet the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including Anti-Oedipus, What Is Philosophy? and A Thousand Plateaus.

François Dosse, a prominent French intellectual known for his work on the Annales School, structuralism, and biographies of the pivotal intellectuals Paul Ricoeur, Pierre Chaunu, and Michel de Certeau, examines the prolific if improbable relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history—particularly the turbulent time of May 1968—play in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and the impact of their thought on intellectual, academic, and professional circles.

Columbia University began the second half of the twentieth century in decline, bottoming out with the student riots of 1968. Yet by the close of the century, the institution had regained its stature as one of the greatest universities in the world.

According to the New York Times, "If any one person is responsible for Columbia's recovery, it is surely Michael Sovern." In this memoir, Sovern, who served as the university's president from 1980 to 1993, recounts his sixty-year involvement with the institution after growing up in the South Bronx. He addresses key issues in academia, such as affordability, affirmative action, the relative rewards of teaching and research, lifetime tenure, and the role of government funding. Sovern also reports on his many off-campus adventures, including helping the victims of the Tuskegee syphilis experiment, stepping into the chairmanship of Sotheby's, responding to a strike by New York City's firemen, a police riot and threats to shut down the city's transit system, playing a role in the theater world as president of the Shubert Foundation, and chairing the Commission on Integrity in Government.

Charles B. Strozier's college lost sixty-eight alumni in the tragedy of 9/11, and the many courses he has taught on terrorism and related topics since have attracted dozens of survivors and family members. A practicing psychoanalyst in Manhattan, Strozier has also accepted many seared by the disaster into his care. In some ways, the grief he has encountered has felt familiar; in other ways, unprecedented. Compelled to investigate its unique character further, he launched a fascinating study into the conscious and unconscious meaning of the event, both for those who were physically close to the attack and for those who witnessed it beyond the immediate space of Ground Zero.

Based on the testimony of survivors, bystanders, spectators, and victim's friends and families, Until the Fires Stopped Burning brings much-needed clarity to the conscious and unconscious meaning of 9/11 and its relationship to historical disaster, apocalyptic experience, unnatural death, and the psychological endurance of trauma. Strozier interprets and contextualizes the memories of witnesses and compares their encounter with 9/11 to the devastation of Hiroshima, Auschwitz, Katrina, and other events Kai Erikson has called a "new species of trouble" in the world. Organizing his study around "zones of sadness" in New York, Strozier powerfully evokes the multiple places in which his respondents confronted 9/11 while remaining sensitive to the personal, social, and cultural differences of these experiences. Most important, he distinguishes between 9/11 as an apocalyptic event (which he affirms it is not;rather, it is a monumental event), and 9/11 as an apocalyptic experience, which is crucial to understanding the act's affect on American life and a still-evolving culture of fear in the world.

Charles B. Strozier's college lost sixty-eight alumni in the tragedy of 9/11, and the many courses he has taught on terrorism and related topics since have attracted dozens of survivors and family members. A practicing psychoanalyst in Manhattan, Strozier has also accepted many seared by the disaster into his care. In some ways, the grief he has encountered has felt familiar; in other ways, unprecedented. Compelled to investigate its unique character further, he launched a fascinating study into the conscious and unconscious meaning of the event, both for those who were physically close to the attack and for those who witnessed it beyond the immediate space of Ground Zero.

Based on the testimony of survivors, bystanders, spectators, and victim's friends and families, Until the Fires Stopped Burning brings much-needed clarity to the conscious and unconscious meaning of 9/11 and its relationship to historical disaster, apocalyptic experience, unnatural death, and the psychological endurance of trauma. Strozier interprets and contextualizes the memories of witnesses and compares their encounter with 9/11 to the devastation of Hiroshima, Auschwitz, Katrina, and other events Kai Erikson has called a "new species of trouble" in the world. Organizing his study around "zones of sadness" in New York, Strozier powerfully evokes the multiple places in which his respondents confronted 9/11 while remaining sensitive to the personal, social, and cultural differences of these experiences. Most important, he distinguishes between 9/11 as an apocalyptic event (which he affirms it is not;rather, it is a monumental event), and 9/11 as an apocalyptic experience, which is crucial to understanding the act's affect on American life and a still-evolving culture of fear in the world.

Hualien, on the Pacific coast of eastern Taiwan, and its mountains, especially Mount Qilai, were deeply inspirational for the young poet Yang Mu. A place of immense natural beauty and cultural heterogeneity, the city was also a site of extensive social, political, and cultural change in the twentieth century, from the Japanese occupation and the American bombings of World War II to the Chinese civil war, the White Terror, and the Cold War.

Taken as a whole, these evocative and allusive autobiographical essays provide a personal response to history as Taiwan transitioned from a Japanese colony to the Republic of China. Yang Mu recounts his childhood experiences under the Japanese, life in the mountains in proximity to indigenous people as his family took refuge from the American bombings, his initial encounters and cultural conflicts with Nationalist soldiers recently arrived from mainland China, the subsequent activities of the Nationalist government to consolidate power, and the island's burgeoning new manufacturing society.

Nevertheless, throughout those early years, Yang Mu remained anchored by a sense of place on Taiwan's eastern coast and amid its coastal mountains, over which stands Mount Qilai like a guardian spirit. This was the formative milieu of the young poet. Yang Mu seized on verse to develop a distinct persona and draw meaning from the currents of change reshuffling his world. These eloquent essays create an exciting, subjective realm meant to transcend the personal and historical limitations of the individual and the end of culture, "plundered and polluted by politics and industry long ago."

The house looked as if she'd brushed it over with a hurried hand. Things were open—drawers, cans, and closets. A pile of newspapers fanned out across the floor by the front door, and still I did not wonder. She must have dropped them as she ran, I thought. My mother was often late. But had I stopped to look, I would have seen the fear in the way the house had settled—a footstool that lay on its side, several books that had fallen from their shelves. When you count back, you can see a story from the end. I like that—the seemingly natural narrative that forms this way. With the end in my hand, the story becomes mine. I can have it all make sense, or I can lose my mind like she lost hers—like I lost her. But I can have my story.

Walking the Night Road speaks to the experience of caring for a loved one with a terminal illness and the difficulties of encountering death. Alexandra Butler, daughter of the Pulitzer Prize–winning gerontologist Robert N. Butler and respected social worker and psychotherapist Myrna Lewis, composes a lyrical yet unsparing portrait of caring for her mother during her sudden, quick decline from brain cancer. Her rich account shares the strains of caregiving on both the provider and the person receiving care and recognizes the personal and professional sacrifices caregivers must make to fulfill the role.

More than a memoir of dying and grief, Butler's account also tests many of the theories her parents pioneered in their work on healthy aging. Authors of such seminal works as Love and Sex After Sixty, Butler's parents were forced to rethink many of the tenets they lived by while Myrna was incapacitated, and Butler's father found himself relying heavily on his daughter to provide his wife's care. Butler's poignant and unflinching story is therefore a rare examination of the intimate aspects of aging and death experienced by practitioners who suddenly find themselves in the difficult position of the clients they once treated.

The house looked as if she'd brushed it over with a hurried hand. Things were open—drawers, cans, and closets. A pile of newspapers fanned out across the floor by the front door, and still I did not wonder. She must have dropped them as she ran, I thought. My mother was often late. But had I stopped to look, I would have seen the fear in the way the house had settled—a footstool that lay on its side, several books that had fallen from their shelves. When you count back, you can see a story from the end. I like that—the seemingly natural narrative that forms this way. With the end in my hand, the story becomes mine. I can have it all make sense, or I can lose my mind like she lost hers—like I lost her. But I can have my story.

Walking the Night Road speaks to the experience of caring for a loved one with a terminal illness and the difficulties of encountering death. Alexandra Butler, daughter of the Pulitzer Prize–winning gerontologist Robert N. Butler and respected social worker and psychotherapist Myrna Lewis, composes a lyrical yet unsparing portrait of caring for her mother during her sudden, quick decline from brain cancer. Her rich account shares the strains of caregiving on both the provider and the person receiving care and recognizes the personal and professional sacrifices caregivers must make to fulfill the role.

More than a memoir of dying and grief, Butler's account also tests many of the theories her parents pioneered in their work on healthy aging. Authors of such seminal works as Love and Sex After Sixty, Butler's parents were forced to rethink many of the tenets they lived by while Myrna was incapacitated, and Butler's father found himself relying heavily on his daughter to provide his wife's care. Butler's poignant and unflinching story is therefore a rare examination of the intimate aspects of aging and death experienced by practitioners who suddenly find themselves in the difficult position of the clients they once treated.

Kim Yong shares his harrowing account of life in a labor camp—a singularly despairing form of torture carried out by the secret state. Although it is known that gulags exist in North Korea, little information is available about their organization and conduct, for prisoners rarely escape both incarceration and the country alive. Long Road Home shares the remarkable story of one such survivor, a former military official who spent six years in a gulag and experienced firsthand the brutality of an unconscionable regime.

As a lieutenant colonel in the North Korean army, Kim Yong enjoyed unprecedented privilege in a society that closely monitored its citizens. He owned an imported car and drove it freely throughout the country. He also encountered corruption at all levels, whether among party officials or Japanese trade partners, and took note of the illicit benefits that were awarded to some and cruelly denied to others.

When accusations of treason stripped Kim Yong of his position, the loose distinction between those who prosper and those who suffer under Kim Jong-il became painfully clear. Kim Yong was thrown into a world of violence and terror, condemned to camp No. 14 in Hamkyeong province, North Korea's most notorious labor camp. As he worked a constant shift 2,400 feet underground, daylight became Kim's new luxury; as the months wore on, he became intimately acquainted with political prisoners, subhuman camp guards, and an apocalyptic famine that killed millions.

After years of meticulous planning, and with the help of old friends, Kim escaped and came to the United States via China, Mongolia, and South Korea. Presented here for the first time in its entirety, his story not only testifies to the atrocities being committed behind North Korea's wall of silence but also illuminates the daily struggle to maintain dignity and integrity in the face of unbelievable hardship. Like the work of Solzhenitsyn, this rare portrait tells a story of resilience as it reveals the dark forms of oppression, torture, and ideological terror at work in our world today.

Kim Yong shares his harrowing account of life in a labor camp—a singularly despairing form of torture carried out by the secret state. Although it is known that gulags exist in North Korea, little information is available about their organization and conduct, for prisoners rarely escape both incarceration and the country alive. Long Road Home shares the remarkable story of one such survivor, a former military official who spent six years in a gulag and experienced firsthand the brutality of an unconscionable regime.

As a lieutenant colonel in the North Korean army, Kim Yong enjoyed unprecedented privilege in a society that closely monitored its citizens. He owned an imported car and drove it freely throughout the country. He also encountered corruption at all levels, whether among party officials or Japanese trade partners, and took note of the illicit benefits that were awarded to some and cruelly denied to others.

When accusations of treason stripped Kim Yong of his position, the loose distinction between those who prosper and those who suffer under Kim Jong-il became painfully clear. Kim Yong was thrown into a world of violence and terror, condemned to camp No. 14 in Hamkyeong province, North Korea's most notorious labor camp. As he worked a constant shift 2,400 feet underground, daylight became Kim's new luxury; as the months wore on, he became intimately acquainted with political prisoners, subhuman camp guards, and an apocalyptic famine that killed millions.

After years of meticulous planning, and with the help of old friends, Kim escaped and came to the United States via China, Mongolia, and South Korea. Presented here for the first time in its entirety, his story not only testifies to the atrocities being committed behind North Korea's wall of silence but also illuminates the daily struggle to maintain dignity and integrity in the face of unbelievable hardship. Like the work of Solzhenitsyn, this rare portrait tells a story of resilience as it reveals the dark forms of oppression, torture, and ideological terror at work in our world today.

Down the Up Staircase tells the story of one Harlem family across three generations, connecting its journey to the historical and social forces that transformed Harlem over the past century. Bruce D. Haynes and Syma Solovitch capture the tides of change that pushed blacks forward through the twentieth century—the Great Migration, the Harlem Renaissance, the early civil rights victories, the Black Power and Black Arts movements—as well as the many forces that ravaged black communities, including Haynes's own. As an authority on race and urban communities, Haynes brings unique sociological insights to the American mobility saga and the tenuous nature of status and success among the black middle class.

In many ways, Haynes's family defied the odds. All four great-grandparents on his father's side owned land in the South as early as 1880. His grandfather, George Edmund Haynes, was the founder of the National Urban League and a protégé of eminent black sociologist W. E. B. Du Bois; his grandmother, Elizabeth Ross Haynes, was a noted children's author of the Harlem Renaissance and a prominent social scientist. Yet these early advances and gains provided little anchor to the succeeding generations. This story is told against the backdrop of a crumbling three-story brownstone in Sugar Hill that once hosted Harlem Renaissance elites and later became an embodiment of the family's rise and demise. Down the Up Staircase is a stirring portrait of this family, each generation walking a tightrope, one misstep from free fall.

Down the Up Staircase tells the story of one Harlem family across three generations, connecting its journey to the historical and social forces that transformed Harlem over the past century. Bruce D. Haynes and Syma Solovitch capture the tides of change that pushed blacks forward through the twentieth century—the Great Migration, the Harlem Renaissance, the early civil rights victories, the Black Power and Black Arts movements—as well as the many forces that ravaged black communities, including Haynes's own. As an authority on race and urban communities, Haynes brings unique sociological insights to the American mobility saga and the tenuous nature of status and success among the black middle class.

In many ways, Haynes's family defied the odds. All four great-grandparents on his father's side owned land in the South as early as 1880. His grandfather, George Edmund Haynes, was the founder of the National Urban League and a protégé of eminent black sociologist W. E. B. Du Bois; his grandmother, Elizabeth Ross Haynes, was a noted children's author of the Harlem Renaissance and a prominent social scientist. Yet these early advances and gains provided little anchor to the succeeding generations. This story is told against the backdrop of a crumbling three-story brownstone in Sugar Hill that once hosted Harlem Renaissance elites and later became an embodiment of the family's rise and demise. Down the Up Staircase is a stirring portrait of this family, each generation walking a tightrope, one misstep from free fall.

Heralded as a literary masterpiece and a best-seller in the Chinese-speaking world, The Great Flowing River is a personal account of the history of modern China and Taiwan unlike any other. In this eloquent autobiography, the noted scholar, writer, and teacher Chi Pang-yuan recounts her youth in mainland China and adulthood in Taiwan. Chi’s remarkable life, told in rich and striking detail, humanizes the eventful and turbulent times in which she lived.

The Great Flowing River begins as a coming-of-age story set against the backdrop of China’s war with Japan. Chi depicts her childhood in pre-occupation Manchuria and gives an eyewitness account of life in China during the war with Japan. She tells the tale of her youthful romance with a dashing pilot that ends tragically when he is shot down in the last days of the war. The book describes the deepening political divide in China and her choice to take a job in Taiwan, where she would remain after the Communist victory. Chi details her growth as an educator, scholar, and promoter of Chinese literature in translation and her realization that despite her roots in China, she has found a home in Taiwan, giving an immersive account of the postwar history of Taiwan from a mainlander’s perspective. A novelistic, epoch-defining narrative, The Great Flowing River unites the personal and intimate with the grand sweep of history.

Owsley and Me is a love story set against the background of the Psychedelic Revolution of the '60s. Owsley “Bear” Stanley met her in Berkeley in 1965, when LSD was still legal and he was the world's largest producer and distributor of LSD. Rhoney found herself working in an LSD laboratory, and the third corner in a love triangle. We all know the stories from the '60s—but never from the point of view of a woman finding her way through twisted trails of love, jealousy, and paranoia, all the while personally connecting to the most iconic events and people of her time.

Bear supported the Grateful Dead in their early years and gave away as much LSD as he sold—millions of hits. He designed and engineered the infamous Wall of Sound system of the early '70s, just before he began his two years in prison, with Rhoney raising their infant son. He died one year ago, but the era he helped create is now being rediscovered by a new generation interested in the meaning of it all.

Today Rhoney Stanley is a practicing holistic orthodontist in Woodstock, New York. This is her first book.

Tom Davis was an Emmy Award–winning American writer and comedian. He is best known for being one of the original writers for Saturday Night Live and for his former partnership with Al Franken, as half of the comedy duo “Franken & Davis.” His memoir Thirty-Nine Years of Short-Term Memory Loss: The Early Days of SNL from Someone Who Was There was published in 2010 by Grove Press.

In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball.

Cross Bronx is Peter Quinn’s one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories.

Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn’s trilogy of historical detective novels as “generous and agile and profound.” Quinn has now seized the time and inspiration afforded by “the strange interlude of the pandemic” to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms:

“In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne’s bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do.” (from the Prologue)

From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo’s landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider’s view of high-powered politics and high-stakes corporate intrigue.

Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

From the award-winning author of Crossing Ocean Parkway, a personal memoir about adjusting to loss through books, meditation, and the process of memory itself

Marianna De Marco Torgovnick experienced the rupture of two of her life’s most intimate relations when her mother and brother died in close proximity. Mourning rocked her life, but it also led to the solace and insight offered by classic books and the practice of meditation. Her resulting journey into the past imagines a viable future and raises questions acute for Italian Americans but pertinent to everyone, about the nature of memory and the meanings of home at a time, like ours, marked by cultural disruption and wartime. Crossing Back: Books, Family, and Memory without Pain presents a personal perspective on death, mourning, loss, and renewal.

A sequel to her award-winning and much-anthologized Crossing Ocean Parkway, Crossing Back is about close familial ties and personal loss, written after the death of her remaining birth family, who had always been there, and now were not. After their loss, she entered a spiritual and psychological state of “transcendental homelessness”: the feeling of being truly at home nowhere, of being spiritually adrift. In a grand act of symbolic reenactment, she found herself moving apartments repeatedly, not realizing she did so subconsciously to keep busy, to stave off grief. By reading and studying great books, she opened up to mourning, a process she constitutionally resisted as somehow shameful. Over time, she discovered that a third death colored and prolonged her feelings of grief: her first child’s death in infancy, which, in the course of a happier lifetime, had never been adequately acknowledged. Her new losses led her finally to take stock of her son’s death too. Reading and meditating, followed by writing, became daily her healing rituals.

A warm and intimate user’s guide to books, family, and memory in the mourning process, the end-point being memory without pain, Crossing Back is a wide-ranging memoir about growing older and learning to ride the waves of change. Lively and conversational, Torgovnick is masterful at tracking the moment-to moment, day-to-day challenges of sudden or protracted grief and the ways in which the mind and the body seem to search for—and sometimes find—solutions.

Foreword Book of the Year Award
Independent Publishers Award (IPPY)
Lambda Literary Award Finalist
Publishing Triangle Award Finalist
GAMMA Award, Best Feature from The Magazine Association of the Southwest for “Getting the News,” The Georgia Review, Summer 2009
Notable Essay of the Year Citation in Best American Essays 2010 for “Getting the News”
Named one of the Best Books of the Year by the Guerilla Girls On Tour and by WILLA: Women in Literary Arts and Letters

An extended meditation on the nature of love and the nature of time inside illness, Called Back is both a narrative and non-narrative experiment in prose. The book moves through the standard breast cancer treatment trajectory (diagnosis, surgery, chemotherapy, radiation), with the aim of discovering unexpected vectors of observation, meaning and desire inside each phase of the typically mandated four-part ritual. A lyrical feminist critique of living with cancer at the turn of the twenty-first century in the United States, the book looks through the lens of cancer to discover new truths about intimacy and essential solitude, eroticism, the fact of the body, and the impossibility of turning away. Offering original exegeses of the work of Marsden Hartley, Emily Dickinson, Gertrude Stein, and Marcel Proust, Called Back relies on these artists’ queer aesthetics to tease the author back to life. What might a person tutored as a reader of signs “see” inside breast cancer’s paces, protocols, and regimes? What does the experience occlude, and what can we afford to liberate?

The first chapter paves the way for the book’s central emphases: a meditation on the nature of “news” and the new, on noticing, on messages—including those that the body itself relies upon in the assumption of disease—and the interpretive methods we bring to them in medical crisis. Language is paramount for how we understand and act on the disease, how we imagine it, how we experience it, and how we treat it, Cappello argues.

Working at the borders of memoir, literary nonfiction, and cultural analysis, Called Back aims to displace tonal and affective norms— infantilizing or moralizing, redemptive, sentimental or cute—with reverie, rage, passionate intensity, intelligence, and humor.

An inventive literary account of Cixous’s remarkable journey to her mother’s birthplace

Winner, French Voices Award for Excellence in Publication and Translation

For about eighty years, the Jonas family of Osnabrück were part of a small but vibrant Jewish community in this mid-size city of Lower Saxony. After the war, Osnabrück counted not a single Jew. Most had been deported and murdered in the camps, others emigrated if they could and if they managed to overcome their own inertia. It is this inertia and failure to escape that Hélène Cixous seeks to account for in Osnabrück Station to Jerusalem.

Vicious anti-Semitism hounded all of Osnabrück’s Jews long before the Nazis’ rise to power in 1933. So why did people wait to leave when the threat was so patent, so in-their-face? Drawn from the stories told to Cixous by her mother, Ève, and grandmother, Rosalie (Rosi), this literary work reimagines fragments of Ève’s and Rosi’s stories, including the death of Ève’s uncle, Onkel André. Piecing together the story of Andreas Jonas from what she was told and from what she envisages, Cixous recounts the tragedy of the one she calls the King Lear of Osnabrück, who followed his daughter to Jerusalem only to be sent away by her and to return to Osnabrück in time to be deported to a death camp.

Cixous wanders the streets of the city she had heard about all her life in her mother’s and grandmother’s stories, digs into its archives, meets city officials, all the while wondering if she should have come. These hesitations and reflections in the present, often voiced in dialogues staged with her own son or daughter, are woven with scenes from her childhood in Algeria and the half-remembered, half-invented stories of the Jonas family, making Osnabrück Station to Jerusalem one of the author’s most intensely engaging books.

This work received the French Voices Award for excellence in publication and translation. French Voices is a program created and funded by the French Embassy in the United States and FACE (French American Cultural Exchange).

An inventive literary account of Cixous’s remarkable journey to her mother’s birthplace

Winner, French Voices Award for Excellence in Publication and Translation

For about eighty years, the Jonas family of Osnabrück were part of a small but vibrant Jewish community in this mid-size city of Lower Saxony. After the war, Osnabrück counted not a single Jew. Most had been deported and murdered in the camps, others emigrated if they could and if they managed to overcome their own inertia. It is this inertia and failure to escape that Hélène Cixous seeks to account for in Osnabrück Station to Jerusalem.

Vicious anti-Semitism hounded all of Osnabrück’s Jews long before the Nazis’ rise to power in 1933. So why did people wait to leave when the threat was so patent, so in-their-face? Drawn from the stories told to Cixous by her mother, Ève, and grandmother, Rosalie (Rosi), this literary work reimagines fragments of Ève’s and Rosi’s stories, including the death of Ève’s uncle, Onkel André. Piecing together the story of Andreas Jonas from what she was told and from what she envisages, Cixous recounts the tragedy of the one she calls the King Lear of Osnabrück, who followed his daughter to Jerusalem only to be sent away by her and to return to Osnabrück in time to be deported to a death camp.

Cixous wanders the streets of the city she had heard about all her life in her mother’s and grandmother’s stories, digs into its archives, meets city officials, all the while wondering if she should have come. These hesitations and reflections in the present, often voiced in dialogues staged with her own son or daughter, are woven with scenes from her childhood in Algeria and the half-remembered, half-invented stories of the Jonas family, making Osnabrück Station to Jerusalem one of the author’s most intensely engaging books.

This work received the French Voices Award for excellence in publication and translation. French Voices is a program created and funded by the French Embassy in the United States and FACE (French American Cultural Exchange).

WINNER OF THE IASA BOOK AWARD!
AMERICAN BOOK AWARD WINNER!

As the child of children of immigrants, Louise DeSalvo was at first reluctant to write about her truths. Her abusive father, her sister’s suicide, her illness. In this stunning collection of her captivating and frank essays on her life and her Italian-American culture, Louise DeSalvo centers on her beginnings, reframing and revising her acclaimed memoiristic essays, pieces that were the seeds of longer collections, to reveal her true power as a memoirist: the ability to dig ever deeper for personal and political truths that illuminate what it means to be a woman, a second-generation American, a writer, and a scholar.

Each essay is driven by a complex inquiry that examines the personal, familial, social, ethnic, and historical dimensions of identity. Collectively, they constitute a story significantly different from DeSalvo’s memoirs when they first published, where the starkness of their meaning became blunted by material surrounding them. DeSalvo has also restored material written and then deleted—experiences she was too reticent to reveal before, in writing about her sister’s suicide, her husband’s adultery, her own sexual assault. The essays also include new material to shift the ballast of an essay as her life has changed significantly through the years.

The House of Early Sorrows is a courageous exploration not only of the DeSalvo’s family life and times, but also of our own.

A gently powerful memoir about deepening your relationship with your homeland.

For the first time in more than twenty-five years, Greg Sarris—whose novels are esteemed alongside those of Louise Erdrich and Stephen Graham Jones—presents a book about his own life. In Becoming Story he asks: What does it mean to be truly connected to the place you call home—to walk where innumerable generations of your ancestors have walked? And what does it mean when you dedicate your life to making that connection even deeper?

Moving between his childhood and the present day, Sarris creates a kaleidoscopic narrative about the forces that shaped his early years and his eventual work as a tribal leader. He considers the deep past, historical traumas, and possible futures of his homeland. His acclaimed storytelling skills are in top form here, and he charts his journey in prose that is humorous, searching, and profound. A gently powerful memoir, Becoming Story is also a master class in the art of belonging to the place where you live.

A memoir of the author’s twenty-five-year, self-designed experiment with a nonpharmaceutical approach to multiple sclerosis and of the indomitable mother who taught her to meet trouble with active resistance. 

When novelist Edith Forbes experienced her first episode of multiple sclerosis in 1993, few treatments existed. The famously crippling disease was a medical mystery, its cause unknown and its course unpredictable. The only medical advice Forbes received then was to “simply live your life.” She had other ideas.

Forbes grew up on a ranch in Wyoming, raised by a widowed mother who met challenges head on. Besides shouldering responsibility for seven children and a cattle ranch, Forbes’s dynamo mother had ambitions to change the world. As a forward-thinking woman in a largely male business, she became a model of tenacity and independence for her daughter.

After her MS diagnosis, Forbes turned her fear into action, immersing herself in the medical literature to search for ideas. Finding an unexpected connection between the medical information and her own knowledge of agriculture, she embarked on a self-designed experiment that continues to this day.

Tracking a Shadow weaves together the story of Forbes’s personal twenty-five-year medical experiment with a memoir of the mother whose constant determination to look for better answers shaped the author’s unique approach to her disease.

Life Among the Paiutes (1883) is a book by Sarah Winnemucca. Written toward the end of a lifetime of advocacy on behalf of Native Americans, Life Among the Paiutes is a hybrid work of history and memoir by Sarah Winnemucca, who witnessed firsthand the dangers of unchecked occupation by US government and military forces. Intended as a rallying cry to white Americans, Life Among the Paiutes is considered the first autobiographical work written by a woman of Native American heritage. Oh my dear good Christian people, how long are you going to stand by and see us suffer at your hands?” First and foremost, Winnemucca’s groundbreaking text is intended for an Anglo-American audience, whose political status the author hopes to use as a means of bringing her message to the halls of Congress. In the memoir section, Winnemucca describes her upbringing among the Northern Paiute in Nevada, whose lives were irrevocably disrupted by incursions from white settlers and military raids. After the murder of her mother and several members of her family by the US Cavalry, Winnemucca dedicated herself to social work and activism, using her knowledge of the English language to reach a larger audience. Weaving her own story into the story of her people, Winnemucca makes a compelling case for the reparation of land and sovereignty to the Northern Paiutes, who had been devastated and dispersed for decades after making contact with American settlers. This edition of Sarah Winnemucca’s Life Among the Paiutes is a classic work of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Son of the Forest (1829) is an autobiography by William Apes. An indentured servant, soldier, minister, and activist, Apes lived an uncommonly rich life for someone who died at just 41 years of age. Recognized for his pioneering status as a Native American public figure, William Apes was an astute recorder of a life in between. His autobiography explores the psychological effects of oppression, addiction, and cultural change from the viewpoint of a man who experienced them all. “[T]he great fear I entertained of my brethren, was occasioned by the many stories I had heard of their cruelty towards the whites—how they were in the habit of killing and scalping men, women and children. But the whites did not tell me that they were in a great majority of instances the aggressors—that they had imbrued their hands in the life blood of my brethren, driven them from their once peaceful and happy homes…” While out on a berry picking expedition as a boy, William—by then living as an indentured servant with a local white family—spots a group of Native women. From the reaction of his foster family, he realizes for the first time in his life the inherent racial biases he has absorbed despite recognizing his own Pequot heritage. A Son of the Forest is a groundbreaking autobiography from a pioneering author and activist of the early nineteenth century. This edition of William Apes’ A Son of the Forest is a classic of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Life, History and Travels of Kah-ge-ga-gah-Bowh (1847) is a memoir by George Copway. Written while he was living with his wife and daughter in New York City, The Life, History and Travels of Kah-ge-ga-gah-Bowh was an immediate bestseller that helped establish Copway as a leading Native American author of the nineteenth century. Recognized as the first book published by a Canadian First Nations writer, Copway’s memoir is an invaluable resource for understanding the history of contact between settlers and indigenous peoples, some of whom, like Copway’s family, assimilated and served as missionaries, translators, and ambassadors. “I loved the woods, and the chase. I had the nature for it, and gloried in nothing else. The mind for letters was in me, but was asleep, till the dawn of Christianity arose, and awoke the slumbers of the soul into energy and action.” Raised in a moment of immense cultural change for his people, George Copway was educated to serve as a missionary for the Methodist church. Among the Ojibwe of Ontario and Minnesota, the man whose birth name was Kah-ge-ga-gah-Bowh, meaning He Who Stands Forever, spreads the Christian faith he has given his life to. Before this, however, he lived a simple life in touch with the natural world, fearful of spirits and careful to listen to the lessons of his elders. Interspersed throughout the story of his life are observations and passages on his family and the history of their ancestors, making The Life, History and Travels of Kah-ge-ga-gah-Bowh an invaluable record of their traditions and daily existence. Written in a poetic, meditative prose, Copway’s memoir remains essential reading nearly two centuries after it appeared in print. This edition of George Copway’s The Life, History and Travels of Kah-ge-ga-gah-Bowh is a classic work of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

American Indian Stories (1921) is a collection of stories and essays from Yankton Dakota writer Zitkála-Šá. Published while Zitkála-Šá was at the height of her career as an artist and activist, American Indian Stories collects the author’s personal experiences, the legends and stories passed down through Sioux oral tradition, and her own reflections on the mistreatment of American Indians nationwide.

In “My Mother,” Zitkála-Šá remembers the walk she would take with her mother to the river, where they would gather water to use in their wigwam. This simple chore becomes a cherished tradition between the two, allowing Zitkála-Šá’s mother to educate her on the circumstances that led their people to the reservation, depriving them of land and life itself. “The Legends” traces Zitkála-Šá’s childhood experience of learning from the oral tradition passed down from the Dakota elders. In “The Coffee Making,” she remembers the first time she made coffee. While her mother has gone out for the day, an elder pays a visit to their wigwam. Remembering that her mother usually makes coffee for visitors, Zitkála-Šá attempts to play hostess to her visitor, who humors her and takes the time to share stories about his life and their people. American Indian Stories is a charming and politically conscious collection of stories from one of the leading American Indian writers of her generation, a committed activist and true voice for change who saw through her own eyes the lives and experiences of countless others.

This edition of Zitkála-Šá’s American Indian Stories is a classic of American Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Memories of an Indian Boyhood (1902) is a memoir by Charles Eastman. Recognized for his achievements as a pioneering Native American physician, Eastman was also a prolific writer whose personal stories, powerful meditations, and in-depth studies of indigenous culture continue to be read and appreciated today. In this memoir, his debut literary work, he recalls a youth marked by tragedy and perseverance that earned him the name Ohíye S'a, Dakota for “always wins.” “What boy would not be an Indian for a while when he thinks of the freest life in the world? This life was mine.” Although his birth and youth were marked by tragedy—the death of his mother, his separation from his father and siblings during the Dakota War of 1862—Eastman was able to experience the joys of Dakota Sioux life with his maternal grandmother and her family. “Every day there was a real hunt. There was real game. Occasionally there was a medicine dance away off in the woods where no one could disturb us […]” Immersed in the traditions of his people, Eastman—whose birthname was Hakadah—developed an identity grounded in the wisdom of his elders, yet open to the world outside. Nostalgic and full of gorgeous detail, Memories of an Indian Boyhood is a story of one boy’s youth that resonates with all who read it. This edition of Charles Eastman’s Memories of an Indian Boyhood is a classic work of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Soul of the Indian: An Interpretation (1911) is a work of nonfiction by Charles Eastman. Recognized for his achievements as a pioneering Native American physician, Eastman was also a prolific writer whose personal stories, powerful meditations, and in-depth studies of indigenous culture continue to be read and appreciated today. In this ethnographic work, he describes the cultures and traditions of indigenous Americans in order to dispel prejudice, foster understanding, and reconcile Christianity with the religious beliefs of his people. “The original attitude of the American Indian toward the Eternal, the ‘Great Mystery’ that surrounds and embraces us, was as simple as it was exalted. To him it was the supreme conception, bringing with it the fullest measure of joy and satisfaction possible in this life.” Raised among the Dakota Sioux, Charles Eastman knew firsthand the reverence with which the American Indian experienced the world. Despite converting to Christianity as an adult, Eastman recognized a need to right the record on indigenous American cultures, much of which had been written by missionaries and government officials sent to erase the very traditions they claimed to describe. While far from perfect, The Soul of the Indian: An Interpretation is an honest attempt to correct the course of history, fostering peace and understanding between the religions of his past and present: “I believe that Christianity and modern civilization are opposed and irreconcilable, and that the spirit of Christianity and of our ancient religion is essentially the same.”This edition of Charles Eastman’s The Soul of the Indian: An Interpretation is a classic work of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Explores the integral roles that Métis women assumed to ensure the survival of their communities during the fur trade era and onward

Métis Matriarchs examines the roles of prominent Métis women from across Western Canada from the late 19th to the mid-20th century, providing a rare glimpse into the everyday lives of these remarkable women who were recognized as Matriarchs and respected for their knowledge, expertise, and authority within their families and communities.

This edited collection provides an opportunity to learn about the significant contributions made by Métis women during a transitional period in Western Canadian history as the fur trade gave way to a more sedentary, industrialized, and agrarian economy. Challenging how we think about Western Canadian settlement processes that removed Indigenous peoples from the land, this collection of stories examines the ways Métis matriarchs responded to colonial and settler colonial interventions into their lives and livelihoods and ultimately ensured the cultural survival of their communities.

This book is the fulfilment of my promise to Allah, the One that heard, answered, and released that eight-year-old-girl from the hospital. It contains the most challenging encounters from my life with physical disabilities. It delves into the struggles that I faced both externally and internally, and how I coped. It delves into the reality of how we all face adversities and the beauty that can be found within these hardships. 

It uncovers lessons that will allow us to appreciate life on a whole different level. This book contains the hidden gems and treasures unearthed from the trials in our lives. The attainment of these treasures may be painful, but it ultimately provides comfort and hope. It allows us to discover strengths that we never thought we had, and to eventually have a more enriched experience. It is a source of encouragement to remain hopeful. It is a reminder to never give up, just like the chosen examples before us. 

This book is not a self-help book, nor a memoir, but instead contains personal insights based on what I learned throughout my experiences. Questions posed on social media platforms by the public for the past six years on my work as an international writer and speaker contributed to shaping the content of this book. I have been consulted on a range of topics such as dealing with loss, shame, self-doubt, anxiety, depression, addiction, isolation, discrimination, bullying, dealing with marriage, and recovering from trauma. These questions came not only from those going through such difficulties but also from those witnessing loved ones endure them. I attempt to share my experiences in a way to provide direction, comfort, and hope—the hope to grow and flourish from our adversities instead of letting them bury or drown us. 

An autobiography that captures a young athlete’s battle with a devastating diagnosis and the courage and perseverance that has propelled her to the top of a Paralympic sport.

For seven years, Sydney Collier enjoyed the life of a happy, active child, with caring, supportive parents and siblings. She ran through sprinklers and played with neighborhood friends. And she fell in love with four-legged animals—especially horses. Her mother encouraged her to ride, and Sydney was good at it, finding herself at home in the saddle.

Then a routine eye exam changed everything.

Sydney had the incredibly rare Wyburn-Mason Syndrome, a congenital birth defect that causes arteriovenous malformations where the veins in the brain’s arteries don’t separate as they should from the capillaries. The resulting “clumps” of veins and arteries have increased blood flow and a high risk of aneurysm, and they tend to affect the brain, eye, and facial structures. Fewer than 100 cases of Wyburn-Mason Syndrome have been reported, according to the National Institute of Health, and its rarity means treatment remains controversial and prognosis uncertain. Most diagnoses in infants have been confirmed by pathologists after death.

Wyburn-Mason began to take an immediate toll on Sydney’s body, first with its effect on her vision, and soon severe physical debilitation and excruciating migraines. Over the next eight years, as she and her family tried treatment after treatment, seeking some sort of hope, the only place where Sydney could escape the almost-constant pain for just a little while was on the back of a horse.

During a risky brain surgery in 2009, Sydney suffered a devastating and massive stroke, which inflicted a new level of disability, putting her in a wheelchair. Determined to ride horses again, Sydney entered a rehabilitation center and refused to give up on her goal of one day riding at the high-performance level for the United States. A year later, on a trip with her mother to the World Equestrian Games in Kentucky, Sydney had a chance to watch the sport of Para Dressage, and that moment helped finally turn what seemed an overwhelming tide of loss and suffering. A new goal was born: to become a competitor in the Paralympics, and to do it in partnership with the only thing that brought her peace and happiness—horses.

This is the story of a brave young woman’s journey from the doctors’ offices to medal podiums, in her words. Anyone looking for a reason to believe that dreams can be realized, regardless of the odds, will find inspiration in these pages.

The Soul of the Indian: An Interpretation (1911) is a work of nonfiction by Charles Eastman. Recognized for his achievements as a pioneering Native American physician, Eastman was also a prolific writer whose personal stories, powerful meditations, and in-depth studies of indigenous culture continue to be read and appreciated today. In this ethnographic work, he describes the cultures and traditions of indigenous Americans in order to dispel prejudice, foster understanding, and reconcile Christianity with the religious beliefs of his people. “The original attitude of the American Indian toward the Eternal, the ‘Great Mystery’ that surrounds and embraces us, was as simple as it was exalted. To him it was the supreme conception, bringing with it the fullest measure of joy and satisfaction possible in this life.” Raised among the Dakota Sioux, Charles Eastman knew firsthand the reverence with which the American Indian experienced the world. Despite converting to Christianity as an adult, Eastman recognized a need to right the record on indigenous American cultures, much of which had been written by missionaries and government officials sent to erase the very traditions they claimed to describe. While far from perfect, The Soul of the Indian: An Interpretation is an honest attempt to correct the course of history, fostering peace and understanding between the religions of his past and present: “I believe that Christianity and modern civilization are opposed and irreconcilable, and that the spirit of Christianity and of our ancient religion is essentially the same.”This edition of Charles Eastman’s The Soul of the Indian: An Interpretation is a classic work of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

American Indian Stories (1921) is a collection of stories and essays from Yankton Dakota writer Zitkála-Šá. Published while Zitkála-Šá was at the height of her career as an artist and activist, American Indian Stories collects the author’s personal experiences, the legends and stories passed down through Sioux oral tradition, and her own reflections on the mistreatment of American Indians nationwide.

In “My Mother,” Zitkála-Šá remembers the walk she would take with her mother to the river, where they would gather water to use in their wigwam. This simple chore becomes a cherished tradition between the two, allowing Zitkála-Šá’s mother to educate her on the circumstances that led their people to the reservation, depriving them of land and life itself. “The Legends” traces Zitkála-Šá’s childhood experience of learning from the oral tradition passed down from the Dakota elders. In “The Coffee Making,” she remembers the first time she made coffee. While her mother has gone out for the day, an elder pays a visit to their wigwam. Remembering that her mother usually makes coffee for visitors, Zitkála-Šá attempts to play hostess to her visitor, who humors her and takes the time to share stories about his life and their people. American Indian Stories is a charming and politically conscious collection of stories from one of the leading American Indian writers of her generation, a committed activist and true voice for change who saw through her own eyes the lives and experiences of countless others.

This edition of Zitkála-Šá’s American Indian Stories is a classic of American Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

On the morning of March 10, 1988, in Orillia, Ontario, a house fire engulfed fourteen-year old Joey Philion in flames. He suffered third-degree burns on 95 percent of his body. Doctors didn’t think he would make it through the night.

After the Flames is the story of one of the world’s most famous burn victims: his incredible survival, his nightmarish path to recovery that helped revolutionize medical treatment for burn victims worldwide, the fame thrust upon him after he was declared a hero by the media, and the tumultuous years that followed, most of which were spent under the microscope of an unforgiving public eye.

Intertwined with Joey’s story are those of his family, including his mother, Linda; stepfather, Mike; and younger brother, Danny, all of whom endured their own tremendous hardships in the wake of a fire that changed their lives forever

A Lambda “Most Anticipated LGBTQ Book of August 2021”

Following his award-winning debut memoir, Mamaskatch, which masterfully portrayed a Cree coming-of-age in rural Canada, Darrel J. McLeod continues the poignant story of his adulthood.

In Mamaskatch, McLeod captured an early childhood full of the stories, scents, and sensations of his great-grandfather’s cabin, as well as the devastating separation from family, ensuing abuse, and eventual loss of his mother that permeated his adolescence. In the equally potent Peyakow, McLeod follows a young man through many seasons of his life, navigating an ever-turbulent personal and political landscape filled with loss, love, addiction, and perseverance.

Guided internally by his deep connection to his late grandfather, in a constant quest for happiness, McLeod strives to improve his own life as well as the lives of Indigenous peoples in Canada and beyond. This leads him to a multifaceted career and life as a school principal, chief treaty negotiator, executive director of education and international affairs, representative of an Indigenous delegation to the United Nations in Geneva, jazz musician, and, today, celebrated author.

Weaving together the past and the present through powerful, linked chapters, McLeod confronts how both the personal traumas of his youth and the historical traumas of his ancestral line impact the trajectory of his life. With unwavering and heart-wrenching honesty, Peyakow—Cree for “one who walks alone”—recounts how one man carries the spirit of his family through the lifelong process of healing.

“A wonderful place to start if you’ve never read Wagamese, a must-read if you have, and an indispensable read for everyone.” —LITERARY HUB

“We may not relight the fires that used to burn in our villages, but we can carry the embers from those fires in our hearts and learn to light new fires in a new world.”

Ojibwe tradition calls for fathers to walk their children through the world, sharing the ancient understanding “that we are all, animate and inanimate alike, living on the one pure breath with which the Creator gave life to the Universe.” In this new entry in the Seedbank series, an intimate series of letters to the six-year-old son from whom he was estranged, Richard Wagamese fulfills this traditional duty with grace and humility, describing his own path through life—separation from his family as a boy, substance abuse, incarceration, and ultimately the discovery of books and writing—and braiding this extraordinary story with the teachings of his people, in which animals were the teachers of human beings, until greed and a desire to control the more-than-human world led to anger, fear, and eventually profound alienation.  

At once a deeply moving memoir and a fascinating elucidation of a rich indigenous cosmology, Walking the Ojibwe Path is an unforgettable journey.

“A wonderful place to start if you’ve never read Wagamese, a must-read if you have, and an indispensable read for everyone.” —LITERARY HUB

“We may not relight the fires that used to burn in our villages, but we can carry the embers from those fires in our hearts and learn to light new fires in a new world.”

Ojibwe tradition calls for fathers to walk their children through the world, sharing the ancient understanding “that we are all, animate and inanimate alike, living on the one pure breath with which the Creator gave life to the Universe.” In this new entry in the Seedbank series, an intimate series of letters to the six-year-old son from whom he was estranged, Richard Wagamese fulfills this traditional duty with grace and humility, describing his own path through life—separation from his family as a boy, substance abuse, incarceration, and ultimately the discovery of books and writing—and braiding this extraordinary story with the teachings of his people, in which animals were the teachers of human beings, until greed and a desire to control the more-than-human world led to anger, fear, and eventually profound alienation.  

At once a deeply moving memoir and a fascinating elucidation of a rich indigenous cosmology, Walking the Ojibwe Path is an unforgettable journey.

As a small boy in remote Alberta, Darrel J. McLeod is immersed in his Cree family’s history, passed down in the stories of his mother, Bertha. There he is surrounded by her tales of joy and horror—of the strong men in their family, of her love for Darrel, and of the cruelty she and her sisters endured in residential school—as well as his many siblings and cousins, and the smells of moose stew and wild peppermint tea. And there young Darrel learns to be fiercely proud of his heritage and to listen to the birds that will guide him throughout his life.

But after a series of tragic losses, Bertha turns wild and unstable, and their home life becomes chaotic. Sweet and eager to please, Darrel struggles to maintain his grades and pursue interests in music and science while changing homes, witnessing domestic violence, caring for his younger siblings, and suffering abuse at the hands of his brother-in-law. Meanwhile, he begins to question and grapple with his sexual identity—a reckoning complicated by the repercussions of his abuse and his sibling’s own gender transition.

Thrillingly written in a series of fractured vignettes, and unflinchingly honest, Mamaskatch—“It’s a wonder!” in Cree—is a heartbreaking account of how traumas are passed down from one generation to the next, and an uplifting story of one individual who overcame enormous obstacles in pursuit of a fulfilling and adventurous life.

“Alex Lemon is a brave, headlong writer, and he captures the life of the body with vivid and memorable intensity.”—Mark Doty

Brain surgery. Assault weapons in the bed of a pickup truck. Sophia Loren at the Oscars. Rilke, Rodin, and the craters of the moon. Recovery and disintegration. Monkeys stealing an egg outside a temple in Kathmandu. Brushing teeth bloody on long car rides under blue skies. Pain, ours and what we bring to others. Wildfires in southern California. Rats in Texas. Childhood abuse. Dreams of tigers and blackout nights. The sweetness of mangoes. A son born into a shadowy hospital room. Love. Joy.

In Feverland, Alex Lemon has created a fragmented exploration of what it means to be a man in the tumult of twenty-first-century America—and a harrowing, associative memoir about how we live with the beauties and horrors of our pasts. How to move forward, Lemon asks, when trapped between the demons of one’s history and the angels of one’s better nature? How to live in kindness—to become a caring partner and parent—when one can muster very little such tenderness for oneself? How to be here, now? How to be here, good?

Immersed in darkness but shot through with light, Feverland is a thrillingly experimental memoir from one of our most heartfelt and inventive writers.

"A stunning account."—Kirkus, starred review

“This profoundly literate memoir of courage stuns and moves, and in its ferocious honesty, delights.”—Mark Medoff, Oscar-nominated screenwriter of Children of a Lesser God

Take It Lying Down is “a movingly intricate weave—a detailed and poetic chronicle of healing against all odds, an intense love story, a narrative of a young man’s journey from Maine to New Mexico and adulthood, and a book of literary inspiration and wisdom . . . this is not a medical book, not a self-help book: it’s a literate, occasionally theatrical, surprisingly buoyant, always philosophical and compelling journey through one man’s life.”―From the Foreword by Len Jenkin

Six months shy of retirement and on a family vacation in Mexico, Jim Linnell steps off the porch of a rented guest house and breaks his neck. He is medevacked to his hometown hospital in Albuquerque and from there to a spinal cord injury hospital in Denver, where he learns he may live the rest of his life as a quadriplegic. How does a person absorb such news?

Jim’s injury is incomplete: He has a two-year window for improvement. After three months of rehabilitation at the hospital, he and his wife, Jennifer, return to their home with an armada of equipment for his therapy, a heavy dose of anxiety about how they will manage together, and many unanswerable questions: Will Jim get better? What kind of future will they have? Can they move past denial to accept the possibility that Jim may remain a quadriplegic?

Take It Lying Down portrays a man reclaiming his life from catastrophe—it is a book of exemplary courage.

A powerful memoir from an Indigenous educator.

“Through my eyes, my community was creative, innovative and self-sufficient. In this remote northern traditional First Nation society, the skills, knowledge and abilities that the community needed to survive were all there. . . . The stories are not just of survival and hardship but of the power of the human spirit and the sheer natural genius of individuals.” —Cecil King

Cecil King grew up in the small settlement of Buzwah, Ontario, situated on Wikwemikong Unceded Indian Reserve on Manitoulin Island. This moving memoir shares King’s life on reserve in the 1930s and ’40s and describes a vibrant community full of interesting characters who shared knowledge, warmth, affection, and humour. King also describes his experiences attending Buzwah Indian Day School and St. Charles Garnier Residential School.

After furthering his education, King returned home to Buzwah as a teacher. He quickly became disillusioned with the Ontario curriculum and how inadequately it resonated with on-reserve youth and the realities of Indigenous life. It was then that King began his unparalleled legacy to ensure Indian Control of Indian Education in Canada.

King helped create curriculum that connected to traditional Indigenous cultures and established First Nation language courses in elementary and secondary schools. Over the course of his fifty-year career in education, he would found the Indian Teacher Education Program at the University of Saskatchewan, become the first director of the Aboriginal Teacher Education Program at Queen’s University, and develop Ojibwe language courses across North America.

A remarkable story about a remarkable man, The Boy from Buzwah is a powerful testament to Dr. Cecil King’s work and legacy.

A powerful memoir from an Indigenous educator.

“Through my eyes, my community was creative, innovative and self-sufficient. In this remote northern traditional First Nation society, the skills, knowledge and abilities that the community needed to survive were all there. . . . The stories are not just of survival and hardship but of the power of the human spirit and the sheer natural genius of individuals.” —Cecil King

Cecil King grew up in the small settlement of Buzwah, Ontario, situated on Wikwemikong Unceded Indian Reserve on Manitoulin Island. This moving memoir shares King’s life on reserve in the 1930s and ’40s and describes a vibrant community full of interesting characters who shared knowledge, warmth, affection, and humour. King also describes his experiences attending Buzwah Indian Day School and St. Charles Garnier Residential School.

After furthering his education, King returned home to Buzwah as a teacher. He quickly became disillusioned with the Ontario curriculum and how inadequately it resonated with on-reserve youth and the realities of Indigenous life. It was then that King began his unparalleled legacy to ensure Indian Control of Indian Education in Canada.

King helped create curriculum that connected to traditional Indigenous cultures and established First Nation language courses in elementary and secondary schools. Over the course of his fifty-year career in education, he would found the Indian Teacher Education Program at the University of Saskatchewan, become the first director of the Aboriginal Teacher Education Program at Queen’s University, and develop Ojibwe language courses across North America.

A remarkable story about a remarkable man, The Boy from Buzwah is a powerful testament to Dr. Cecil King’s work and legacy.

Winner, Indigenous Voices Award, 2021
Winner, Creative Saskatchewan Publishing Award, 2021
Shortlisted, Saskatchewan Book Award, Nonfiction, 2021
Shortlisted, Saskatchewan Book Award, City of Regina Prize, 2021
Shortlisted, Rasmussen & Co. Indigenous Peoples’ Writing Award, 2021
Shortlisted, Regina Public Library Book of the Year Award, 2021
Shortlisted, Saskatoon Public Library Indigenous Peoples’ Publishing Award, 2021

Genocidal Love delves into the long-term effects of childhood trauma on those who attended residential school and demonstrates the power of story to help in recovery and healing

Presenting herself as “Myrtle,” Bevann Fox recounts her early childhood filled with love and warmth on the First Nation reservation with her grandparents. At the age of seven she was sent to residential school, and her horrific experiences of abuse there left her without a voice, timid and nervous, never sure, never trusting, and always searching.

This is the story of Myrtle battling to recover her voice.

This is the story of her courage and resilience throughout the arduous process required to make a claim for compensation for the abuse she experienced at residential school—a process that turned out to be yet another trauma at the hands of the colonial power.

This is the story of one woman finally standing up to the painful truth of her past and moving beyond it for the sake of her children and grandchildren. In recounting her tumultuous life, Fox weaves truth and fiction together as a means of bringing clarity to the complex emotions and situations she faced as she walked her path toward healing.

Winner, Indigenous Voices Award, 2021
Winner, Creative Saskatchewan Publishing Award, 2021
Shortlisted, Saskatchewan Book Award, Nonfiction, 2021
Shortlisted, Saskatchewan Book Award, City of Regina Prize, 2021
Shortlisted, Rasmussen & Co. Indigenous Peoples’ Writing Award, 2021
Shortlisted, Regina Public Library Book of the Year Award, 2021
Shortlisted, Saskatoon Public Library Indigenous Peoples’ Publishing Award, 2021

Genocidal Love delves into the long-term effects of childhood trauma on those who attended residential school and demonstrates the power of story to help in recovery and healing

Presenting herself as “Myrtle,” Bevann Fox recounts her early childhood filled with love and warmth on the First Nation reservation with her grandparents. At the age of seven she was sent to residential school, and her horrific experiences of abuse there left her without a voice, timid and nervous, never sure, never trusting, and always searching.

This is the story of Myrtle battling to recover her voice.

This is the story of her courage and resilience throughout the arduous process required to make a claim for compensation for the abuse she experienced at residential school—a process that turned out to be yet another trauma at the hands of the colonial power.

This is the story of one woman finally standing up to the painful truth of her past and moving beyond it for the sake of her children and grandchildren. In recounting her tumultuous life, Fox weaves truth and fiction together as a means of bringing clarity to the complex emotions and situations she faced as she walked her path toward healing.

The harrowing story of one Indigenous child's experience in Canada's residential schools

Named the fourth most important “Book of the Year” by the National Post and voted “One Book/One Province” in Saskatchewan, The Education of Augie Merasty launched on the front page of The Globe and Mail to become a national bestseller.

Publishers Weekly called the book “historically significant,” and The Toronto Star recommended it as a must read for “any Canadian interested in truth and reconciliation.” Writing in The Globe and Mail, educator J.D.M. Stewart noted that it “is well suited to a teenage audience because of its brevity and frankness.”

This new edition includes a Learning Guide that deepens our understanding of the residential school experience, making it ideal for classroom and book club use. It also features a new postscript by David Carpenter, describing how the publication of his memoir changed Augie Merasty’s life.

When Michael Murphy was 21, he fell off a roof at college and landed flat on his back, severing his spine. They say that nobody understands their own traumatic injury just after it happens—but Michael did. Every person falls. They fall short in school, in life, in work, and in love. Their lives sometimes feel punctuated by those downfalls—the rejection letters, the unrequited love, the missed promotions, the life altering traumas. Everyone falls. But then what?

When I Fell is a true tale of going from abled, to disabled, to empowered. It combines the story surrounding Michael’s recovery with the science of resiliency and thriving—what psychologists are now calling Posttraumatic Growth (PTG)—to teach readers how to hit home runs when life throws them curves. Befitting new mainstream acceptance for disabilities, When I Fell is as much a memoir as it is a message. It features the five principles established by Drs. Tedeschi and Calhoun—the pioneers who coined the phrase in the 1990’s—for scientific validation to bring PTG further into the public eye.

A memoir of the author’s twenty-five-year, self-designed experiment with a nonpharmaceutical approach to multiple sclerosis and of the indomitable mother who taught her to meet trouble with active resistance. 

When novelist Edith Forbes experienced her first episode of multiple sclerosis in 1993, few treatments existed. The famously crippling disease was a medical mystery, its cause unknown and its course unpredictable. The only medical advice Forbes received then was to “simply live your life.” She had other ideas.

Forbes grew up on a ranch in Wyoming, raised by a widowed mother who met challenges head on. Besides shouldering responsibility for seven children and a cattle ranch, Forbes’s dynamo mother had ambitions to change the world. As a forward-thinking woman in a largely male business, she became a model of tenacity and independence for her daughter.

After her MS diagnosis, Forbes turned her fear into action, immersing herself in the medical literature to search for ideas. Finding an unexpected connection between the medical information and her own knowledge of agriculture, she embarked on a self-designed experiment that continues to this day.

Tracking a Shadow weaves together the story of Forbes’s personal twenty-five-year medical experiment with a memoir of the mother whose constant determination to look for better answers shaped the author’s unique approach to her disease.

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies.

Generations of students have benefited from Hartman’s generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act.

All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America.
Hartman treats us to a “biobibliography” of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida.

All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman’s unapologetic scholar’s tale.

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies.

Generations of students have benefited from Hartman’s generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act.

All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America.
Hartman treats us to a “biobibliography” of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida.

All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman’s unapologetic scholar’s tale.

“The story of the legendary martial arts fighter and kickboxer Oum Ry is by turns pulse-pounding, disturbing, and powerful. His is an astonishing life told beautifully by his daughter Zochada Tat and Addi Somekh. The book will grip you from its first pages and not let you go."

—Jeff Chang, author of Water Mirror Echo: Bruce Lee and the Making of Asian America  and Can’t Stop Won’t Stop: A History of the Hip-Hop Generation

Oum Ry (b.1944) is a former international champion kickboxer who first brought the Cambodian martial art Pradal Serey to the United States. When his family of silver engravers couldn't afford his food or schooling, he lived with monks until seeking out Pradal Serey masters, soon becoming national champion at 23 years old and one of the most famous fighters in the region. For 15 years, he toured Southeast Asia, and without ever suffering a knock-out, won more than 250 fights. After a young man’s dream-life of stardom, parties, and girls, his new wife gave birth to a child in 1975, two months before the Khmer Rouge entered Phnom Penh and threw the country into the chaos of civil war, where starvation, disease, and mass executions were common.

Oum Ry survived the genocide though much of his family perished. He was saved many times from death in Cambodia due to fame, talent, and his resilience, but suffered a life-threatening attack during Southern California’s epic gang violence of the 1990s. Earlier, as a refugee with his young family in Chicago, Oum Ry learned English while working cleaning hotels. But within a few years, he had an investor in Long Beach, California and opened one of the first kickboxing gyms in the United States.

This is Oum Ry's life story, which is propelled by his highly anticipated return to Cambodia in February 2022 to reunite with family and to pass on Pradal Serey traditions to the next generation.

A daughter breaks the family silence about her mother’s schizophrenia, reframing hospitalizations, paranoia, illness, and caregiving through a feminist lens.

Claire Phillips’ elegantly written and unflinching memoir about her mother, an Oxford-trained lawyer diagnosed in mid-life with paranoid schizophrenia, challenges current conceptions about mental illness, relapse and recovery, as well as difficulties caring for an aging parent with a chronic disease. Told in fragments, the work also becomes a startling reflection on the evolution of feminism as seen through mother-daughter relationships.

Only with her mother’s final relapse at age 73 did the author begin to tell this story, first in Black Clock magazine, an essay for which she received a Pushcart nomination and notable mention in The Best American Essays 2015.

Autobiography of Sir Walter Besant (1902) is a posthumously published autobiography by Walter Besant. Although he is more widely known for his works of fiction and book-length studies of the city of London, Besant was also a gifted autobiographer whose unique sense of self and rich memories make for an entertaining, informative read. “I am supposing that [man] has the choice offered him, together with an outline of the future—not a future of fate laid down with Calvinistic rigour, but a future of possibility. And as time, past or future, does not exist in the other world, I am supposing that a man can be born in any age that he pleases.” The son of a merchant, Walter Besant would combine ambition with wit to become one of Victorian England’s leading intellectual figures. His autobiography is not just the portrait of a man, but a record of a century that saw empires rise and fall, industry outpace agriculture, and the life of humanity change forever, for better or worse. Unsatisfied with the success and fame he found in his literary work, Besant dedicated himself to social causes and was a true champion of the poor in London and around the world. This edition of Walter Besant’s Autobiography of Sir Walter Besant is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Story of My Life (1903) is the autobiography of Helen Keller. Written while she was an undergraduate student at Radcliffe College in Cambridge, Massachusetts, The Story of My Life was a joint effort between Keller, her teacher Anne Sullivan, and Anne’s husband John Macy. “Gradually I got used to the silence and darkness that surrounded me and forgot that it had ever been different, until she came—my teacher—who was to set my spirit free. But during the first nineteen months of my life I had caught glimpses of broad, green fields, a luminous sky, trees and flowers which the darkness that followed could not wholly blot out. If we have once seen, ‘the day is ours, and what the day has shown.’” After losing her hearing and sight as an infant, Helen Keller received a life-changing education from her dedicated teacher Anne Sullivan, herself vision impaired. As she learned to communicate through signs, she found an innate determination to surpass the expectations of those around her, eventually becoming the first deafblind person to obtain her Bachelor of Arts. Her autobiography is a rich retelling of the first twenty-one years of Keller’s life, a period marked by tragedy and miracle alike, shaping her into one of the twentieth century’s leading civil rights activists and public speakers. This edition of Helen Keller’s The Story of My Life is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Autobiography of Ma-Ka-Tai-Me-She-Kia-Kiak (1833) is the autobiography of Sauk chief Black Hawk. Dictated to government interpreter Antoine LeClair following nearly a year in captivity, Black Hawk’s Autobiography captures his youth among the Sauk in the American Midwest, his union with British forces during the War of 1812, and his eventual rebellion against white settlers during the 1832 Black Hawk War. Revered by generations for his bravery and leadership, Black Hawk was also the first Native American to publish an autobiography. “My reason teaches me that land cannot be sold. The Great Spirit gave it to his children to live upon and cultivate as far as necessary for their subsistence, and so long as they occupy and cultivate it they have the right to the soil, but if they voluntarily leave it, then any other people have a right to settle on it. Nothing can be sold but such things as can be carried away.” In his own words, Black Hawk tells the story of his life and of his people. Long mistreated and betrayed by American settlers and government forces alike, the Sauk went to war against the United States twice. Although his final stand ended in surrender, Black Hawk remains a source of pride and a symbol of resilience nearly two centuries after his death. This edition of Black Hawk’s Autobiography of Ma-Ka-Tai-Me-She-Kia-Kiak is a classic of Native American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

During the Second World War, hundreds of children were sent from the UK to stay with family and friends in Canada as “war guests.” This book collects the letters of one such war guest, young W.A.B (Alec) Douglas, who wrote from his wartime home in Toronto to his mother back home in London.

Alec wrote home every week, although sometimes he forgot to post his letters, and they were delayed, and some letters did not get through. Occasionally his godmother and host, Mavis Fry, would add comments and write her own more detailed letters. Also included are letters from Lillian Kingston, who brought Alec to North America in 1940.

This is a story of exposure, at an impressionable age, to ocean passage in wartime, the sights and sounds of New York, the totally new and unfamiliar world of Canada, the wonderful excitement of passage home in a Woolworth Aircraft Carrier as a "Guest of the Admiralty," and his eventful return to a world he had left behind three years before.

A War Guest in Canada includes a foreword by Cynthia Comacchio and an introduction by Roger Sarty.

Bird-Bent Grass chronicles an extraordinary mother–daughter relationship that spans distance, time, and, eventually, debilitating illness. Personal, familial, and political narratives unfold through the letters that Geeske Venema-de Jong and her daughter Kathleen exchanged during the late 1980s and through their weekly conversations, which started after Geeske was diagnosed with Alzheimer’s disease twenty years later.

In 1986, Kathleen accepted a three-year teaching assignment in Uganda, after a devastating civil war, and Geeske promised to be her daughter’s most faithful correspondent. The two women exchanged more than two hundred letters that reflected their lively interest in literature, theology, and politics, and explored ideas about identity, belonging, and home in the context of cross-cultural challenges. Two decades later, with Geeske increasingly beset by Alzheimer’s disease, Kathleen returned to the letters, where she rediscovered the evocative image of a tiny, bright meadow bird perched precariously on a blade of elephant grass. That image – of simultaneous tension, fragility, power, and resilience – sustained her over the years that she used the letters as memory prompts in a larger strategy to keep her intellectually gifted mother alive.

Deftly woven of excerpts from their correspondence, conversations, journal entries, and email updates, Bird-Bent Grass is a complex and moving exploration of memory, illness, and immigration; friendship, conflict, resilience, and forgiveness; cross-cultural communication, the ethics of international development, and letter-writing as a technology of intimacy. Throughout, it reflects on the imperative and fleeting business of being alive and loving others while they’re ours to hold.

I Remember Laurier is the story—actually, thirty-seven stories—of the little university that could, told by some of those who devoted themselves to transforming the school from its modest beginnings into a superb small liberal arts college, and in turn to the university whose growth, diversification, research, and partnerships characterize it today.
Although the stories are diverse in content, viewpoint, and tone, readers will note a number of unifying themes, one being nostalgia for a small university where faculty, staff, and students were close and new initiatives were readily approved and easily implemented. Here too are reflections, sometimes bemused and sprinkled with humour, on professors, administrators, and students, the “Laurier Experience,” and significant events such as “WLU” becoming “WLU” (Waterloo Lutheran University was renamed Wilfrid Laurier University in 1973). Evident throughout is the pride of the contributors in the development of the university to its current status and in having played a role.
In the photo album at the back of the book readers will find vintage prints of the authors and of many others mentioned in the book. More photos will soon be available on the website of the Wilfrid Laurier Retirees’ Association: http://www.wlu.ca/retirees.

Cyprus 1974: “This Ain’t No Picnic, It’s War” is the edited personal diary of Alain Gaudet, a twenty-two-year-old paratrooper with the Canadian Forces in a peacekeeping role in Nicosia, Cyprus. The diary is a fascinating look at daily life from the soldiers’ viewpoint. It gives the reader insight into the challenges and frustrations of a solider in combat, how he deals with the loss of friends and compatriots, and the extremes of emotions on display in a war zone.

We All Giggled tells the stories of two families that came together when the author’s parents met and married in 1945. The Hüglins had lost most of their fortune in the course of two world wars, and the Wachendorff s had survived the Nazi years despite their Jewish ancestry. The families’ roots are traced back to a vineyard in southern Germany, a jail in Geneva, the Conservatory in St. Petersburg, and the hometown of a Jewish merchant in Silesia.

This engaging book centres on the author’s recollections of his grandparents, his parents, and his own growing up in postwar Germany in an environment of bourgeois stability and comfort. As the author chronicles his family’s ups and downs and abiding love for music, food, and art across several generations, a rich tapestry of anecdotes unfolds—about opera singers, restaurants, and travels, and about family relations, romance, and the kind of “impromptu reactions to people, places, and situations that often result in uncontrollable giggles.”

Magie Dominic’s first memoir, The Queen of Peace Room, was shortlisted for the Canadian Women’s Studies Award, ForeWord magazine’s Book of the Year Award, and the Judy Grahn Award. Told over an eight-day period, the book captured a lifetime of turbulent memories, documenting with skill Dominic’s experiences of violence, incest, and rape. But her story wasn’t finished.
Street Angel opens to the voice of an eleven-year-old Dominic. She’s growing up in Newfoundland. Her mother suffers from terrifying nighttime hallucinations. Her father’s business is about to collapse. She layers the world she hears on radio and television onto her family, speaking in paratactic prose with a point-blank delivery. She finds relief only in the glamour of Hollywood films and the majesty of Newfoundland’s wilderness.
Revealing her life through flashbacks, humour, and her signature self-confidence, Dominic takes readers from 1950s Newfoundland to 1960s Pittsburgh, 1970s New York, and the end of the millennium in Toronto. Capturing the long days of childhood, this book questions how important those days are in shaping who we become as we age and time seems to speed up. With quick brush-stroke chapters Dominic chronicles sixty years of a complex, secretive family in this story about violence, adolescence, families, and forgiveness.

How does the imagination entwine the shreds of memory of family, place and culture to root a self in the fluid experience of the present?
Daughter, wife, mother, teacher, writer and feminist academic, Helen M. Buss / Margaret Clarke has lived in many parts of Canada and writes from a life of multiple perspectives full of contradictory loyalties and obligations, of opposing histories and identities. For this woman, whose sense of a unified identity is so tenuous that she even writes under two names, writing memoirs becomes the way to bring together the diverse strands of her life.
A Newfoundland girl who awakened to the public world just at the moment her homeland joined Canada, she writes of her childhood, of the effects of war, technology, the politics of nation and gender, and of the private world of several generations of her close-knit family. From the perspective of a woman from “away”, she discovers a New Found Land of “girlhood” that weaves past and present in a narrative that delights in questioning its own making.

I Have a Story to Tell You is about Eastern European Jewish immigrants living in Montreal, Toronto, and Winnipeg in the early twentieth century. The stories encompass their travels and travails on leaving home and their struggles in the sweatshops and factories of the garment industry in Canada. Basing her work on extensive interviews, Seemah Berson recreates these immigrants’ stories about their lives in the Old Country and the hardship of finding work in Canada, and she tells how many of these newcomers ended up in the needle trades. Revealing a fervent sense of socialist ideology acquired in the crucible of the Russian Revolution, the stories tell of the influence of Jewish culture and traditions, of personal–and organized–fights against exploitation, and of struggles to establish unions for better working conditions.
This book is a wonderful resource for teachers of Canadian, Jewish, and social history, as well as auto/biography and cultural studies. The simplicity of the language, transcribed from oral reports, makes this work accessible to anyone who enjoys a good story.

At the beginning of the Nazi period, 25,000 Jewish people lived in Tarnow, Poland. By the end of the Second World War, nine remained. Like Anne Frank, Israel Unger and his family hid for two years in an attic crawl space above the Dagnan flour mill in Tarnow. Their stove was the chimney that went up through the attic; their windows were cracks in the wall. Survival depended on the food the adults were able to forage outside at night. Against all odds, they emerged alive. Now, decades later, here is Unger’s “unwritten diary.”

At the end of the war, following a time as people sans pays, the Unger family immigrated to Canada. After discovering a love of chemistry, Israel Unger had a stellar academic career, married, and raised a family in Fredericton, New Brunswick. The Unwritten Diary of Israel Unger is as much a Holocaust story as it is a story of a young immigrant making every possible use of the opportunities Canada had to offer.

This revised edition includes a reproduction of Dagnan’s List, a list of Jewish slave labourer similar Schindler’s List, made famous in the Steven Spielberg movie. The name of Israel Unger’s father appears on the list, in which Dagnan declares that Unger is an “essential worker”—a ruse that may have saved the father’s life. This recently discovered document proves that Israel Unger’s memory of this key part of the story was accurate. A new postscript details the importance of this startling document.

David Hartsough knows how to get in the way. He has used his body to block Navy ships headed for Vietnam and trains loaded with munitions on their way to El Salvador and Nicaragua. He has crossed borders to meet “the enemy” in East Berlin, Castro’s Cuba, and present-day Iran. He has marched with mothers confronting a violent regime in Guatemala and stood with refugees threatened by death squads in the Philippines.

Waging Peace is a testament to the difference one person can make. Hartsough’s stories inspire, educate, and encourage readers to find ways to work for a more just and peaceful world. Inspired by the examples of Mahatma Gandhi and Martin Luther King Jr., Hartsough has spent his life experimenting with the power of active nonviolence. It is the story of one man’s effort to live as though we were all brothers and sisters.

Engaging stories on every page provide a peace activist’s eyewitness account of many of the major historical events of the past sixty years, including the Civil Rights and anti–Vietnam War movements in the United States and the little-known but equally significant nonviolent efforts in the Soviet Union, Kosovo, Palestine, Sri Lanka, and the Philippines.

Hartsough’s story demonstrates the power and effectiveness of organized nonviolent action. But Waging Peace is more than one man’s memoir. Hartsough shows how this struggle is waged all over the world by ordinary people committed to ending the spiral of violence and war.

Up a Creek, With a Paddle is an intimate and often humorous memoir by the author of Lies My Teacher Told Me, James W. Loewen, who holds the distinction of being the best-selling living sociologist today. Rivers are good metaphors for life, and paddling for living. In this little book, Loewen skillfully makes these connections without sermonizing, resulting in nuggets of wisdom about how to live, how to act meaningfully, and perhaps how to die. Loewen also returns to his life’s work and gently addresses the origins of racism and inequality, the theory of history, and the ties between the two. But mostly, as in his life, he finds rueful humor in every canoeing debacle—and he has had many!

A nice Jewish boy from suburban Boston—hell, an Eagle Scout!—David Gilbert arrived at Columbia University just in time for the explosive Sixties. From the early anti-Vietnam War protests to the founding of SDS, from the Columbia Strike to the tragedy of the Townhouse, Gilbert was on the scene: as organizer, theoretician, and above all, activist. He was among the first militants who went underground to build the clandestine resistance to war and racism known as “Weatherman.” And he was among the last to emerge, in captivity, after the disaster of the 1981 Brink’s robbery, an attempted expropriation that resulted in four deaths and long prison terms. In this extraordinary memoir, written from the maximum-security prison where he has lived for almost thirty years, Gilbert tells the intensely personal story of his own Long March from liberal to radical to revolutionary.

Today a beloved and admired mentor to a new generation of activists, he assesses with rare humor, with an understanding stripped of illusions, and with uncommon candor the errors and advances, terrors and triumphs of the Sixties and beyond. It’s a battle that was far from won, but is still not lost: the struggle to build a new world, and the love that drives that effort. A cautionary tale and a how-to as well, Love and Struggle is a book as candid, uncompromising, and humane as its author.

David Ranney’s vivid memoir describes his work experiences between 1976 and 1982 in the factories of southeast Chicago and northwest Indiana. The book opens with a detailed description of what it was like to live and work in one of the heaviest industrial concentrations in the world. The author takes the reader on a walk through the heart of the South Side of Chicago, observing the noise, heavy traffic, the 24-hour restaurants and bars, the rich diversity of people on the streets at all hours of the day and night, and the smell of the highly polluted air.

Factory life includes stints at a machine shop, a shortening factory, a railroad car factory, a structural steel shop, a box factory, a chemical plant, and a paper cup factory. Along the way there is a wildcat strike, an immigration raid, shop-floor actions protesting supervisor abuses, serious injuries, a failed effort to unionize, and a murder. Ranney’s emphasis is on race and class relations, working conditions, environmental issues, and broader social issues in the 1970s that impacted the shop floor.

Forty years later, the narrator returns to Chicago’s South Side to reveal what happened to the communities, buildings, and the companies that had inhabited them. Living and Dying on the Factory Floor concludes with discussions on the nature of work; racism, race, and class; the use of immigration policy for social control; and our ability to create a just society.

The Story of My Life (1903) is the autobiography of Helen Keller. Written while she was an undergraduate student at Radcliffe College in Cambridge, Massachusetts, The Story of My Life was a joint effort between Keller, her teacher Anne Sullivan, and Anne’s husband John Macy. “Gradually I got used to the silence and darkness that surrounded me and forgot that it had ever been different, until she came—my teacher—who was to set my spirit free. But during the first nineteen months of my life I had caught glimpses of broad, green fields, a luminous sky, trees and flowers which the darkness that followed could not wholly blot out. If we have once seen, ‘the day is ours, and what the day has shown.’” After losing her hearing and sight as an infant, Helen Keller received a life-changing education from her dedicated teacher Anne Sullivan, herself vision impaired. As she learned to communicate through signs, she found an innate determination to surpass the expectations of those around her, eventually becoming the first deafblind person to obtain her Bachelor of Arts. Her autobiography is a rich retelling of the first twenty-one years of Keller’s life, a period marked by tragedy and miracle alike, shaping her into one of the twentieth century’s leading civil rights activists and public speakers. This edition of Helen Keller’s The Story of My Life is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Autobiography of Sir Walter Besant (1902) is a posthumously published autobiography by Walter Besant. Although he is more widely known for his works of fiction and book-length studies of the city of London, Besant was also a gifted autobiographer whose unique sense of self and rich memories make for an entertaining, informative read. “I am supposing that [man] has the choice offered him, together with an outline of the future—not a future of fate laid down with Calvinistic rigour, but a future of possibility. And as time, past or future, does not exist in the other world, I am supposing that a man can be born in any age that he pleases.” The son of a merchant, Walter Besant would combine ambition with wit to become one of Victorian England’s leading intellectual figures. His autobiography is not just the portrait of a man, but a record of a century that saw empires rise and fall, industry outpace agriculture, and the life of humanity change forever, for better or worse. Unsatisfied with the success and fame he found in his literary work, Besant dedicated himself to social causes and was a true champion of the poor in London and around the world.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Autobiography of Ma-Ka-Tai-Me-She-Kia-Kiak (1833) is the autobiography of Sauk chief Black Hawk. Dictated to government interpreter Antoine LeClair following nearly a year in captivity, Black Hawk’s Autobiography captures his youth among the Sauk in the American Midwest, his union with British forces during the War of 1812, and his eventual rebellion against white settlers during the 1832 Black Hawk War. Revered by generations for his bravery and leadership, Black Hawk was also the first Native American to publish an autobiography. “My reason teaches me that land cannot be sold. The Great Spirit gave it to his children to live upon and cultivate as far as necessary for their subsistence, and so long as they occupy and cultivate it they have the right to the soil, but if they voluntarily leave it, then any other people have a right to settle on it. Nothing can be sold but such things as can be carried away.” In his own words, Black Hawk tells the story of his life and of his people. Long mistreated and betrayed by American settlers and government forces alike, the Sauk went to war against the United States twice. Although his final stand ended in surrender, Black Hawk remains a source of pride and a symbol of resilience nearly two centuries after his death.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Benvenuto Cellini started getting onto trouble at a young age. By age sixteen, he had already been exiled from his hometown for six months due to a public assault of another citizen. As a man with endless talents—sculpting, drafting, writing, music, Cellini enjoyed dabbling in many different art forms, a career that enabled him to travel to various major cities. After apprenticing for a goldsmith, Cellini moved to Rome at age nineteen. There, Pope Clement praised his work. However, Cellini’s relationship with Clement was the last time he stood in good graces with a Pope. After insulting Pope Clément’s successor, Pope Farnese, Cellini left Rome to pursue work in France, fearing that he would be arrested if he stayed. However, his travels did not protect him from the wrath of Pope Farnese. After being accused of the theft of precious Vatican items, Cellini was imprisoned. Deciding to take matters into his own hands, Cellini organizes a prison escape. Though his feud with Pope Farnese greatly complicated his life, Cellini relishes making enemies, and finds humor in every situation he is in. With stories of sexual conquests, murder, escapes, near-death experiences, and artistic endeavors, Benvenuto Cellini reveals all the salacious details of his exhilarating life.

Though he exposes many ugly personality traits that he possesses, Cellini himself does not believe that he has faults, and only admits to being wrong once in his life. Despite this, Cellini possesses an influential amount of charisma, which is as evident in his written work as it was in his life. Autobiography by Benvenuto Cellini provides a privileged look into the social life of the Italian Renaissance, and preserves the memory of the incredible artistic work of Cellini, most of which has been lost to time. Because of the fascinating and atypical life Cellini led, paired with his charisma and humor, Autobiography has remained to feel exciting and relevant to a modern audience, both for entertainment and educational purposes.

Now with an eye-catching cover design and printed in a readable font, Benvenuto Cellini’s Autobiography is accessible for a contemporary audience, preserving the wit and grandeur of work, while renovating it to appeal to a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Benvenuto Cellini started getting onto trouble at a young age. By age sixteen, he had already been exiled from his hometown for six months due to a public assault of another citizen. As a man with endless talents—sculpting, drafting, writing, music, Cellini enjoyed dabbling in many different art forms, a career that enabled him to travel to various major cities. After apprenticing for a goldsmith, Cellini moved to Rome at age nineteen. There, Pope Clement praised his work. However, Cellini’s relationship with Clement was the last time he stood in good graces with a Pope. After insulting Pope Clément’s successor, Pope Farnese, Cellini left Rome to pursue work in France, fearing that he would be arrested if he stayed. However, his travels did not protect him from the wrath of Pope Farnese. After being accused of the theft of precious Vatican items, Cellini was imprisoned. Deciding to take matters into his own hands, Cellini organizes a prison escape. Though his feud with Pope Farnese greatly complicated his life, Cellini relishes making enemies, and finds humor in every situation he is in. With stories of sexual conquests, murder, escapes, near-death experiences, and artistic endeavors, Benvenuto Cellini reveals all the salacious details of his exhilarating life.

Though he exposes many ugly personality traits that he possesses, Cellini himself does not believe that he has faults, and only admits to being wrong once in his life. Despite this, Cellini possesses an influential amount of charisma, which is as evident in his written work as it was in his life. Autobiography by Benvenuto Cellini provides a privileged look into the social life of the Italian Renaissance, and preserves the memory of the incredible artistic work of Cellini, most of which has been lost to time. Because of the fascinating and atypical life Cellini led, paired with his charisma and humor, Autobiography has remained to feel exciting and relevant to a modern audience, both for entertainment and educational purposes.

Now with an eye-catching cover design and printed in a readable font, Benvenuto Cellini’s Autobiography is accessible for a contemporary audience, preserving the wit and grandeur of work, while renovating it to appeal to a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

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An extraordinary memoir of a woman’s unconventional childhood growing up in the Alaskan wilderness, on the grounds where the burned remains of a cannery once stood.

In the 1980s the Neilson family moved out on a floathouse to the remote site of a former cannery in Southeast Alaska that had burned to the ground before statehood. They were miles away from any neighbors, surrounded on all sides by wolves, bears and other wildlife, entering the world of subsistence living in an uninviting land of dangerous weather and storms; yet the Neilsons were able to make themselves a home where few others would have found possible. Led by a jack-of-all-trades handyman for a father and a mother who was afraid of everything in the wilderness, Tara and her four siblings cleared the rough terrain to build atop the blackened, rusty ruins a new way of life that was completely their own.

From a young age, Tara learned that anything was possible, so long as one can imagine it and then make it happen. When given her mother’s impractical design of a six-bedroom house, her father picked up his tools and crafted it into a reality. To reach the closest community, they built a wooden boat sixteen feet long for the perilous journey on the water. The Alaska wilds required independence and self-sufficiency from the family, and in return it provided a natural landscape that inspired romantic passion and unlimited dreams. With endless forest on one side and the wide ocean on the other, Tara embraced the lonesomeness of the burned cannery ruins that she called home, and often wondered what it once was with its people inside, their stories, where they went, and what happened to them.

Beautifully poignant and completely original, Raised in Ruins escapes into the wilderness to discover a piece of Alaskan history wrapped in an incredible family adventure fueled by love, strength, hard work, endurance, and boundless imagination.

An extraordinary memoir of a woman’s unconventional childhood growing up in the Alaskan wilderness, on the grounds where the burned remains of a cannery once stood.

In the 1980s the Neilson family moved out on a floathouse to the remote site of a former cannery in Southeast Alaska that had burned to the ground before statehood. They were miles away from any neighbors, surrounded on all sides by wolves, bears and other wildlife, entering the world of subsistence living in an uninviting land of dangerous weather and storms; yet the Neilsons were able to make themselves a home where few others would have found possible. Led by a jack-of-all-trades handyman for a father and a mother who was afraid of everything in the wilderness, Tara and her four siblings cleared the rough terrain to build atop the blackened, rusty ruins a new way of life that was completely their own.

From a young age, Tara learned that anything was possible, so long as one can imagine it and then make it happen. When given her mother’s impractical design of a six-bedroom house, her father picked up his tools and crafted it into a reality. To reach the closest community, they built a wooden boat sixteen feet long for the perilous journey on the water. The Alaska wilds required independence and self-sufficiency from the family, and in return it provided a natural landscape that inspired romantic passion and unlimited dreams. With endless forest on one side and the wide ocean on the other, Tara embraced the lonesomeness of the burned cannery ruins that she called home, and often wondered what it once was with its people inside, their stories, where they went, and what happened to them.

Beautifully poignant and completely original, Raised in Ruins escapes into the wilderness to discover a piece of Alaskan history wrapped in an incredible family adventure fueled by love, strength, hard work, endurance, and boundless imagination.