Biography & Autobiography

Many people know that Gabrielle "Coco" Chanel (1883–1971) was a prolific French fashion designer and founder of the House of Chanel, who ruled over Parisian haute couture for almost six decades. What, perhaps, they don't know is that, she was taught to sew by nuns and started Chanel by making hats; that she lived in a suite at the Ritz Hotel, Paris, for 37 years; that, in 1935, she was recognized as the world's wealthiest woman; and that, prior to her fashion career, she worked as a singer, famously gaining the nickname "Coco" from one of her songs. 

The ‘Biographic’ series presents an entirely new way of looking at the lives of the world’s greatest thinkers and creatives. It takes the 50 defining facts, dates, thoughts, habits, and achievements of each subject, and uses infographics to convey each of them in vivid snapshots.

The wolf was so close now... Approaching the place where the edge of the forest met the open meadow, I paused before stepping out from the shadows of the trees. The sun was directly overhead. In that moment I stood frozen in my tracks next to the fresh footprint of the wolf that had led me here. I was sharing this trail with the wolf and I did not want the moment to end. I wanted that wolf to be with me forever. (from Chapter Seven, Pack)

Dawn Again: Tracking the Wisdom of the Wild is a memoir of exploration and survival that will inspire you to better tend to the planet, even if it’s simply tending the soil in your own backyard!

Doniga has given us a manual on how to get in touch with our best selves, through getting in touch with the earth. —Joan Baez

Dawn Again takes readers along a young woman’s journey from unsettled teen to immersive nature school student to wildlife tracker to a cattle woman on a mission to save the food system through regenerative agricultural practices that restore the soil and other non-human elements of the planet.

From one of the few female voices in both wilderness immersion and ranching, Dawn Again is a nature memoir that shares Doniga’s experience hitchhiking across the pacific northwest, waiting patiently to connect with a deer on its terms, and tracking in Alaska where she finally came face to face with white wolves and the rigor of wilderness survival.

When Doniga tracks mountain lions with Erik, a rancher, she finds herself falling in love with more than just nature. She settles down on a cattle ranch on the California coast to start a family, and has to learn how to apply the deep lessons of the wild to her everyday life.

Advocating for nature knowledge and ecological wisdom, Dawn Again dives into Doniga's real-life experiences as a woman, environmentalist, wilderness expert, woman rancher, mother, and producer in the food system.

"An inspiring book about love in its purest form."—JANE GOODALL, DBE, Founder of the Jane Goodall Institute & UN Messenger of Peace

With the heartwrenching vulnerability of The Glass Castle and the spiritual journey of H is for Hawk, this stunning debut memoir tells the story of a traumatized young woman's friendship with an injured dolphin whose habitat she fights to save.

When Melody Horrill arrived at university she was a troubled and lost young woman, hiding behind a carefully crafted exterior. She had experienced a childhood of emotional and physical trauma mainly at the hands of her violent father that was as damaging as it was brutal.

One day Melody volunteered to help her lecturer monitor pods of river dolphins nearby. There for the first time she encountered Jock, a solitary dolphin with a maimed fin, who lived apart from the highly social pods. Melody was to form a bond with Jock that gave her the key to freeing herself from the demons of her own past, and their extraordinary friendship was the start of a long-term mission to try to save the river dolphins.

Beautifully written and filled with insight and compassion, Melody's memoir details her life-changing friendship with the river dolphins, and how Jock helped her to heal.

“[Daniel Pauly] is an iconoclastic fisheries scientist ... who is so decidedly global in his life and outlook that he is nearly a man without a country.”—NEW YORK TIMES 

“Daniel Pauly is a friend whose work has inspired me for years.”—TED DANSON

Daniel Pauly is a living legend in the world of marine biology. He coined the influential term “shifting baselines,” in which knowledge of environmental disaster fades over time, leading to a misguided understanding of our world. He blew the whistle on the global fishing industry, alerting the public to the devastation of overfishing. And he developed data-driven research methods that led to groundbreaking discoveries. 

Daniel Pauly is also a man whose life was shaped by struggle. Born after the Second World War to a white French woman and Black American GI in Paris, Pauly’s childhood has been described as Dickensian. His father left before he was born and his mother, whose family did not accept her and her mixed-race son, fell prey to a manipulative Swiss couple who abducted Pauly under murky circumstances. He was taken to Switzerland, where he was treated cruelly as the couple’s servant.  

Pauly escaped to Germany to attend university and, as a young man, travelled to the United States during the 1969 civil rights movement, where he met his father’s family and experienced a political and racial reawakening. From there, he went on to have one of the most decorated careers in the field of marine biology. The Ocean’s Whistleblower “weaves together the challenges of marine research with an astonishing coming-of-age story” (Andrew Sharpless, Oceana) and is told through interviews with colleagues, friends, and Pauly himself. A brilliant book about a brilliant man, The Ocean’s Whistleblower finally profiles one of the most influential scientists of our time.

Published in Partnership with the David Suzuki Institute

"An inspiring book about love in its purest form."—JANE GOODALL, DBE, Founder of the Jane Goodall Institute & UN Messenger of Peace

With the heartwrenching vulnerability of The Glass Castle and the spiritual journey of H is for Hawk, this stunning debut memoir tells the story of a traumatized young woman's friendship with an injured dolphin whose habitat she fights to save.

When Melody Horrill arrived at university she was a troubled and lost young woman, hiding behind a carefully crafted exterior. She had experienced a childhood of emotional and physical trauma mainly at the hands of her violent father that was as damaging as it was brutal.

One day Melody volunteered to help her lecturer monitor pods of river dolphins nearby. There for the first time she encountered Jock, a solitary dolphin with a maimed fin, who lived apart from the highly social pods. Melody was to form a bond with Jock that gave her the key to freeing herself from the demons of her own past, and their extraordinary friendship was the start of a long-term mission to try to save the river dolphins.

Beautifully written and filled with insight and compassion, Melody's memoir details her life-changing friendship with the river dolphins, and how Jock helped her to heal.

“[Daniel Pauly] is an iconoclastic fisheries scientist ... who is so decidedly global in his life and outlook that he is nearly a man without a country.”—NEW YORK TIMES 

“Daniel Pauly is a friend whose work has inspired me for years.”—TED DANSON

Daniel Pauly is a living legend in the world of marine biology. He coined the influential term “shifting baselines,” in which knowledge of environmental disaster fades over time, leading to a misguided understanding of our world. He blew the whistle on the global fishing industry, alerting the public to the devastation of overfishing. And he developed data-driven research methods that led to groundbreaking discoveries. 

Daniel Pauly is also a man whose life was shaped by struggle. Born after the Second World War to a white French woman and Black American GI in Paris, Pauly’s childhood has been described as Dickensian. His father left before he was born and his mother, whose family did not accept her and her mixed-race son, fell prey to a manipulative Swiss couple who abducted Pauly under murky circumstances. He was taken to Switzerland, where he was treated cruelly as the couple’s servant.  

Pauly escaped to Germany to attend university and, as a young man, travelled to the United States during the 1969 civil rights movement, where he met his father’s family and experienced a political and racial reawakening. From there, he went on to have one of the most decorated careers in the field of marine biology. The Ocean’s Whistleblower “weaves together the challenges of marine research with an astonishing coming-of-age story” (Andrew Sharpless, Oceana) and is told through interviews with colleagues, friends, and Pauly himself. A brilliant book about a brilliant man, The Ocean’s Whistleblower finally profiles one of the most influential scientists of our time.

At the end of the nineteenth century, revolutionary developments began to take place in American geography. The humanization of the subject proceeded at a rapid pace, as did the application of geography to other fields. The changes were initiated at the college level, particularly in the schools of business, and later permeated the secondary and elementary levels.

J. Russell Smith, Geographer, Educator, and Conservationist is a two-fold study of these developments. In part, it is an historical-geographical analysis of the development of human and economic geography in the United States. Essentially, its purpose is to evaluate the role of J. Russell Smith in the evolution of American geographic thought.

Through his texts, ranging from the elementary to the college level, and his articles in both professional journals and popular magazines, Smith helped to formulate and publicize the concept, philosophy, and mechanics of human-economic geography. Through his establishment of departments of geography in the Wharton School of the University of Pennsylvania and the School of Business of Columbia University, he helped lay the foundation for the training of professional geographers, as well as for the application of geography to the fields of economics and business. Finally his love of the land led him to crusade for the conservation of natural resources and to experiment with new plants and trees which gave promise of saving the land and yielding good economic returns. At the same time, his broad humanitarian vision also led him to support actively such causes as world peace and international citizenship.

An extensive bibliography is included as well as a complete listing of all of Smith's writings. His wide range of interests makes this book meaningful, not only to individual readers, but also to many organizations, religious and philanthropic. Colleges and universities as well as the business world will also find this book appealing. Its clear organization, its pleasant style, and its humane concern combine to create a vivid account of an important subject and an excellent man.

**Featured inTown & Country, Garden & Gun, and AirMail**

Beautiful, witty, charming, entertaining, lively, and loyal—all words that describe Lynn Wyatt, an extraordinary woman who is fiercely dedicated to family, friends, philanthropy, arts, and fashion.

Lynn Wyatt is a treasure trove of beautiful photographs, letters, and memorabilia celebrating her life, style, and philanthropic endeavors.

An International Best-Dressed inductee, Lynn is a true tastemaker who continues to influence fashion. She donned the made-to-measure creations of Coco Chanel, Karl Lagerfeld, and Tory Burch. Lynn’s philanthropy to the arts was commemorated by the naming of “Lynn Wyatt Square for the Performing Arts” by the city of Houston. 

Celebrated for her kindness and personal style, Lynn, dubbed “Sister Style” by Elton John, transcends many glamorous eras and continues to be an enduring figure of taste and style.

The Times once declared that Lynn is a woman who knows everyone, and she is the first to acknowledge the joy of friendship. For the hostess extraordinaire, it is not about who she knows, but rather, the meaningful relationships that lend importance to life.

Read about her lasting friendships with Princess Grace, Prince Albert of Monaco, and Truman Capote; dancing at Studio 54; parties at Andy Warhol’s Factory; and invitations to the White House from Presidents Nixon, Carter, Reagan, and Clinton. She has been a genuine influence in America’s cultural landscape. Among her many other fans and friends, readers will be delighted by stories of Lynn and Sarah Ferguson, Duchess of York, Valentino, Oscar de la Renta, Liza Minnelli, John Travolta, Diane von Furstenberg, Carolina Herrera, Shirley MacLaine, Zac Posen, and Graydon Carter.

The cover is a portrait of Lynn Wyatt by Andy Warhol, and in the pages of Lynn Wyatt, readers can see her incredible life captured by such legends as Slim Aarons, Andy Warhol, Helmut Newton, and Norman Parkinson. Through beautiful photography, this book explores her continuing influence in the spheres of art, society, fashion, and philanthropy.

A coming-of-age story set in Birmingham in the 1980s and 1990s, The Go-Between opens a window into a closed migrant community living in a red-light district on the wrong side of the tracks.

The adult world is seen through Osman's eyes as a child: his own devout Pashtun patriarchal community, with its divide between the world of men and women, living cheek-by-jowl with parallel migrant communities. The orthodox attend a mosque down the road from the prostitutes and pimps. Children balance Western school teachings with cultural traditions.

Alternative masculinities compete with strict gender roles, and female erasure and honour-based violence are committed, even as empowering female friendships prevail. The stories Osman tells, some fantastical and humorous, others melancholy and even harrowing, take us from the Birmingham of Osman's childhood to the banks of the river Kabul and the river Indus, and, eventually, to the London of his teenage years.

Osman weaves in and out of these worlds, struggling with the dual burdens of racism and community expectations, as he is forced to realise it is no longer possible to exist in the spaces in between.

From the renowned artist, an enlightening memoir of living between worlds and learning how to find one's own

'Full of love, wisdom and yearning' Kit de Waal

A coming-of-age story set in Birmingham in the 1980s and 1990s, The Go-Between opens a window into a closed migrant community living in a red-light district on the wrong side of the tracks.

The adult world is seen through Osman's eyes as a child: his own devout migrant Muslim patriarchal community, with its divide between the world of men and women, living cheek-by-jowl with parallel migrant communities.

Alternative masculinities compete with strict gender roles, and female erasure and honour-based violence are committed, even as empowering female friendships prevail. The stories Osman tells, some fantastical and humorous, others melancholy and even harrowing, take us from the Birmingham of Osman's childhood to the banks of the river Kabul and the river Indus, and, eventually, to the London of his teenage years.

Osman weaves in and out of these worlds, struggling with the dual burdens of racism and community expectations, as he is forced to realise it is no longer possible to exist in the spaces in between.

When the war is over, soldiers return home and begin to rebuild their lives and make contributions to postwar America. Soon the battles, sacrifices and achievements become a distant memory.

Read this book and continue to draw inspiration from the military men and women who have inspiring stories of courage and faith. Their stories, military records, and experiences will be with future generations after these soldiers are gone.

A powerful book on addiction recovery by a doctor who overcame addiction himself, the renowned founder and president of The Hills Treatment Center in Los Angeles

Howard Samuels is one of the world's leading drug and alcohol addiction experts who runs the prestigious The Hills Treatment Center in Los Angeles. Decades ago, from the age of sixteen until he was thirty-two, Dr. Samuels had his own intense struggle with addiction to cocaine and heroin. Using his own compelling story as inspiration as well as case studies of his patients from all walks of life, Dr. Samuels shows how readers can recover from alcoholism and drug addiction by following this 12-step program to happiness and fulfillment in sobriety. This self-help book provides hope, inspiration, and prescriptive advice for those who want to recover as well as guidance for friends and family members seeking help for someone they love.

• Written from the unique perspective of a recovering addict who has helped thousands of people overcome addiction to alcohol and drugs
• Shares with readers for the first time in book form The Hills' world-renowned treatment program
• Tells Samuels' personal recovery story as the son of a prominent politician and businessman among the rich and famous in New York and Washington
• Contains a groundbreaking prescriptive program showing how to work each of the 12 steps
• Examines the cause of addictions, relapses, and fallback addictions
• Contains important information for family and friends of those struggling with addiction, including steps for intervention and healing
• The author appears regularly on TV

Winner, 2024 Best Book Prize, American Association for Ukrainian Studies

When Megan Buskey’s grandmother Anna dies in Cleveland in 2013, Megan is compelled in her grief to uncover and document her grandmother’s life as a native of Ukraine. A Ukrainian American, Buskey returns to her family’s homeland and enlists her relatives there to help her in her quest—and discovers much more than she expected. The result is an extraordinary journey that traces one woman’s story across Ukraine’s difficult twentieth century, from a Galician village emerging from serfdom, to the “bloodlands” of Eastern Europe during World War II, to the Siberian hinterlands where Anna spent almost two decades in exile before receiving the rare opportunity to emigrate from the Soviet Union in the 1960s. In the course of her research, Megan encounters essential and sometimes disturbing aspects of recent Ukrainian history, such as Nazi collaboration, the rise and persistence of Ukrainian nationalism, and the shattering impact of Russia’s full-scale invasion in 2022. Yet her wide-ranging inquiries keep leading her back to universal questions: What does family mean? How can you forge connections between generations that span different cultures, times, and places? And, perhaps most hauntingly, how can you best remember a complicated past that is at once foreign and personal?

To chart the inspiring journey of Pierre Jeanniot is to trace the remarkable development of the air transport industry. In his youth, Jeanniot survived the bombing of Rome, the occupation of France, and was a witness to the Resistance in the Jura Mountains. In 1963, after the Sainte-Thérèse air tragedy and the threat of finding himself jobless, Jeanniot was inspired to create the famous Black Box, which has since become a pillar of aviation security. Under his direction, Air Canada chose the Airbus rather than the Boeing to renew its fleet, in the midst of a highly visible political crisis. Against all odds, Jeanniot also orchestrated the successful privatization of the airline.

His visionary speech at Amman, delivered when he was at the helm of the International Air Transport Association (IATA), laid out modern aviation’s most urgent priorities regarding accident prevention, protection of the environment, and technological progress. A master of logistics, he successfully negotiated the impasse in the skies following the September 11 terrorist attacks and handled the many complications that came in their wake.

Pierre Jeanniot’s influence has been felt far beyond the aviation world. His longstanding desire to facilitate access to higher learning led him to participate actively in the founding of the Université du Québec. A skilled diplomat, he also helped to resolve political problems in Iran, Libya, North Korea, and the Middle East. Taking Aviation to New Heights is the story of a great leader who has left an indelible mark on his milieu. He has truly piloted aviation to new heights.

Published in English.

Inez De Florio, born blind, tells us the moving, fascinating, and true story of her recovery from blindness at the age of 48 and how she coped with learning to see. Eyesight seems to be completely effortless for us, but for persons blind since birth these processes of adaptation are overwhelmingly demanding. For that reason, more than half of the patients commit suicide within the first years after successful surgery.

De Florio, whose late recovery from blindness did not stop her from making a brilliant academic career as a professor in didactics, foreign languages, and intercultural communi¬ca¬ti¬on, not only reveals astounding insights into the world of the visually impaired and their interactions with sighted people. Based on newest scientific findings, she also offers an illuminating report on how to learn to see and how to appreciate visual perception without over-emphasizing the importance of eyesight.

The stunning biographical portraits in Modern Girls, Shining Stars, the Skies of Tokyo, some adapted from essays that first appeared in The New Yorker, explore the lives of five women who did their best to stand up and cause more trouble than was considered proper in Japanese society. Their lives stretch across a century and a half of explosive cultural and political transformations in Japan. These five artists-two actresses, two writers, and a painter-were noted for their talents, their beauty, and their love affairs rather than for any association with politics. But through the fearlessness of their art and their private lives, they influenced the attitudes of their times and challenged the status quo.

Phyllis Birnbaum presents her subjects from various perspectives, allowing them to shine forth in all of their contradictory brilliance: generous and petulant, daring and timid, prudent and foolish. There is Matsui Sumako, the actress who introduced Ibsen's Nora and Wilde's Salome to Japanese audiences but is best remembered for her ambition, obstreperous temperament and turbulent love life. We also meet Takamura Chieko, a promising but ultimately disappointed modernist painter whose descent into mental illness was immortalized in poetry by a husband who may well have been the source of her troubles. In a startling act of rebellion, the sensitive, aristocratic poet Yanagiwara Byakuren left her crude and powerful husband, eloped with her revolutionary lover, and published her request for a divorce in the newspapers. Uno Chiyo was a popular novelist who preferred to be remembered for the romantic wars she fought. Willful, shrewd, and ambitious, Uno struggled for sexual liberation and literary merit. Birnbaum concludes by exploring the life and career of Takamine Hideko, a Japanese film star who portrayed wholesome working-class heroines in hundreds of films, working with such directors as Naruse, Kinoshita, Ozu, and Kurosawa. Angry about a childhood spent working to provide for greedy relatives, Takamine nevertheless made peace with her troubled past and was rewarded for years of hard work with a brilliant career.

Drawing on fictional accounts, interviews, memoirs, newspaper reports, and the creative works of her subjects, Birnbaum has created vivid, seamless narrative portraits of these five remarkable women.

The stunning biographical portraits in Modern Girls, Shining Stars, the Skies of Tokyo, some adapted from essays that first appeared in The New Yorker, explore the lives of five women who did their best to stand up and cause more trouble than was considered proper in Japanese society. Their lives stretch across a century and a half of explosive cultural and political transformations in Japan. These five artists-two actresses, two writers, and a painter-were noted for their talents, their beauty, and their love affairs rather than for any association with politics. But through the fearlessness of their art and their private lives, they influenced the attitudes of their times and challenged the status quo.

Phyllis Birnbaum presents her subjects from various perspectives, allowing them to shine forth in all of their contradictory brilliance: generous and petulant, daring and timid, prudent and foolish. There is Matsui Sumako, the actress who introduced Ibsen's Nora and Wilde's Salome to Japanese audiences but is best remembered for her ambition, obstreperous temperament and turbulent love life. We also meet Takamura Chieko, a promising but ultimately disappointed modernist painter whose descent into mental illness was immortalized in poetry by a husband who may well have been the source of her troubles. In a startling act of rebellion, the sensitive, aristocratic poet Yanagiwara Byakuren left her crude and powerful husband, eloped with her revolutionary lover, and published her request for a divorce in the newspapers. Uno Chiyo was a popular novelist who preferred to be remembered for the romantic wars she fought. Willful, shrewd, and ambitious, Uno struggled for sexual liberation and literary merit. Birnbaum concludes by exploring the life and career of Takamine Hideko, a Japanese film star who portrayed wholesome working-class heroines in hundreds of films, working with such directors as Naruse, Kinoshita, Ozu, and Kurosawa. Angry about a childhood spent working to provide for greedy relatives, Takamine nevertheless made peace with her troubled past and was rewarded for years of hard work with a brilliant career.

Drawing on fictional accounts, interviews, memoirs, newspaper reports, and the creative works of her subjects, Birnbaum has created vivid, seamless narrative portraits of these five remarkable women.

The second volume of William Cullen Bryant's letters opens in 1836 as he has just returned to New York from an extended visit to Europe to resume charge of the New York Evening Post, brought near to failure during his absence by his partner William Leggett's mismanagement. At the period's close, Bryant has found in John Bigelow an able editorial associate and astute partner, with whose help he has brought the paper close to its greatest financial prosperity and to national political and cultural influence.

Bryant's letters show the versatility of his concern with the crucial political, social, artistic, and literary movements of his time, and the varied friendships he enjoyed despite his preoccupation with a controversial daily paper, and with the sustenance of a poetic reputation yet unequaled among Americans. As president of the New York Homeopathic Society, in letters and editorials urging widespread public parks, and in his presidency of the New York Society for the Abolition of the Punishment of Death, he gave attention to public health, recreation, and order. He urged the rights of labor, foreign and religious minorities, and free African Americans; his most powerful political effort of the period was in opposition to the spread of slavery through the conquest of Mexico. An early commitment to free trade in material goods was maintained in letters and editorials, and to that in ideas by his presidency of the American Copyright Club and his support of the efforts of Charles Dickens and Harriet Martineau to secure from the United States Congress and international copyright agreement.

Bryant's first visit to Great Britain came at the height of his poetic and journalistic fame in 1845, bringing him into cordial intimacy with members of Parliament, scientists, journalists, artists, and writers. In detailed letters to his wife, published here for the first time, he describes the pleasures he took in breakfasting with the literary patron Samuel Rogers and the American minister Edward Everett, boating on the Thames with artists and with diarist Henry Crabb Robinson, spending an evening in the home of Leigh Hunt, and calling on the Wordsworths at Rydal Mount as well as in the distinctions paid him at a rally of the Anti-Corn-Law League in Covent Garden Theatre, and at the annual meeting in Cambridge of the British Association for the Advancement of Science.

Equally fresh are most of the letters to prominent Americans, many of them his close friends, such as the two Danas, Bancroft, Cole, Cooper, Dewey, Dix, Downing, Durand, Forrest, Greenough, Irving, Longfellow, Simms, Tilden, Van Buren, and Weir. His letters to the Evening Post recounting his observations and experiences during travels abroad and in the South, West, and Northeast of the United States, which were copied widely in other newspapers and praised highly by many of their subscribers, are here made available to the present-day reader.

The Letters of William Cullen Bryant: Volume II, 1836–1849 is available from the publisher on an open-access basis.

On April 26, 1865, as Abraham Lincoln's funeral cortege paused in Union Square, New York, before being taken by rail to Springfield, Illinois, William Cullen Bryant listened as his own verse elegy for the slain president was read to a great concourse of mourners by the Reverend Samuel Osgood. Only five years earlier and a few blocks downtown, at Cooper Union, Bryant had introduced the prairie candidate to his first eastern audience. There his masterful appeal to the conscience of the nation prepared the way for his election to the presidency on the verge of the Civil War. Now, Bryant stood below Henry Kirke Brown's equestrian statue of George Washington, impressing Osgood as if he were "the 19tth Century itself thinking over the nation and the age in that presence."

Bryant's staunch support of the Union cause throughout the war, and of Lincoln's war efforts, no less than his known influence with the president, led several prominent public figures to urge that he write Lincoln's biography. Oliver Wendell Holmes wrote him, "No man combines the qualities for his biographer so completely as yourself and the finished task would be a noble crown to a noble literary life." But Bryant declined, declaring his inability to record impartially critical events in which he had taken so central a part. Furthermore, while preoccupied with the editorial direction of the New York Evening Post, he was just then repossessing and enlarging his family's homestead at Cummington, Massachusetts, where he hoped his ailing wife might, during long summers in mountain air, regain her health. But in July 1866, Frances died of recurrent rheumatic fever, and, Bryant confessed to Richard Dana, he felt as "one cast out of Paradise."

After France's death Bryant traveled with his daughter Julia for nearly a year through Great Britain and the Continent, where he met British statesman and novelist Edward Bulwer Lytton and French literary critic Hyppolyte Taine, renewed his friendship with Spanish poet Carolina Coronado, Italian liberator Giuseppe Garibaldi, and British and American artists, and visited the family of the young French journalist Georges Clemenceau, as well as the graves of earlier acquaintances Francis Lord Jeffrey and Elizabeth Barrett Browning. In his spare moments Bryant sought solace by beginning the translation of Homer, and Longfellow had found relief after his wife's tragic death by rendering into English Dante's Divine Comedy.

Home again in New York, Bryant bought and settled in a house at 24 West 16th Street which would be his city home for the rest of his life. Here he completed major publications, including the Iliad and Odyssey of Homer and an exhaustive Library of Poetry and Song, and added to published tributes to earlier friends, such as Thomas Cole, Fenimore Cooper, and Washington Irving, memorial discourses on Fitz-Greene Halleck and Gulian Verplanck. In addition to his continued direction of the New York Homeopathic Medical college and the American Free Trade League, he was elected to the presidency of the Williams College Alumni Association, the International Copyright Association, and the Century Association, the club of artists and writers of which, twenty years earlier, he had been a principal founder and which he would direct for the last decade of his life.

The Letters of William Cullen Bryant: Volume V, 1865–1871 is available from the publisher on an open-access basis.

In January 1872, Bryant traveled to Mexico City, where he was greeted warmly by President Benito Juarez; on this and other occasions he was feted for the Evening Post's sturdy condemnation in 1863 of the abortive invasion of Mexico, which was freshly remembered there. At the close of his visit a local newspaper remarked that the "honors and hospitality which were so lavishly and generously conferred upon him were the spontaneous outpouring of a grateful people, who had not forgotten that when Mexico was friendless Mr. Bryant became her friend." Returning in April through New Orleans and up the Mississippi by steamboat to Cincinnati, he was greeted at a public reception by Governor Rutherford Hayes, who was pleased by his "winning and lovable" manners and "pithy" anecdotes.

That spring Bryant built a library for his birthplace, Cummington, stocking it with several thousand books procured for him by the publisher George Palmer Putnam in New York and London. The following year, after the last of his many travels - this time a revisit to South Carolina and Florida - he made a similar gift to Roslyn. These benefactions won him honorary membership in the newly formed American Library Association, and an invitation to open a library at Princeton University, which made him an honorary doctor of letters. Ultimately, in the final year of his life, his plans for the Bryant Library at Cummington, solicited from the White House by President Hayes, provided the basic design for the first presidential library in the country - that established by Hayes in Fremont, Ohio.

An improbable by-product of the presidential race in 1872 was a proposal by leading journalists that Bryant become -in his seventy-eighth year - a candidate to oppose President Grant and his challenger for the Republican nomination, the mercurial editor of the New York Tribune, Horace Greeley. Bryant's immediate refusal to take the suggestion seriously was succinct, and tinged with humor. It was impossible, he declared in his newspaper, that he should receive the nomination, and "equally impossible," if it were offered, that he should "commit the folly of accepting it." Four years later he was distressed at being unable to switch his journal's support of the Republican candidate Hayes to the Democratic candidate, his old companion in political reform, Samuel Jones Tilden.

As Bryant approached and entered his eighties, his writing and public speaking continued without slackening. Between 1872 and 1878 he published his collected Orations and Addresses, edited a revision of his anthology of poetry and two volumes of landscape sketches, Picturesque America, co-authored a four-volume Popular History of the United States, and undertook to co-edit a three-volume set of Shakespeare's plays, while also producing long monographs on several seventeenth-century English poets. He dedicated statues of Shakespeare, Walter Scott, and Fitz-Green Halleck in Central Park, and spoke elsewhere on Robert Burns, Benjamin Franklin, Goethe, and Shakespeare, gave speeches on Mexico and "National Honesty," and presided over the founding of the State Charities Aid Association. He was honored in Albany at receptions by each house of the legislature. For his eightieth birthday, his life's work was celebrated in silver on a Tiffany vase given him by admirers throughout the country.

Bryant's last public act was to unveil, in Central Park, his brainchild of nearly a half century earlier: a bust of the Italian patriot Giuseppe Mazzini. Here, after exhaustion under the June sun, he fell and suffered a massive concussion followed by a stroke, which led to his death a fortnight later in his eighty-fourth year. A period of virtual national mourning preceded his funeral and his burial beside his wife at Roslyn. At one of many memorial services, a eulogist exclaimed, "The broad outline of his character had become universally familiar, like a mountain or a sea. Whoever saw Bryant saw America."

The Letters of William Cullen Bryant: Volume VI, 1872–1878 is available from the publisher on an open-access basis.

This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevin as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within range of individual and group effort.

William Cullen Bryant (1794–1878) was America's earliest national poet. His immediate followers—Longfellow, Poe, and Whitman—unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his lectures at the National Academy of Design in 1828 to his evocation of the Metropolitan Museum of Art in 1870. Between the appearance of his first major poem, "Thanatopsis," in 1817, and his death sixty-one years later at the age of eight-three, Bryant knew and corresponded with an extraordinary number of eminent men and women. More than 2,100 of his know letters have already been recovered for the present edition.

When William Cullen Bryant signed the first of 314 letters in the present volume, in 1809, he was a frail and shy farm boy of fourteen who had nonetheless already won some fame as the satirist of Thomas Jefferson. When he wrote the last, in 1836, he had become the chief poet of his country, the editor of its principal liberal newspaper, and the friend and collaborator of its leading artists and writers. His collected poems, previously published at New York, Boston, and London, were going into their third edition. His incisive editorials in the New York Evening Post were affecting the decisions of Andrew Jackson's administration. His poetic themes were beginning to find expression in the landscape paintings of Robert Weir, Asher Durand, and Thomas Cole.

The early letters gathered here in chronological order give a unique picture of Cullen Bryant's youth and young manhood: his discipline in the classics preparatory to an all-too-brief college tenure; his legal study and subsequent law practice; the experiments with romantic versification which culminated in his poetic masterpieces, and those with the opposite sex which led to his courtship and marriage; his eager interest in the politics of the Madison and Monroe Presidencies, and his subsequent activities as a local politician and polemicist in western Massachusetts; his apprenticeship as magazine editor and literary critic in New York City, from which his later eminence as journalist was the natural evolution; the lectures on poetry and mythology which foreshadowed a long career as occasional orator; the collaboration in writing The Talisman, The American Landscape, and Tales of Glauber-Spa, and in forming the National Academy of Design, and the Sketch Club, which brought him intimacy with writers, artists, and publishers; his first trip to the American West, and his first long visit to Europe, during which he began the practice of writing letters to his newspaper which, throughout nearly half a century, proved him a perceptive interpreter of the distant scene to his contemporaries.

Here, in essence, is the first volume of the autobiography of one whom Abraham Lincoln remarked after his first visit to New York City in 1860, "It was worth the journey to the East merely to see such a man." And John Bigelow, who of Bryant's many eulogists knew him best, said in 1878 of his longtime friend and business partner, "There was no eminent American upon whom the judgment of his countrymen would be more immediate and unanimous. The broad simple outline of his character and career had become universally familiar, like a mountain or a sea."

The Letters of William Cullen Bryant: Volume I, 1809–1836 is available from the publisher on an open-access basis.

During the years covered in this volume, Bryant traveled more often and widely than at any comparable period during his life. The visits to Great Britain and Europe, a tour of the Near East and the Holy Land, and excursions in Cuba, Spain, and North Africa, as well as two trips to Illinois, he described in frequent letters to the Evening Post. Reprinted widely, and later published in two volumes, these met much critical acclaim, one notice praising the "quiet charm of these letters, written mostly from out-of-the-way places, giving charming pictures of nature and people, with the most delicate choice of words, and yet in the perfect simplicity of the true epistolary style."

His absence during nearly one-fifth of this nine-year period reflected the growing prosperity of Bryant's newspaper, and his confidence in his editorial partner John Bigelow and correspondents such as William S. Thayer, as well as in the financial acumen of his business partner Isaac Henderson. These were crucial years in domestic politics, however, and Bryant's guidance of Evening Post policies was evident in editorials treating major issues such as the Compromise of 1850, the Fugitive Slave Law, the Kansas-Nebraska Bill, the rise of the Republican Party, and the Dred Scott Decision, as well as in his correspondence with such statesmen as Salmon P. Chase, Hamilton Fish, William L. Marcy, Edwin D. Morgan, and Charles Sumner. His travel letters and journalistic writings reflected as well his acute interest in a Europe in turmoil. In France and Germany he saw the struggles between revolution and repression; in Spain he talked with journalists, parliamentary leaders, and the future president of the first Spanish republic; in New York he greeted Louis Kossuth and Giuseppe Garibaldi.

Bryant's close association with the arts continued. He sat for portraits to a dozen painters, among them Henry P. Gray, Daniel Huntington, Asher Durand, Charles L. Elliott, and Samuel Laurence. The landscapists continued to be inspired by his poetic themes. Sculptor Horatio Greenough asked of Bryant a critical reading of his pioneering essays on functionalism. His old friend, the tragedian Edwin Forrest, sought his mediation in what would become the most sensational divorce case of the century, with Bryant and his family as witnesses. His long advocacy of a great central park in New York was consummated by the legislature. And in 1852, his eulogy on the life of James Fenimore Cooper became the first of several such orations which would establish him as the memorialist of his literary contemporaries in New York.

The years just before and during the Civil War marked the high point of Bryant's influence on public affairs, which had grown steadily since the Evening Post had upheld the democratic Jacksonian revolution of the 1830s. A founder of the Free Soil Party in 1848 and the Republican Party in 1856, Bryant was lauded in 1857 by Virginia anti-slavery leader John Curtis Underwood, who wrote to Eli Thayer, "What a glory it would be to our country if it could elect this man to the Presidency-the country not he would be honored & elevated by such an event."

In 1860 Bryant helped secure the Presidential nomination for Abraham Lincoln, and was instrumental in the choice of two key members of his cabinet, Salmon Chase as Secretary of the Treasury, and Gideon Welles as Secretary of the Navy. During disheartening delays and defeats in the early war years, direct communications from Union field commanders empowered his editorial admonitions to such a degree that the conductor of a national magazine concluded that the Evening Post's "clear and able political leaders have been of more service to the government of this war than some of its armies."

Bryant's correspondence with statesmen further reflects the immediacy of his concern with military and political decisions. There are thirty-five known letters to Lincoln, and thirty-two to Chase, Welles, war secretary Stanton, and Senators Fessenden, Morgan, and Sumner.

This seven-year passage in Bryant's life, beginning with his wife's critical illness at Naples in 1858, concludes with a unique testimonial for his seventieth birthday in November 1864. The country's leading artists and writers entertained him at a "Festival" in New York's Century Club, giving him a portfolio of pictures by forty-six painters as a token of the "sympathy" he had "ever manifested toward the Artists," and the "high rank" he had "ever accorded to art." Poets Emerson, Holmes, Longfellow, Lowell, and Whittier saluted him in prose and verse. Emerson saw him as "a true painter of the face of this country"; Holmes, as the "first sweet singer in the cage of our close-woven life." To Whittier, his personal and public life sounded "his noblest strain." And in the darkest hours of the war, said Lowell, he had "remanned ourselves in his own manhood's store," had become "himself our bravest crown."

This is the only collection ever made of Bryant's letters, two-thirds of which have never before been printed. Their publication was foreseen by the late Allan Nevins as "one of the most important and stimulating enterprises contributory to the enrichment of the nation's cultural and political life that is now within the range of individual and group effort."

William Cullen Bryant (1794-1878) was America's earliest national poet. His immediate followers-Longfellow, Poe, and Whitman-unquestionably began their distinguished careers in imitation of his verses. But Bryant was even more influential in his long career as a political journalist, and in his encouragement of American art, from his lectures at the National Academy of Design in 1828 to his evocation of the Metropolitan Museum of Art in 1870. Between the appearance of his first major poem, "Thanatopsis," in 1817, and his death sixty-one years later at the age of eighty-three, Bryant knew and corresponded with an extraordinary number of eminent men and women. More than 2,100 of his known letters have already been recovered for the present edition.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects.

After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form.

James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century.

An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe.

While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer.

James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects.

After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form.

James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century.

An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe.

While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer.

James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.

Inside Pepys' London reveals a vivid picture of London at a critical point in history - poised to become a major centre of international commerce and culture. It provides accounts of all aspects of contemporary life, from the arts and entertainment, to politics and religion. Though no king or great general, thanks to his diary Samuel Pepys is one of the most interesting characters in history. His life encompassed happenings of huge historical and human impact - the execution of Charles I and the Great Fire of London to name but two. This book takes Pepys' diary, which he kept almost daily from 1660-1669, as its central resource, but also includes a range of other contemporary sources to provide a fascinating and vivid picture of the times.

This is a fascinating, evocative account of 19th-century London, so well known from Charles Dickens' much-loved novels. It draws on descriptions of life in the capital from original letters, diaries and newspapers, as well as Dickens' own social commentary, to paint a vivid portrait of a city undergoing massive social changes. No author has ever described the city of London as well as Dickens. His eye for detail and his gift for characterization moved and entertained readers throughout the world who might never have been to the city. Many of the cliches that crowd our imaginations when we think of London, or of the Victorians, can be traced back to his writings. A unique gazetteer section with a modern-day map allows the reader to discover where places and attractions mentioned in the text can be seen in today's London.

Take to the air with veteran bush pilot and game warden Ray Tremblay in these lively adventure stories of Alaska’s early game-law enforcement. During a career spanning nearly thirty years, Tremblay earned the respect of his fellow pilots and game cops, as well as biologists, trappers, hunters, and fishermen who appreciated his sincere concern for the protection and wise use of the fish and wildlife in the Territory, then State of Alaska. Gifted with good humor, common sense, and uncommon storytelling ability, Tremblay offers two dozen remarkable first-person accounts that are worthy of laugh-aloud and read-aloud status—to the guy in the next room.

Psychobiography has the potential to reveal the complexity of individuals’ lives. Psychobiographies of well-known individuals have focused, with a few exceptions, primarily on analyses of the lives of well known White males, whose profiles and accomplishments have certainly been worthy of such attention. The availability of psychobiographies, however, of well known People of Color in history and contemporary contexts is quite limited. Additionally, psychobiographies of prominent women and especially Women of Color is also limited. This book will contribute to filling a void in the psychobiographical literature about prominent Black/African American individuals.

This book is a multiple case psychobiography of the lives of four Black/African American performing artists Bert Williams (November 12, 1874 – March 4, 1922), Ethel Waters (October 31, 1896 – September 1, 1977), Dorothy Dandridge (November 9, 1922 – September 8, 1965), and Sammy Davis Jr. (December 8, 1925 – May 16, 1990). Bert Williams, Ethel Waters, Dorothy Dandridge, and Sammy Davis, Jr. were talented and successful Black/African American entertainers and artists. But, despite their talent and success, they faced unique barriers in the entertainment industry and in society in a variety of contexts, including but not limited to racism and sexism. Moreover, the eras that each of them came of age in were historical time periods that reflected particular societal mores and values related to race, culture, gender and other aspects of intersectionality. It is my belief that the attention and rewards they received as performing artists were not commensurate with their talent. This book will present a psychobiographical examination of each subject’s racial-cultural identity, personality, intersectionality, talent, and professional careers as well as their embeddedness in historical and contemporary cultural contexts.

Psychobiography has the potential to reveal the complexity of individuals’ lives. Psychobiographies of well-known individuals have focused, with a few exceptions, primarily on analyses of the lives of well known White males, whose profiles and accomplishments have certainly been worthy of such attention. The availability of psychobiographies, however, of well known People of Color in history and contemporary contexts is quite limited. Additionally, psychobiographies of prominent women and especially Women of Color is also limited. This book will contribute to filling a void in the psychobiographical literature about prominent Black/African American individuals.

This book is a multiple case psychobiography of the lives of four Black/African American performing artists Bert Williams (November 12, 1874 – March 4, 1922), Ethel Waters (October 31, 1896 – September 1, 1977), Dorothy Dandridge (November 9, 1922 – September 8, 1965), and Sammy Davis Jr. (December 8, 1925 – May 16, 1990). Bert Williams, Ethel Waters, Dorothy Dandridge, and Sammy Davis, Jr. were talented and successful Black/African American entertainers and artists. But, despite their talent and success, they faced unique barriers in the entertainment industry and in society in a variety of contexts, including but not limited to racism and sexism. Moreover, the eras that each of them came of age in were historical time periods that reflected particular societal mores and values related to race, culture, gender and other aspects of intersectionality. It is my belief that the attention and rewards they received as performing artists were not commensurate with their talent. This book will present a psychobiographical examination of each subject’s racial-cultural identity, personality, intersectionality, talent, and professional careers as well as their embeddedness in historical and contemporary cultural contexts.

“Choi's true-crime biography adds much-needed detail and perspective to Noguchi's unusual and compelling story.” —Booklist

L.A. Coroner is a gripping true crime biography of Dr. Thomas Noguchi, the controversial “Coroner to the Stars,” who performed the autopsies of Marilyn Monroe, Robert F. Kennedy, Natalie Wood, and hundreds of other notable personalities. Choi, an award-winning historian and professor, deftly blends Los Angeles history, death investigation and forensic science, and Asian American history in a feat of exquisite storytelling.

L.A. Coroner is the first-ever biography of Dr. Thomas Noguchi, the Chief Medical Examiner–Coroner of Los Angeles County from 1967 to 1982. Throughout his illustrious career, Dr. Noguchi conducted the official autopsies of some of the most high-profile figures of his time. His elaborate press conferences, which often generated more controversy than they did answers, catapulted him into the public eye.

Noguchi was also the inspiration for the popular 1970s–80s television drama Quincy, M.E., starring Jack Klugman. Featuring never-before-published details about Noguchi’s most controversial cases, L.A. Coroner is a meticulously researched biography of a complex man, set against the backdrop of the social and racial politics of the 1960s and 1970s and Hollywood celebrity culture.

The authoritative Beethoven biography, endorsed by and produced in close collaboration with the Beethoven-Haus Bonn, is timed for the 250th anniversary of Beethoven's birth.

With unprecedented access to the archives at the Beethoven House in Bonn, renowned Beethoven conductor and scholar Jan Caeyers expertly weaves together a deeply human and complex image of Beethoven—his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the “immortal beloved,” and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven’s music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist.

Demonstrating an impressive command of the vast scholarship on this iconic composer, Caeyers brings Beethoven’s world alive with elegant prose, memorable musical descriptions, and vivid depictions of Bonn and Vienna—the cities where Beethoven produced and performed his works. Caeyers explores how Beethoven’s career was impacted by the historical and philosophical shifts taking place in the music world, and conversely, how his own trajectory changed the course of the music industry. Equal parts absorbing cultural history and lively biography, Beethoven, A Life paints a complex portrait of the musical genius who redefined the musical style of his day and went on to become one of the great pillars of Western art music.