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Celebrated singer-songwriter and guitarist Dave Alvin is, first and foremost, a storyteller. The Grammy winning artist's disarmingly well-crafted lyrics represent just one of the many expressions of his unique ability to capture the gritty and beautiful moments of life with the written word. This anthology of his writing is a companion piece to Dave's considerable musical output, and presents a staggering cross section of his work.

New Highway includes a generous selection of his celebrated poetry; excerpts of his moving prose; newspaper articles and essays on artists including Frank Zappa, Bo Diddley, and Ray Charles (which earned Dave a Grammy nomination); tributes to influences such as Merle Haggard; a long-lost interview with Buck Owens; and, of course, a carefully curated representation of his inimitable lyrics. Packed with rich imagery and poignant observations, New Highway follows Dave's previous collections Nana, Big Joe & the Fourth of July, and Any Rough Times Are Now Behind You: Selected Poems & Writings: 1979-1995.

If you know Dave Alvin for his music, this collection will give you deeper insight into the heart of an artist whose pen knows no boundaries.

As a co-founder of The Byrds and The Flying Burrito Brothers, Chris Hillman is arguably the primary architect of what's come to be known as country rock. He went on to record and perform in various configurations, including as a member of Stephen Stills's Manassas and as a co-founder of The Souther-Hillman-Furay Band. In the 1980s he formed The Desert Rose Band, scoring eight Top 10 Billboard country hits. He's released a number of solo efforts, including 2017's highly acclaimed Bidin' My Time—the final album produced by the late Tom Petty. In Time Between, Hillman shares his quintessentially Southern Californian experience, from an idyllic, rural 1950s childhood; to achieving worldwide fame thanks to hits such as "Mr. Tambourine Man," "Turn! Turn! Turn!" and "Eight Miles High"; to becoming the first musician to move to Laurel Canyon. Featuring behind-the-scenes insights on his time in The Byrds, his productive but sometimes complicated relationship with Gram Parsons, his role in launching the careers of Buffalo Springfield and Emmylou Harris, and the ups and downs of life in various bands, music is only part of his story. Within the pages of Time Between, Hillman reveals the details of his personal life with candor and vulnerability, writing honestly about the shocking tragedy that struck his family when he was a teenager, his subsequent struggles with anger, and how his spiritual journey led him to a place of deep faith that allowed him to extend forgiveness and experience wholeness. Chris Hillman is much more than a rock star. He is truly a founding father of American music and a man who has faced down the challenges of life to discover what really matters.

Hound Dog Taylor made guitars howl and hips shake. A founding father of lo-fi blues rock—that gritty, stripped-down sound played on cheap guitars with no bass—Taylor and his band The Houserockers played loud, wild gut-bucket boogie that was raw and ferocious, earning them a reputation as "The Ramones of the blues."

Though his influence continues to be heard in the music of contemporary musicians such as Jack White, The Black Keys, and others, Hound Dog Taylor's story has never been fully explored. Off stage, his life was as wild as his music.

From his childhood in 1920s Mississippi to his final years in 1970s Chicago, he was surrounded by racism, crime, and violence. The threat of bloodshed was constant, whether from the Ku Klux Klan, South Side gangs, or even fellow musicians. From drunkenly slicing off his sixth finger with a straight razor, to becoming the artist whose music launched the now-legendary Alligator Records, Goodnight Boogie is the first in-depth biographical study of the Blues Hall of Famer whose life was as compelling as his music.

This is the story of a brilliant and unforgettably original musician who struggled for success while fighting to survive.

Foreword written by Dan Auerbach of The Black Keys.

Marty Stuart's tenth studio album, The Pilgrim, was released 1999. The risky and ambitious concept project—based on true events that transpired in his hometown of Philadelphia, Mississippi—was a turning point in Marty's unique artistry. While not a commercial success at the time, The Pilgrim represents a rediscovery of his roots and a creative rebirth that continues to reverberate today as we celebrate the album's twentieth anniversary.

From the art direction, to the eccentric narrative, to the participation of iconic performers such as Earl Scruggs, Ralph Stanley, George Jones, Johnny Cash, Emmylou Harris, and Connie Smith, The Pilgrim somehow managed to connect with the deepest spirit of country music's rich traditions while also breaking new ground.

It's impossible to understand Marty Stuart without understanding what led to The Pilgrim and how it has shaped who he is today as an uncompromising artist and an unflinching evangelist for pure country music.

Presented here is a lushly illustrated coffee table book that's about much more than just one landmark album. It's about art, discovery, artistic integrity, and a vision that set Marty Stuart on a new path. Also included with the book is a CD of the original album and unreleased bonus material.

Say It One Time for the Brokenhearted was the first of many titles by renowned UK music journalist Barney Hoskyns. Thirty years after its publication he revisited the modern-day classic for this revised and expanded anniversary edition that marks the book's first publication in the US.

Fascinated by the collision of country and soul music in the Southern states, Hoskyns and photographer Muir MacKean set out on a journey through the American South to explore the phenomenon of primarily black singers and primarily white musicians joining forces in the 1960s to create musical magic in an era of racial tension.

From Memphis to Muscle Shoals to Nashville, they sat down with dozens of the architects of what's come to be known as Country Soul to capture a story that is as inspiring as it is historically important.

As part of Motown's legendary songwriting and production team of Holland-Dozier-Holland, Lamont Dozier is responsible for such classics as "Baby I Need Your Loving," "You Can't Hurry Love," "I Can't Help Myself (Sugar Pie, Honey Bunch)," "Stop! In the Name of Love," "Heat Wave," "Baby Love," "It's the Same Old Song," "Nowhere to Run," "You Keep Me Hanging On," "Reach Out I'll Be There," "How Sweet It Is (To Be Loved by You)," and many more.

After leaving Motown, he continued to make his mark as an influential songwriter, artist, and producer with hits such as "Give Me Just a Little More Time," "Band of Gold," and "Two Hearts," a chart-topping Phil Collins single that earned the pair an Academy Award nomination and a Grammy win.

In How Sweet It Is Lamont takes us behind the scenes of the Motown machine, sharing personal stories of his encounters with such icons as Diana Ross, Marvin Gaye, Stevie Wonder, Smokey Robinson, and Berry Gordy. He reveals the moments that inspired some of his timeless songs—and pulls back the curtain on the studio secrets that helped him and his colleagues create "the sound of young America." From his early years of struggle growing up in Detroit to the triumphs and tragedies that have marked his personal and professional path, at the center of Lamont's story is the heart of a true songwriter.

Though he's racked up well over 100 Top 10 singles on the Billboard charts, been inducted into Songwriters Hall of Fame and the Rock & Roll Hall of Fame, and has been named among Rolling Stone magazine's "100 Greatest Songwriters of All Time," Lamont continues to write music every day.

Having pursued the mystery of the songwriting muse for many years, his stories are interwoven with invaluable insights and wisdom on the art and craft of songwriting that will inspire the creative spark in all of us.