Lessons for the antifascist fight now and to come rooted in well-learned lessons from Black liberation.

Revolution In These Times delivers veteran Black Panther Party member, Black Liberation Army leader, and former political prisoner Dhoruba Bin Wahad direct in his own words to offer us an analysis of how today's resurgent right-wing agenda is an outgrowth of the ongoing and historical political struggle between the oppressed masses and settler-colonialism of America and Europe. Bin-Wahad not only explores how white supremacist politics have recaptured the American imagination but also prescribes a radical grassroots response to counter this ideology and supplant the violent state repression that keeps it in power.

Bin Wahad pieces together fight-back strategies against the police and the state through a process of mobilizing in the streets, on the block, and in our communities, while gathering mass through antifascist coalition-building in a manner unrealized since the 1960s and 1970s. In this series of interviews, Bin Wahad grounds us in the now, seamlessly weaving together firsthand accounts of his own and other’s revolutionary past in the history of struggle, alongside lessons for today.

Fears about AI tell us more about capitalism today than technology in the future.

Will AI come and take all our jobs? Will it dominate humanity, hack the foundations of our civilization, or even wipe humans of the face of the planet? All kinds of people seem to think so. From academics to billionaires, artists to fraudsters, journalists to the pope, AI nightmares have gripped the popular imagination. Why We Fear AI boldly asserts these fears are actually about capitalism, reimagined as a kind of autonomous intelligent agent. 

Science and tech industry insiders Hagen Blix and Ingeborg Glimmer dive into the dark, twisted, and arcane world of AI nightmares in order to demystify what people say about it. They combine expertise in cognitive science and machine learning with political and economic analyses to cut through the hype and technobabble, and show how fears about AI reflect very different economic realities: from venture capitalists to AI engineers, from artists to warehouse workers at Amazon. If we want to understand the fears and potential impacts of AI, we must think about capitalism, the economy, and class power in real terms we can confront and wage our struggles on.

Blix and Glimmer argue that AI nightmares reveal the terrifying underbelly of our current society, of the violence and alienation at the root of capitalism and its way of organizing our world in its image. If we simply let capitalism and tech billionaires run wild, we can expect the worst: automated bureaucracies that protect the powerful and punish the poor; an ever-expanding surveillance apparatus; the cheapening of skills, downward pressures on wages, the expansion of gig-work, and crushing inequality. But that outcome is not inevitable, however much capitalist may dream of it. Why We Fear AI points the way to a different and brighter future, one where our labor, knowledge, and technologies serves us, rather than us serving capital and its owners.

New Bones Abolition addresses “those of us broken enough to grow new bones” in order to stabilize our political traditions that renew freedom struggles.

Reflecting on police violence, political movements, Black feminism, Erica Garner, Mumia Abu-Jamal, caretakers and compradors, Joy James analyzes the “Captive Maternal,” which emerges from legacies of colonialism, chattel slavery and predatory policing, to explore the stages of resistance and communal rebellion that manifest through war resistance. She recognizes a long line of gendered and ungendered freedom fighters, who, within a racialized and economically-stratified democracy, transform from coerced or conflicted caretakers into builders of movements, who realize the necessity of maroon spaces, and ultimately the inevitability of becoming war resisters that mobilize against genocide and state violence.

New Bones Abolition weaves a narrative of a historically complex and engaged people seeking to quell state violence. James discusses the contributions of the mother Mamie Till-Mobley who held a 1955 open-casket funeral for her fourteen-year-old Emmett Till, murdered by white nationalists; the 1971 rebels at Attica prison; the resilience of political prisoners despite the surplus torture they endured; the emergence of Black feminists as political theorists; human rights advocates seeking abolition; and the radical intellectualism of Erica Garner, daughter of Eric Garner slain in 2014 by the NYPD. James positions the Captive Maternal within the evolution of contemporary abolition. Her meditation on, and theorizing of, Black radicals and revolutionaries works to honor Agape-driven communities and organizers that deter state/police predatory violence through love, caretaking, protest, movements, marronage, and war resistance.

Take Over the City provides the first spatial analysis of Italian Operaismo and the extraordinary urban struggles of 1970s Italy.

Take Over the City is the first systemic spatial account of Italian Operaismo. Drawing on the Marxist urban theory of Henri Lefebvre, David Harvey and other urban thinkers, the book situates the struggles of Operaismo, especially in the 1970s, within an incipient-yet-tendential phase of global urbanization. In doing so, the book draws attention to previously neglected urban struggles in the wider social factory, recognizing these as immanent to the new spatial composition of capital in Italy.

The book argues that these early urban struggles carry important lessons for contemporary struggles and social conflict in the sphere of social reproduction. They drew attention to a tendency that has only become more entrenched since the 1970s: the centrality of urbanization and real estate to the political economy of national economies. If urbanization has become increasingly central to capital accumulation, it follows that urban struggle must become increasingly central to anti-capitalist struggle. The struggles to ‘Take Over the City’ in 1970s Italy provide an important marker of how this might be done in the current era.

By excavating the urban struggles of 1970s Italy with a spatialized understanding of Operaismo’s signature theoretical contribution––class composition––the book provides both an important contribution to radical urban history and a window into how current urban struggles might be theorized. This should be of interest to those interested in Operaismo and autonomist theory and practice more generally, and those interested in radical urban history and contemporary urban struggles.