Common Notions

New Bones Abolition addresses “those of us broken enough to grow new bones” in order to stabilize our political traditions that renew freedom struggles.

Reflecting on police violence, political movements, Black feminism, Erica Garner, Mumia Abu-Jamal, caretakers and compradors, Joy James analyzes the “Captive Maternal,” which emerges from legacies of colonialism, chattel slavery and predatory policing, to explore the stages of resistance and communal rebellion that manifest through war resistance. She recognizes a long line of gendered and ungendered freedom fighters, who, within a racialized and economically-stratified democracy, transform from coerced or conflicted caretakers into builders of movements, who realize the necessity of maroon spaces, and ultimately the inevitability of becoming war resisters that mobilize against genocide and state violence.

New Bones Abolition weaves a narrative of a historically complex and engaged people seeking to quell state violence. James discusses the contributions of the mother Mamie Till-Mobley who held a 1955 open-casket funeral for her fourteen-year-old Emmett Till, murdered by white nationalists; the 1971 rebels at Attica prison; the resilience of political prisoners despite the surplus torture they endured; the emergence of Black feminists as political theorists; human rights advocates seeking abolition; and the radical intellectualism of Erica Garner, daughter of Eric Garner slain in 2014 by the NYPD. James positions the Captive Maternal within the evolution of contemporary abolition. Her meditation on, and theorizing of, Black radicals and revolutionaries works to honor Agape-driven communities and organizers that deter state/police predatory violence through love, caretaking, protest, movements, marronage, and war resistance.

Abolition can be a spiritual practice, a spiritual journey, and a spiritual commitment. What does abolition mean and how can we get there as a collective and improvisational project?

To posit the spirituality of abolition, is to consider the ways historical and contemporary movements against slavery, prisons, the wage system, animal and earth exploitation, racialized, gendered, and sexualized violence, and the death penalty necessitate epistemologies that have been foreclosed through violent force by Western thought of philosophical and theological kinds. It is also to claim that the material conditions that will produce abolition are necessarily Black, Indigenous, queer and trans, feminist, and also about disabled and other non-conforming bodies in force and verve.

Abolition and Spirituality asks what can prison abolition teach us about spiritual practice, spiritual journey, spiritual commitment? And, what can these things underscore about the struggle for abolition as a desired manifestation of material change in worlds we inhabit currently? Collecting writings, poetry, and art from thinkers, organizers, and incarcerated people the editors trace the importance of faith and spirit in our ongoing struggle towards abolitionist horizons.

A speculative novel of anti-imperialist queer imagination set in a science-fictional future that is rooted in the lovingly-portrayed context of the Punjabi global diaspora.

Love and revolution in a crumbling world order . . .

Roma has a full-time job, a mortgage, and a loving family in Queens. Life is good in the center of the Empire, but on the outskirts, soldiers wage a brutal war against a besieged people. When her stepbrother Ranbir entrusts her with a mysterious plant, Roma discovers it’s a startlingly sophisticated piece of bioengineered technology that opens a portal for an extra-terrestrial spirit body that brings news of a liberated future.

While Ranbir joins forces with the spirit body to confront the nucleus of automated warfare, his brother Khushbir has more local concerns, and is organizing the Punjabi farmers’ protest. Meanwhile, Roma is occupied with existential questions about complicity and faith that have her reconsidering her role within this global struggle.

What follows draws Roma and her family onto the frontlines of the resistance – and in Roma’s case, into the path of a woman whose heart will only ever belong to the revolution.

The inaugural issue of the movement-focused and future-forward Abolition Journal quarterly after it was relaunched by the Philadelphia-based Abolition School.

This pilot issue of the revived Abolition Journal is produced by the Philadelphia-based W.E.B. Du Bois Movement School for Abolition & Reconstruction. It brings together two dozen urgent and timely interventions in political debates around abolition and aims to show how this abstract idea manifests itself in our daily lives.

These interventions, authored by a diverse cast of contributors, including academics and attorneys, so-called felons and physicians, artists and educators, and parents, playwrights and poets, explore the everyday experiences that come with trying to live out an abolitionist politics. In the words of the editors, these experiences include “the daily victories and errands, reflections and runarounds, gestures and drama, habits and heartbreaks, setbacks and surrenders, excuses and evasions, breakdowns and breakthroughs.”

The issue curates a variety of content, including political essays, short stories, poetry, interviews, and speeches, each resonating and reflecting in their own unique way on the central theme “Everyday Sh!t.” They offer thoughts and reflections on structure, practice, care, and direction to deepen existing movement knowledge and invite new audiences to see themselves mirrored within this work.
Without exception, these are stories of sincere experience mixed with radical poetic visions culled from the issue contributors’ plurality of pasts, presents, and prefigurative futures. Grounded in Philadelphia, yet looking out onto the whole wide world, Abolition Journal aims to reflect the lived complexity that can be messy and self-defeating, but equally authentic and inspiring.

We study the world in order to change it.

What you are holding in your hands is not a finished product. But it is the product of the first year of our work at the Du Bois Movement School. And what a year it has been. The Du Bois Movement School was the product of a particular time and place. We came together amid the long wake of the 2020 rebellions, which mobilized hundreds of thousands nationwide and pushed abolitionist narratives into the mainstream. This raised pressing questions for abolitionists across the country and the world, and more than any other, the question was this: what do we mean when we say abolition?

The system had two responses to this question: co-optation and counterinsurgency. While sectors of the political and media apparatus have embraced the language of abolition (and decolonization) to water down and co-opt them, the state has also subjected revolutionary abolitionists to severe repression—we experienced both in Philly. In this context, we engaged in conversations among movement educators and radical organizers across the city to ask what kind of political education would help to take abolitionist struggles to the next level. We realized that this required not only training in concrete organizing skills but real understanding of the world, history, economics, and power. We realized that we need to study our world if we want to change it.

The working-class records from the 1960s, 1970s, and 1980s labor movements that capture the power of music to galvanize and document a movement.

Workers have been producing culture for as long as they’ve been fighting for better working conditions, higher wages, and sometimes even revolution. One form this culture has often taken is song, and we’re lucky enough that many of these songs were captured on vinyl records between 1960 and 1990. Strike While the Needle is Hot takes the reader through these records one by one, providing both a broad overview of how militant unionists used music as a tool of struggle, as well as fine details about specific worker revolts that would be lost to history if they hadn’t captured them on small discs of vinyl.

A sharp yet honest caricature of the neocolonial, uncritical right on American college campuses.

Let me go ahead and say it upfront: I wrote that goddamn novel. 

An unsympathetic, self-concerned young professor at a small university in Appalachia is on the verge of a breakthrough. His first book, Coyote Road, has become a huge success. Students are reading his book on campus. Invitations to speak are pouring in from universities and bookstores. There is just one problem: no one believes it’s his book. Some guy named Rodrigo Suarez has taken all of the credit, all of the adulation, all of the accolades, and all the attention. 

Thus begins the young professor’s obsessive crusade to expose Rodrigo Suarez as a liar and a thief. In this uncomfortably plausible farce, the indefatigable Steven Salaita drops the hammer on the shallow and disingenuous discourse regarding identity politics and appropriation on American campuses.

We are at a watershed moment of rising fascism and rising seas. Yet, our ability to connect and collaborate in creating our societies has never been greater. The urgent question is: How do we build democratic participation everywhere?

Remaking Democracy: How We Make the Worlds We Want is a guidebook for social change. It provides strategy and tools to create a more just and desirable future for everyone. It empowers people from all walks of life to analyze root causes of the problems we face and design actions, transforming ourselves as we transform the world. Stories of successful projects illuminate the book’s theory in action. Remaking Democracy teaches how to proliferate participation and grow democratic practices, so that those affected by systems can become their creators. It equips us to design the abundant variety of solutions our surviving and thriving require.

Speculative fiction, set in the not-so-distant future, about family, scarcity, and what it means to sell out as the world ends.

The world hasn’t quite ended, but it’s getting there. Me and Mine brings readers to a not-so-distant future in pre-apocalyptic Chicago. The West has dried up, the watershed has been contaminated, and water scarcity has driven most of the population inward from the coasts. Here, real estate interests run rampant and the possibility of snagging a house close enough to the Great Lakes to get fresh water has realigned global financial interests. And, as always, the working class is still being pushed aside to make way for white, wealthy newcomers.

Amidst the chaos, three brothers try to navigate the swiftly changing landscape of this new Chicago. As one seeks influence in politics, the younger two are drawn into the dangerous, shadowy world of private security and militias. In the precarious new world that these three brothers navigate, J. M. Holmes offers a grim yet familiar future in which scarcity breeds resentment, resentment breeds extremism, and extremism ignites around the racial faultlines of our present.

A kaleidoscopic novel, investigating the nature of politics, narrative, and self determination in the wake of the Islamic Revolution.

Kurdish writers do not discriminate between novellas, short stories, and novels–these words are western inventions; in Kurdish, “çîrok” refers to every kind of story. And among the contemporary Kurdish writers spread across Turkey, Syria, Iraq, Armenia, Iran, and the global diaspora, none is more revered than Ata Nahai.

Poignant, psychological, and deeply political, BIRDS IN A GALE is composed of the entwined stories of a writer and his characters in the time after the Islamic Revolution in Iran. In this inventive metatext, lucidly translated by Chiya Parvizpur and Hourieh Maleki Qouzloo, the reader experiences the trauma and healing of a people reeling from a hundred years of repression and violence as the story slips deeper and deeper into itself. And as the author becomes one of his characters and a character takes on the role of author, we readers are left in a realm of bittersweet dreams and historical nightmare, holding tightly to the evocative words of a writer at the top of his craft.

From acclaimed public scholar Andrew Ross, groundbreaking reporting on climate change and the horizons of a just future from Palestine, UAE, Arizona, and China.

Between the summers of 2023 and 2024, temperatures rose. Coastal areas flooded while droughts and fires raged inland. Unprecedented tornadoes, hurricanes, and typhoons of astonishing force revealed the disturbances roiling the air and the oceans. And in the midst of all of this, more species than ever before disappeared from the planet in what scientists are calling Earth’s Sixth Great Extinction. Maybe reports from the front lines of the climate crisis have always been grim, but this past year was worse than any other, measurably more catastrophic in more ways for more animals and more people.

In his travels during this tumultuous year, public intellectual and noted scholar Andrew Ross criss-crossed the world, visiting Ramallah (Palestine), Dubai (UAE), Phoenix (USA), and Shanghai (China)—some of the landscapes most disturbed by human activity, whether through active warfare or massive development projects. But rather than offering another eco-polemic or recalling for us the dread prognostications of Malthus in the 19th century or Erlich in the 20th, The Weather Report is a clear-eyed and essentially optimistic book that proposes a pragmatic, just, and urgent new common ground and reestablishes scalable projects of mutual aid and care as a new, essential center for our economic, ecological, and social well-being.

A collection of poems spanning six decades of life, love, loss, and rebellion amidst the planetary transformations of the working class and capital, from the acclaimed Marxist philosopher and writer George Caffentzis.

"I have never considered myself a poet, yet, from my adolescence, poetry has been a constant company in my life. Only recently, however, I have begun to collect poems that I had scattered through notebooks, back-pages of articles and other occasional spaces. The desire to see them as one work is partly stimulated by the recognition of recurring themes, at times in syntony with those inspiring my political writings. Among them are the memories and the nostalgia for the Greek world of my childhood, my grandmother's house facing the Taygetus mountain, the pleasures and troubles of love and political organizing, and, with the passing of years, the mourning of dead friends and comrades, and above all the never-ending pleasure of playing with words. This book collects some of the poems that have accompanied this journey." —George Caffentzis, from the Introduction

This is the century of homeland security. 

The federal government created a monster. They said it would keep us safe. The monster hatched in November 2002. It was named the Department of Homeland Security (DHS). An appetite for control and conquest was in its DNA. Its early influences, in the years after 9/11, were paranoia and vengeance. 

The DHS is the only new department the United States has spawned in this century. With its birth, issues that were previously seen as separate—immigration control, policing, and counter-terrorism—were brought into a single, sprawling entity. Twenty-two preexisting agencies were absorbed into what became the nation’s third largest government department. Today it has a budget of over $100 billion and employs a quarter of a million people. Every danger is now conceived of as a threat to “homeland security,” and as the 9/11 Commission said in 2003, “the American homeland is the planet.”

Inside one of the most daring and provocative Black organizations in Brazil of the last two decades, from the perspective of its founders and militants.

Rise Up or Die! describes the origins, main concepts, distinct phases, and visions of the future of one of the most innovative, daring, and militant Black organizations in Brazil. Firmly rooted in that country’s long tradition of resistance and rebellion against a nation that depends on the continued hyper-exploitation, dehumanization, abandonment, and social and physical death of Black people, the organization invented what it refers to as “bad manners in Black politics.” If bad manners mean a refusal to abide by expectations of decorum, analysis, collective organization—and indeed the Brazilian genocidal model of racial democracy—then Rise Up certainly fits the description. The organization invented a new political vocabulary, led to the formation of an autonomous Black School in Salvador (the Winnie Mandela School), and constantly attracts people from the most marginalized Black spaces of the largest Black nation in the world, second only to Nigeria.

Drawing on a constantly replenished matrix of Black radical traditions, the activists of Rise Up or Die relentlessly pursue invention as the necessary alternative to a social formation that simply hates Black people.

A one-of-a-kind lyrical and fast-paced memoir of the frontlines and trenches of Native liberation in the Four Corners and Southwest in the 1970s. From the late summer of 1972 to the late summer of 1974, John Redhouse and many other Red Power activists put everything on the line to organize mass movements and direct actions for Native liberation. It was an extraordinary time defined by stunning victories and intense struggles. In just a few short years, Redhouse and his contemporaries changed Navajo and Native people’s collective destinies. So profound was their impact that it can still be felt fifty years later. 

 Written in the first-person with a spirit of generosity and witness, John Redhouse describes the fever pitch of the times, focusing on the racist and exploitative bordertowns in the Four Corners area of the Southwest region. He interweaves a piercing critique of violence against Navajo people in reservations bordertowns with a condemnation of the violence that rapidly growing mineral extraction in and around the Navajo Nation introduced to Navajo life. 

 As a firsthand participant in some of the most important twentieth-century struggles against this manifold violence, Redhouse is one of only a few grassroots intellectuals who can tell this story. Bordertown Clashes, Resource Wars, Contested Territories: The Four Corners in the Turbulent 1970s brings readers to the enduring struggle for Native liberation, traced over half a century ago, where John Redhouse and many more led a revolution that continues to this day.

Lessons from the greatest people’s victory against corporate neoliberal capture in Latin America.

Water is life! From the frontlines of the greatest popular rebellion against the privatization of water comes the triumphant grassroots story of ordinary people in Cochabamba, Bolivia who became water warriors. As Echoes of Cochabamba shows in vivid detail, the 2001 “water wars” was an explosion of democracy and human rights regained by the masses, which won popular control of water supply and defied all odds by driving out the transnational corporation that had stolen their water in the first place.

Oscar Olivera, a trade union machinist who helped shape and lead a movement that brought thousands of ordinary people to the streets, powerfully conveys the perspective of a committed participant in a victorious and inspirational rebellion.

Olivera relates the selling of the city’s water supply to Aguas del Tunari—a subsidiary of US-based Bechtel—the subsequent astronomical rise in water prices, and the refusal of poverty-strapped Bolivians to pay them. Olivera brings us to the front lines of a movement, chronicling how the people organized an opposition and the dramatic struggles that eventually defeated the privatizers.

With hard-won political savvy, Olivera reflects on major themes that emerged from the war over water: the fear and isolation that Cochabambinos faced with a spirit of solidarity and mutual aid; the challenges of democratically administering the city’s water supply; and the impact of the water wars on subsequent resistance.

Twenty-five years later, Cochabamba teaches us that the real issue is not the capture of state power, but the creation of new pathways from the grassroots up.

A love letter to liberation, from Palestine to the ground beneath your feet.

When you think of freedom, where are you? And where are you headed? Letters from a Living Utopia invites readers to engage with utopia as both a destination and a lived reality starting with the ground beneath our feet. Dreaming of freedom from the displaced and occupied realities of Palestine, Mx Yaffa builds bridges between the historical struggle for liberation and self-determination and the everyday, intimate, and interconnected ways that we build freedom where we are, through care, healing, and bonds of solidarity. Letters from a Living Utopia is a remarkable journey to a world in formation, emergent in our resilience and our repair, our spiritual grounding and our non-attachment, our love and joy, and our sustainable and sustaining relations to the earth in its abundance.

Critical conversations and reflections about lessons learned at the intersection of social movements and artist production.

Diversity of Aesthetics collects powerful and timely conversations among leading cultural critics, artists, and organizers to connect the threads between some of the most pressing social struggles and conflicts of our time: policing, war, borders and migration, economic crisis.

Across three themes—infrastructure, migration, and riots—militant thinkers, artists, educators, and others discuss aesthetic production, forms of social organization, modes of struggle against gendered and racialized capitalism, and revolutionary theory. Common to all three conversations is a commitment to rethinking the relationship between forms of critique and forms of struggle undertaken by collective social practices, offering lessons for tactics, strategies, and practices.

What the opioid epidemic teaches us about the addiction at the root of our social life—and how we free ourselves from it.

How To Break An Addiction paints an original and dynamic portrait of the nature of the opioid crisis while offering original commentary on what the crisis portends about the present historical conjuncture. Interrogating long- and short-run, macro and micro, national and global, structural and personal factors, it takes the ongoing US opioid crisis as a jumping off point to illustrate the profound conclusion: capitalism at its core is an addiction.

In a blend of memoir, historical record, original research, and theoretical and cultural analysis, critical geographer and harm reduction activist Annie Spencer argues against a dominant ‘progressive’ presumption of the need to reform (or ‘save’) capitalism, demonstrating instead the imperative to think, organize, and enact new ways of being and provisioning together on a living Earth.

How To Break An Addiction renders visible the extent to which the world we inhabit today is made by addiction—in capital’s image—and against life and well-being. Spencer calls for redress of the deepening crisis of addiction and the so-called ‘epidemic’ of pain at its root; for a paradigm shift away from the dominant economic logic in favor of new kinds of ecosystemic social practice and provision. We must innovate a new way of being human together in the here and now. Spencer’s first-person narration anchors rigorous and far-reaching research and theory, making for an original and impactful tour through capital’s addiction to crisis and our ability—and need—to break from it.

Lessons for the antifascist fight now and to come rooted in well-learned lessons from Black liberation.

Revolution In These Times delivers veteran Black Panther Party member, Black Liberation Army leader, and former political prisoner Dhoruba Bin Wahad direct in his own words to offer us an analysis of how today's resurgent right-wing agenda is an outgrowth of the ongoing and historical political struggle between the oppressed masses and settler-colonialism of America and Europe. Bin-Wahad not only explores how white supremacist politics have recaptured the American imagination but also prescribes a radical grassroots response to counter this ideology and supplant the violent state repression that keeps it in power.

Bin Wahad pieces together fight-back strategies against the police and the state through a process of mobilizing in the streets, on the block, and in our communities, while gathering mass through antifascist coalition-building in a manner unrealized since the 1960s and 1970s. In this series of interviews, Bin Wahad grounds us in the now, seamlessly weaving together firsthand accounts of his own and other’s revolutionary past in the history of struggle, alongside lessons for today.

The future of public higher education is being held hostage by financial institutions and actors. How did it get this way? 

Lend & Rule reveals the “shadow governance” of debt and credit in the United States higher education system. With sharp and hard-hitting insight, the Coalition Against Campus Debt exposes how institutional debt is a primary driver of university austerity, miseducation, and the deepening of societal inequality.

Addressing how our lives are entangled in a debt economy, they develop the analysis necessary to transform higher education in today’s neoliberal racial capitalist political economy.

Part theoretical analysis, part toolbox for organizers in higher education, Lend & Rule is an invaluable resource for anyone engaged in debt abolition struggles or looking to acquire a critical and transformative vision of higher education today.

Conflict and resolution are the lifeblood of social movements. How, and with whom, do we find lasting friendship, support, and joy in a world in need of so much repair?

In On Activism, Friendships, and Fighting veteran organizer and social worker Benjamin Heim Shepard traces a pressing dynamic of social movements: friendship and conflict. The project builds on oral histories with more than  thirty movement organizers—from AIDS, queer, trade union, community, Occupy, and harm reduction-based movements—reflecting on the lessons, meanings, and future directions of movements and collective organizing efforts. “There is a hunger for radical history – to give credit to past struggles, to learn from our mistakes and to improve our strategies for the future,” writes Lesley Wood. Oral histories trace the stories of these movements.

The book goes in depth into the reasons and ways the interviewees became involved in activism, the friendships they formed, and the conflicts they faced. This includes asking questions such as: where do friendships support or undermine these efforts? How can conflicts be resolved?  And where do people find lasting support?

Fears about AI tell us more about capitalism today than technology in the future.

Will AI come and take all our jobs? Will it dominate humanity, hack the foundations of our civilization, or even wipe humans of the face of the planet? All kinds of people seem to think so. From academics to billionaires, artists to fraudsters, journalists to the pope, AI nightmares have gripped the popular imagination. Why We Fear AI boldly asserts these fears are actually about capitalism, reimagined as a kind of autonomous intelligent agent. 

Science and tech industry insiders Hagen Blix and Ingeborg Glimmer dive into the dark, twisted, and arcane world of AI nightmares in order to demystify what people say about it. They combine expertise in cognitive science and machine learning with political and economic analyses to cut through the hype and technobabble, and show how fears about AI reflect very different economic realities: from venture capitalists to AI engineers, from artists to warehouse workers at Amazon. If we want to understand the fears and potential impacts of AI, we must think about capitalism, the economy, and class power in real terms we can confront and wage our struggles on.

Blix and Glimmer argue that AI nightmares reveal the terrifying underbelly of our current society, of the violence and alienation at the root of capitalism and its way of organizing our world in its image. If we simply let capitalism and tech billionaires run wild, we can expect the worst: automated bureaucracies that protect the powerful and punish the poor; an ever-expanding surveillance apparatus; the cheapening of skills, downward pressures on wages, the expansion of gig-work, and crushing inequality. But that outcome is not inevitable, however much capitalist may dream of it. Why We Fear AI points the way to a different and brighter future, one where our labor, knowledge, and technologies serves us, rather than us serving capital and its owners.

A stunning full-color, multilingual exploration of the profound graphic and intellectual legacy of the Organization of Solidarity of the Peoples of Asia, Africa, and Latin America (OSPAAAL) for internationalism, solidarity, communication, and art among movements today.

Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America.

OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements around the world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements.

Armed By Design brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL’s work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.

This full-color multilingual edition includes ten international contemporary political poster-makers, artists, and designers commissioned to produce OSPAAAL-inspired prints in solidarity with today’s movements: Friends of Ibn Firnas (USA), Yuko Tonohira (Japan/USA), Ganzeer (Egypt/USA), Un Mundo Feliz (Spain), Steven Rodriguez (USA), Dignidad Rebelde, Tomie Arai (USA), Sublevarte Colectivo (Mexico), Jamaa Al-Yad (Lebanon/Worldwide), and A3CB (Japan).

A bold rethinking of cancer as a biological phenomenon, an indictment of science that serves capitalism, and a radical vision of liberated health and well-being.

More than fifty years after the declaration of the War on Cancer, we are nowhere closer to victory. The problem lies in the way cancer is understood and the “cancer-industrial complex” that has been established to address it. The cancer-industrial complex arises from the symbiosis of private corporations, nonprofit organizations such as universities and foundations, and public governmental regulatory bodies in the post-genomic era. This network profits off a vulnerable population who exist in a market that is structurally rigged against them given their physical and socioeconomic conditions. Under the auspices of scientific research and technological progress, much of which is well-meaning, a critical extortion takes place.

Metastasis brings the cancer-industrial complex to the fore of our understanding of what cancer is, the chronic nature of the disease, its unmistakable parallels to capitalism, its inextricable link to the neoliberal model of economic development, and its disproportionate burden on nonwhite and poor populations—and what it will really take to rid ourselves of the gravest dangers to our individual and collective well-being.

Trained as a cancer scientist, Nafis Hasan offers a critical and clinical reading of current narratives of cancer research and the conditions that put the onus on the individual rather than our collective efforts to prevent cancer incidence and deaths. He offers a visionary alternative theory about carcinogenesis—one countering the dominant neoliberal idea of mutations causing cancer—and centers a dialectical approach to understanding the biology and sociology of cancer. Hasan states, “If we must fight the longest war, then it should be the war against capitalism, whose growth has metastasized in every aspect of our society and ourselves.”

A memoir of the infamous “last Surrealist” amid the heady militancy of May ’68.

Alain Segura was a teenage anarchist in Paris during the mid-to-late 1960s when he hung around with members of the Enragés and the Situationist International. He was particularly captivated by Yugoslavian militant, poet, and painter Marianne Ivsic, a member of André Breton’s Surrealist group. It was Guy Debord who approvingly called her “the last Surrealist.”A Season with Marianne details the heady days of friendship, rebellion, and creative militancy surrounding May ’68, against the backdrop of a colossal split between the Anarchist International and the Situationists in 1967, and the impossible demands of a revolution briefly glimpsed.

A memoir of a mother and daughter’s return to Cabo Verde reveals the legacies of national liberation, a story of memory and migration, and the psychic and physical landscape that colonialism has wrought.

A story of family bonds amid political betrayal that explores the drastic steps that a young girl will take in order to find a sense of belonging.

Fred is lost, confused, almost certainly about to die. As he traces his steps back from the desert where he has been dropped by soldiers of a repressive Gulf Kingdom regime, his nine-year-old daughter, Nancy, is doing the same from six thousand miles away in a quiet neighborhood in the suburbs of Washington, DC. 

With his disappearance, she and her mother are forced to leave their comfortable house in DC for a new life in Virginia.  Abandoned by their friends and desperate for answers, Nancy and her mother must acclimate to the strange world of suburban anonymity. As Nancy grows into adulthood, she pieces together what happened to her father and devises a bold plan to avenge his disappearance.  

Unraveling an international web of deceit in order to find her father will take time and patience; and becoming a cold-blooded assassin takes commitment to a life at odds with everything she knows. 

A young Kurdish woman discovers a commitment to liberation, both personal and collective, through a harrowing journey to Rojava and the heart of armed struggle.

Jînçin is a young professor living in Berlin, born to a Yezedi father who years earlier was shunned and exiled for marrying outside his community, and who late in life makes the surprising and fateful decision to return to his homeland to join the Kurdish People’s Defense Units (YPG) in their fight against the Islamic State.

Searching for answers as to why the father she adored would give his life for such a cause, Jînçin embarks on a clandestine journey through various autonomous territories of Kurdistan, from Başûr in northern Iraq (southern Kurdistan), to the remote mountains of Bakûr in southeast Turkey (northern Kurdistan), and to Rojava in northeastern Syria.

With little training and without warning, she is plunged into the freedom struggle as she confronts the extremist threat that faces the Kurds, from bloody skirmishes with ISIS to drone strikes and the clandestine operations and brutal human rights abuses of the Turkish military. 

Her new life as a guerrilla fighter is a bitter and arduous one, but also one of rich discovery. Over months of mournful, intimate, and often-times playful conversations with her comrades, as well as remarkable acts of resistance and narrow escapes from grave danger, Jînçin finally grasps her place and purpose in the world. 

Ultimately, Rojava is the story of people living and fighting shoulder-to-shoulder who have decided, regardless of the present world order and in spite of the odds stacked against them, to build a society free from discrimination, based on shared dignity and collective autonomy.

Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.

The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of “crises” in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere. 

In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations. 

Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutional Psychotherapy of Félix Guattari is put into conversation with the Brazilian art therapy of Nise da Silveira; the Mexican anti-psychiatry movement’s reflections on violence are thought together with theories of violence developed in Argentinian psychoanalysis and Frantz Fanon’s anticolonial therapeutic practice; the social form of the Italian Democratic Psychiatry and Brazilian anti-institutional movements are contrasted with the anti-psychiatry factions of the 1960s–70s North American counterculture.

Storming Bedlam: Madness, Utopia, and Revolt subverts the divisions between social and biological approaches to mental health or between psychiatry and anti-psychiatry. By exploring the history of psychiatry in the context of revolution, war, and economic development, Warren outlines a minor history of approaches to mental health care grounded in common struggles against conditions of scarcity, poverty, isolation, and exploitation.

Another justice is possible. Genocide in the Neighborhood documents the theories, debates, successes, and failures of a rebellious tactic to build popular power and transformative justice.

Genocide in the Neighborhood explores the autonomist practice of the “escrache,” a series of public shamings that emerged in the late 1990s to honor the lives of those tens of thousands disappeared and exterminated under the Argentinean military dictatorship (1976 to 1983) and to protest the amnesty granted to perpetrators of state violence. 

Through a series of hypotheses and two sets of interviews, Colectivo Situaciones highlights the theories, debates, successes, and failures of the escraches—those direct and decentralized ways to agitate for justice that Brian Whitener defines as “something between a march, an action or happening, and a public shaming." 

Genocide in the Neighborhood also follows the popular Argentine uprising in 2001, a period of intense social unrest and political creativity that led to the collapse of government after government. The power that ordinary people developed for themselves in public space soon gave birth to a movement of neighborhoods organizing themselves into hundreds of popular assemblies across the country, while the unemployed took over streets and workers occupied factories. 

These events marked a sea change, a before and an after for Argentina that has since resonated around the world. In its wake Genocide in the Neighborhood investigates the nature of rebellion, discusses the value of historical and cultural memory to resistance, and tactfully deploys a much-needed model of political resistance that has recently been given new life by feminist groups across Latin America organizing against patriarchal violence.

A sweeping and poignant history of community response to the violence of white supremacy and carceral systems in the US, told through interviews, archival reproductions, and narrative.

In the summer of 2020, the deaths of George Floyd, Breonna Taylor, and Tony McDade ignited a movement that led to the largest street protests in American history. Abolitionist grassroots organizers around the country unified around a clear demand: defund the police and refund our communities. While the majority of the country supported the call to reform the police, what followed was a backlash from mainstream politicians and the press, all but defeating the movement to end the continued violence against Black Americans. 

Defend / Defund examines the history of how communities have responded to the violence of white supremacy and carceral systems in the United States and asks what lessons the modern abolitionist movement can draw from this past. Organized in a series of thematic sections from the use of self-defense by Black organizers, to queer resistance in urban spaces, the narrative is accompanied by over one hundred full-color images including archival materials produced by Emory Douglas, the Black Panther Party for Self-Defense and the Young Lords in the 1960s and 70s, CopWatch and the Stolen Lives Project in the 1980s and 1990s, and contemporary material from the Movement for Black Lives, Project NIA, and INCITE!, Defend / Defund shows how deep the struggles for abolition go and how urgent they remain.  

In addition to full-color reproduction of archival materials, the narrative includes transcripts of interviews with activists, scholars, and artists such as Mariame Kaba, Dread Scott, Dennis Flores, Dr. Joshua Myers, Jawanza Williams (VOCAL-NY and Free Black Radicals), Cheryl Rivera (NYC-DSA Racial Justice Working Group and Abolition Action), and Bianca Cunningham (Free Black Radicals). Each conversation dives into the history of specific struggles with, and organizing against, police and police brutality. 

In total, the publication shows how the modern Defund movement builds on powerful Black feminist and abolitionist movements past and imagines alternatives to policing for community safety for our present.

A powerful guidebook for healing and resistance for young girls and gender-expansive youth of color on how to unite, heal, protect, and lead their communities.

Turn Up For Freedom helps youth leaders hone their skills to build personal, emotional, and collective freedom. It centers youth leadership through principled positions, such as being a healer, a protector, a scholar-activist, a community organizer, and being radically joyful, in order to build personal emotional and collective freedom. Through memoir, story telling, and political education, E Morales-Williams grounds these principles in the material experiences of working-class youth and reflects on the possibilities and challenges in practicing them as a collective in under-resourced communities. 

These were the principles of leadership and lessons learned from a Black and Brown girls and gender expansive youth-collective called TUFF Girls (Turning Up for Freedom), based in North Philadelphia. Morales-Williams carefully guides young readers through the challenging issues that confront their lives, helping to identify the traumatic impact that structural violence has on Black and Brown communities, restoring traditions of healing and collective care, and recentering leadership in community as an abolitionist and decolonizing practice. Turn Up For Freedom calls on young people to unite, heal, protect, and lead.

From the fight against the AIDS crisis to the struggle for Black liberation and international solidarity, Graphic Liberation! digs deep into the history, present, and future of revolutionary political image making.

What is the role of image and aesthetic in revolution? Through a series of interviews with some of the most accomplished designers, Josh MacPhee charts the importance of revolutionary aesthetics from the struggle for abolition by Black Panthers, the agitation during the AIDS crisis from ACT-UP, the fight against apartheid in South Africa and Palestine, as well as everyday organizing against nuclear power, for housing, and international solidarity in Germany, Japan, China, and beyond.

In ten interviews, political designer and street artist Josh MacPhee talks to decorated graphic designers such as Avram Finkelstein, Emory Douglas, and more, focussing on each of their contributions to the field of political graphics, their relationships to social movements and political organizing, the history of political image making, and issues arising from reproduction and copyright.

On the centennial of Amílcar Cabral’s birth, and fifty years after his passing, Claim No Easy Victories brings to life the resonance of his thought for today’s freedom movements.

“Never has it been more certain that our victory depends principally on our own actions. Tell no lies, claim no easy victories . . .” —Amílcar Cabral

World-renowned revolutionary, poet, liberation philosopher, and leader of the anticolonial independence movement of Guinea Bissau and Cape Verde, Amílcar Cabral’s legacy stretches well beyond the shores of West Africa. His profound influence on the pan-Africanist movement and the Black liberation movement in the United States and the English-speaking world spans the ages—and is only growing in an era of renewed anti-imperialist internationalist struggle.

In this unique collection of essays, radical thinkers from across Africa, the United States, and internationally commemorate Cabral’s life and legacy and his relevance to contemporary struggles for self-determination and emancipation. Claim No Easy Victories serves equally as an introduction or reintroduction to a figure and militant history that the rulers and beneficiaries of global racial capitalism would rather see forgotten. Understanding Cabral then and now sheds light on the necessity of grounding radical change in the creation of theory based on the actual conditions within which movements develop. The depth and dimension of Cabral’s theoretical ideas and revolutionary practice of building popular movements for liberation are assessed by each of the authors and critically reanimated for a new generation of freedom fighters. 

The book features contributions by: Kali Akuno, Samir Amin, David Austin, Jesse Benjamin, Angela Davis, Bill Fletcher Jr, Mireille Fanon-Mendès France, Lewis Gordon, Firoze Manji, Asha Rodney, Patricia Rodney, Olúfémi Táíwò—and others.

Liberals smirk at Trump’s narcissism, but, as renowned theorist Anselm Jappe explains, contemporary capitalism has turned everyone into a narcissist.

The Greek myth of Erysichthon describes the fate of a king whose hunger drove him to eat until the only thing left to devour was himself. This image—of a society spiraling inexorably in a self-destructive dynamic—forms the starting point of Anselm Jappe’s investigation into the relationship between contemporary capitalism and subjectivity, or our personal experience of the world.

In a work that unites the critique of political economy and the psychoanalytic tradition, Jappe explores the dynamics of contemporary capitalism and explains how internalizing them creates a specific kind of person—a narcissist, someone who can only interact with the world by consuming it and who cannot conceive of limits to this consumption. In conversation with Marx as well as Freud, Erich Fromm, Herbert Marcuse, and Christopher Lasch, Jappe probes the ways in which the churning of the capitalist machine, ceaseless and yet devoid of real purpose, creates an endless hunger that increasingly ends in spectacular violence.

Everyone can feel that the world is getting angrier. The Self-Devouring Society provides an original and rigorous explanation of why.

A bridge that interrupts a legacy of pain with the honest sharing of stories.

Sana, Sana is a witness to the multiple wounds etched into the landscape of Latinx experience and a testimonial to community efforts to heal them. A multi-genre anthology rooted in the deep desire to not only acknowledge and name the various forms of pain and trauma Latinx people experience regularly, but to do so in the service of imagining new futures and ways of being that prioritize healing and justice not just for Latinx people, but for Queer BIPOC communities and, ultimately, for all people. 

The book’s vision and understanding of Latinidad is broad and expansive. It centers Black, Indigenous, Queer, Trans, and Feminist Latinidades. By advancing an unapologetically radical antiracist, anticapitalist, feminist, and queer politic Sana, Sana holds creative and defiant space for identifying economic, social, political, emotional, and spiritual strategies to forge individual and collective healing and justice.

Frontline voices from the worldwide movement to decolonize climate change and revitalize a dying planet.

With a deep, anticolonial and antiracist critique and analysis of what “conservation” currently is, Decolonize Conservation presents an alternative vision–one already working–of the most effective and just way to fight against biodiversity loss and climate change. Through the voices of largely silenced or invisibilized Indigenous Peoples and local communities, the devastating consequences of making 30 percent of the globe “Protected Areas,” and other so-called “Nature-Based Solutions” are made clear.

Evidence proves indigenous people understand and manage their environment better than anyone else. Eighty percent of the Earth’s biodiversity is in tribal territories and when indigenous peoples have secure rights over their land, they achieve at least equal if not better conservation results at a fraction of the cost of conventional conservation programs. But in Africa and Asia, governments and NGOs are stealing vast areas of land from tribal peoples and local communities under the false claim that this is necessary for conservation.

As the editors write, “This is colonialism pure and simple: powerful global interests are shamelessly taking land and resources from vulnerable people while claiming they are doing it for the good of humanity.”

The powerful collection of voices from the groundbreaking “Our Land, Our Nature” congress takes us to the heart of the climate justice movement and the struggle for life and land across the globe. With Indigenous Peoples and their rights at its center, the book exposes the brutal and deadly reality of colonial and racist conservation for people around the world, while revealing the problems of current climate policy approaches that do nothing to tackle the real causes of environmental destruction.

In this searing, honest memoir, a Black queer emergency-room nurse works the front lines of care during COVID-19.

Britney Daniels is a Black, masculine-presenting, tattooed lesbian from a working-class background. For the last five years, she has been working as an emergency-room nurse. She began Journal of a Black Queer Nurse as a personal diary, a tool to heal from the day-to-day traumas of seeing too much and caring too much.

Hilarious, gut-wrenching, and infuriating by turns, these stories are told from the perspective of a deeply empathetic, no-nonsense young nurse, who highlights the way race, inequality, and a profit-driven healthcare system make the hospital a place where systemic racism is lived. 

Whether it is giving one’s own clothes to a homeless patient, sticking up for patients of color in the face of indifference from white doctors and nurses, or nursing one’s own back pain accrued from transporting too many bodies as the morgues overflowed during the pandemic, Journal of a Black Queer Nurse reveals the ways in which care is much more than treating a physical body and how the commitment to real care—care that involves listening to and understanding patients in a deeper sense—demands nurses, especially nurses of color, must also be warriors.

In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. 

In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world. Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that holds up our society, experiencing domestic work as a kind of possession. In “coming of rage” films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.

Work is a joke. Laughing at it is political.

Humor, Groucho Marx asserted, is “reason gone mad.” For Walter Benjamin, laughter was “the most revolutionary emotion.” In a moment when great numbers of people are reevaluating their commitment to the hellscape we call “work,” what does it mean to take comedy seriously—and to turn it against work?

Both philosophically brilliant and deeply personal, Comedy Against Work demonstrates how laughing about work can puncture the pretensions of tyrannical bosses while uniting us around a commitment to radically new ways of making the world together. At the same time, Lane-McKinley exposes a war at the heart of contemporary comedy between those who see comedy as a weapon for punching down and those whose laughter points to social transformation. From stand-up to sitcoms, podcasts to late night, comedy reveals our longing to subvert power, escape the prison of work, and envision the joys of a liberated world.

A collection of powerful BIPOC voices who offer a range of anticolonial, Indigenous, and Black Radical traditions to think with.

We must, as For Antifascist Futures urges, take antifascism as a major imperative of movements for social change. But we must not limit our analysis or historical understanding of the rise of the right-wing authoritarianism in our times by rooting it in mid-twentieth century Europe.

For Antifascist Futures: Against the Violence of Imperial Crisis takes seriously what is new in this moment of politics, exploring what the analytic of fascism offers for understanding the twenty-first century authoritarian convergence by centering the material and speculative labor of antifascist and antiracist social movement coalitions. By focusing on the long history of BIPOC antifascist resistance that has been overlooked in both recent conversations about racial justice as well as antifascist resistance, the essays, interviews, and documents included here make clear how racialized and colonized peoples have been at the forefront of theorizing and dismantling fascism, white supremacy, and other modes of authoritarian rule.

By linking a deep engagement, both scholarly and practical, of racial justice movements with an antifascist frame, and a global analysis of capitalism the contributors have assembled a powerful toolbox for our struggles. The editors, widely recognized ethnic and American studies scholars, offer a groundbreaking collection with contributions from Johanna Fernandez, Manu Karuka, Charisse Burden-Stelly, Zoé Samudzi, and Macarena Gomez-Barris, among others.

By the middle of the twenty-first century, war, famine, economic collapse, and climate catastrophe had toppled the world's governments. In the 2050s, the insurrections reached the nerve center of global capitalism—New York City. This book, a collection of interviews with the people who made the revolution, was published to mark the twentieth anniversary of the New York Commune, a radically new social order forged in the ashes of capitalist collapse.

Here is the insurrection in the words of the people who made it, a cast as diverse as the city itself. Nurses, sex workers, antifascist militants, and survivors of all stripes recall the collapse of life as they knew it and the emergence of a collective alternative. Their stories, delivered in deeply human fashion, together outline how ordinary people's efforts to survive in the face of crisis contain the seeds of a new world.

The political response to the COVID-19 pandemic and the pressures on the global capitalist economies has, once again, imposed the priority of markets over life. Add to this the climate crisis and, undoubtedly, the task of sustaining life continues to be privatized, made invisible, and feminized. We must ask: what does a dignified life look like, especially one that transforms the gendered labor divisions and a racialized, exploitative feminized care economy that falls mainly on the shoulders of women—from the household to the wider effects of the capitalist economy on social reproduction.

At the same time, these questions are intimately connected with considerations of our environment. The Feminist Subversion of the Economy makes the conection between patriarchy, capitalism, and ecological crisis—and rallies women, the LGBTQ+ community, and movements worldwide to center gender and social reproduction in a vision for a just ecology and economy.

Public intellectual, academic, and activist Amaia Pérez Orozco offers a vision beyond the myths of development (unlimited growth), wealth (accumulation of capital), and work (limited to waged labor) and, at the same time, accounts for the tasks, networks, and economic subjects that, materially and daily, guarantee that life keeps going. 

Newly translated and updated in collaboration with Liz Mason-Desse, who has won a PEN translation award for her work on feminist economics, The Feminist Subversion of the Economy shows the urgent need to radically and democratically discuss what we mean by a dignified life and how we can organize to sustain life collectively.

The manifesto that launched the Situationist International (SI) into the public eye and sparked an uprising is back—with the story of its creation and the histories of its publication told like never before.

When the Situationist International was a little known revolutionary art group, before Guy Debord’s philosophical masterpiece Society of the Spectacle was published, and before Paris’ universities were occupied in May ’68, a pamphlet titled On the Poverty of Student Life spurred a scandal that would turn into a global revolt. 

On the Poverty of Student Life was a match that recognized and described student and youth alienation, and the way it was printed and distributed spread that fire. For the first edition, supporters of the SI (mis)appropriated school funds to create and distribute 10,000 copies of the pamphlet. From there, dozens of editions were produced by worker- and student-run printing presses around the world, from Paris to East London, from Tokyo to Detroit. This new edition highlights this global underground circulation and brings attention to the common conditions of students, workers, and anti-imperialist resistance in the world of the sixties—bringing that historic reckoning to the present.

Featuring the original English adaptation by former SI member and celebrated translator Donald Nicholson-Smith, an interview with primary author Mustapha Khayati where he traces his map from colonial Algeria to imperial France to the university and the streets, and essays about the political relevance of the manifesto (then and now)—an edition like this has never before existed. With beautiful photographs of nearly one hundred different editions this book provides a cartography of a world uprisings.

In an uprising heard around the world, people in Argentina took to the streets on December 19th & 20th, 2001, shouting “¡Qué se vayan todos!” These words (All of them out!), and the thousands of people banging pots and pans, opened a period of intense social unrest and political creativity that led to the collapse of government after government. Neighborhoods organized themselves into hundreds of popular assemblies across the country, the unemployed workers movement acquired a new visibility, workers took over factories and businesses. Deeply involved in these movements were the activists who made up Colectivo Situaciones.

With the embers of that December’s aftermath still burning, Colectivo Situaciones militantly researched and wrote 19 and 20. Locating themselves among the “horizontally organized subjectivities that insisted on not being represented by politicians but maintaining and developing their own powers of political expression” that Micheal Hardt notes in his introduction, Colectivo Situaciones gathers, interrogates, and offers forth the words of unemployed workers, factory occupiers, insurgent intellectuals, and children of the disappeared. From their investigations is revealed the birth of a new social protagonism and the de-institutional power (potencia) they wield.

19 and 20 has been praised as this generation's 18th Brumaire and as Marx’s analysis of that struggle helped set the stage for, twenty years later, the Paris Commune we find ourselves here. Revisiting and exploring the forms of counterpower that emerged from the shadow of neoliberal rule we find the book's potencia has only grown. In the intervening years the analysis of Colectivo Situaciones has been passed from hand to hand and multitudes of citizens from different countries have learned their own ways to chant ¡Qué se vayan todos!, from Iceland to Tunisia, from Spain to Greece, from Tahrir Square to Black Lives Matter. Colectivo Situaciones’ practice of militant research--of engaging with movements’ own thought processes--resonates with everyone seeking to think current events and movements, and through that to gather the foundation of a commune for the 21st century.

A powerful elixir of hope and determination, Zapantera Negra provides a galvanizing presentation of interviews, militant artwork, and original documents from two movements’ struggle for dignity and liberation. When Emory Douglas, former Minister of Culture of the Black Panther Party, accepted an invitation from the art collective EDELO and Rigo 23 to meet with autonomous Indigenous and Zapatista communities in Chiapas, Mexico, they explored the role of revolutionary art in times of distress. Zapantera Negra is the result of their encounter. It unites the bold aesthetics, revolutionary dreams, and dignified declarations of two leading movements that redefine emancipatory politics in the twentieth and twenty-first century. 

The artists of the Black Panthers and the Zapatistas were born into a centuries-long struggle against racial capitalism and colonialism, state repression and international war and plunder. Not only did these two movements offer the world an enduring image of freedom and dignified rebellion, they did so with rebellious style, putting culture and aesthetics at the forefront of political life.

“Dalla Costa shows that with the New Deal, the state began to plan the ‘social factory’—that is, the home, the family, the school, and above all women’s labor, on which the productivity and pacification of industrial relations was made to rest.”—Silvia Federici

In a groundbreaking study, Family, Welfare, and the State offers a comprehensive reading of the welfare system through the dynamics of women's resistance and class struggle. Mariarosa Dalla Costa, a key figure in the International Wages for Housework campaigns, highlights how the New Deal concretized the central role of women and the family in ensuring the capacity for economic growth and the reproduction of labor power necessary for the maintenance of capitalism. As social movements fight for and secure government relief for mass unemployment in a way not seen for decades, it is essential to understand how the deals—especially governing race, class, and family relations—struck by earlier generations of activists have shaped our world. A new foreword makes clear Dalla Costa’s importance to understanding the functioning of social reproduction in a world ravaged by COVID-19.

The national protests sparked by the murder of George Floyd in the summer of 2020, made clear what many already knew to be true: policing—in all its iterations—must be abolished. The nationwide uprisings saw the burning of the third precinct in Minneapolis, the creation of autonomous zones in Seattle, and the toppling of statues and memorials to white supremacists, colonizers, and confederates. How We Stay Free chronicles the protests in the city of Philadelphia and the Black organizers that led, sustained, and nurtured the movement for abolition. 

In the midst of a global pandemic, Philadelphians took to the streets establishing mutual aid campaigns, jail support networks, bail funds, and housing encampments for their community, removing the statue of Frank Rizzo, the former mayor and face of racist policing, called for the release of all political prisoners including Mumia Abu-Jamal, and protested, marched, and agitated in all corners of the city. From Philadelphia, which dating back at least to W.E.B. DuBois has served as a vista to understand Black life in the US, How We Stay Free collects and presents reflections and testimonies, prose and poetry from those on the frontlines to take stock of where the movement started, where it stands, and where we go from here. 

How We Stay Free is both a celebration of the organizing that sustained the uprising and a powerful call-to-action—demanding all of us to take to the streets, organize our communities, and revolt for the creation of new, better, and freer worlds.

Rooted in an understanding of how the fascist body is constructed, we can develop the collective power to dismember it.

Fascist and reactionary populist forces have undeniably swelled in the US in recent years. To effectively counter fascist movements, we need to understand them beyond their most visible and public expressions. To do this, Jack Bratich asserts, we must dig deeper into the psyche and body that gives rise to fascist formations. There we will find microfascism, or the cultural ways in which a fascist understanding of the world is generated from the hatreds that suffuse everyday life.

By highlighting the misogyny at fascism’s core, we are able to observe a key process in the formation of a fascist body. Recognizing the microfascism behind appeals to recover the past glory of white male subjects created by earlier foundational wars, we see how histories of settler colonialism, genocide, and domination are animating the deadly mission of fascism today. By focusing on the variety of ways the resurgent fascist tendency courts its own destruction (and demands the destruction of others), we can trace how fascism refines and expands the death and annihilation that underpins capitalist, colonial, and patriarchal systems.

On Microfascism are far-reaching and unsettling. Still, Bratich insists, the new fascism is not as powerful as its adherents wish us to believe. To defeat it, we must develop and defend a “micro-antifascism” grounded in the ethics of mutual aid and care in the everyday. Rooted in an understanding of how the fascist body is constructed, we can develop the collective power to dismember it.

Mario Tronti was the principal theorist of the radical political movement of the 1960s known in Italy as operaismo and in the Anglophone world as Italian workerism, a current which went on to inform the development of autonomist Marxism. His “Copernican revolution”—the proposal that working class struggles against exploitation propel capitalist development, which can only be understood as a reaction that seeks to harness this antagonism—has inspired dissident leftists around the world.

Tronti’s influence as a theorist thus already reaches far beyond Italy to activists and writers working in different sectors on different problems historically and geographically. While his imposing and acclaimed Workers and Capital has only recently appeared in English translation, Tronti has influenced many of the most creative social and political theorists of our time. 

Antonio Negri and Michael Hardt have long acknowledged the influence of Tronti on their thinking, drawing especially on his inversion of strategy and tactics in their influential collaborations. Tronti’s work in the 1960s also furnished important building blocks for a Marxist feminist critique of unwaged labor—as developed by Mariarosa dalla Costa, Silvia Federici, and many others working on social reproduction theory—as Tronti showed how capitalist control extends beyond the factory to all of society. Fred Moten and Stefano Harney have echoed Tronti’s calls for a radical antagonism “within and against” institutions and the state. 

The Weapon of Organization is a crucial introduction to Tronti, presenting a variety of never-before-translated texts—personal letters, public talks, published articles. With an incisive and provocative introduction that situates Tronti and highlights his relevance to contemporary political struggle, Anastasi translates and restores key writing from the birth of Italian operaismo—days of street fighting and theorizing for a renewed age of revolution.Tronti’s goal, Anastasi writes, was not to become a revered thinker but to participate in the destruction of capitalist society.

When the Red Nation released their call for a Red Deal, it generated coverage in places from Teen Vogue to Jacobin to the New Republic, was endorsed by the DSA, and has galvanized organizing and action. 

Now, in response to popular demand, the Red Nation expands their original statement filling in the histories and ideas that formed it and forwarding an even more powerful case for the actions it demands. 

One-part visionary platform, one-part practical toolkit, the Red Deal is a platform that encompasses everyone, including non-Indigenous comrades and relatives who live on Indigenous land. We—Indigenous, Black and people of color, women and trans folks, migrants, and working people—did not create this disaster, but we have inherited it. We have barely a decade to turn back the tide of climate disaster. It is time to reclaim the life and destiny that has been stolen from us and rise up together to confront this challenge and build a world where all life can thrive. Only mass movements can do what the moment demands. Politicians may or may not follow--it is up to them--but we will design, build, and lead this movement with or without them.

The Red Deal is a call for action beyond the scope of the US colonial state. It’s a program for Indigenous liberation, life, and land—an affirmation that colonialism and capitalism must be overturned for this planet to be habitable for human and other-than-human relatives to live dignified lives. The Red Deal is not a response to the Green New Deal, or a “bargain” with the elite and powerful. It’s a deal with the humble people of the earth; a pact that we shall strive for peace and justice and a declaration that movements for justice must come from below and to the left. 

Feminicide and Global Accumulation brings us to the frontlines of an international movement of Black, Indigenous, popular, and mestiza women’s organizations fighting against violence—interpersonal, state sanctioned, and economic—that is both endemic to the global economy and the contemporary devalued status of racialized women, trans, and gender non-conforming communities in the Global South. 

These struggles against racism, capitalism, and patriarchy show how crucially linked the land, water, and other resource extraction projects that criss-cross the planet are to devaluing labor and nature and how central Black and Indigeneous women and trans leadership is to its resistance. 

The book is based on the first ever International Forum on Feminicide among ethnicized and racialized groups—which brought together activists and researchers from Colombia, Guatemala, Italy, Brazil, Iran, Guinea Bissau, Bolivia, Canada, the U.S., Ecuador, Spain, Mexico, among other countries in the world to represent different social movements and share concrete stories, memories, experiences and knowledge of their struggles against racism, capitalism and patriarchy. 

Feminicide and Global Accumulation reflects, in a collective fabric, the communitarian and enraged struggles of women, trans, and gender non-conforming communities who commit themselves to the transformation of their communities by directly challenging the murder and assassination of women and violence in all its forms.

“How can we get free? How can we free ourselves, our communities, our environments, our society? And what will this freedom look like? While the present moment holds incredible possibilities to organize for our collective liberation, there are powerful forces readily willing and able to summons all available weapons of repression to contain and suppress revolutionary movements....

“The question of freedom is central to all revolutionary movements. It is at the root of everyday struggles against white supremacist colonialism, heteropatriarchy, capitalism, the authoritarian state, and every other form of systemic oppression. But we have to ask, again, what will freedom look like? Often, the realities we each face constrain the ways we can answer this question, so we ask it in pieces: How do we provide for each other? How do we protect, nurture, care, love, and create? How do we liberate ourselves from the hardships of enclosure, exploitation, and dependency that are imposed on our minds, bodies, communities, and environments? How do we free our sense of freedom, so it is not a set of individual and extractive privileges, but is instead the grounding for a communal form of abundance?”

By laying bare the mechanisms of capitalism, imperialism, settler colonialism, climate catastrophe, heteropatriarchy, white supremacy, exploitation and dispossesion, and a range of other oppressive structures and countering them with a historical account of revolutionary movements from around the world, Organizing for Autonomy offers a brazen and determined articulation of a world that centers community, love, and justice.

With an unparalleled breadth and by synthesizing innumerable sources of revolutionary thought and history, CounterPower presents the result of years of inquiry, struggle, and resistance. Bold, fearless, and radically original, Organizing for Autonomy imagines a decolonized, communist, alternative world order that is free from oppressive structures, state violence, and racial capitalism and helps us to get there. 

A groundbreaking exploration of the parallel rise of social movements and the vinyl record as the dominant form of music distribution in the second half of the twentieth century, alongside a compendium of over 750 record labels that propelled political music and resistance on an international scale.

An Encyclopedia of Political Record Labels is a compendium of information about political music and radical cultural production. Focusing on vinyl records and the labels that released them, this groundbreaking book traces the parallel rise of social movements in the second half of the twentieth century and the vinyl record as the dominant form of music distribution.

Just as the Civil Rights Movement leaps onto mainstream headlines in the early 1960s, the 33rpm “Long Player” and 45rpm single invade people’s stereos. All the major Civil Rights organizations release vinyl records of speeches, movement songs, and field recordings—setting the pace for the intertwining of social movements and easily distributed sound recordings. This relationship continues through the end of the twentieth century, which marked both the end of apartheid in South Africa and the dominance of the vinyl format. 

From A-Disc (the record label of the Swedish Labor Movement) to Zulu Records (the label of free jazz pioneer Phil Choran), An Encyclopedia of Political Record Labels is a compelling panorama of political sound and action, including over 750 record labels that produced political music. Each entry features the logo of the label, a brief synopsis of its history, and additional interesting information. Truly international in scope, over two dozen countries and territories are represented, as well as a myriad of musical styles and forms.

Even though I did not commit the offences for which I am accused, I am not innocent. I committed the one offense that includes all others. I am an anarchist. In the class war, I chose the side of the excluded and the underprivileged, the prosecuted and the accursed, the poor, the weak, and the oppressed.

Writings from a Greek Prison is a literary work of biting realism. Tasos Theofilou gives testimony on the brutality of prison life, and its centrality in contemporary capitalism, through a blur of memoir, social commentary, free verse, and a glossary of the idiom used by inmates in Greek prisons.

A political prisoner in Greece from 2012 to 2017, Theofilou’s work centers on exposing the conditions of widespread exploitation and social struggle that persist in Greece as a result of the debt crisis—in prisons as well as in mainstream society.

“Here, the treatment of pathologies—such as cancers or viruses—is considered as important as dismantling the causes of pathologies, including the social problems of debt, homelessness, police violence, and isolation. We must grasp how the de-individualization of care, what we might refer to as the communization of care, is central to fighting state and capital’s racialized and gendered forms of abandonment.”

For Health Autonomy: Horizons of Care Beyond Austerity—Reflections from Greece explores the landscape of care spaces coordinated by autonomous collectives in Greece, including clinics, social spaces for health, social kitchens, and safe spaces liberated from the state and capital. The significance of autonomous spaces is intensified in the very moment the state, capital, and their complicit institutions attempt to penetrate their power via austerity and state violence. In tandem with the broader anticapitalist movement, these spaces have ruptured the legitimacy of the state and capital, and reclaimed care beyond the limits of the biomedical, nonprofit, and capitalist frameworks.

The experience of Greek autonomous care spaces encapsulates care within, as well as beyond, the biomedical; where addressing pathologies, such as cancers or colds, are as important as dismantling the causes of the pathology, including debt, homelessness, police violence, and social isolation. The collected essays grasp how emotional and physical distress is preventable—where ensuring access to antibiotics, vaccines, or herbal remedies is as relevant as liberating unused space for housing or de-policing a neighborhood. The subjects of this collection include a network of users of psychosocial services, defending their right to autonomy within mental healthcare systems; a healthcare center organized and maintained by an anarchist collective; a worker’s clinic founded by a coalition of factory workers and healthcare solidarity activists; among others.

The Greek contribution to autonomous care work emancipates labor, space, and resources towards a form of life that sustains the bodies and well-being of the collectives directly involved in this process, and the broader network of autonomous communities that rely on such care spaces to reproduce other modes of noncapitalist life. Efforts to defend and expand the very elements necessary for the survival of our bodies and ecology are in tandem with efforts to rupture from hierarchies, profits, and institutionalized singularities. For Health Autonomy is a powerful collection of first-hand accounts of concrete alternatives that are replacing our need for police and prisons based on the collective power of communities and care workers. These reflections have merged from within and beyond healthcare institutions.

We are told we are living in the middle of a climate crisis of unprecedented proportions. As doomsday scenarios mount, hope collapses. Even as more and more people around the planet experience climate disaster as immediate and urgent, our imagination and programs for transformation lag. The disasters are already here, and the crises, longstanding, are ongoing.

In Hope Against Hope, the Out of the Woods collective investigates the critical relation between climate change and capitalism and calls for the expansion of our conceptual toolbox to organize within and against ecological crisis characterized by deepening inequality, rising far-right movements, and—relatedly—more frequent and devastating disasters. While much of environmentalist and leftist discourse in this political moment remain oriented toward horizons that repeat and renew racist, anti-migrant, nationalist, and capitalist assumptions, Out of the Woods charts a revolutionary course adequate to our times.

At the center of the renewed political orientation Hope Against Hope expounds is an abolitionist approach to border imperialism, reactionary ecology, and state violence that underpins many green solutions and modes of understanding nature. It reminds us of the frequent moments and movements of solidarity emerging in the ruins all around us. Their stunning conclusion to the disarray of politics in our seemingly end times is the urgency of creating what Out of the Woods calls “disaster communism”—the collective power to transform our future political horizons from the ruins and establish a climate future based in common life.

In the Name of the People is an analysis and reflection on the global populist surge, written from the local forms it takes in the places we inhabit: the United States, Catalonia, France, Italy, Japan, Korea, Lebanon, Mexico, Quebec, Russia, and Ukraine. The upheaval and polarizations caused by populist policies around the world indicates above all the urgency to develop a series of planetary revolutionary interpretations, and to make the necessary connections in order to understand and act in the world.

The ghost of the People has returned to the world stage, claiming to be the only force capable of correcting or taking charge of the excesses of the time. The relationship between the collapse of certain orders, the multiplication of civil wars, and the incessant appeal to the People is clear: as the liberal mode of governance experiences a global legitimation crisis, different forms of right and left populism gain strength within the fractures of ever expanding ruins.

Populism has now become familiar as a global phenomenon: from the eruptions of the far right in the West to the populist capture of the movement of the squares—Syriza in Greece, Podemos in Spain, the Five Star Movement in Italy, or Our Revolution in the United States—to the electoral victories of Rodrigo Duterte, Recep Tayyip Erdoğan, Narendra Modi, Benjamin Netanyahu, Vladimir Putin, Donald Trump, and Brexit, all alongside large populist gains in every European country. While disparate in many ways, these dynamics all share an appeal to combat the rule and sensibility of the elites, with the help of a figure that can channel the affective energies of discontent through operations of identification and exclusion.

And yet, from the Narodniki to the Black Panthers and Zapatistas, to the emancipatory political movements which expressed themselves as the authentic people—Nuit Debout, the 99%, the indignados—history reminds us of revolutionary populisms. 

How do we distinguish the new from the old? What are their limits and potentials? What is the nature of the affective flows that characterize their relations? How do we address the indeterminacy inherent in mass movements and mobilizations, as well as their confusions, fears, and hesitancies?

Friends: we pose the question of populism to you because it is the question our time poses to us.

Grupo de Arte Callejero: Thought, Practices, and Actions tells the profound story of social militancy, popular rebellion, and art in the tumultuous decades of Argentina’s recent past—and foretells the subversive arts of rebellion for an unwritten future. For the artist collective Grupo de Arte Callejero (Group of Street Artists), there is no separation between social art and social movements. Militancy and art unite in the anonymous, collective, everyday spaces and rhythms of life.

For over two decades, Grupo de Arte Callejero has participated in the wave of denunciations of genocide and disappearances during the military junta, the social rebellions of the 2001 financial crisis, neoliberal austerity plans, teachers’ strikes, and Indigenous protests. A critical reflection and collection of their work, Thought, Practices and Actions offers profound insight into what was done and what remains to be done in the social fields of art and revolution.

Finally Got the News uncovers the hidden legacy of the radical Left of the 1970s, a decade when vibrant social movements challenged racism, imperialism, patriarchy, and capitalism. It combines written contributions from movement participants with original printed materials—from pamphlets to posters, flyers to newspapers—to tell this politically rich and little-known story.

The dawn of the 1970s saw an absolute explosion of interest in revolutionary ideas and activism. Young people radicalized by the antiwar movement became anti-imperialists, veterans of the Civil Rights and Black Power movements increasingly identified with communism and Pan-Africanism, and women were organizing for autonomy and liberation. While these movements may have different roots, there was also an incredible overlapping and intermingling of activists and ideologies.

These diverse movements used printed materials as organizing tools in every political activity, creating a sprawling and remarkable array of printing styles, techniques, and formats. Through the lens of printed materials we can see the real nuts and bolts of revolutionary organizing in an era when thousands of young revolutionaries were attempting to put their beliefs into practice in workplaces and neighborhoods across the U.S.

In recent years, urban uprisings, insurrections, riots, and occupations have been an expression of the rage and desperation of our time. So too have they expressed the joy of reclaiming collective life and a different way of composing a common world. At the root of these rebellious moments lies thresholds—the spaces to be crossed from cities of domination and exploitation to a common world of liberation.

Towards the City of Thresholds is a pioneering and ingenious study of these new forms of socialization and uses of space—self-managed and communal—that passionately reveals cities as the sites of manifest social antagonism as well as spatialities of emancipation. Activist and architect Stavros Stavrides describes the powerful reinvention of politics and social relations stirring everywhere in our urban world and analyzes the theoretical underpinnings present in these metropolitan spaces and how they might be bridged to expand the commons.

What is the emancipatory potential of the city in a time of crisis? What thresholds must be crossed for us to realize this potential? To answer these questions, Stavrides draws penetrating insight from the critical philosophies of Walter Benjamin, Michel Foucault, and Henri Lefebvre—among others—to challenge the despotism of the political and urban crises of our times and reveal the heterotopias immanent within them. 

Beyond border walls and prison cells—carceral society is everywhere. In a time of mass incarceration, immigrant detention and deportation, rising forms of racialized, gendered, and sexualized violence, and deep ecological and economic crises, abolitionists everywhere seek to understand and radically dismantle the interlocking institutions of oppression and transform the world in which we find ourselves. These oppressions have many different names and histories and so, to make the impossible possible, abolition articulates a range of languages and experiences between (and within) different systems of oppression in society today.

Abolishing Carceral Society presents the bold voices and inspiring visions of today’s revolutionary abolitionist movements struggling against capitalism, patriarchy, colonialism, ecological crisis, prisons, and borders.

In the first of a series of publications, the Abolition Collective renews and boldly extends the tradition of “abolition-democracy” espoused by figures like W.E.B. Du Bois, Angela Davis, and Joel Olson. Through study and publishing, the Abolition Collective supports radical scholarly and activist research, recognizing that the most transformative scholarship is happening both in the movements themselves and in the communities with whom they organize.

Abolishing Carceral Society features a range of creative styles and approaches from activists, artists, and scholars to create spaces for collective experimentation with the urgent questions of our time.

Through essays, interviews, visual art, and poetry, each presented in an accessible manner, the work engages with the meaning, practices, and politics of abolitionism in a range of historical and geographical contexts, including: prison and police abolitionism, border abolition, decolonization, slavery abolitionism, antistatism, antiracism, labor organizing, anticapitalism, radical feminism, queer and trans politics, Indigenous people’s politics, sex worker organizing, migrant activism, social ecology, animal rights and liberation, and radical pedagogy.

The attack on welfare was, and is, an attack on our class autonomy, structured to maintain a patriarchal and racist order, drive divisions, and disrupt our ability to collectively refuse capital’s exploitation and the state’s discipline.

Mariarosa Dalla Costa’s Family, Welfare and the State powerfully reminds us that the welfare system can only be understood through the dynamics of resistance and struggle, and women have been at the center of it.

In reflecting on the history of struggles around the New Deal in which workers’ initiatives forced a new relationship with the state on the terrain of social reproduction , Dalla Costa asks if the New Deal and the institutions of the welfare state were saviors of the working class, or were they the destroyers of its self-reproducing capacity? 

Family, Welfare and the State offers a comprehensive reading of the welfare system through the dynamics of women's resistance and class struggle, their willingness and reluctance to work inside and outside the home, and the relationship with the relief structures that women expressed in the United States during the Great Depression. 

Revisiting the origins of this system today on a sociopolitical level—its policies governing race, class, and family relations, especially in terms of the role that was delegated to women’s labor power—remains vital for a deeper understanding of the historical and ongoing relationship between women and the state, crisis and resistance, and possibilities for class autonomy.

What is the role of revolutionary art in times of distress? When Emory Douglas, former Minister of Culture of the Black Panther Party, accepted an invitation from the art collective EDELO and the Rigo 23 to meet with autonomous Indigenous and Zapatista communities in Chiapas, Mexico, they addressed just this question. Zapantera Negra is the result of their encounter. It unites the bold aesthetics, revolutionary dreams, and dignified declarations of two leading movements that redefine emancipatory politics in the twentieth and twenty-first century.

The artists of the Black Panthers and the Zapatistas were born into a centuries-long struggle against racial capitalism and colonialism, state repression and international war and plunder. Not only did these two movements offer the world an enduring image of freedom and dignified rebellion, they did so with rebellious style, putting culture and aesthetics at the forefront of political life. A powerful elixir of hope and determination, Zapantera Negra provides a galvanizing presentation of interviews, militant artwork, and original documents from these two movements’ struggle for dignity and liberation.

The ocean today is a central protagonist in the ongoing battle for life on earth. It is the site of a violent clash between the right to live and the right to profit, as corporate interests enclose the ocean’s vast common of living riches through tourism and industrial fishing—distorting landscapes, depleting fish stocks, and destroying barriers to protection against climate disaster.

Our Mother Ocean tells the story of the Fisherman’s Movement from its beginnings in Southern India to its central role in the struggle against neoliberal globalization. Since the 1970s, the Fisherman’s Movement has been one of the ocean’s closest and most impassioned protectors, raising key questions concerning the relationship between work and the safeguarding of common resources, the provision of community needs and environmental limits of the devastating industrialization of our oceans. While a remarkable political awareness has spread over the last 40 years around questions of food, agriculture and land, the issues of the sea have remained concealed, despite the protracted struggles between fish workers and those who oversee the sector and the exploitation of the ocean’s resources.

In this crucial intervention, Mariarosa Dalla Costa and Monica Chilese offer the ocean to the land-locked history of food sovereignty movements led primarily workers in the global South against dispossession.

Dalla Costa and Chilese draw attention to the polyvalent functions of the ocean as a source of food, medicine, raw materials, biodiversity and culture—and as a site of human labour and livelihood threatened by vast enclosures through industrial fishing and tourism. This book is an urgent reminder that the ocean is today the site of a heroic struggle for the preservation of life on earth. It points crucially to impassioned sectors of the movement of movements that endure in the global South, and details the stakes of the struggles and its outcomes on land and at sea as central for the future of life on earth.

"Writing from the barren confines of his death row cell, Mumia Abu-Jamal provides a remarkable testament about the Black Panther Party. . . .an amazing book that illuminates the truth of what his membership in the Party was about, and reveals the extreme price extracted from him for having learned, and for now telling the truth."
—Kathleen Cleaver, from the Introduction

Mumia Abu Jamal, America’s most famous political prisoner, is internationally known for his radio broadcasts and books emerging “Live from Death Row.” In his youth Mumia Abu-Jamal helped found the Philadelphia branch of the Black Panther Party, wrote for the national newspaper, and began his life-long work of exposing the violence of the state as it manifests in entrenched poverty, endemic racism, and unending police brutality. In We Want Freedom, Mumia combines his memories of day-to-day life in the Party with analysis of the history of Black liberation struggles. The result is a vivid and compelling picture of the Black Panther Party and its legacy.

Applying his poetic voice and unsparing critical gaze, Mumia examines one of the most revolutionary and most misrepresented groups in the US. As the calls that Black Lives Matter continue to grow louder, Mumia connects the historic dots in this revised/updated edition, observing that the Panthers had legal observers to monitor the police and demanded the “immediate end to police brutality and the murder of Black people.” By focusing on the men and women who were the Party, as much as on the leadership; by locating the Black Panthers in a struggle centuries old—and in the personal memories of a young man—Mumia Abu-Jamal helps us to understand freedom.

We are fed up with working for free. We must force capital, which profits from our work, to pay for our schoolwork. Only in this way can we seize more power to use in our dealings with capital.

Wages for Students was published anonymously by three activists in the fall of 1975. It was written as “a pamphlet in the form of a blue book” by activists linked to the journal Zerowork during student strikes in Massachusetts and New York.

Deeply influenced by the Wages for Housework Campaign’s analysis of capitalism, and relating to struggles such as Black Power, anticolonial resistance, and the antiwar movements, the authors fought against the role of universities as conceived by capital and its state. The pamphlet debates the strategies of the student movement at the time and denounces the regime of forced unpaid work imposed every day upon millions of students. Wages for Students was an affront to and a campaign against the neoliberalization of the university, at a time when this process was just beginning. Forty years later, the highly profitable business of education not only continues to exploit the unpaid labor of students, but now also makes them pay for it. Today, when the student debt situation has us all up to our necks, and when students around the world are refusing to continue this collaborationism, we again make this booklet available “for education against education.”

Wages for Students was anonymously authored and published in the fall of 1975 by George Caffentzis, Monty Neill, and John Willshire-Carrera, three activists associated with the journal Zerowork and later with the Midnight Notes Collective. This trilingual edition includes an introduction by the original authors, a transcript of a collective discussion organized by Jakob Jakobsen, Malav Kanuga, Ayreen Anastas, and Rene Gabri, following a public reading of the pamphlet by George Caffentzis, Silvia Federici, Cooper Union students, and other members and friends of 16 Beaver, and is edited by Jakob Jakobsen, María Berríos, and Malav Kanuga.

Making Abolitionist Worlds gathers key insights and interventions from today’s international abolitionist movement to pose the question: what does an abolitionist world look like? The Abolition Collective investigates the core challenges to social justice and the liberatory potential of social movements today from a range of personal, political, and analytical points of view, underscoring the urgency of an abolitionist politics that places prisons at the center of its critique and actions.

In addition to centering and amplifying the continual struggles of incarcerated people who are actively working to transform prisons from the inside, Making Abolitionist Worlds animates the idea of abolitionist democracy and demands a radical re-imagining of the meaning and practice of democracy. The Abolition Collective brings us to an Israeli prison for a Palestinian feminist reflection on incarceration within settler colonialism; to protest movements in Hong Kong and elsewhere, that use “abolition democracy” to advocate for the abolition of the police; to the growing culture of “aggrieved whiteness” in the United States, which trucks in fear, anger, victimhood, and a demand for vengeance to maintain white supremacy; to the punitive landscapes that extend from the incarceration of political prisoners to the mass deportations and detentions along the U.S. southern border.

Making Abolitionist Worlds shows us that the paths forged today for a world in formation are rooted in antiracism, decolonization, anticapitalism, abolitionist feminism, and queer liberation.

"A powerful case for the persistent questioning and existential interruption that accompanies that pursuit of [happiness and revolution], and fuels it, and constitutes and ruptures its vagrant, open end."—Fred Moten, author of In the Break: The Aesthetics of the Black Radical Tradition

"It is hard today to escape the perception that financial violence and fascism are suffocating every possibility of happiness…There Is No Unhappy Revolution shows a possible way out from this despair."—Franco "Bifo" Berardi, author of Futurability: The Age of Impotence and the Horizon of Possibility.

In a time of ongoing political, economic, and climate crisis can we afford our collective unhappiness any longer? There Is No Unhappy Revolution gives expression to the age of revolution unfolding before us. With equal parts sophistication and raw urgency, Marcello Tarì identifies the original moments as well as the powerful disruptive and creative content haunting our times like a specter.

The age of revolution is back, and with it, instability and uncertainty as major markers of our times. There is a renewed faith in popular rebellion as a means to enact sorely needed systemic change. At the heart of these dynamics rests a new theory of social change and societal well-being. Happiness is collective, not individual, as Marcello Tarì explains, and our collective desire for happiness is a revolutionary force that cannot and should not be contained.

One hundred years after the October Revolution, amidst our current civilizational crisis, is it still possible to think and build communism? Yes, Tarì responds, provided we radically rethink the tradition of revolutionary movements that have followed one century to another. Offering both a militant philosophy and a philosophy of militancy, he deftly confronts the different contemporary movements from the Argentinean insurrection of 2001 to Occupy Wall Street, the Spanish Indignados, the French movement against the labor law, and the Arab Spring, resurrecting and renewing a lineage of revolutionary thought, from Walter Benjamin to Giorgio Agamben, that promises to make life livable.

“This country needs many more books like this one.”—Arundhati Roy, author of Walking with the Comrades and The God of Small Things

A powerful eyewitness account of life in an Indian prison shows how abolition is necessary to achieve a democratic transformation of society. 

In May 2007, Arun Ferreira, a democratic rights activist, was picked up at a railway station in western India, detained by the court, and condemned to prison for an expanding list of crimes: criminal conspiracy, murder, possession of arms, and rioting, among others added during his detention. 

In one of the most notorious prisons in India, Arun Ferreira was constantly abused and tortured. Over the next several years, each of the ten cases slapped against him fell apart. At long last, Ferreira was acquitted of all charges. As he exited the prison, moments away from freedom, he was rearrested by plainclothes police. He never got to glimpse his family waiting for him just outside the prison gates. 

In stark and riveting detail, Ferreira recounts the horrors he faced in prison—torture, beatings, the general air of hopelessness—and the small consolations that kept hope alive—strikes and solidarity among inmates. His memoir is a timely reminder that across the globe policing and incarceration are institutions in desperate need of being dismantled.