Encounter Books

The liberal arts are dying. They are dying because most Americans don’t see the point of them. Americans don’t understand why anyone would study literature or history or the classics—or, more contemporarily, feminist criticism, whiteness studies, or the literature of postcolonial states—when they can get an engineering or business degree. 

Even more concerning is when they read how “Western civilization” has become a term
of reproach at so many supposedly thoughtful institutions; or how fanatical political correctness works hard to silence alternative viewpoints; or, more generally, how liberal studies have become scattered, narrow, and small. In this atmosphere, it’s hard to convince parents or their progeny that a liberal education is all that wonderful or that it’s even worthy of respect. 

Over sixty years ago, we were introduced to the idea of “the two cultures” in higher education— that is, the growing rift in the academy between the humanities and the sciences, a rift wherein neither side understood the other, spoke to the other, or cared for the other. But this divide in the academy, real as it may be, is nothing compared to another great divide—the rift today between our common American culture and the culture of the academy itself. 

So, how can we rebuild the notion that a liberal education is truly of value, both to our students and to the nation? Our highest hopes may be not to “restore” the liberal arts to what they looked like fifty or a hundred years ago but to ask ourselves what a true contemporary American liberal education at its best might look like. 

Remedying this situation will involve knowing clearly where we wish to go and then understanding how we might get there. For those objectives, this book is meant to be the beginning. 

Openings & Outings brings together over forty pieces from the long and distinguished career of the writer and commentator David Pryce-Jones. Taking us from a meeting with Rudolf Hess’s widow, to the slums of Tangier, to the front lines of the Israeli–Palestinian conflict, with many stops in between, Openings & Outings presents over fifty years of insight, from a writer with endless scope and perspective.

Award-winning essayist Lance Morrow writes about the partnership of God and Mammon in the New World—about the ways in which Americans have made money and lost money, and about how they have thought and obsessed about this peculiarly American subject. Fascinated by the tracings of theology in the ways of American money Morrow sees a reconciliation of God and Mammon in the working out of the American Dream.

This sharp-eyed essay reflects upon American money in a series of individual life stories, including his own. Morrow writes about what he calls “the emotions of money,” which he follows from the catastrophe of the Great Depression to the era of Bill Gates, Oprah Winfrey, and Donald Trump. He considers money’s dual character—functioning both as a hard, substantial reality and as a highly subjective force and shape-shifter, a sort of dream. Is money the root of all evil? Or is it the source of much good? Americans have struggled with the problem of how to square the country’s money and power with its aspiration to virtue.

Morrow pursues these themes as they unfold in the lives of Americans both famous and obscure: Here is Thomas Jefferson, the luminous Founder who died broke, his fortune in ruin, his estate and slaves at Monticello to be sold to pay his debts. Here are the Brown brothers of Providence, Rhode Island, members of the family that founded Brown University. John Brown was in the slave trade, while his brother Moses was an ardent abolitionist. With race in America a powerful subtheme throughout the book, Morrow considers Booker T. Washington, who, with a cunning that sometimes went unappreciated among his own people, recognized money as the key to full American citizenship. God and Mammon is a masterly weaving of America’s money myths, from the nation’s beginnings to the present.

A wonderfully written, sweeping narrative history of the United States that will help Americans discover the land they call home.

Workbook for students studying the Young Readers Edition of Land of Hope. Middle School, Grades 6-8

The SECOND Student Workbook to accompany the two-volume Young Readers Edition of Land of Hope 

This Student Workbook to the Young Reader’s Edition of Wilfred McClay’s Land of Hope: An Invitation to the Great American Story is an invaluable supplement for students reading the Land of Hope in their courses. Prepared by Wilfred McClay in collaboration with John McBride, a master teacher with more than thirty years of secondary and collegiate teaching experience, the workbook expands on the Land of Hope, offering corresponding primary source documents and hands-on map reading exercises. It will help students develop their close reading and geography skills in order to better understand the materials presented in the Land of Hope.

This Student Workbook and Teacher’s Guide are complementary and designed to be used together. Both provide chapter summaries which instructors may use in teaching students to read for the main idea. The Student Workbook contains reading questions for each chapter of the Land of Hope text; the Teacher’s Guide has the same questions with answers. Primary source documents, including speeches, diary entries, song lyrics, compacts, letters, essays, legal documents, and more, accompany each chapter and are broken into shorter segments to help with reading comprehension. In the Student Workbook, each primary source is followed by reading questions directed to help students understand the main ideas; the Teacher’s Guide provides the answers. The Student Workbook offers fourteen map exercises; the Teacher’s Guide provides the keys. Both editions offer synthetical essay questions for each chapter and for final exams, learning strategies, and study “tricks.”

Between 1920 and 1950, America saw an unprecedented expansion of wealth and power underwritten by technological innovation, cultural confidence, and victory in war. American elites won World War II, rebuilt the world order with America at its head, inaugurated the jet age, and put a man on the moon. The boom led to a larger, richer middle class that confirmed America’s best ideals. 

By the early 1970s, that ended. American elites have captured a disproportionate share of the social and economic rewards over the last fifty years. Meanwhile, the middle class has shrunk in size and has become economically insecure, owning a smaller share of national wealth than at any time in the nation’s history. This has happened even while most households have two income earners, versus the single-income households that characterized the period of shared prosperity. At the same time, technological innovation that improves people’s standard of living has dramatically slowed. 

These trends undermine the basic premise behind the broad acceptance of a meritocratic elite, whose rule is predicated on the belief that if the best rise to the top, their talent and energy will create a rising tide that lifts all boats. We had that once. We can have it again. 

We live in the democratic age. So wrote Alexis de Tocqueville in 1835, in his magisterial work, Democracy in America.  Tocqueville thought this meant that as each nation left behind the vestiges of its aristocracy, life for its citizens or subjects would be increasingly isolated and lonely.

In America, we know of our growing isolation and loneliness.  What of the Middle East?  In the Middle East today, citizens and subjects live amid a profound tension: Familial and tribal linkages hold them fast, and at the same time rapid modernization has left them as isolated and lonely as so many Americans are today. The looming question, anticipated so long ago by Tocqueville, is how they will respond to this isolation and loneliness.

Joshua Mitchell has spent years teaching Tocqueville’s social theory, in America and the Arab Gulf, and with Tocqueville in Arabia, he offers a profound account of how the crisis of isolation and loneliness is playing out in similar and in different ways, in America and in the Middle East. 

We live in a time rife with mutual misunderstandings between America and the Middle East. Tocqueville in Arabia offers a guide to the present, troubled times, leavened by the author’s hopes about the future.

Why should we feel such animosity toward our fellow citizens, our neighbors, even our own kin? Because we’ve fallen for the false narrative, eagerly promoted by pundits on the Left and the Right, that citizens who happen to vote Democrat or Republican are enthusiastic supporters of Team Blue or Team Red. Aside from a minority of party activists and partisans, however, most voters are simply trying to choose the lesser of two evils. 

The real threat to our union isn’t Red vs. Blue America, it’s the quiet collusion within our nation’s political class to take away that most American of freedoms: our right to self-governance. Even as partisans work overtime to divide Americans against one another, they’ve erected a system under which we ordinary citizens don’t have a voice in the decisions that affect our lives. From foreign wars to how local libraries are run, authority no longer resides with We the People, but amongst unaccountable officials. The political class has stolen our birthright and set us at one another’s throats. 

This is the story of how that happened and what we can do about it. America stands at a precipice, but there’s still time to reclaim authority over our lives and communities. 

For half a century Sarah Josepha Hale was the most influential woman in America. As editor of Godey’s Lady’s Book, Hale was the leading cultural arbiter for the growing nation. Women (and many men) turned to her for advice on what to read, what to cook, how to behave, and—most important—what to think. Twenty years before the declaration of women’s rights in Seneca Falls, NY, Sarah Josepha Hale used her powerful pen to promote women’s right to an education, to work, and to manage their own money.

There is hardly an aspect of nineteenth-century culture in which Hale did not figure prominently as a pathbreaker. She was one of the first editors to promote American authors writing on American themes. Her stamp of approval advanced the reputations of Edgar Allan Poe, Harriet Beecher Stowe, and Nathaniel Hawthorne. She wrote the first antislavery novel, compiled the first women’s history book, and penned the most recognizable verse in the English language, “Mary Had a Little Lamb.”

Americans’ favorite holiday—Thanksgiving—wouldn’t exist without Hale. Re-imagining the New England festival as a patriotic national holiday, she conducted a decades-long campaign to make it happen. Abraham Lincoln took up her suggestion in 1863 and proclaimed the first national Thanksgiving.

Most of the women’s equity issues that Hale championed have been achieved, or nearly so. But women’s roles in the “domestic sphere” are arguably less valued today than in Hale’s era. Her beliefs about women’s obligations to family, moral leadership, and principal role in raising children continue to have relevance at a time when many American women think feminism has failed them. We could benefit from re-examining her arguments to honor women’s special roles and responsibilities.

Lady Editor re-creates the life of a major nineteenth-century woman, whose career as a writer, editor, and early feminist encompassed ideas central to American history.

During the 1980s and 1990s, European economies went through a period of slowing economic growth and high unemployment, what some economists described as “secular decline.” On the other side of the Atlantic, the United States enjoyed a robust recovery during those years by reducing taxes, eliminating regulations on business, and tightening monetary policy. 

Now, after two decades of subpar growth, the question is whether or not the American economy has entered into its own era of secular decline.

This Broadside examines this troubling development, recognizing that there are no easy solutions to the problem. Lacking workable solutions, Americans will have to adjust to a future of slow economic growth, with all that implies for inter-generational progress, American strength abroad and political conflict at home. 

In the poetry collection Behemoth, Bruce Bond explores the metaphysical imagination, both in its secular and sacred forms, as something universal, endemic to consciousness, embedded in our longing to capture a lost past and stave off anxieties about the great forgetting to come. As such the book figures as both a critique and empathetic analysis of idolatry, broadly understood and equally universal, problematic as a failed strategy intent upon possession, at odds with values embedded in its symbols. Figures critical to our identity—including those associated with race, nation, and religion—become most prone to unmindful projection, fears and vulnerabilities and our subsequent potential for cruelty and exclusion. Central to the book’s inquiry is the legacy of the holocaust as something that persists, recognized or not—a critical element of cultural memory that both eludes our language and summons our need to speak.

Some Problems with Autobiography, Brian Brodeur’s fourth collection, grapples with the porous and fragmentary nature of midwestern American identity in poems that range across prosodic forms and hybrid genres. By turns self-mocking, meditative, and tragi-comic, this book explores the perils of digital technologies, ecological uncertainties, and the inadequacy of language to convey our collective distress, asking how much pleasure and hardship the human heart can bear. Brodeur’s narrative poems feature a dramatis personae rare in contemporary poetry, including a Syrian refugee enrolled in a writing workshop, the wife of an accused serial killer shopping defense lawyers, a horny psychoanalyst confessing a dream, and a carpenter working for the Department of Education during New York City’s first lockdown. From dramatic-monologue sonnets and narrative sestinas to discursive lyrics cast in Rubáiyát stanzas and Alcaic strophes, Some Problems with Autobiography brings ancient modes into startlingly contemporary contexts.