Award-winning poet and novelist Gwendolyn MacEwen explores her strongly personal responses to the landscape, culture, and people of Greece in this exquisitely written travel diary, which was originally published in 1978.

Originally published in 1978, beloved poet and novelist Gwendolyn MacEwen’s first work of nonfiction explores her strongly personal responses to a complex civilization. Partly written during a trip to Greece in 1971, MacEwen moves from the urban tumult of Athens to the radiant simplicity of an island in the Aegean. In this intimate and exquisitely written travel diary, she evokes the very spirit of Greece — the exuberance of the people, the sun-drenched landscape, and the shaping power of ancient traditions and myths in modern Mediterranean life.

The heartening and hilarious story of a woman who doesn’t have it all figured out just yet.

After accidentally-on-purpose exploding her listless marriage by being discovered in bed with the next-door neighbours, Clemence Lathbury returns to her hometown resolved to build a life for herself that is good and substantial, to become the kind of sensible woman who won’t be distracted by frippery and romance. It’s supposed to be Eat, Pray, Love, without the love part. But no woman is an island, and soon Clemence finds herself embroiled in neighbourhood drama; beginning a crusade at the local bookshop; becoming adopted by a well-groomed, one-eyed cat; and being forced to admit her attraction to two very different men—each a romantic lead in his own right. But how to choose? And never mind the complications of her quirky family …

A novel about friendship, community, and church jumble sales, Definitely Thriving is a celebration of people who are perfectly imperfect, and all the love and support that’s required for one woman to make it on her own.

Uplifting stories, vignettes, and reflections to inspire gratitude, love, joy, and hope in navigating life in a changing, challenging world.

This beautiful and welcoming book can be read cover to cover or used as a daily source of guidance, providing gentle wisdom that inspires and empowers. Through the lens of five transformative practices — gratitude, love, joy, happiness, and hope — bestselling author Monique Gray Smith weaves together short stories, poignant reflections, and thoughtful questions that invite readers to pause and reconnect with their inner light. And as an Indigenous author, Monique brings her cultural wisdom and unique perspective to each offering. 

Sharing the Light is a powerful reminder that when we embrace our light and share it with the world, that energy not only transforms us but ripples out to uplift everyone around us.

A.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In The Wren, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s The Sparrow: Selected Poems (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.

“This poem begins where Bulimia ends

or maybe, just maybe, when it started. Where

the differential diagnosis is confused

by decades of self-made violence. Poverty,

colonialism, god, all prisms that will shatter

one day, if not now…”

Part self-interrogation, part confession, part hospital diary, the intense, heartbreakingly frank poems in Brandi Bird’s second collection detail the author’s ongoing struggles with eating disorders and depression, conditions that disproportionately afflict Indigenous girls, women, and two-spirited persons. These challenging poems investigate the relationship between sexuality and eating disorders as well as how the voyeurism of religion (the idea of being eternally watched) intersects with both of those spheres. They also raise questions about body shaming and body sovereignty—a failed sovereignty in this case, as "sovereignty" itself is a communal concept. In the tradition of poets like Amy Berkowitz (Tender Points) and Hannah Green (Xanax Cowboy), the poems in Pitiful also lay bare the way patriarchy, medical sexism, and bigotry have not only sabotaged the treatment of such conditions but often make them worse.