House of Anansi Press

Award-winning poet and novelist Gwendolyn MacEwen explores her strongly personal responses to the landscape, culture, and people of Greece in this exquisitely written travel diary, which was originally published in 1978.

Originally published in 1978, beloved poet and novelist Gwendolyn MacEwen’s first work of nonfiction explores her strongly personal responses to a complex civilization. Partly written during a trip to Greece in 1971, MacEwen moves from the urban tumult of Athens to the radiant simplicity of an island in the Aegean. In this intimate and exquisitely written travel diary, she evokes the very spirit of Greece — the exuberance of the people, the sun-drenched landscape, and the shaping power of ancient traditions and myths in modern Mediterranean life.

A sweeping historical romance inspired by the real-life daughter of Miguel de Cervantes, celebrated author of Don Quixote

Madrid, 1599. Following her mother’s sudden death, fifteen-year-old Isabel goes to live in the family home of her father, the poet and war hero Miguel de Cervantes, a man she has never met. Forced to pose as a maid to conceal her illegitimate status, Isabel must adapt to a new way of life with her jealous cousin and protective aunts while she waits for her father to return from Seville. Meanwhile, in the nearby town of Esquivias, Miguel’s pious and faithful wife Catalina similarly awaits his return, blissfully unaware of Isabel’s existence.

As Miguel works on the manuscript that will become his masterpiece, Don Quixote, the years pass and Isabel grows into womanhood, falling in and out love, uncovering family secrets, and yearning for the legitimacy denied her by a rigid and callous society. Capturing two tumultuous decades of Golden Age Spain in rich historical detail, Martha Bátiz paints a compassionate portrait of a family on the precipice of great change—and the fiercely independent woman at its centre striving to make a life of her own.

“Profoundly moving and beautifully written . . . each story is its own universe that transports the reader through the characters’ joy and pain.” — Amy Stuart  

The nineteen stories in No Stars in the Sky feature strong but damaged female characters in crisis. Tormented by personal conflicts and oppressive regimes that treat the female body like a trophy of war, the women in No Stars in the Sky face life-altering circumstances that either shatter or make them stronger, albeit at a very high price. True to her Latin American roots, Bátiz shines a light on the crises that concern her most: the plight of migrant children along the Mexico–U.S. border, the tragedy of the disappeared in Mexico and Argentina, and the generalized racial and domestic violence that has turned life into a constant struggle for survival. With an unflinching hand, Bátiz explores the breadth of the human condition to expose silent tragedies too often ignored.

Housing has become a crisis of humanity—one created by design and decades in the making.

Who counts and who doesn’t in the world of housing and real estate? The decisive answer by financial and political elites is that people are math equations and homes are instruments of profit. It is an answer that betrays the essential truth that housing is fundamental to existence.

Across six continents, Leilani Farha enters the homes oof people deemed disposable—families who’ve been evicted, those living in neighbourhoods remade for the rich, people criminalized for having nowhere to live. Through these intimate encounters and her own reckoning from the centre of global housing debates, Farha reveals the ideology at work: the same logic that justifies dispossessing Indigenous Peoples of their lands and resources now prices out young people, displaces tenants, destroys communities, and disappears homeless people.

Writing with fierce clarity, Farha connects these stories with her own reflections on power, complicity, and the limits of reform to spark our fight to get back home and build a new ideology—one rooted in laws, humanity, and imagination, where home is the foundation of justice.

For readers of John Vaillant, Robert Macfarlane, and Helen Macdonald, a lyrical, panoramic exploration of extinction as it occurs and reoccurs in natural history, myth, and science.

It’s no secret we live in an age of extinction: our daily newsfeeds and disappearing wildlife make that abundantly clear. But what does extinction really mean for humanity? Naturalist and poet Neil Griffin seeks to answer that question.

The result is a globe-spanning, personal history of extinction: a grand tour of the dead, the nearly dead, and—against all odds—the still living. Griffin catches crocodiles in Belize, tracks bats on the Western plains, meets jaguars in Honduras, and, in Kenya, comes face to face with the northern white rhinoceros, the rarest mammal on Earth. Along the way, he connects our current moment to Earth’s deep history, exploring how mass extinctions occur and irreversibly shape life on our planet.

Written with curiosity, compassion, and a surprising humour, Endings is an eye-opening journey through extinction—from the fossil record to the field biologist’s notebook, from myth to memory. In bearing witness to what we’ve lost, Griffin discovers something unexpected: that even in an age of endings, wonder and hope remain defiantly alive.

Meditations on the beauty of an ordinary life

Meditating on the beauty of an ordinary life, Sanna Wani’s second poetry collection, Lantern, explores how we fall in love and make a home. What does it mean to belong to a city, or to truly enter adulthood? Imbued with a quiet queerness, this book is a guide for living in the aftermath of familial rifts, crises of faith, political struggle, and intergenerational grief—all while remaining devoted to an idea of goodness.

A love letter to Toronto, Lantern is grounded in subway stations and city parks yet textured like watercolour and linen. Wani writes with reverence for animals, trees and flowers, but does not avoid everyday difficulties—the burnout of a 9-5; her fraught homeland of Kashmir; or the reality of Islamophobia in Canada. Wani also addresses the craft and the limits of language. Lantern is kaleidoscopic in its queries: memory, mothering and morality refract through tarot, Sufism, and psychoanalysis.

A balm and an ode, this collection places Wani in the lineage of Mary Oliver while carving her own path as both theo- and ecopoet. Taking stock of one precious life, Lantern invites us to consider our responsibilities—to ourselves and each other—and to choose who we might become.

Art, ambition and desire collide when a struggling academic becomes entangled in the life and marriage of her literary idol.

By day, Dr Ruth Morgan lectures on ‘AI: the new frontier of storytelling’ at East Toronto University. By night, she toils away at a collection of short stories, fantasising about a literary career to rival that of the iconic Shelby Rayburn, internationally renowned and widely hailed as the voice of Ruth’s generation of women.

When Shelby and her husband, Oscar, make an appearance at an annual faculty party, Ruth can’t believe her luck. The trio immediately hit it off, and an intoxicating intimacy develops between them, underwritten by a simmering sexual tension. Everything changes when Shelby makes Ruth an offer she can’t refuse—one that she can’t tell anyone about, including Oscar. As boundaries blur and secret alliances form, the dynamic becomes riddled with distrust and threatens to implode. Ruth and Shelby need each other, but each has their own agenda when it comes to friendship, love and literary stardom.

Deepening her exploration of female friendships, art and fame, award-winning author Laurie Petrou returns with a campus novel that asks what it means to be a creator in an age where notions of authorship, relationships and notoriety seem dangerously undefinable.

A darkly funny, deeply human portrait of life, love, and survival on a northern reserve where hope and hardship walk hand in hand.

In linked tales set on the Rabbit-Skin River Indian Reserve, a remote northern community of 500, we follow Jimmy Whiskey-Jack—an unscrupulous but lovable schemer—and his cheerful sidekick, Chubby Larue, as they stumble from absurd escapades like inheriting a hearse into the heart of life on the rez. Around Jimmy orbit unforgettable figures: Auntie Gertie, the tough, tender matriarch; Father Binette, the well-meaning priest; Isaac Rat-Skin, the last medicine man; Ida Scow, the no-nonsense band manager; and Chief Truman Two-Faces, whose antics skewer colonial bureaucracy. At Effie’s Café—the community’s beating heart—gossip flows, love endures, and resilience reigns. Both humorous and haunting, Old Moccasins captures the spirit, struggle, and enduring strength of life on the Rabbit-Skin River Reserve.

A quirky and revealing exploration of the tangled science, history, and culture of human hair.

Body hair: we're covered in it. But for most of us, there’s too much or too little, it’s the wrong colour or in the wrong place. Collectively, we spend billions of dollars trying to change or control it. We’re fascinated, disgusted, and amused, and we don’t know why.

Each patch on this wild romp through your furry real estate—from the top of your head to the tips of your toes—tells a story about survival, sex, and social life. Judy Wearing explores how and why hair has provoked discomfort in people through the ages and contemplates how our animality influences daily life.

Equal parts curious, comic, and compelling, Anxious and Hairy draws on insights from evolutionary biology, psychology, anthropology, history, and art to uncover what our hair reveals about being human. From bearded female saints to Botoxed brows that dull empathy, hair exposes how biology and culture intersect. One thing is certain: you’ll never look at the human body the same way again.

A searing account of three interconnected global crises that defined the 2010s, and a powerful invitation to respond with compassionate solidarity.

In Ebola, Bombs, and Migrants, Dr. Joanne Liu, former International President of Doctors Without Borders, draws on frontline experience to examine three major humanitarian crises of the 2010s, revealing the global obsession with national security and its capacity to overshadow our responsibility to protect vulnerable populations.

Since the early 2000s, a world shaped by 9/11 has retreated into fear, strengthening borders and eroding the mechanisms of international cooperation. From West Africa to the Mediterranean and into Afghanistan, Dr. Liu shows how, despite the best efforts of frontline responders, the international community has repeatedly chosen containment over compassion, and politics over principle.

This urgent, authoritative work urges readers to connect past tragedies to current circumstances, reckoning with the cost of disengagement to ultimately reclaim a vision of shared humanity in the face of global crisis.

Exiled from his community after serving time for his father’s murder, a young Innu man finds himself adrift on the streets of Montreal.

Released from prison after ten years spent behind bars for the murder of his violent, alcoholic father, Elie Mestenapeo finds himself out in the world again, but alone. Banished for life from his community, Nutashkuan, he heads south to Montreal, where he becomes part of a new community—Cree, Nakota, Inuit, Innu, Mohawk and Atikamekw come together in Cabot Square. There, Elie meets Mary and Tracy, Inuuk twin sisters who take him under their wing; Jimmy, a Nakota man who hands out hot meals to those the city has forgotten; and Mafia Doc, an aging, self-proclaimed nurse who refuses to abandon his tent even as winter’s brutal cold descends.

In this deeply compassionate novel, Michel Jean gives voice to those living on society’s margins. With tenderness and unflinching honesty, he reveals lives scarred by violence and addiction but also sustained by resilience, kinship, and the faint, persistent light of hope.

A provocative black comedy of mystery, hijinks, and absurdist despair set at the only theme park devoted to death, dying, and the afterlife

Zita Chang’s job—marketing death for the twenty-first century—is just like everyone else’s entry-level position in a corporate machine. While she’s grinding away, she’s determined not to let her grief over the death of her father interfere with her work. But being a Nine Circles employee comes with perks: she can ask the Afterlife team to replace Siri with her dead dad’s voice so that he can give her the advice she never wanted when he was alive.

Just when Zita feels the drudgery can’t get any worse, the Nine Circles calls an emergency meeting nine weeks before the park’s grand opening to drop a shocking bomb: not only has their executive director died under mysterious circumstances, but Zita and her coworkers are charged with programming his reanimated body to keep the launch on schedule. Can Zita pull this off? Why have a few other colleagues recently dropped dead too? And couldn’t this meeting have been an email?

Magnificent stories about Caribbean immigrants navigating the emotional terrain of girlhood, displacement, longing, and identity across continents.

Layaway Child is a luminous debut short story collection by award-winning writer Chanel Sutherland that explores the emotional landscapes of Caribbean families fractured by migration, especially the harrowing yet resilient journeys of Black girls and women. In lyrical, linked stories, Sutherland traces the lives of mothers working abroad as housekeepers and nannies, and the children they left behind.

From lush island childhoods marked by absence and community, to the cold, alienating spaces of Canadian cities, Layaway Child captures the complexity of growing up between worlds. A mother, newly arrived in Montreal, is kept from speaking to her daughters by her own mother’s misguided attempt to help her let go of home. A schoolgirl becomes a spectacle under the gaze of white classmates. A young girl’s curiosity about the cosmos collides with the confusion of puberty. Sutherland brings deep compassion and sharp insight to each moment, revealing both the beauty of island life and the harshness of immigration’s toll.

Two lovers plot a daring heist in this atmospheric noir about fate and fortune on the fringes of the American dream.

Post-war Riverton has little to offer Richard, a mild-mannered loner working a dead-end job at Eddy & Dowd Safe Deposit Company. When he meets Marlon, a smooth-talking confidence man, Richard finds his partner in crime. Passions ignite between the men, and together, they hatch a plan to rob the vault at Eddy & Dowd—a once-in-a-lifetime score that will fund their escape to the Big City, where they can live and love as they desire.

Their plans are complicated by Gloria, a recent divorcée scheming her own route to wealth; Frank Todd, a disgraced ex-cop desperate to restore his reputation; and the paranoid Mr. Dowd, a tycoon scrambling to hold onto his crumbling empire. As Richard and Marlon race towards their destiny, reckless violence threatens both their plans and their devotion to each other.

Inspired by the iconic lexicon and unsparing storytelling of Raymond Chandler and Patricia Highsmith, The Longest Death weaves a twisted morality tale about what it means to love someone at any cost.

The heartening and hilarious story of a woman who doesn’t have it all figured out just yet.

After accidentally-on-purpose exploding her listless marriage by being discovered in bed with the next-door neighbours, Clemence Lathbury returns to her hometown resolved to build a life for herself that is good and substantial, to become the kind of sensible woman who won’t be distracted by frippery and romance. It’s supposed to be Eat, Pray, Love, without the love part. But no woman is an island, and soon Clemence finds herself embroiled in neighbourhood drama; beginning a crusade at the local bookshop; becoming adopted by a well-groomed, one-eyed cat; and being forced to admit her attraction to two very different men—each a romantic lead in his own right. But how to choose? And never mind the complications of her quirky family …

A novel about friendship, community, and church jumble sales, Definitely Thriving is a celebration of people who are perfectly imperfect, and all the love and support that’s required for one woman to make it on her own.

Uplifting stories, vignettes, and reflections to inspire gratitude, love, joy, and hope in navigating life in a changing, challenging world.

“Monique Gray Smith’s signature warmth and wisdom illuminates paths toward resilience, creativity, and human connection.” —Elizabeth Gilbert, Eat Pray Love

“Tender words and heartfelt stories provide gentle guidance to remind us how we can care for each other and ourselves, with attention to the profound power of small acts.” —Robin Wall Kimmerer, Braiding Sweetgrass

This beautiful and welcoming book can be read cover to cover or used as a daily source of guidance, providing gentle wisdom that inspires and empowers. Through the lens of five transformative practices — gratitude, love, joy, happiness, and hope — bestselling author Monique Gray Smith weaves together short stories, poignant reflections, and thoughtful questions that invite readers to pause and reconnect with their inner light. And as an Indigenous author, Monique brings her cultural wisdom and unique perspective to each offering. 

Sharing the Light is a powerful reminder that when we embrace our light and share it with the world, that energy not only transforms us but ripples out to uplift everyone around us.

A.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In The Wren, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s The Sparrow: Selected Poems (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.

Graeme Bezanson’s debut collection, Ultra Blue, is a book-length sequence of poems about the emotional lives of boys and the challenges of growing up within contemporary constructions of masculinity.

“The truth no one wants to name,” writes bell hooks, “is that all boys are being raised to be killers even if they learn to hide the killer within.” These intense, insistently strange poems developed from Bezanson's struggles with guiding his young son through a culture of toxic masculinity and violence. This is work in dialogue with existing texts of boyhood and masculinity, in particular Jean-Jacques Rousseau’s Emile. The book’s three main sections make up a kind of fractured reader’s diary, broken up by two interludes of “divinations” – sparser erasure poems made using the changing positions of Elon Musk’s Starlink satellites to pick words from the transcript of an interview between self-proclaimed proponents of toxic masculinity Tucker Carlson and Andrew Tate. By processing existing texts and recasting them into a present, personal moment, Ultra Blue navigates the joy, despair, vivid arcana, and routine violence of boyhood under Western patriarchy.

“This poem begins where Bulimia ends

or maybe, just maybe, when it started. Where

the differential diagnosis is confused

by decades of self-made violence. Poverty,

colonialism, god, all prisms that will shatter

one day, if not now…”

Part self-interrogation, part confession, part hospital diary, the intense, heartbreakingly frank poems in Brandi Bird’s second collection detail the author’s ongoing struggles with eating disorders and depression, conditions that disproportionately afflict Indigenous girls, women, and two-spirited persons. These challenging poems investigate the relationship between sexuality and eating disorders as well as how the voyeurism of religion (the idea of being eternally watched) intersects with both of those spheres. They also raise questions about body shaming and body sovereignty—a failed sovereignty in this case, as "sovereignty" itself is a communal concept. In the tradition of poets like Amy Berkowitz (Tender Points) and Hannah Green (Xanax Cowboy), the poems in Pitiful also lay bare the way patriarchy, medical sexism, and bigotry have not only sabotaged the treatment of such conditions but often make them worse.

A story of Palestinians—one raised in exile, the other rooted on the land—searching for a language of love amid the ruins of dispossession.

Leila, a Palestinian Canadian film scholar, joins a delegation of academics on her first journey to Occupied Palestine. What begins as an intellectual pilgrimage becomes an intimate, destabilizing return to an ancestral land her family was exiled from. There, she meets Khaled—a younger Palestinian man who pulls her into a mesmeric trance of desire, curiosity, and confrontation. Their brief charged affair unfolds in a landscape shaped by rupture and resistance, each of them bearing different inheritances of the same loss.

One night in Khaled’s hotel room, Leila listens as he recounts a harrowing confrontation with a former paramilitary who participated in the Nakba of 1948. The conversation cracks open buried grief and fury, bringing history violently into the present.

Leila and Khaled is a love story and a reckoning—a lyrical, unflinching meditation on belonging, memory, and the enduring wounds of colonialism.

The body riddle—What if the body you fought for no longer fits the life you built before it?

When Lex finally receives a date for their chest surgery, they’re not sure if they want to go through with it. But it’s been a year since they’ve had sex with their cis partner, Ada, who believes Lex’s surgery will rekindle their kinky dynamic.

When surgery doesn’t have the outcome either expects, Lex, in the spirit of their non-monogamous relationship, tries to support Ada's new romance with Noah, a cis man. But Lex’s jealousy spirals—Is Ada replacing them? And does she prefer cis masculinity after all?

Then Lex meets Sadie, a magnetic nonbinary coworker who awakens a new attraction. Lex thought they were only attracted to women and has never dated another trans person. Unsure about their changing sexuality, Lex hides the budding romance from Ada. As secrets build, Lex must decide what kind of love—and life—they really want.

Sharp, intimate, and tender, The Body Riddle is about queer longing, identity, and the messy beauty of reconfiguring desire on your own terms.

The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2026 Griffin Poetry Prize.

Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

For readers of Jennifer Egan and Heather O’Neill comes a blazing debut novel set in the DIY music and arts scene of the early 2000s

In the fevered summer of 2001, charismatic activist Rob and his collective set up a squat in an abandoned house. His bandmate and lover, Ben, watches anxiously as his own plans are threatened by Rob’s choice of radical politics over music. Meanwhile, photographer Alex finds herself torn between documenting the chaos of the scene and saving the friendship that binds them together. When the police break up the squat, Rob vanishes, and the dream dies.

Ten years later, Alex and Ben find each other again—she’s conquering Montreal’s contemporary art world, he’s running a thriving restaurant in Ottawa. But their success feels hollow. As they excavate their shared past, they must confront the ghost of Rob’s disappearance and the trauma that pushed them apart.

Pulsing with the raw energy of basement punk shows and DIY creativity, late-night manifestos and first heartbreaks, Temporary Palaces is a stunning debut that captures a generation caught between idealism and survival, art and activism, the dreams that define us and the compromises that save us.

Ava Lee clashes with the most powerful family in Malaysian Borneo in this exhilarating new thriller from bestselling author Ian Hamilton.

 After a warehouse owned by the Three Sisters is destroyed under suspicious circumstances, Ava Lee travels to the Malaysian province of Sarawak to investigate. She quickly discovers that the powerful Chong family has a political and economic stranglehold on the province and is likely responsible for the warehouse. As Ava digs deeper into the Chongs, she is shocked to learn of their billion-dollar illegal logging operation in Sarawak, which has decimated the Bornean rainforest and threatens the existence of the Penan — a nomadic Indigenous people who have lived in the region for centuries.

 Determined to avenge the harm caused by the Chongs and to put an end to their dominion over Sarawak, Ava follows a money trail that leads back to the Hong Kong real estate market. There, Ava and Sonny Kwok embark on a campaign of terror against the Chong family — attacking their holdings and bank accounts. Can Ava attain the vengeance she seeks? Or will the powerful Chong family triumph once again?

In the sweep of human history, the European Union stands out as one of humankind's most ambitious endeavours. It encompasses half a billion people, twenty-seven member states, twenty-three languages, and an economy valued at over $15 trillion. Modern Europe's stunning achievements aside, its sovereign debt crisis has shaken the world's largest political and economic union to its core. Can the federal institutions and shared values of Europeans meet the challenges of debt crisis that are as much political as economic? Or, are Europe's current woes indicative of a series of deep structural faults that foreshadow the breakup and failure of the European Union?

In this edition of the Munk Debates -- Canada's premier international debate series -- former EU Commissioner Lord Peter Mandelson and EU parliament co-president of the Greens/European Free Alliance Group Daniel Cohn-Bendit, German publisher-editor and author Josef Joffe, and renowned economic historian Niall Ferguson debate the future of the EU -- one of the most pressing global issues of our day.

For the first time ever, this electrifying debate, which played to a sold-out audience, is now available in print, along with candid interviews with Niall Ferguson and Lord Peter Mandelson. As youth unemployment rates flare, currencies collapse, and political alliances erode, the Munk Debate on Europe tries to answer: Has the great European experiment failed?

In the spirit of Emma Donoghue’s international bestseller Room, Captive throws readers into the mind of a woman who wakes to find herself in a terrifying and surreal situation: she’s confined to a small grey room and she has no idea why she’s there.

Emma has an unremarkable life, a mundane job, and very little contact with her family and friends. Night after night she drinks to forget until one evening she’s jolted out of her routine. She wakes up in a concrete room furnished with only a mattress and a ceiling lamp. Emma is seized by terror. She feels real emotion for the first time in a long time. She tries to make sense of what is happening to her, where she is, who has taken her, and why. As the days, weeks, and possibly months pass she develops a routine that helps her survive her circumstances. But just as Emma begins to find comfort in her routine she receives another terrifying jolt and she must adapt to new circumstances. Her mysterious captors subject her to various tests that push her to her limit and make her question everything about herself, including her will to survive.

Captive is a harrowing, suspenseful, and hypnotic debut about honesty and freedom and the importance of living meaningfully and truthfully.

Longlist, 2023 Science Writers and Communicators of Canada Book Awards

A radical interrogation of the ethics and future of birth by an expert legal scholar.

Every single one of us has been born from a person. So far. But that is about to change. For the first time, babies could be gestated and born from machines through “Ex-vivo Uterine Environment Therapy,” aka EVE. But such radical technology leaves us with complex legal, social, and ethical questions. What does this breakthrough in artificial human gestation mean for motherhood, womanhood, and parenthood? Countries and people that do not respect the autonomy of pregnant people may use these technologies to curtail choice further, advance eugenic ideas, or to deepen class and racial divides.

In this fascinating story of modern birth, Claire Horn takes us on a journey from the first orchid-like incubators in the 1880s to the cutting-edge scientific breakthroughs of today. As she explores the most challenging and pertinent questions of our age, Horn reflects on her own pregnancy. Could artificial wombs allow women to redistribute the work of gestating? How do we protect reproductive and abortion rights? And who exactly gets access to this technology, in our vastly unequal world?

This classic of Canadian art biography, which won the Governor General's Award for Nonfiction, is a remarkable portrait of one of Canada's greatest artists.

Emily Carr's life was filled with tension, between the conventions of society and her own originality, between her relationships with others and her often lonely struggle to overcome obstacles, between happiness and despair. Acclaimed writer and historian Maria Tippett has captured the essence of this complex life, weaving a narrative that is at once sympathetic and penetrating.

CBC, Best Canadian Fiction of 2023

With imaginative aplomb and abiding passion, The Syrian Ladies Benevolent Society masterfully traces the deep roots of the Arab immigrant experience. These unforgettable interlocking stories follow an Arab family as they flee the Middle East in the nineteenth century, settle in Montreal in the twentieth, and face the collision between tradition and modernity in the twenty-first. This family includes trailblazing Lebanese freedom fighters, undercover operatives in World War II, and brave Syrian refugees trying to find their place in Canadian society.

The line of daring women culminates in Azurée, a young Arab woman living in the echoes of her ancestors' voices.

Every culture is a unique answer to a fundamental question: What does it mean to be human and alive? In The Wayfinders, renowned anthropologist, winner of the prestigious Samuel Johnson Prize, and National Geographic Explorer-in-Residence Wade Davis leads us on a thrilling journey to celebrate the wisdom of the world's indigenous cultures.

In Polynesia we set sail with navigators whose ancestors settled the Pacific ten centuries before Christ. In the Amazon we meet the descendants of a true lost civilization, the Peoples of the Anaconda. In the Andes we discover that the earth really is alive, while in Australia we experience Dreamtime, the all-embracing philosophy of the first humans to walk out of Africa. We then travel to Nepal, where we encounter a wisdom hero, a Bodhisattva, who emerges from forty-five years of Buddhist retreat and solitude. And finally we settle in Borneo, where the last rainforest nomads struggle to survive.

Understanding the lessons of this journey will be our mission for the next century. For at risk is the human legacy -- a vast archive of knowledge and expertise, a catalogue of the imagination. Rediscovering a new appreciation for the diversity of the human spirit, as expressed by culture, is among the central challenges of our time.

The fourteenth semi-annual Munk Debate, which will be held in Toronto on November 5, 2014, pits Bret Stephens and Robert Kagan against Fareed Zakaria and Anne-Marie Slaughter to debate the legacy of President Obama.

From Ukraine to the Middle East to China, the United States is redefining its role in international affairs. Alliance building, public diplomacy, and eschewing traditional warfare in favour of the focused use of hard power such as drones and special forces are all hallmarks of the so-called Obama Doctrine. Is this a farsighted foreign policy for the United States and the world in the twenty-first century — one that acknowledges and embraces the increasing diffusion of power among states and non-state actors? Or, is an America “leading from behind” a boon for the nations and blocs who want to roll back economic globalization, international law, and the spread of democracy and human rights?

In this edition of the Munk Debates, Pulitzer Prize–winning journalist Bret Stephens and famed historian and foreign policy commentator Robert Kagan square off against CNN’s Fareed Zakaria and noted academic and political commentator Anne-Marie Slaughter to debate the legacy of President Obama. With ISIS looking to reshape the Middle East, Russia increasingly at odds with the rest of the West, and the Israeli-Palestinian conflict at a standstill, the Munk Debate on Foreign Policy asks: Has Obama’s foreign policy taken the U.S. in the right direction?

From internationally acclaimed playwright and author Robert Lepage comes 887 — an autobiographical story originally toured as a solo show. Framed by Lepage’s attempt to memorize Michèle Lalonde’s poem “Speak White,” 887 is an exploration of memory, culture, and community in Quebec.

As the 40th anniversary of La Nuit de la poésie in Montreal approaches, playwright Robert Lepage is invited to recite Michèle Lalonde’s seminal poem “Speak White” from memory on the special night. After agonizing hours spent attempting to memorize the piece, Lepage finds himself unable to recall a single line. In a last effort he decides to employ a mnemonic device dating back to ancient Greece called the Memory Palace — a technique of imagination and association. Lepage’s Memory Palace is 887 Murray Avenue, the apartment block where he grew up. Winding his way around the rooms of the building and the lives of the tenants therein, Lepage guides the reader through a world of recollections of 1960s Quebec, the decade that shaped the province’s cultural and political consciousness.

A mesmerizing and multifaceted glimpse into the realm of memory, 887 is a tour of culture and community in 1960s Quebec through one masterful artist’s remarkable, boundary-defying perspective.

The highly anticipated fourth instalment in the critically acclaimed MacNeice Mysteries series finds MacNeice and his team on the hunt for a sophisticated serial killer who draws his inspiration from classic works of art — perfect for fans of Dan Brown’s mysteries with a historical twist.

Two bodies have been found in the master bedroom of a mansion in Dundurn’s old-money neighbourhood under the mountain. Howard Terry and his son, Matthew, have both been shot twice in the chest. Under Matthew’s body is a doll with blood-red cotton wadding spilling out of its head. Nearby, a mannequin in a nightshirt lies on its back, with two bullet holes in the chest.

On the other side of town, a body is discovered below the Devil’s Punchbowl waterfall. Leaning against an enormous rock is a man in a cotton nightshirt wearing a papier mâché donkey’s head. Two rounds in the chest.

Something about the way the bodies have been arranged suggests the murders are connected and triggers a memory in Detective Superintendent MacNeice of an image he saw years before…

Sara Peters' visionary debut collection is a book about obsessions — about desire, violence, sex, beauty, and cruelty, about how they lace through our days, leaving us changed. In these startling poems of mystery and terror, we meet remarkable characters enduring unspeakable things, confronting the raw reality of existence through fearless candor. With profound clarity, elegance, and humour, Sara Peters reminds us of the harrowing and beautiful complexity of life itself. 1996 marks the undeniable arrival of an essential and brave new voice.

The first volume in the beloved novelist Marie-Claire Blais’ prize-winning novel cycle — acclaimed as one of the greatest undertakings in modern Quebec fiction — reissued in a handsome A List edition, featuring an introduction by Lisa Moore.

Originally published in 1995 under the title Soifs, the first novel in Marie-Claire Blais’ masterful series won the Governor General’s Award for French Fiction and was hailed by critics around the world as a tour de force, comparing Blais to such literary greats as Virginia Woolf, Dante, Sophocles, and Shakespeare. In this dazzling rendering, These Festive Nights, celebrated translator Sheila Fischman brings Blais’ novel to life for English-speaking readers.

A sun-drenched paradise in the Gulf of Mexico surrounded by the glimmering blue sea; Renata is convalescing on this island poised between two worlds: between great wealth and extreme poverty, between the past and an uncertain future, between the beauty of the world and the horrors of history.

During her time here, Renata becomes tormented by thirst — for justice, for pleasure, for intoxication — while all around her, festivities are going on in joint celebration of the birth of baby Vincent and the end of the twentieth century. Over the course of three days and three nights a flock of characters assembles — an entire spectrum of humanity is depicted in the grip of doubt and suffering. In this swirling, baroque fresco, Marie-Claire Blais captures the essence of our apocalyptic age, rendering it in powerfully evocative prose.

From two internationally recognized experts in the field of gifted education comes this timely exploration of how best to nurture a child’s unique gifts, and set them on a path to a happily productive life — in school and beyond.

What is intelligence? Is it really a have or have not proposition, as we’ve been led to believe? Are some children just destined to fall behind? Dona Matthews and Joanne Foster answer those questions with a resounding “No!” In Beyond Intelligence, they demonstrate that every child has the ability to succeed — with the right support and guidance.

But how can parents provide that support? Matthews and Foster proceed from the assumption that knowledge is power, offering parents an information-packed guide to identifying a child’s ability, fostering creativity, and bolstering effort and persistence. Using case studies and anecdotes from their personal and professional experience, they explore different ways of learning; the links between creativity and intelligence; and how to best to provide emotional and social supports. They offer critical advice on how to work co-operatively with schools and educators, and address how to embrace failures as learning opportunities.

Drawing on the latest research in brain development and education theory, Beyond Intelligence is a must-read for today’s parents and educators.

The final word from one of popular music's greatest critics.

In the summer of 2020, acclaimed music critic and journalist Peter Goddard began work on a new book that would take readers on a journey back through his fifty-plus years spent writing professionally about rock music and the musical styles circling it—everything from blues and jazz to country and classical. His plan was to revisit his old haunts and their habitués, scenes and figures he first wrote about starting in the mid-1960s when he became Canada’s first on-staff popular music critic, to show how ongoing revisions continually reframe first impressions.

Tragically, Goddard died in 2022 before work on the manuscript was complete. But many of the core essays—on Bob Dylan, John Lennon and Yoko Ono, the Who, k.d. lang, David Bowie, Liza Minelli, The Band, Neil Diamond, and others—are here. Accompanying these new essays is a collection of some of the best writing of Goddard’s career—ranging from interviews with B. B. King, Joni Mitchell, Paul Simon, Bruce Springsteen, and Janis Joplin to reviews of classic albums by the Beatles, the Rolling Stones, and Neil Young, to close readings of Leonard Cohen, Anne Murray, Led Zeppelin, and Gordon Lightfoot. Taken as a whole, One Foot on the Platform represents more than fifty years of thought and writing by one of Canada’s foremost cultural critics.

Ava attends London Fashion Week for the launch of the PÖ fashion line, one of the major investments she and her partners in the Three Sisters — May Ling Wong and Amanda Yee — have made during the last year. With the exponential expansion of the luxury-brand market in China, Ava and her partners are determined to see a young Chinese designer break out in Europe and North America and they go full out in London.

The show is a success, but perhaps too much of one. It attracts the attention of Dominic Ventola, the principal partner in the luxury fashion conglomerate VLG. The women are invited to Milan to meet with Ventola and senior executives in his company. VLG offers to buy the Three Sisters’ stake in PÖ. Ava and her partners decline. A few days later, PÖ comes under attack in the fashion media and a large part of their customer base is pressured by VLG to abandon them.

Ava decides to strike back and turns to Xu for assistance, leading to a confrontation between two of the world’s biggest global crime syndicates: the Camorra and the Triad.

Reissued in a handsome A List edition, the largest collection of critical prose to date from world renowned author and poet Margaret Atwood, featuring an introduction by Lennie Goodings.

Originally published in 1982, Second Words brings together fifty of Margaret Atwood’s finest essays and reviews spanning two decades, beginning in 1962, with an introduction and commentary by the author.

With her incomparable wit and originality, Atwood discusses the process of writing and the literary life, with insightful looks at the work of such figures as Erica Jong, E. L. Doctorow, Northrop Frye, Roch Carrier, Marie-Claire Blais, Gwendolyn MacEwen, Marge Piercy, Adrienne Rich, Sylvia Plath, and many more. In several pieces, we see the development of her ideas on Canadian identity and the American dream, as well as her controversial attitudes toward feminism, sexism, and the strange mythologies imposed on men and women in contemporary North America.

Second Words remains the largest collection of Atwood’s critical prose to date.

In 1948, the Democratic People’s Republic of Korea is founded by General Kim Il-sung.

In 1978, North Korea celebrates the thirtieth anniversary of its founding, and Kim Jong-il, who at the time is the head of the Propaganda and Agitation Department, orders the kidnapping of the greatest South Korean movie star, the actress Madame Choi, and her ex-husband, the famous film director Shin Sang-ok.

In 2008, North Korea celebrates its sixtieth anniversary, and Magnus Bärtås and Fredrik Ekman take a bizarre, heavily guided tour to the world’s most isolated country.

In All Monster Must Die, authors Magnus Bärtås and Fredrik Ekman weave together these three stories to create a mosaic of North Korea, past and present: from the Japanese occupation to the demarcation of the border at the 38th parallel and the Korean War, the development of North Korean Juche ideology, the establishment of the Kim dynasty’s cult of personality, and the aggressive manufacturing of political propaganda, which motivated the kidnapping of South Korea’s most famous film couple. Intelligent and shocking, this book offers a rare and fascinating window into the “hermit kingdom,” and includes an updated chapter on the passing of Kim Jong-il and the declaration of his son, Kim Jong-un, as supreme leader.

Staking Claims to a Continent is a highly readable examination of how Jefferson Davis, Abraham Lincoln, and Sir John A. Macdonald took part in a daring game of nation building that has impacted the global order to the present day.

Three political leaders presided over the reshaping of the North American continent during the fiery 1860s. Jefferson Davis and Abraham Lincoln were both born in Kentucky, Davis in June 1808 and Lincoln the following February. John A. Macdonald was born in Glasgow, Scotland, in January 1815. All were Protestants; none came from a wealthy family. In an earlier era, such men would not have risen to political heights. They personified an age of social and economic transformation, thrust to the top by the very forces that tore the continent apart.

Davis tried to create a country by ripping the South out of the United States and establishing the Confederate States of America during the Civil War. Lincoln’s crusade to save the Union honed the industrial-military power that would one day dominate the world. Macdonald led the drive to shepherd the diverse British North American provinces into a federal state that would secure the northern half of the continent and keep Canada out of American hands.

In a high stakes game, these three national projects competed to create viable nation states. And the success or failure of the projects would have consequences — not only for the long-term future of the continent but also for the entire global order.

From Teva Harrison, the award-winning author and illustrator of In-Between Days, comes a powerful work of poetry and art in which she continues to explore what it means to live with metastatic breast cancer.

In this remarkable, frank, and gut-wrenching mix of words and images, Teva continues on her journey, grappling with what it means to live with metastatic breast cancer. She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.

Starkly honest and wholly profound, Not One of These Poems Is About You distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.

The definitive biography of John Candy—a heartwarming portrait of one of comedy’s most beloved and enduring stars.

INSTANT NATIONAL BESTSELLER

"Reading this book was like reconnecting with an old friend. I laughed, I cried, I didn't want it to end.” —Judd Apatow

“A thoughtful, thorough and entertaining portrait of one of the funniest people ever.” —Marc Maron

From his humble beginnings in sketch comedy with the Toronto branch of Second City, to his rise to fame in SCTV and Hollywood film classics like Planes, Trains and Automobiles, The Great Outdoors, and Uncle Buck, John Candy captivated audiences with his self-deprecating humour, emotional warmth, and gift for improvisation. Now, for the first time since Candy’s tragic death, bestselling biographer Paul Myers tells the full story of the man behind the laughs.

Drawing on extensive research and exclusive interviews with many of Candy’s closest friends and colleagues, including Dan Aykroyd, Chevy Chase, Tom Hanks, Ron Howard, Steve Martin, Catherine O’Hara, Martin Short, and many more, John Candy: A Life in Comedy celebrates the comedian’s unparalleled talent, infectious charm, and generosity of spirit. Through ups and downs, successes and failures, and struggles with anxiety and self-doubt, Candy faced the world with a big smile and a warm demeanour that earned him the love and adoration of fans around the world.

Gillian Best, winner of the Bronwen Wallace Award for Short Fiction, weaves a striking literary debut centred on one woman’s relationship to the sea in this sweeping intergenerational family saga.

A beautifully rendered family drama set in Dover, England, between the 1940s and the present day, The Last Wave follows the life of Martha, a woman who has swum the English Channel ten times, and the complex relationships she has with her husband, her children, and her close friends. The one constant in Martha’s life is the sea, from her first accidental baptism to her final crossing of the channel. The sea is an escape from her responsibilities as a wife and a mother; it consoles her when she is diagnosed with cancer; and it comforts her when her husband’s mind begins to unravel.

An intergenerational saga spanning six decades, The Last Wave is a wholly authentic portrait of a family buffeted by illness, intolerance, anger, failure, and regret. Gillian Best is a mature, accomplished, and compelling new voice in fiction.

Brilliant, jubilant insights into the glory and anguish of life from one of the world’s most treasured Indigenous creators. 

Trickster is zany, ridiculous. The ultimate, over-the-top, madcap fool. Here to remind us that the reason for existence is to have a blast and to laugh ourselves silly.

Celebrated author and playwright Tomson Highway brings his signature irreverence to an exploration of five themes central to the human condition: language, creation, sex and gender, humour, and death. A comparative analysis of Christian, classical, and Cree mythologies reveals their contributions to Western thought, life, and culture—and how North American Indigenous mythologies provide unique, timeless solutions to our modern problems. Highway also offers generous personal anecdotes, including accounts of his beloved accordion-playing, caribou-hunting father, and plentiful Trickster stories as curatives for the all-out unhappiness caused by today’s patriarchal, colonial systems.

Laugh with the legendary Tomson Highway as he illuminates a healing, hilarious way forward.

Winner of Australia’s richest literary award, No Friend but the Mountains is Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.

In 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi.

It is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, No Friend but the Mountains is an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.

“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan

An unforgettable first-person account of surviving the Rwandan genocide and its aftermath

Featuring a foreword by Globe and Mail Africa Bureau Chief Geoffrey York

In 1994, Obadiah was the thirteen-year-old son of a Hutu pastor, living comfortably in Rwanda and dreaming of becoming a pilot, when violence and bloodshed began to engulf the country. His family soon fled their home, pursued by soldiers and stalked by death and hunger. As the genocide led into a horrific war, Obadiah was forced to survive unrelenting terror and the darkest despair as a refugee, both in neighbouring Zaire and eventually in the American refugee detention system. Obadiah was sustained through these horrors by his faith and the philosophy of ubuntu — finding one’s self through connection with others.

In the spirit of Night by Elie Wiesel, Die Walking is one boy’s horrific story of shared humanity in a chaotic world.

From Christy Ann Conlin, the critically acclaimed and award winning author of Heave, comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.

In these evocative and startling stories, we meet people navigating the elemental forces of love, life, and death. An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore.

A master of North Atlantic Gothic, Christy Ann Conlin expertly navigates our conflicting self-perceptions, especially in moments of crisis. She illuminates the personality of land and ocean, charts the pull of the past on the present, and reveals the wildness inside each of us. These stories offer a gallery of both gritty and lyrical portraits, each unmasking the myth and mystery of the everyday.

A bracing and vividly told story set against the backdrops of the Tunisian Bread Riots in 1984 and the Jasmine Revolution in 2010, Hope Has Two Daughters offers a glimpse inside revolution from the perspectives of a mother and daughter.

Unwilling to endure a culture of silence and submission, and disowned by her family, Nadia leaves her native Tunisia in 1984 amidst deadly violence, chaos, and rioting brought on by rising food costs, eventually emigrating to Canada to begin her life.

More than twenty-five years later, Nadia’s daughter Lila reluctantly travels to Tunisia to learn about her mother’s birth country. While she’s there, she connects with Nadia’s childhood friends, Neila and Mounir. She uncovers agonizing truths about her mother’s life as a teenager and imagines what it might have been like to grow up in fear of political instability and social unrest. As she is making these discoveries, protests over poor economic conditions and lack of political freedom are increasing, and soon, Lila finds herself in the midst of another revolution — one that will inflame the country and change the Arab world, and her, forever.

Weaving together the voices of two women at two pivotal moments in history, the Tunisian Bread Riots in 1984 and the Jasmine Revolution in 2010, Hope Has Two Daughters is a vivid story that perfectly captures life inside revolution.

John Mighton’s revolutionary JUMP at Home: Grade 5 workbook, now available as a PDF for the first time for at-home learning.

“John Mighton’s JUMP program has demonstrated powerfully that, with the right instruction, no one need be left behind in math.” — New York Times

John Mighton's innovative JUMP (Junior Undiscovered Math Prodigies) Math program is changing the way math is taught. With these workbooks, parents and caregivers can bring the JUMP program home to keep children learning.

The key to the enormous success of the program is a step-by-step teaching method that isolates and describes concepts so clearly that children can not only understand them, but also build up great confidence in themselves and their ability.

This workbook includes an introduction that clearly explains the thinking behind the program and follows the carefully designed worksheets used by JUMP tutors and classroom teachers.

Royalties from the sales of the JUMP workbooks are donated to the JUMP organization.

F. Scott Fitzgerald’s “The Curious Case of Benjamin Button” meets Junot Diaz’s The Brief Wondrous Life of Oscar Wao in Daniel Grenier’s epic novel, which tells the story of a boy who ages only one out of every four years.

There’s something extraordinary about Thomas Langlois.

Thomas is a young boy growing up in Chattanooga, Tennessee, with a French-Canadian father, Albert, and an American mother, Laura. But beyond the fact that he lives between two cultures and languages, there’s something else about Thomas that sets him apart: he was born on February 29.

Before Albert goes on a strange quest to find out more about their mysterious relative, Aimé Bolduc, he explains to Thomas that he will only age one year out of every four and he will outlive all of his loved ones.

Thomas’s loneliness grows and the years pass until a terrible accident involving a young girl sets in motion a series of events that link the young girl and Thomas to Aimé Bolduc — a Civil War–era soldier and perhaps their contemporary.

Spanning three centuries and set against the backdrop of the Appalachians from Quebec to Tennessee, The Longest Year is a magical and poignant story about family history, fateful dates, fragile destinies, and lives brutally ended and mysteriously extended.

Winner of the Governor General's Literary Award: Translation. Shortlisted for the Cole Foundation Prize for Translation.

Literary legend and four-time winner of the Governor General's Literary Award Marie-Claire Blais delivers the latest installment in her ongoing portrait of life in contemporary North America.

In this swirling fresco, we meet unforgettable characters, some familiar from previous works, some new. This time, Blais lets us into the consciousness of fifteen-year-old Mai, an unusually perceptive young woman whose uncensored observations on femininity and youth, freedom and constraint belie her age. And, in the Porte du Baiser Saloon, we meet a group of boys who adorn themselves in colourful dresses and wigs before they take to the stage to sing and dance every evening after darkness falls. They open their arms to those who are excluded -- both men and women, triumphant and threatened, both free and bound.

With this astonishing new novel, Blais gives us a remarkable chronicle of our modern age teeming with characters who seem to represent the whole of humanity. She invites us to share the drama of perfect joy, the tragedy of happiness, and she gives us her best work yet.

Indian summer, 1607. Intrepid explorer and map-maker Samuel de Champlain has founded a new and precarious settlement in Annapolis Royal, New France (present-day Nova Scotia). As winter looms, two threats emerge: boredom amongst the men and the deadly sickness scurvy. Champlain hits upon the idea of a moveable feast -- an order of "good cheer" -- where nobles and men can enjoy good local food, excellent wine, and camaraderie.

Separated by the breadth of a continent and exactly four hundred years is twenty-first-century blue-collar worker Andy Winslow and his friends, whose urban landscape is threatened by encroaching environmental and economic disaster. In alternating narratives, award winning author and master storyteller Bill Gaston bridges the divide across land and time in this illuminating story about survival, love, friendship, and feast.

An honest and unaffected collection of human experiences that deftly tackles themes of grief, loss, missed opportunities, and the pain of letting go.

The stories in Michael Melgaard’s poignant debut collection, Pallbearing, offer candid snapshots of life in a small town, where the struggle to make ends meet forces people into desperate choices. In “Little to Lose,” a son confronts his mother over the crushing prison of debt created by her gambling addiction. The aging divorcee in “Coming and Going” spends her days in paranoid pursuit of evidence with which to incriminate her neighbours in the derelict trailer park where she lives. And in “Stewart and Rose,” lifelong friends find love after their respective partners die — and then face loss all over again.

With deceptively spare prose that carries outsized emotional weight and pathos, Melgaard brings his characters to life in sharp-edged portraits and all-too-human dilemmas, creating engaging stories that resonate with honesty and depth, and linger in the imagination.

The fourth and final installment in Ian Hamilton’s exhilarating Ava Lee spin-off series The Lost Decades of Uncle Chow Tung.

Following a diagnosis of terminal cancer, Uncle begins preparing for his inevitable death. As he sets his affairs in order, he recalls the moments in his life that meant the most to him — including his first encounter with the talented forensic accountant Ava Lee and the origins of their life-changing partnership.

The latest collection from Griffin Poetry Prize-winning poet A. F. Moritz.

In Sequence, the reader accompanies the poet step after step and breath after breath through a haunting and mercurial world that shimmers like sun on sand. Alternating moments of spare clarity with deep narrative flashes, the poem wanders the borders of the self, pursuing the eternal moment through imagined landscapes and the lush world waiting outside the writer's window. This is poetry of intense observation, finely tuned to a pattern that is sustained with breaks and returns, alive with eros and a hunger for Breton's "convulsive beauty."

Sequence dazzles as it seeks the great mystery, while remaining fully invested in our life of contingency and time.

Lucky Dog is a hilarious and heartwarming memoir by a renowned veterinary oncologist who tells us what we can learn about health care and ourselves from our most beloved pets.

What happens when a veterinary surgical oncologist (laymen’s term: cancer surgery doctor) thinks she has cancer herself? Enter Sarah Boston: a vet who suspects a suspicious growth in her neck is thyroid cancer. From the moment she uses her husband’s portable ultrasound machine to investigate her lump — he’s a vet, too — it’s clear this will not be your typical cancer memoir.

She takes us on a hysterical and thought-provoking journey through the human health care system from the perspective of an animal doctor. Weaving funny and poignant stories of dogs she’s treated along the way, this is an insightful memoir about what the human medical world can learn from the way we treat our canine counterparts. Lucky Dog teaches us to trust our instincts, be our own advocates, and laugh while we’re doing it.

Award-winning author Christina Myers navigates the uncharted territory of midlife in a time of rapid social, cultural, and environmental change.

Modern midlife is finding oneself halfway home but without any reliable maps for the route ahead. With wit and warmth, these personal essays move from a first bra to first hot flashes to consider the lessons we learn through media and culture––and from each other––about bodies, sexuality, fatphobia, gender roles, and what we should want in life. Christina Myers explores the ways that beauty standards and cultural expectations around femininity have shaped our identities and how we might shed those going forward; the power of friendships and the value of having other women to learn from; the anxiety of moving through motherhood into menopause in a time of global environmental crisis and political upheaval; and the uncertainty of how this stage of life should unfold, as old systems shift and crumble. Though our maps for midlife are never identical, we discover familiar paths and common landmarks in each other’s stories; these essays remind us there are others on this trail with us, just behind or just ahead, out of sight. We are not alone.

From the celebrated author of February and Caught comes an exhilarating new novel that asks: What makes a family? How does it shape us? And can we ever really choose who we love? 

As the snowstorm of the century rages, twenty-one-year-old Xavier is beaten and stabbed in a vicious attack. His mother, Jules, must fight her way through the shuttered streets of St. John’s to reach the hospital where Xavier lies unconscious. When a video of the attack surfaces, Jules struggles to make sense of what she sees in the footage—and of what she can’t quite make out. 

While Xavier’s story unfolds, so, too, do the stories that brought him there. Here, across families and generations, are stories of mothers, fathers, sisters, and brothers; of children cared for, neglected, lost, and re-found; of selfless generosity and reluctant debt. Above all, Moore, in the inimitable largesse of her art, paints a shimmering portrait of the sacrifice, pain, and wild joy of loving. 

A tour de force of storytelling and craft, This Is How We Love brings us a cast of characters so rich and true they could only have been written by Lisa Moore. 

On the surface, the Paul family are living the liberal, middle-class Scandinavian dream. Max Paul is a renowned sociologist and his wife Katriina has a well-paid job in the public sector. They live in an airy apartment in the centre of Helsinki. But look closer and the cracks start to show.

As he approaches his sixtieth birthday, the certainties of Max's life begin to dissolve. He hasn't produced any work of note for decades. His wife no longer loves him. His grown-up daughters — one in London, one in Helsinki — have problems of their own. So when a former student turned journalist shows up and offers him a seductive lifeline, Max starts down a dangerous path from which he may never find a way back.

Funny, sharp, and brilliantly truthful, Teir's debut has the feel of a big, contemporary, humane American novel, but with a distinctly Scandinavian edge.

Finalist, 2024 Governor General's Literary Award for Nonfiction
Finalist, 2024 Writers' Trust Shaughnessy Cohen Prize for Political Writing

These days, everyone feels insecure. We are financially stressed and emotionally overwhelmed. The status quo isn’t working for anyone, even those who appear to have it all. What is going on?

In this urgent cultural diagnosis, author and activist Astra Taylor exposes how seemingly disparate crises—rising inequality and declining mental health, the ecological emergency, and the threat of authoritarianism—originate from a social order built on insecurity. From home ownership and education to the wellness industry and policing, many of the institutions and systems that promise to make us more secure actually undermine us.

Mixing social critique, memoir, history, political analysis, and philosophy, this genre-bending book rethinks both insecurity and security from the ground up. By facing our existential insecurity and embracing our vulnerability, Taylor argues, we can begin to develop more caring, inclusive, and sustainable forms of security to help us better weather the challenges ahead. The Age of Insecurity will transform how you understand yourself and society—while illuminating a path toward meaningful change.

As middle-class incomes stagnate in advanced economies while the rich experience record income gains, the eleventh semi-annual Munk Debate pits wealth redistribution supporters Paul Krugman and George Papandreou against Newt Gingrich and Arthur Laffer to debate taxation — should the rich pay more?

For some the answer is obvious: redistribute the wealth of the top income earners who have enjoyed, for almost a generation, the lion’s share of all income gains. Imposing higher taxes on the wealthy is the best way for countries such as Canada to reinvest in their social safety nets, education, and infrastructure while protecting the middle class. Others argue that anemic economic growth, not income inequality, is the real problem facing advanced countries. In a globalized economy, raising taxes on society’s wealth creators leads to capital flight, falling government revenues, and less money for the poor. These same voices contend that lowering taxes on everyone stimulates innovation and investment, fuelling future prosperity.

In this edition of the Munk Debates — Canada’s premier international debate series — Nobel Prize–winning economist Paul Krugman and former Prime Minster of Greece George Papandreou square off against former Speaker of the U.S. House of Representatives Newt Gingrich and famed economist Arthur Laffer to debate if the rich should bear the brunt of higher taxes.

For the first time ever, this stimulating debate, which will take place in front of a sold-out audience, will be available in print. With advanced countries facing overextended social services, crumbling infrastructure, and sluggish economic growth, the Munk Debate on economic inequality tackles the essential public policy issue: Should we tax the rich more?

A taut and suspenseful domestic drama that explodes the comforting and constricting confines of marriage and early parenthood.

In a Florida almost claustrophobic with life, Georgie’s marriage has stagnated. But there’s no room to attend to it, as dangers small and large crowd in: teeth break, her son can’t find his words, there’s something in her husband’s eye, termites swarm the neighbourhood, and she finds a dead boy in the burning woods.

And then—there’s Jason.

As the repercussions of her discovery of the body, and her affair, come to land, Georgie digs deep, examining the undercurrents of her actions with curiosity, humour, and cutting emotional intelligence. Arms & Legs is a deliriously insightful excavation of love, desire, parenthood, and relationships at their best, and worst.

Originally published in 1970, Eleven Canadian Novelists Interviewed by Graeme Gibson is a collection of candid and wide-ranging interviews with Canadian writers, including Alice Munro, Mordecai Richler, Margaret Laurence, and more.

With the intuition of an insider, Gibson asks the important questions: In what way is writing important to you? Do writers know something special? Does he or she have any responsibility to society? The result is a fascinating and immensely readable series of conversations with famed writers at the beginning of their careers.

The A List edition will feature a new introduction by Graeme Gibson and interviews with the following authors:
Margaret Atwood
Austin Clarke
Matt Cohen
Marian Engel
Timothy Findley
Dave Godfrey
Margaret Laurence
Jack Ludwig
Alice Munro
Mordecai Richler
Scott Symons

In stories both absurd and all-too-real, Christopher Evans paints a portrait of the uncanniness of modern life.

 The president of a holistic dog food company is haunted by a pop song from her past. Nine siblings band together to raise themselves after parental abandonment. A domestic argument reveals a woman’s supernatural gift. A failing musician finds his calling soundtracking another man’s life. 

 Christopher Evans's stories are people with strays — those who fall for the allure of nostalgia, grapple with male fragility, deny family trauma, and acquiesce to authority. For these characters, resignation and reinvention are only a breath apart.

 Nothing Could Be Further from the Truth is a bold debut collection that sits at the threshold of expectation and reality.

Bestselling author of Autopsy of a Boring Wife Marie-Renée Lavoie is a master of making us fall in love with her characters. She does it again with the tender coming-of-age story Some Maintenance Required.

It is 1993, the last year of school and Laurie’s final spring before adulthood. She works part time at a restaurant and looks after Cindy, her neglected, potty-mouthed little neighbour. Like her mother, Laurie devours books and dreams big. Her father works at a garage, where Laurie constantly struggles to keep her car running. It is here that a budding romance intensifies Laurie’s understanding of class differences, and opens her eyes to a more complicated world. With her big heart, she takes Cindy globe-trotting without even leaving town, and learns how to come to terms with circumstances beyond her control. Life teaches Laurie that everyone requires some maintenance sometimes. A story of taking responsibility and coming into adulthood, Some Maintenance Required is as funny and as impressive as its main character.

Heartsick, reverent, irreverent, and quietly political, Trinity Street is the much-anticipated fifth collection from poet Jen Currin, winner of the Audre Lorde Award and a Lambda finalist. 

While Trinity Street is in fact an actual street in Vancouver, it is also the site of an imaginary garden and imperfect utopia in the title poem of this new collection. Currin’s poems weave together the meditative and the disruptive, the queer and quotidian, and the worlds of the dead and the living. Connections are made through prayer and protest; friendships are forged on a planet challenged by climate crisis, collective grief, and the perils of late capitalism. 

These poems vibrate with unexpected shifts and precise, startling imagery, the touchstones of a poet whose work critics have described as “thrilling,” “emotionally evocative,” and “revelatory.”

In the 2020 CBC Massey Lectures, bestselling author and renowned technology and security expert Ronald J. Deibert exposes the disturbing influence and impact of the internet on politics, the economy, the environment, and humanity.

Digital technologies have given rise to a new machine-based civilization that is increasingly linked to a growing number of social and political maladies. Accountability is weak and insecurity is endemic, creating disturbing opportunities for exploitation. 

Drawing from the cutting-edge research of the Citizen Lab, the world-renowned digital security research group which he founded and directs, Ronald J. Deibert exposes the impacts of this communications ecosystem on civil society. He tracks a mostly unregulated surveillance industry, innovations in technologies of remote control, superpower policing practices, dark PR firms, and highly profitable hack-for-hire services feeding off rivers of poorly secured personal data. Deibert also unearths how dependence on social media and its expanding universe of consumer electronics creates immense pressure on the natural environment. In order to combat authoritarian practices, environmental degradation, and rampant electronic consumerism, he urges restraints on tech platforms and governments to reclaim the internet for civil society.

Finalist, Governor General's Literary Award in the Translation Category
Longlist, 2025 Dublin Literary Award

A Quebec bestseller based on the life of Michel Jean’s great-grandmother that delivers an empathetic portrait of drastic change in an Innu community.

Kukum recounts the story of Almanda Siméon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools. 

Kukum intimately expresses the importance of Innu ancestral values and the need for freedom nomadic peoples feel to this day.

There is the heartbreak tied to human love and there is heartbreak that points to notions of the divine. The poems in Suzanne Buffam's debut collection, Past Imperfect, enter the darkness of both -- at times simultaneously -- giving utterance to the breakage and shards of weak light found therein. Employing humour and directness to equal effect, Past Imperfect admits the self is fluid; so we wave farewell to many selves.

These are poems of great intensity, driven by intelligence, tracing the barely knowable contours of a soul-in-progress. In a voice as confident, elegant, and vivid as it is brimming with doubt, Past Imperfect employs recurrent images like echoes or quiet obsessions. These become totems of absence, of presence, of the potential other, or simply, of the world as it is: breathtakingly beautiful, refusing to minister to our solitude.

What anxiety grips Petites Cendres as he runs towards the sea in the sunshine on a warm tropical morning? Shouldn’t he be reassured by the thought that he now lives at the Acacia Gardens, a comfortable home where all find care, understanding, and healing? How can Fleur, the young musical prodigy, listen to the diabolical confessions of Wrath, the fugitive priest, without shuddering? And, can Daniel the writer finish his novel, the one he has been working on for twenty years, despite his sensitivity and empathy for all creatures, even if they are the most humble, like the lizard he inadvertently crushed under his sandal?

With this latest novel, Marie-Claire Blais once again gives us a vibrant portrait that embraces the span of life — from birth to death and beyond. Her characters question their purpose and what will come after, as they are confronted by evil that lives and that has taken root.

In Clea Young’s arresting sophomore collection of stories, friendships fail, families stumble, and neighbours know each other’s business

Distinctly rooted in the Pacific Northwest, Young’s characters make their marks and take their missteps on the beaches, in the mountains and neighbourhoods in and around Vancouver, BC. A couple spontaneously invite their new neighbours to dinner and the night takes a menacing turn. A widow seeks solace and revenge on the mountain bike trails behind her home. And an overwhelmed single mother moves into a housing cooperative the same summer two teenage boys are on the run, wanted for murder.

The women in these stories crave connection but often get in their own way of achieving it. They are stubborn, jealous, and stuck. They are misunderstood—and misunderstand—and lonely. They are also perceptive and empathetic. In prose that sparks and spits, by turns poetic and plain, Young writes assuredly of loneliness and connection, love and loss, fear and fortitude, and perhaps most evocatively of the labyrinthine inner lives of women.

Brilliant and still-timely analysis of the implications of technology-driven globalization on everyday life from Canada’s most influential philosophers, reissued in a handsome A List edition, featuring an introduction by Andrew Potter.

Originally published in 1969, Technology and Empire offers a brilliant analysis of the implications of technology-driven globalization on everyday life. The author of Lament for a Nation, George Grant has been recognized as one of Canada’s most significant thinkers. In this sweeping essay collection, he reflects on the extent to which technology has shaped our modern culture.

In the style of Barry Lopez, Annie Dillard, and Eula Biss, Surrender explores the changing landscape of the American West and the radical environmental movements that have taken root in response to the increasingly urgent climate crisis.

Blending personal memoir with insightful reportage and vivid nature writing, award-winning author and essayist Joanna Pocock investigates the changing landscape of the West and the radical environmental movements that have taken root in the Mountain States. She witnesses the annual tribal bison hunt near Yellowstone National Park, where she meets a scavenger community honing ancestral skills. She joins Finisia Medrano, a transgender rewilder who for many years has been living on the “hoop,” following her food source by seasonal migration. She attends the Ecosex Convergence — an annual gathering of people who place their relationship with the earth above everything else — and attends a workshop led by Reverend Teri Ciacchi, a sexologist, priestess of Aphrodite, and holistic spiritual healer in the Living Love Revolution Church.

Surrender is a keen and compelling examination of the outsider eco-cultures blossoming in the new American West in an era of increasing climatic disruption, rising sea levels, animal extinctions, melting glaciers, and catastrophic wildfires.

Lisa Moore's stories are bright, emotionally engaging, tangible. She marks out the precious moments of her characters' lives against deceptively commonplace backdrops — a St. John's hospital cafeteria lit only by the lights in the snack machines; a half-built house "like a rib cage around a lungful of sky" - and the results linger long in the memory. The Selected Short Fiction of Lisa Moore shows us that love, alongside desire, can sometimes come as a surprise, sometimes an ambush. She splices moments and images together so adroitly, so vividly, you'll swear you've lived them yourself. This new volume, bringing together Lisa Moore’s first two books of stories, Open and Degrees of Nakedness, is the very best way to encounter one of the finest short-story writers in the country. This edition features a brilliant new introduction by Jane Urquhart on the importance of Moore’s work.

Discover Toronto’s wild, weird history and the 100 unique beers it inspired!

Did you know that Babe Ruth hit his first home run in Toronto? Or that the city’s first taxi service was operated by a former slave from the American South? Or that, during the Second World War, anti-submarine technology was developed in a carriage house at Casa Loma? These are the sorts of stories Henderson Brewing Company has been celebrating with their monthly “Ides” series: unique brews that pay tribute to just-as-unique moments in Toronto’s history.

Toronto in 100 Beers is more than a history of Henderson’s limited releases, it’s a history of the city itself—a city that has nurtured the lives and legends of artists, golfers, boxers, prog rockers, prestidigitators, hockey legends, and even a few ghosts. This book collects their stories and those of the beers dreamt up in their honour. Toronto is a wild, weird city whose rich history is worthy of celebration—so raise a glass to Toronto and to the Henderson Brewing Company.

This specially designed and bound hardcover First Edition of Elise Partridge's poetry collection is limited to 50 copies.

Elise Partridge’s The Exiles’ Gallery extends the range of her widely acclaimed earlier books, Fielder’s Choice and Chameleon Hours, praised as “first-rate” (James Pollock) for their “authenticity” (Stephanie Bolster) and “brilliant precisions that reflect life’s plenitude” (Rosanna Warren).

Widely praised for her engagement and her attention to craft, Elise Partridge’s The Exiles’ Gallery confirms her standing as one of the most thoughtful, authentic voices in contemporary poetry. The poems in her third collection continue to explore what she has called “implicit questions about fullness of life or lives somehow thwarted, diminished, ended too early.” Through formal technique, painterly detail or her signature compressed directness, Partridge’s poems explore the past, present and future with compassion and grief, bearing witness to our not-so-still, all-too-brief lives.

Above all, The Exiles’ Gallery is a book of celebration. In these restless, nimble, and complex poems of apprehension — whether by a candid glance backward at childhood or through tributes to friends — Partridge’s arresting images and diction give shape to the complexity and abundance of experience, made more luminous and gilt-edged by the corridor of encroaching shadows. Dispossessed but defiant, these are songs of preservation and love.

Winner, 2024 Quebec Writers' Federation Paragraphe Hugh MacLennan Prize for Fiction
Winner, 2024 Quebec Writers' Federation Concordia University First Book Prize

A daughter examines her complicated relationship with a charismatic, narcissistic mother who now lives with alcohol-related dementia.

When Cassie Wolfe brings her mother, Nina, to the Albuquerque Presbyterian Hospital to be detoxed, the doctors ask her to write a profile of the patient. But how can she fit Nina into a Word document? The last two years have left Cassie stunned, unable to reconcile the shell of a woman lying in the hospital bed with the force of nature that was her mother.

Cassie's memories of Nina span decades and landscapes, from a farmhouse in Massachusetts to the streets of New York and the mountains of New Mexico. Nina was a charismatic iconoclast—an architect and builder who could wield a circular saw as easily as discuss politics art. But as Cassie comes to realize, Nina's brilliant constructions were only possible when she walled off whole sides of herself. Hiding is not unique to Nina—Cassie knows AA is full of just such intelligent, hilarious, powerful women. And when her critical gaze turns to her own life and how she’s raising her two daughters, she sees her mother's influence everywhere. In the end, Nina's devastating descent threatens to pull the family under, and Cassie's constant action is propelled by grief until she realizes that all that remains is to let it go.

David French's award-winning plays Leaving Home, Of the Fields, Lately and Salt-Water Moon are available for the first time in a special one-volume edition, with an introduction by Albert Schultz.

Set in the 1950s, Leaving Home tells the story of the Mercers, a Newfoundland family who have emigrated to the mainland and lost all sense of their place in the world. In Of the Fields, Lately, the emotionally charged sequel to Leaving Home, young Ben Mercer returns home after being gone for two years and confronts the family he left behind. Salt-Water Moon was written later than the other two plays but tells the earlier story of the courtship of Jacob and Mary Mercer in Newfoundland.

Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada. Of the Fields, Lately won the Chalmers Award in 1973, and Salt-Water Moon won the Canadian Authors Association Award for Drama, the Dora Mavor Moore Award for Best New Play, and the Hollywood Drama-Logue Critics’ Award.

The poems in Crying Dress, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation, rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, Crying Dress explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.

Alone with their authoritarian father on an immense estate surrounded by a forest, a pair of siblings speak a language and inhabit a universe of their own making. When their father commits suicide, they are forced into contact with the villagers beyond the enclosure and their cloak of romance and superstition quickly falls away to reveal not only the startling truth about themselves, but the startling truth about the world to them.

Balancing naiveté with carnality, Soucy creates a powerfully gripping story where nothing is as it first seems. His surprising twists and fascination with guilt, cruelty, and violence make this story a resounding triumph.

In the third installment in Alen Mattich’s highly addictive Marko della Torre series, Alen Mattich delivers a powerful political thriller that depicts the horrors and machinations of the Yugoslav civil war and the humanity of those who survive it.

Autumn 1991. Civil war has broken out in Yugoslavia with Croatia’s declaration of independence, and former secret policeman Marko della Torre is set adrift. Department VI, the internal investigations unit, is now in a state of paralysis as Belgrade struggles to maintain its hold as the region’s centre of power. When the body of a young woman, identified as American agent Rebecca Vees, washes up on the shores of Italy, della Torre is summoned by U.S. authorities. He is the last person to have seen Rebecca alive. Her two colleagues have also been found shot dead on an island in Croatia, and della Torre is coerced into locating the man they think is responsible: the corrupt and unscrupulous Zagreb cop, Julius Strumbic. Forced to navigate Yugoslavia’s bloody civil war in order to track Strumbic’s whereabouts, della Torre has to decide whether he will warn his old friend or give him up to the Americans to save himself.

The sixth and, on the surface, most innovative poetry collection from Scotiabank Giller Prize finalist Michael Crummey.

Eclectic, unpredictable, and strange, Passengers follows Swedish poet Tomas Tranströmer on an imagined circumnavigation of Newfoundland; traces the island escapades of Lucifer from the time of his arrival as a stowaway in the Middle Ages; and wanders the pre-pandemic cities of Europe, touching down in Stockholm’s ABBA museum, the Belfast Public Library, Austria’s plague cemeteries, and the Czech Republic’s Punkva Caves.

Widely considered “one of Canada's finest writers” (Globe and Mail), Crummey is noted for the immediacy and emotional impact of his poetry and fiction and for his ability to raise the vernacular to planes of “exquisite beauty.”

Part travelogue, part archeological dig, Passengers is an eccentric guide to the wild geography, folklore, and misbegotten history of the human heart.

In a society where we discuss sex openly, the most embarrassing secret is to admit that you can’t make “it” happen. I’m Coming is a hilarious and provocative novel about why women fake it.

Ever since her sexual debut, Julie has faked orgasms. One day she decides she’s had enough and locks herself in the bedroom with food, baby oil, and Mr. Rabbit — a vibrator with a thirty-day orgasm guarantee. Lying in bed she reviews her sexual history: boyfriends, casual lovers, and, not least, the man she married. Meanwhile, her husband and their three children stomp around outside her bedroom, along with the sexually well-functioning Ukrainian au pair, all of them wondering why Julie isn’t coming.

I’m Coming is a delectable comedy about society’s expectations of women and women’s expectations of themselves. Aarø writes deftly about sexuality, identity, and the media’s portrayal of what constitutes “normal.”

A national bestseller, Let the Elephants Run is the essential guidebook for anyone looking to reignite their creativity.

Creativity is in everyone’s DNA, not a select few. Award-winning musician and founder of CloudID Creativity Lab David Usher believes we just need the right tools to help us reconnect with our imaginations in our day-to-day lives, whether in the head office, the home office, or the artist’s studio. Using a mix of personal anecdotes and professional examples from the worlds of industry, technology, science, music, and art, he shows us that creativity is not magic; it is a learnable skill that any person or business can master. The dynamic full-colour design includes photographs, artwork, and illustrations, as well as action pages to help readers start cultivating the habit of documenting their ideas for future execution. Based on his wildly popular speaking engagements, Let the Elephants Run is the essential guidebook to reigniting and nurturing our creativity in accessible and productive ways.

The latest work in internationally acclaimed author Marie-Claire Blais’s masterful novel cycle, A Twilight Celebration examines the prophetic side of the writer and the burden that falls to him in a world whose fate is yet to be determined.

Daniel, a middle-aged novelist and loving father alienated from one of his sons and unsure how to care for his daughter, is on his way to an international conference of writers. The gathering is to be held in the forest above a mountain village of a strangely dreamlike nature. In the twilight of the festival’s setting, dreams, memories, nightmares, and dark forebodings meld in Daniel’s unsettled but deeply sympathetic consciousness: He is haunted by pressing existential questions: What is to be done? What are his responsibilities as a father, as a friend — and as a writer? As Daniel confronts his own vanities, as he recalls the activism but also the disappointments and betrayals of friends and colleagues — as he contends with, above all, the fears and aspirations of his children in times marred by apocalypse, he asks, ultimately, what can be done?

In what may well be the most beautiful and disturbing of her novels, Marie-Claire Blais leads us on a heady, spellbinding journey through an interconnected world in which the artist strives to divert humankind’s headlong rush towards a terrible destiny. Here is a world in which friends and strangers, the living, the dead and those not yet born, are inextricably bonded by their often flawed but always splendid humanity. Yet again, Blais captivates with her urgent concerns, irrepressible empathy, and singular idiom: A Twilight Celebration is an astonishing literary accomplishment.

Garth Martens’ debut, Prologue for the Age of Consequence, is about the tar sands and industrial projects of Alberta, and the men who work in them. But to describe it as such restricts the book to its physical concerns, when in fact these are poems of great philosophical ambition, and startling ethical and psychological reach.

Martens has made an elemental world both beautiful and severe, and on his stage, characters assume a collective status both emphatically human and radically mythic. He is interested in endurance, in addiction, loss, abuse, and pain, in how people are created, and how they create themselves, out of crude material both inherited, and scavenged. His language is rough and baroque; his metaphors are titanic in their range and scope. This is a book about grace and error, about hurtling towards the unknown, about acting out. Martens writes: "It is dark when you reach the excavation and you don't know if the road starts or ends here. If it's abutment, chimera, hole." Prologue for the Age of Consequence accrues the propulsive force of an epic. It will pry you open, and reorder what it finds inside.

The perfect companion to the internationally bestselling collection of poems and illustrations The Lost Words, this 500-piece special-edition jigsaw puzzle brings to life Jackie Morris’s magical watercolour painting of magpies. 

Since its publication, Robert Macfarlane and Jackie Morris’s stunning collection of poems and art The Lost Words has enchanted the lives of children and adults alike with its depictions of the beauty of the natural world. Through the magic of word and paint, the book celebrates the wonder and importance of everyday nature and has inspired grassroots rewilding movements around the world. This jigsaw puzzle gives readers a chance to explore The Lost Words further by recreating Jackie Morris’s stunning artwork that accompanies Robert Macfarlane’s spell-poem for magpie.

GLOBE 100 BOOKS OF 2024 • INDIGO BEST BOOKS OF 2024 • CBC BEST FICTION OF 2024!

The second novel by Scotiabank Giller Prize finalist Michelle Winters teems with hot towel shaves and the steady thrum of female rage.

Spurred by adolescent trauma, Louise adopts a life of hardcore punk violence until she stumbles into a job at a mysterious men’s hair salon, where her unique relationship with her clientele shows her a more perfect world—or so it seems. When that world is overturned, she flees to a marina on the East Coast, where she lives free from reminders of her past—except the duffle-bagged ones she jettisons nightly in a forsaken cove. But on the day of the Tragically Hip’s 2016 farewell performance in Kingston, a man surfaces from the Bay of Fundy, rousing long-dormant urges and giving Louise an unexpected gift: the chance to make things right.

Funny, warm, and furious, Hair for Men is a subversive exploration of gender, forgiveness, and chucking convention.